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A Preview & Slideshow of The World of Sanditon: The Official Companion Book, by Sara Sheridan

The World of Sanditon, by Sara Sheridan (2019)Welcome to Sanditon, an 1819 Regency seaside community in Sussex England—the fictional site of the new ITV/PBS television adaptation/continuation of Jane Austen’s final unfinished novel.

For those who are watching the eight-part series currently airing in the US on PBS, The World of Sanditon, by Sara Sheridan will be catnip to heighten your addiction. A copiously illustrated behind the scenes look at the making of the new television series, it also is filled with a biography of Jane Austen, historical information on the era, seaside life and health resorts, and Regency life for women.

In addition, there are spotlights on the characters and interviews with the actors who brought them to the screen. Here is a description of the book from the publisher Grand Central Publishing, details on the content, and images from the production for your enjoyment. Continue reading “A Preview & Slideshow of The World of Sanditon: The Official Companion Book, by Sara Sheridan”

Author Interviews, Jane Austen's Sanditon, Jane Austen's Works

In Conversation with Janet Todd, Editor, and Essayist of Jane Austen’s Sanditon

Jane Austen's Sanditon, edited by Janet Todd (2019)I recently read and reviewed the delightful Jane Austen’s Sanditon, an excellent new edition in the crowded Austen book market whose timely release, along with the new ITV/PBS eight-part television adaptation/continuation inspired by the unfinished novel, has brought Jane Austen’s last work into the limelight. I have long followed the career of its editor, Janet Todd, and own several of her books, including the soon to be re-issued Jane Austen: Her Life, Her Times, Her Novels (February 4, 2020).

For years I have been reading about Janet’s friendship with a mutual Janeite, Diana Birchall, who was also one of my contributors on Jane Austen Made Me Do It. There is so much serendipity in this triangle of friends that I knew that I needed to get Diana and Janet together for an interview regarding her new book.

Diana tells me that she and Janet first met “in 1983, at an early Jane Austen conference at St. Hilda’s College, Oxford, and chatted away during a lovely side trip to Stoneleigh Abbey.” Okay, I wasn’t there for that one, but wish I had been. “Their conversation continued over the years between visits back and forth to California Continue reading “In Conversation with Janet Todd, Editor, and Essayist of Jane Austen’s Sanditon”

Book Reviews, Editor's Picks, Jane Austen's Sanditon, Jane Austen's Works

Jane Austen’s Sanditon: With An Essay by Janet Todd — A Review

Jane Austen's Sanditon: With an Essay by Janet Todd (2019)Sanditon, Jane Austen’s last unfinished novel is in the news. A new TV adaptation and continuation of the same name premiered in the UK on ITV on August 25, 2019. The new eight-part series was written by Andrew Davies (Pride and Prejudice 1995) and will be shown on MASTERPIECE PBS in the US starting on January 20, 2020. Inspired by Jane Austen’s 11-and-a-half-chapter fragment, Davies claimed in an early interview that he used up all of Austen’s text in the first 30 minutes of his screenplay. That was about 24,000 words or about one-quarter of an average-sized fiction novel today. To say I was shocked by this admission is an understatement.

Alas, because it was never completed, Sanditon has not received much attention in comparison to Austen other popular novels: Pride and Prejudice, Emma, and Sense and Sensibility. I am so pleased that the new TV adaptation has brought it into the limelight. It is one of Austen’s forgotten treasures. I have written previously about it in detail, including an introduction, character list, plot summary, and quotes. 

There are few single editions of Sanditon available in print. It is usually lumped in with Austen’s other minor Continue reading “Jane Austen’s Sanditon: With An Essay by Janet Todd — A Review”

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5 Sanditon-inspired Novels that Complete Jane Austen’s Last Unfinished Work

Jane Austen’s last unfinished novel Sanditon ended after 22,000 words and midway into what may have been chapter twelve. Her draft manuscript was a bright beginning introducing us to the seaside town in development as a health resort and a list of over 20 characters. For anyone who has turned to the last page and reached her last lines “Mr. Hollis. poor Mr. Hollis! It was impossible not to feel him hardly used: to obliged to stand back in his own house and see the best place by the fire constantly occupied by Sir Henry Denham.” and not felt a pang of regret that you have read the last of her creative output, you are advised to read no further. For those who did, it is sad to reflect that no more would we be delighted by Jane’s Austen’s witty pen.

