It’s time to announce the winners of the giveaway of three paperback copies of How to Rescue a Rake, by Jane Fresina. The lucky winners drawn at random are:
- clm1743, who left a comment on January 18, 2016.
- Priscilla, who left a comment on January 19, 2016
- dholcomb1, who left a comment on January 18, 2016.
Congratulations to the winners! To claim your prize, please contact me with your full name and address by February 04, 2016, or you will forfeit your prize! Shipment to US addresses only.
Thanks to all who left comments, to author Jayne Fresina for the guest blog and her publisher Sourcebooks for the giveaways.
Cover image courtesy of Sourcebooks © 2016, text Jayne Fresina © 2016, Austenprose.com
From the desk of Katie Patchell:
While most of Jane Austen’s beloved novels are set in the countryside or resort towns, there is one that stands out from the rest because of its tantalizing glimpses of life at sea: Persuasion. In Jane Austen’s novel, readers discover her own admiration for the daring men in the British Navy with her addition of the remarkable Captain Wentworth into her cast of Regency heroes. Debut author Jennifer Moore follows Jane Austen’s lead by focusing on Navy life during the 1800s in her 2014 Regency romance, Becoming Lady Lockwood, a novel featuring a brave heroine, heroic captain, and the excitement and peril of life on the high seas.
At twenty, Amelia Beckett has happily accepted her sudden widowhood—after all, she’d never met Lord Lawrence Walter Drake, Earl of Lockwood, the man her father had forced her to marry. Amelia expects her life to continue as before; her father, now content, would continue living a debauched lifestyle in London, and she would run the family’s sugarcane plantation in Jamaica, finally free of chaperones and matchmakers. But Amelia’s plans are dashed when her father commands her to travel to London in order to fight for Lord Lawrence Drake’s fortune, and he sends the one man who will fight against her rights in court to pick her up: Captain William Drake, brother to Amelia’s deceased husband, and new Earl of Lockwood. Continue reading
Heyday! Traditional Regency romances are back in vogue. I see more and more being published and authors like Julie Klassen, Sarah M. Eden, and Julianne Donaldson winning awards and having incredible success. This is great news considering publishers wrote off the genre in 2005.
For those of you who do not know what a traditional Regency romance novel is, just think Jane Austen and her descendants: Georgette Heyer, Carla Kelley, Candice Hern, and Mary Balogh all write novels set in the Regency era (1811-1820) featuring a comedy of manners, social commentary, and sweet romance. When new authors appear on the scene, I am always eager to check them out and see if they are up to snuff. I am happy to introduce debut novelist Charlotte Brentwood’s The Vagabond Vicar to you today with this preview and an exclusive excerpt.
PREVIEW (from the publisher’s description)
William Brook is an idealistic young cleric, desperate to escape dreary England for a mission adventure in exotic lands. It’s his worst nightmare come true when he is posted to a parish in a small backwater village, populated with small-minded people and husband-hunting mamas. He’s determined not to form any ties and to escape the country as an independent single man.
A free spirit, Cecilia Grant is perfectly content to remain in her family home in Amberley village – when she’s not wandering the countryside at all hours painting. Marriage options are few, but that won’t stop her mother from engineering a match with one of the ruling family’s sons. Cecilia attempts to win the man, but what is it about the new vicar and his brooding ways that is so appealing? Could he be the only one who has ever really understood her, and can she discover what he is running away from?
As William struggles not to fall in love with the lady’s intoxicating beauty and mysterious eccentricity, he finds himself drawn into the lives of the villagers, despite their best efforts to alienate the newcomer. When he makes it clear he’s not sticking around, Cecilia strives to restrain her blossoming feelings for him. Just when it seems love may triumph, dark secrets are revealed in Amberley and a scandal from William’s past may see the end of not only his career, but his chance at finding an everlasting love.
