From the desk of Laurel Ann Nattress:
“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
Besides being trotted out for the opening of every news article containing anything vaguely related to Pride and Prejudice, its author, its characters, its plot or any other self-serving cause, I have seen this famous first line from the novel on T shirts, mugs, book bags and stationary. It is indeed a truth universally acknowledged that Pride and Prejudice is a phenomenon!
Exalted by scholars and embraced by the masses, Pride and Prejudice is indeed a literary treasure for the everyman. In this year of its 200th birthday, the outpouring of celebration in the press, online and in print confirms our longstanding love affair and addiction. We just can’t get enough of it.
Just in time for the year-long festivities is Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece, an in-depth exploration of Jane Austen’s classic novel by Susannah Fullerton. At 240 pages, it is packed full of text and many full-color illustrations—something for everyone from the novice reader to veteran Janeite. The volume covers a range of topics as the chapters are broken down by categories such as the writing of, the reactions to, the style of, the heroine, the hero, illustrations, sequels and adaptations, theatrical versions, and, of course a whole chapter devoted to the famous opening line quoted above.
My “first impressions” of this tribute to one of my favorite novels was the stunning cover resplendent with the plume of a peacock (the iconic symbol or pride) and appropriately in peacock blue! They say you should never judge a book by its cover, but I do. If a publisher does not care enough about that “first impression” then why should I buy their book? Flipping through the pages the overall design is polished and each of the illustration is credited. Huzzah! And boy do the illustrations pop. Each page has something iconic or new, even to this die-hard Austen book collector who owns numerous illustrated editions of Pride and Prejudice dating back to the 1890’s!
Fullerton discusses every aspect of this novel imaginable, but one subject is of particular interest to me: Sequels and Adaptations. Are you surprised dear reader? Yes, I have read a few Austen-inspired novels in my day and can appreciate Fullerton’s keen eye for the sublime and the ridiculous and the “uses and abuses” by many. She does however look at the phenomena of the Austen spinoff with her tongue firmly set in her cheek; occasionally taking a painful stab.
“There is only one Pride and Prejudice and for many readers, that is simply not enough. They want more! And if Jane Austen could imagine lives for her characters after the ending of her novel – a clergyman husband for Kitty and one of Uncle Philip’s clerks for Mary – why should not other authors do the same?” (155)
Many could argue the point, and do, but Fullerton is celebrating Pride and Prejudice and its impact on readers and culture, warts and all. She goes on to enlighten us on the differences between mixed sequels such as Old Friends and New Fancies, by Sybil Briton (misspelled Brunton), continuations like A Match for Mary Bennet, by Eucharista Ward, “Jane Austen would surely have been the first to scoff at such Evangelical claptrap,” (ouch) and retellings and their variation the “what if” like Fitzwilliam Darcy An Honourable Man, by Brenda Webb. However, we were not amused when her historical outline turned into finger pointing and our eyebrows often reached our hairline over such statements as…
“Abigail Reynolds has written “A Pemberley Medley of five variations of Darcy’s story, and Mary Simonsen has had at least three goes at making Darcy do what she wants him to do. Perhaps readers should pause over Mr. Darcy Takes the Plunge to ask what depths this hero must be further expected to plumb?” (160)
The chapter continues with explorations of Austen-inspired mysteries, paranormal, children’s adaptation, chick lit and regencies, and pornographic novels. Fullerton states that no other novel has inspired so many prequels, sequels etc. than Pride and Prejudice. She bluntly asks if these other books are vital to the enjoyment of the original or “simply derivative rubbish we can all live without?” and then softens her blow in the last line of the chapter,
“For with Pride and Prejudice it has turned out that “The End” was really just the beginning.” (173)
Fullerton has supplied her view of a great novel and given us a volume to treasure and debate. I greatly enjoyed the details and images, and most of the observations in this tribute, yet I have come away feeling my heart divided between admiration and resentment for the author. Could it be that our “personal” Pride and Prejudice and its characters are so deeply entrenched in the hearts of many, and interpreted so differently by most, that others will be at odds with her choices too? Am I pulling a Lizzy Bennet and “not making allowance enough for difference of situation and temper”? Quite possibly, but I will not let it ruin my happiness. Celebrating Pride and Prejudice is a must read this year, if only to rejoice in our differences of opinion and laugh in our turn.
4 out of 5 Stars
- Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece, by Susannah Fullerton
- Voyageur Press (2013)
- Hardcover (240) pages
- ISBN: 978-0760344361
- Genre: Literary Criticism
We received a review copy of the book from the publisher in exchange for an honest review. Austenprose is an Amazon affiliate. Cover image courtesy of Voyageur © 2013; text Laurel Ann Nattress © 2013, austenprose.com. Updated 13 March 2022.