I readily admit after finishing the fragment that I was hooked into the story and characters and craved further development and a dénouement. The next best thing to Jane Austen’s actual words Continue reading “5 Sanditon-inspired Novels that Complete Jane Austen’s Last Unfinished Work”

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Sanditon, by Jane Austen (Hesperus Press): A Review

On the 27th January, 1817 Jane Austen began work on a novel that is now known as Sanditon. It was never completed. Her declining health robbed her of what she dearly loved most, writing, and on the 18th of March 1817 after penning 22,000 words she wrote the last lines of chapter twelve and put down her pen. Four months later at age 41 she would succumb to what is generally believed to have been Addison’s disease. 

Set in the emerging seaside village of Sanditon on the Sussex coast we are introduced to a large cast of characters dominated by the two minions of the community: Mr. Parker a local landowner with grand designs of turning a fishing village into a fashionable watering place offering the therapeutic or curative benefits of sea-bathing and his partner Lady Denham, the local great lady who has “a shrewd eye & self satisfying air” and cares little about the community and only her pocketbook.

The story unfolds from the perspective of Charlotte Heywood, a young lady experiencing her first trip away from her family as a guest of Mr. and Mrs. Parker. Sanditon is populated by a comical ensemble of residents and visitors who upon Charlotte’s first acquaintance are altogether different than they later appear. Lady Denham’s nephew Sir Edward Denham is handsome, amiable and titled but is prone to long inflated speeches in the most pompous and affected style in an attempt to reinforce his own notion that he is a romantic character born to seduce women “quite in the line of Lovelaces.”  (Lovelace refers to the villain Robert Lovelace in Samuel Richardson’s 1748 novel Clarissa who rapes and ruins the young heroine.) He has designs upon Lady Denham’s companion Clara Brereton who he shall either woo with affection or carry off. Clara is a poor relation of Lady Denham’s who is maneuvering to be her heir and in direct competition with Sir Edward for her favor.

Also sharing the spotlight is Mr. Parker and his four siblings, three of whom Charlotte is told are sad invalids, but after their arrival talk a great deal about their maladies but exhibit little consequence of their afflictions. Here we see Austen at her comedic height characterizing the foibles of those who attach illness as an identity and hypochondria as their religion. The one bright light of hope in the novel is Mr. Parker’s brother Sidney who we know of only through letters and others descriptions. He may be the only character besides Charlotte who has the potential to set things in balance with his sense of humor and honest opinions. Sadly he is destined to remain the mystery hero of Austen’s oeuvre. Add to that a lineup a nest of plot ironies to raise an eyebrow at business speculation and hypochondria, and a sharp jab at the effluvia of novels and poetry and you have a narrative that whizzes along until an abrupt halt just when we are hooked.  

The uncompleted novel is a great loss to literature but also to the characters who after a bright and comical beginning are left with uncertain futures. What does remain is more than a novelty of Austenalia. Sanditon’s levity despite the author’s failing health when it was written is quite remarkable. On first reading I thought it quite energetic and satirical, similar to the burlesque humor of Austen’s Northanger Abbey. I then put it aside and did not reflect on it further. My second reading after several years brought an entirely new reaction. Austen has taken a new and fresh direction from her usual three or four families in a country village and sets her novel not about an individuals struggle but an entire community. Money is still the fuel that powers the plot, but her physical descriptions of the landscape and town are entirely new in her cannon foreshadowing what may have been an evolution in her style. Sanditon is a gem that no Austen enthusiast should miss.

5 out of 5 Regency Stars

Sandition, by Jane Austen, foreword by Prof. A. C. Graying
Hesperus Press, London (2009)
Trade paperback (85) pages
ISBN: 978-1843911845

By the Seaside with Sanditon: Day 6 Giveaway

Enter a chance to win one of three copies of Sanditon, by Jane Austen (Hesperus Press) by leaving a comment stating what intrigues you about Sanditon, or who your favorite character is by midnight PDT Friday, March 26th, 2010. Winners to be announced on Saturday, March 27th. Shipment worldwide, but it might have trouble reaching Antarctica.

On an aside. For any of you that are curious about the backside of a chicken staring at us on the cover, the Hesperus Press publicist offers this revealing insight. “Regarding the cover design for this title – our designers try to avoid clichés and so don’t always go for literal covers, thinking laterally instead. The tone of the image and its colour range suit the book well, and chickens and eggs are often taken as symbols of new life, which links to Sanditon’s plot, being about a new town.”