From the desk of Katie P.:
In most novels, the heroine has some kind of quirk, trait, flaw, or unique quality—physical or otherwise–which the hero (and the reader) falls in love with. She could have a temper (Serena, Bath Tangle) or a limp (Sorrel, Friends and Foes). She might stutter (Horry, The Convenient Marriage) or make judgments too quickly (Elizabeth, Pride and Prejudice). She could love to twirl (Marianne, Edenbrooke) or love to take charge (Sophy, The Grand Sophy). She might be stubborn (Margaret Hale, North and South) or love matchmaking (Emma, Emma). She might love to read novels (Catherine, Northanger Abbey) or collect insects and plants (Alice, The Naturalist). The list could go on and on. But the one characteristic not often seen (or even seen) in a Regency heroine is shortsightedness. In Christina Dudley’s latest continuation of the Hapgoods of Bramleigh series, A Very Plain Young Man, readers meet a rake in need of a bride…and a heroine in need of spectacles.
Frederick Tierney is three things: the heir to two estates, a rake, and an extremely handsome man (which he is very much aware). While in London, he breaks off his relationship with his latest conquest, for the first time getting tired of living the life of a profligate (which disappoints his family), saying false ‘I love you’s’ and being chased after by shallow women. He travels to Somerset for his younger brother’s wedding, and to escape his ex-lover’s clutches, he sends her a letter saying he’s soon to be married. Continue reading
From the desk of Katie Patchell:
What must it be like to be the forgotten sibling? The one, like Mary Bennet from Pride and Prejudice, who is forever being ignored in favor of older and more flawless siblings? Until recently with the focus on Mary Bennet in novels like The Pursuit of Mary Bennet, The Forgotten Sister, and the Return to Longbourn, authors have been ignoring this type of character, the one who at first glance has nothing to offer the reader. But sometimes it is the quiet character watching from the sidelines that has the most difficult problems to overcome, and the most potential to grow. Sarah M. Eden has created a hero who is used to being hidden in the background in her most recent novel, As You Are, the third in Sarah M. Eden’s series, The Jonquil Brothers. Without any prior knowledge of this series (or indeed, Sarah M. Eden’s novels) this reviewer has ventured into a Regency world unlike any other, one that is managed by the seven Jonquil brothers. While the other two novels in this series told the tales of the eldest two brothers, Philip and Layton, As You Are tells the story of the forgotten middle brother, Corbin. Like Mary Bennet, he has his own unique struggles to overcome. Continue reading
From the desk of Katie Patchell:
Dancing—one of the first things that come to mind when imagining the Regency era. Ballrooms, white gloves, dashing men and beautiful women, weaving in invisible patterns on a marble floor, surrounded by fragrant flowers and glowing candelabras. But where do these heroes and heroines learn that beautiful and necessary skill? The answer: Dancing masters – the men who mixed with those in the highest circles, but were not their social equals. This group of men has been in the shadows of Regency fiction…until now, in Julie Klassen’s latest novel, The Dancing Master. In this romantic novel, the focus shifts from the dancers on the dance floor to the teacher behind the dance.
Alec Valcourt finds himself suddenly in a new town: his future drastically different from what he had planned. Gone is the exciting life as a dancing master for his father’s academy in London—now he must support his mother and sister on his own, all while protecting them from shameful secrets from the past. Alec seeks to restart his career as a dancing master but soon discovers that dancing has been mysteriously prohibited from the town of Beaworthy for twenty years. The imperious Lady Amelia Midwinter has banned all dances and, as Alec quickly finds out, despises dancing masters—especially if they get too near her beautiful but willful daughter, Julia. Continue reading
This is my eighth and final selection in the Regency Romance Reading Challenge 2013, our celebration of romance author Candice Hern. We have read all of her traditional Regencies over the last nine months, discussed her characters, plots and Regency history. Her next novel Social Climber was scheduled for release in October but has been extended to January. Participants in the challenge, please leave comments and or links to your reviews for this month in the comment section of this post.
Have you ever read a short story and wished it was a full-length novel? That is how I felt after completing “Lady Ann’s Excellent Adventure.” Short and sweet at 43 pages, Candice Hern has introduced characters that I instantly loved and wanted to know more about. What grabbed me so immediately you ask? The humor and effervescent theme.