Upcoming event posts

Day 7 – March 21 Sanditon Continuations

Day 8 – March 22 Event Wrap-up

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By the Seaside with Sanditon: Sea-Bathing, a match to every disorder in the 19th-century

Why would anyone want to go into freezing cold sea water? What medical benefits were they hoping to achieve?

In Jane Austen’s novel Sanditon an entire seaside community is in development to attract visitors to a new watering place for the therapeutic or curative benefit of sea-air and sea-bathing. This involved the process of immersing yourself in freezing cold water. However unpleasant this many sound to our 21st-century sensibilities, it was strongly believed in the 18th and 19th-centuries to have strong physical benefits to a wide range of maladies. Julie at Austenonly blog has graciously investigated the 19th-century medical mindset which instigated this belief and fueled the development of the seaside resorts such as Sanditon. Please visit her great blog and discover why Mr. Parker in the novel Sanditon believes “The Sea air and Sea Bathing together were nearly infallible, one or the other of them being a match for every Disorder” and Mrs. Bennet in Pride and Prejudice thinks a little sea-bathing will set her up forever!

Further reading

Upcoming event posts

Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

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Sanditon Group Read Chapters 9-12: Summary, Musings & Discussion: Day Six Giveaway

It was impossible for Charlotte not to suspect a good deal of fancy in such an extraordinary state of health. Disorders and recoveries so very much out of the common way seemed more like the amusement of eager minds in want of employment than of actual afflictions and relief. The Narrator, Ch 9

Quick Synopsis

Charlotte believes the Parkers ailments are imaginary. Diana makes arrangements for Mrs. Griffiths even though not asked to do so. Charlotte meets Susan and Arthur Parker. One is worn by illness and medicine, the other does not look ill at all. Arthur is engrossed in eating buttered toast and cocoa. Mrs. Griffiths arrives in Sanditon bringing only three young ladies. One is a Miss Lambe a sickly heiress that Lady Denham thinks will do for Sir Edward. Charlotte and Mrs. Parker walk to Sanditon House. Charlotte sees Clara Brereton and Sir Edward secretly meeting. Lady Denham seems put out by their arrival. Clara returns and lies about her delay. Sir Edward arrives unaffected. Charlotte realizes that they deceive Lady Denham who would not approve of their match. Sir Edward extols upon the virtues of sea-bathing and encouraging both ladies to try it. Charlotte realizes that her first impression of Sir Edward and Lady Denham were not true. She and Mrs. Parker walk home. Talk of Sidney Parker catches her off guard.

Musings

Charlotte meets the two additional Parker siblings, Susan and Arthur. Visiting there lodgings is like entering a sick ward. The windows are closed and the fire is blazing even though it is a fine summer day. It does not take Charlotte long to conclude that their ailments are imagined fancy since there is a discrepancy with the activity they are about and their hypochondria talk. Diana is running all over town in preparation of Mrs. Griffiths’ arrival and Susan has relocated the three of them from the hotel to lodging moving heavy boxes herself. “It would seem that they must either be very busy for the good of others or else extremely ill themselves.” Arthur appears in good health, though he needs to sit by the fire to ward away damp sea air and his rheumatism. As Charlotte becomes better acquainted with the Parkers medical maladies we begin to really see Austen making fun of people attaching illness as an identity. This family revolves around illness or activity. Such a dichotomy! The bit with Arthur’s speech about toasting bread and sneaking butter behind his sisters was hysterical. This is truly burlesque comedy. Who does not know someone who secretly eats or has done so themselves? Ha!

Miss Lambe was beyond comparison the most important and precious, as she paid in proportion to her fortune. She was about seventeen, half mulatto, chilly and tender, had a maid of her own, was to have the best room in the lodgings, and was always of the first consequence in every plan of Mrs. Griffiths. The Narrator Ch 10

All the wheels of communication behind Diana’s efforts to bring two large families to Sanditon end in embarrassment for her. There is only one Mrs. Griffiths of Camberwell and the West Indians are one Miss Lambe, a sickly heiress that neatly fills Lady Denham’s requirements for a wife for Sir Edward. Her practical nature regrets the long journey from Hampshire, a brother disappointed, an expensive house for a week rented, “and worse than all the rest, the sensation of her knowing that she was not clear-sighted and infallible as she had believed herself.” It did not trouble her for long. Besides Miss Lambe, Mrs. Griffiths brings only two other young ladies with her. Austen describes the two Miss Beauforts as “common as any young ladies in the kingdom with tolerable complexions and showy figures, very accomplish and very ignorant.” This made me laugh out loud. She is mocking what young English ladies are raised to be by showing how shallow they are. Their true ambitions are only the pursuit of admiration by men and the accumulation of fashion in order to captivate some man of better fortune than their own. Ouch! Is Charlotte the only character of virtue in this novel? I do not think I have ever seen Austen dig so deep into human imperfections than in Sanditon!

Among other points of moralising reflection which the sight of this tete-a-tete produced, Charlotte could not but think of the extreme difficulty which secret lovers must have in finding a proper spot for their stolen interviews. The Narrator Ch 11

Charlotte plans to visit Lady Denham at Sanditon House for the first time with Mrs. Parker. Always the salesman, Mr. Parker wants his wife to turn the social call into business opportunity and solicit Lady Denham for a charity cause. His sister Diana, always churning alway at some activity for others has a long list of charities that she would like Mrs. Parker to ask her Ladyship to contribute to also. Now, Mrs. Parker is a very biddable sort of woman, but even she has her limits retorting that she “could no more mention these things to Lady Denham than I could fly.” I did not expect that reaction at all. I love it when Austen has characters react in the opposite of what we are expecting. This point is proved further when Charlotte sees a secret assignation between Clara Brereton and Sir Edward Denham. I expected this from Sir Edward who fancies himself in the “line of a Lovelace,” but not of Clara. What does she have to gain from their relationship? She is an impoverished cousin serving at Lady Denham’s whim. To endanger her relationship with her would be foolish. She seems smart. What does she see in him? Charlotte is puzzled also. “The connection between Clara and Sir Edward was as ambiguous in some respects as it was plain in others.” She seems to abhor their deceit yet sympathize with their plight. “To be continually at the mercy of such an old lady’s whims struck Charlotte as being particularly hard upon a young couple.” Is Austen being purposely ambiguous also?

Still extolling the pleasures of bathing, he sought to entertain them with his longest syllables and most edifying sentences. “To plunge into the refreshing wave and be wrapped round with the liquid element is indeed a most delightful sensation,” he assured them. “But health and pleasure may be equally consulted in these salutary ablutions; and to many a wan countenance can the blush of the rose be restored by an occasional dip in the purifying surge of the ocean.” Now, he hastened to add, trying to bow to them both at the same time, “that either of my fair listeners would need the rose restored to their lovely cheeks.” Sir Edward Denham, Ch 12

Well, there is definitely nothing ambiguous about Sir Edward and his continued foppery and nonsense speeches. His choice of sensual words to two young ladies is most inappropriate, oozing total seduction. How can any woman, no anyone take him seriously? In comparison to Austen’s other bounders, rakes and rattles, he is like a toady Mr. Collins preaching the efficacy of love instead of religion. Our heroine Charlotte sees right through him. The rest of the community, not so much. The only other person who has the potential to set things in balance with his honest opinions, neat equipage and fashionable air is Sidney Parker, who shall sadly remain the mystery hero of Austen’s oeuvre.

Favorite words

superfluity, circuitous, hitherto, efficacy, dross, perturbation, solicitude, importunate, assignation and assiduously.

Further reading

By the Seaside with Sanditon: Day 6 Giveaway

Enter a chance to win one copy of Sanditon: Jane Austen’s Unfinished Masterpiece Completed, by Jane Austen and Juliette Shapiro by leaving a comment stating what intrigues you about Sanditon, or who your favorite character is by midnight PDT Friday, March 26th, 2010. Winner to be announced on Saturday, March 27th. Shipment to continental US addresses only.

Upcoming event posts

Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

© 2010 Laurel Ann Nattress, Austenprose

Blog Events, By the Seaside with Sanditon, Jane Austen's Life & Times, Jane Austen's Sanditon, Jane Austen's Works

By the Seaside with Sanditon: Guest Blog with Mandy N. on Regency-era Seaside Fashions

Please welcome Mandy N. today as a guest blogger during ‘By the Seaside with Sanditon’. Mandy is an avid collector of vintage fashion plates and has graciously offered to share some of her lovely images and chat about Regency-era fashion that I am quite certain Mr. Parker would think quite elegant enough for Sanditon.