In this brief format, an author must use every word and sentence to advance the narrative quickly to its conclusion. Hern wastes no time by introducing the two main characters in an outrageous and humorous way: our hero, the Earl of Evesham, is test-driving his new curricle down Park Lane in London and spies a young woman perched in a tree attempting to make her way over a fence. Caught by her skirts on a branch, she is prevented from progressing and literally up a tree! The unusual sight of a finely dressed woman in such a predicament is quite intriguing to the lord, but the fact that she is attempting to escape from the garden of the royal owner that he was appointed to meet the next day to make a formal offer for his daughter’s hand is even more interesting. It is an arranged marriage since his boyhood and he has not seen his future fiancé since she was a child. Could this pretty young lady be his intended? No. It was highly unlikely that Lady Ann of Gloucester, daughter of Prince William Henry, Duke of Gloucester, and niece to the king would be dangling from a tree in the fashionable Mayfair district. Was she instead a housebreaker escaping with the family silver? Who could this “adorable sprite” be? Continue reading
From the desk of Katie Patchell:
In 2012 Julianne Donaldson published her debut novel, the highly successful Regency romance Edenbrooke. Now in 2013, she has written her second Regency novel, Blackmoore, which is set on the moors and windswept cliffs of England, in the halls of an old manor, filled with binding secrets, forgotten memories, and hidden love.
At fifteen, Kitty Worthington decided to change her name and identity to Kate Worthington. From happy child to guarded young woman, she turned her back on ever marrying, feeling as if she was a bird trapped in a cage—a cage filled with her mother’s indiscretions and schemes, and the fear that in letting herself feel and love, she would become just like all Worthington women—cold and heartless, being used and using others in turn.
Now at seventeen, Kate has finally been invited to Blackmoore, the symbol of her freedom and the manor house she has always longed to see. It is the second home of her best friends since childhood, Henry and Sylvia Delafield, who have visited it every summer, leaving her behind to imagine a place as wild as it is beautiful. But her dreams of Blackmoore will be destroyed unless she strikes a devil’s bargain with her manipulative mother. If Kate can manage to receive and reject three proposals during her visit, she can finally leave her broken home and make her own choices. If not, she must stay and do whatever her mother desires—including marrying a man she does not love. While at Blackmoore, Kate must discover the secrets in her heart, the worth of her dreams, and the strength to open her own cage and soar. Continue reading
This is my seventh selection in the Regency Romance Reading Challenge 2013, our celebration of romance author Candice Hern. We will be reading all of her traditional Regencies over the next nine months, discussing her characters, plots and Regency history. Sign-ups for the challenge are now closed but you can still follow along and leave comments. Participants, please leave comments and or links to your reviews for this month in the comment section of this post.
To be considered over the hill at age twenty-six seems outrageous today, but in Regency times, young ladies married in their mid-teens or became spinsters who cared for their parents and siblings children. Tragically our heroine Rosie, eldest daughter of Sir Edmund Lacey of Wycombe Hall, Devonshire, did not have a choice to marry young and now resides “on the shelf” where Society places ladies who are not deemed marriageable.
Since her mother’s early demise ten years ago, she has quietly raised her five siblings without complaint. Now that they are all settled, and she can think of herself beyond being a substitute nanny/housekeeper/mother, she discovers that she too is afflicted with the same malady that took her mother’s life. With only six months to live she wants to “burst out of her tight laces before it is too late” and experience everything she has been deprived of: a life in London away from her dry as a twig father and overbearing younger sister to discover the delights of Society, the opera, theatre, museums and a bit of scandalous romance too. Who better to introduce her to the life she craves than her notorious Aunt Fanny? Against her family’s wishes, she sets off for Miss Lacey’s Last Fling. Continue reading
This is my sixth selection in the Regency Romance Reading Challenge 2013, our celebration of romance author Candice Hern. We will be reading all of her traditional Regencies over the next nine months, discussing her characters, plots and Regency history. Make haste! You can still join the reading challenge until July 1, 2013. Participants, please leave comments and or links to your reviews for this month in the comment section of this post.
Unrequited love can force a girl into desperate measures—a scheme that Lydia Bettridge’s brother Daniel has concocted—and she is uncertain will work. Before the most important ball of the Season, he will procure his friend Philip Hartwell to sweep her off her feet in front of the object of her affection making him wild with jealousy. But when Philip is detained from the ball and unknowingly asks the object of her affection Geoffrey Danforth to be the swain who sweeps, Lydia is thrown for a loop. NO—he was to be the jealous lover, not the one to make her lover jealous! Thankfully Geoffrey does not know who the object of the game is and Lydia is not going to tell him! But now everything is topsy-turvy. How was she going to make him think of her as a beautiful, desirable young woman and not the little sister of his best friend? It does not help that he is so eager to play the part, especially since he has never singled out any woman in his life and will draw the attention of Society by playing the “mooncalf” with her. He was determined to make everyone in the room believe that he was madly in love with her, and he did, even Lydia! It was totally glorious—except that it was not real. Pressed to reveal whom Geoffrey is to make jealous, Lydia picks the first man she sees, the infamous rake Lord Tennison. Shocked, he tries to warn her off, but Lydia claims she needs excitement in her life. Always the obliging gentleman, Geoffrey promises to play the part to the nines and have Tennison falling at her feet before the night’s end. Continue reading
This is my fifth selection in the Regency Romance Reading Challenge 2013, our celebration of Regency romance author Candice Hern. We will be reading all of her traditional Regencies over the next nine months, discussing her characters, plots and Regency history. You can still join the reading challenge until July 1, 2013. Participants, please leave comments and or links to your reviews for this month in the comment section of this post.
“Hell is paved with good intentions.” ― Samuel Johnson
I just couldn’t resist throwing in this famous quote by the great literary genius, poet, essayist, moralist, literary critic, biographer, editor and lexicographer of the 18th century, Samuel Johnson. His moral and literary influence on Jane Austen has been well documented by scholars. Austen’s inspiration on her beneficiaries including Georgette Heyer, the greatest Regency romance novelist of the 20th century, and now the next generation with Candice Hern gives her novel The Best Intentions six degrees of separation that writers dream about. The hero, heroine, antagonist and secondary characters all act with “good intentions” using moral judgment to rationalize their actions. What ensues is a social comedy of manners that takes a sly look at what motivates Society in the Regency era—and like Johnson, Austen, and Heyer, Hern gives us a dose of humor and romance to soften reality.
It is 1814. Peace is at hand in England after decades of war with France. Bonaparte has been exiled to Elba and British soldiers are returning home. Like Jane Austen’s novels, The Best Intentions is not about war or government politics. It is about two or three county families at a manor house in Northamptonshire and two people who do not want to marry anyone, but by social stricture must do so, and how the best intentions of their family and friends try to influence them. Continue reading
This is my fourth selection in the Regency Romance Reading Challenge 2013, our celebration of Regency romance author Candice Hern. We will be reading all of her traditional Regencies over the next nine months, discussing her characters, plots and Regency history. You can still join the reading challenge until July 1, 2013. Participants, please leave comments and or links to your reviews for this month in the comment section of this post.
In landscape design, a garden folly is a structure whose only objective is to deceive. They have no purpose other than as ornament—to delight the eye and draw one to their door to evoke a romantic scene or time. How apt that author Candice Hern chose to name her Regency romance A Garden Folly, since her main characters are follies themselves.
Set at the Kent grand country estate of the Duke of Carlisle, two impoverished sisters impersonate aristocrats to entrap rich husbands, while the wealthy and titled owner of the dukedom, and the continuing custodian and creator of its grand landscape, hides behind the mantle of the head gardener to avert interaction with Society. Both hero and heroine have serious trust issues. How they will overcome their personal challenges is a serpentine path that teasingly twists, turns, and surprises the reader until the last page.
Catherine and Susannah Forsythe are down on their luck. Living in genteel poverty on the wrong side of London with Aunt Hetty was not what they had expected at this time in their lives. Their father, Sir Benjamin Forsythe, squandered their family fortune before he died two years ago, but they still have beauty and wits in their corner. A surprise invitation from Aunt Hetty’s childhood friend, the Duchess of Carlisle, for her annual summer house party at Chissingworth may be their only chance to catch rich husbands. Determined to pull off the deception that they are wealthy young ladies, Catherine, with the help of their servant McDougal, magically acquire all the tools needed to disguise their poverty: clothes, carriage, jewels, and servants. Now they must set their caps for the right man, steering clear of the wrongs sorts: “penniless younger sons, clerics, or half-pay officers.” Arriving in style, the deception begins. Continue reading