During the Regency-era, seaside resorts were popular among fashionable society for both health cures and holidays. Jane Austen’s novels mention the resorts of Brighton, Scarborough, Cromer, Lyme and her fictional ‘Sandy ton’ or Sanditon. At resorts, fashionable visitors delighted in leisurely pleasures of promenading and seabathing amid sunshine and sea breezes. To partake of resort pleasures visitors required fashionable apparel to promenade, seabath, mingle and be seen by society. Seaside resorts also encouraged ladies to buy trinkets and shell ornaments at the circulating library similar to what Mr. Parker tries to establish at Sanditon. 

The basic seaside costume was a white muslin dress comfortable for a beach stroll and to ‘take a turn on the cliff’ (Ch.6), or dress up with accessories for a promenade. My impression is between the 1809 to 1815 seasons seaside fashion evolved. Accessories such as scarves, ribbons, shawls and reticules added blue, green or yellow colour to a white dress. Bonnets and parasols in matching colours added variety to seaside Regency costumes. ‘the most stylish girls in  the place.‘  (Ch. 11)

           

(Figure 1 left) Promenade Dress (Ackermann’s Repository 1809) shows a stylish frock for a stroll on the beach. A white muslin dress. Bonnet of plaited straw with ostrich feather, tied with ribbon. A Marine Scarf of purple silk and matching Chinese parasol of purple silk. Shoes and gloves of yellow kid. No doubt the perfect outfit to enjoy ‘the finest, purest seabreeze on the coast’ (Ch. 1) 

(Figure 2 right) Promenade or Sea Beach Costume (Ackerman’s Repository 1810). Take a turn around the cliff in natural surroundings near the resort in white muslin under an apple-green crape tunic coat with straw bonnet tied with ribbon. Chinese green silk parasol and green kid slippers. A versatile outfit to wear round the resort. 

(Figure 3) A sight to please Mr. Parker is the sight of a most fashionable young woman who knew to sit upon the seashore to enjoy sunshine and a breeze. Promenade Dress (Ackermann’s Repository 1815). A stripey pelisse with a full neck ruff and silk shawl over the shoulders. Fabric-covered bonnet with flowers. Her strapped slippers allow easier walking on a sandy shore. This Promenade Dress was fashionable in cool months. Regency society enjoyed visiting seaside resorts all year round. (Thanks Heather, for your elegant 1815 Promenade Dress)

 

(Figure 4)  Morning Dress (Ackermann’s Repository 1814). A lady sits on the beach looking out to sea.  Her robe is evening-primrose-coloured sarsanet with blonde lace. French hat of ribbons and flowers. A darker dress may not show dust or sand so much as a white dress. Fashion terms like evening primrose may’ve appealed to stylish ladies. This Morning Walking Dress has the addition of a telescope. Telescope gazing was a popular leisure with men and women at sea resorts. Like the Miss Beauforts, perhaps she- ‘looks at nothing through a telescope.‘ (Ch. 11)

         

(Figure 5 left) Walking Dress (Ackermann’s Repository 1811).  Muslin robe with a fuller sleeve and a square neckerchief in folds. Amber sarsenet coat. A mountain hat with flower, oranmented with white crape (her hair folds beneath the white crape). Half-boots of buff kid and a crimson reticule. This outfit for a seaside stroll appears more sophisticated than dresses of 1809-1810 seasons. Personally, I love the background and beach activity in this costume plate! 

(Figure 6 right) Walking Dress (Ackermann’s Repository 1815). Exemplifies a costume worn by the seashore at time of Sanditon. A high muslin dress of short waking length trimmed with treble flounces and full ruff of French style. Long sleeve with wristband over the hand. French bonnet of white satin edged with blue ribbon and a plume of feathers. Mantle of silk embroidered with silks. Silk stockings, gloves and slippers of blue kid. Blue shoes? Civilization indeed!  ‘Who would have expected such a sight at a shoemaker’s in old Sanditon!’ (Ch. 4)  But did she buy her large, large bonnet from Jebbs? 

         

(Figure 7 left) Promenade Half Full Dress (La Belle Assemblee 1810). An ensemble fit for an heiress to stroll upon the Terrace. A muslin dress with long sleeves and low neck. French scarf of yellow silk. Note the lace veil on the yellow silk bonnet to protect a lady’s complexion, or, if she is ill protection from unwanted public gaze upon the Terrace. Parasol of light yellow & white fringe. Gloves and shoes of yellow kid.  Likely, such fashion was seen at large, fashionable resorts. ‘the Terrace was the attraction to all; everybody who walked, must begin with the Terrace.’ (Ch. 7) 

(Figure 8 right) Promenade Costume (Ackermann’s Repository 1812). A muslin robe with long sleeves, simple collar and brooch. Amber sash, rosary and cross necklace. Gloves and shoes of yellow kid. Her hat is trimmed with white ribbons. I wonder if she reads a book of poetry? ‘Upon the Terrace with the Parkers and Denhams, sat Clara Brereton.’ She is known to wear white ribbons.

(Figure 9) ‘Two females in elegant white.’ (Ch. 4) Promenade or Sea Beach Costumes (Ackermann’s Repository 1810). First figure: White muslin gown, a tunic of pink sarsanet with cording up front. Straw hat tied with white ribbon. A founding lace cap with flowers. Muslin cloak and head-dress of square veil of French lace. Gloves and pink slippers. Second figure: A white muslin robe and cloak of fine muslin. Headdress with a square veil of lace accented with a brooch. Gloves and amber slippers. Lace veils probably protected a lady’s face from sun and wind on the beach. The outfits appear loose and comfortable for around the resort wear. ‘The sea air and sea bathing together were nearly infallible’ (Ch. 2)

(Figure 10) Sea Bathing Costume (La Belle Assemblee 1815). A pelisse of green-white silk with fringes. Leghorn hat with feathers. Green and white striped half boots. At seaside resorts, ladies could parade in style enjoying the purest seabreeze by the dancing sea. Yet, promenading was not the only leisure. Sea resorts were famed by society for the novelty of sea cures and seabathing. ‘Here began the descent to the beach, and to the bathing machines-and this was therefore the favourite spot for beauty and fashion.’ (Ch. 4) This fashion plate features a lady strolling in seabathing costume to the beach in to the seabathing machines to change and enter the water in privacy. Seabathing machines can be seen on the lower right side of the fashion plate. The advantage of this costume was a lady could quickly dress or undress. Does she carry a muslin slip in her bag? The most fastidious belle could not find a more becoming Bathing Costume. I wonder if this lady bathes for leisure or sea cure? In the novel, active hypochondriac Diana Parker appears a regular seabather, so presumably owns a Bathing Costume. She intends ‘to enourage Miss Lambe in taking her first dip…and go in the machine with her if he wishes it.‘ (Ch. 12)  

In the Regency-era seabathing was the motive to improve one’s health, but socializing and fashion appear as important as any sea cure. As we see in these fashion plates from the Ladies Journals of the era, it is apparent that they catered to the novelty of fashion by the sea. To realistically display Walking Dresses or a Sea Bathing Costumes, beach or cliff scenes were popular as background on fashion plates. To a fashionable lady, the picture may convey not only the infallible delights of finery but the delight of visiting a resort for ‘the sea, dancing and sparkling in sunshine and freshness.’ (Ch. 4)

For people not yet drowned by seaside images, you can check the wallpaper gallery at Solitary Elegance. The August wallpaper features two Regency seaside mother & child plates and a quote from Sanditon for your enjoyment.

Many thanks to Mandy N. for all her work scanning images and researching the text. Bravo!

Further reading

Upcoming event posts

Day 6 – March 20 Group Read Chapters 9-12
Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

Blog Events, By the Seaside with Sanditon, Jane Austen's Life & Times, Jane Austen's Sanditon, Jane Austen's Works

By the Seaside with Sanditon: Worthing, the inspiration for Sanditon?

Eastbourne vs. Worthing? As we continue to explore Jane Austen’s last unfinished novel Sanditon it is interesting to ponder what Jane Austen used to model her emerging seaside resort of Mr. Parker’s creation. Julie at Austenonly presents a strong argument for the resort for Worthing in Sussex, also an emerging seaside resort in the early 1800’s that Austen visited with her family.

“There has been much speculation about Jane Austen’s inspiration for the town of Sanditon: was the place completely  imaginary or did she base it on a resort with which she was familiar? Eastbourne in Sussex has been mooted as a candidate, though as far as I am aware, Jane Austen is not recorded as ever having visited that town.

But she is recorded as having visited Worthing, another Sussex resort, and this definitely has possibilities for being her template for the developing resort of Sanditon.”

Visit Austenonly, Julie’s excellent blog to discover the evidence in support of her theory and decide for yourself. 

Upcoming event posts

Day 6 – March 20 Group Read Chapters 9-12
Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Events Wrap-up

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