Preview of The Official Downton Abbey Cocktail Book: Appropriate Libations for All Occasions, by Annie Gray, and Foreword by Julian Fellowes

The Official Downton Abbey Cocktail Book (2019)“Drinking is very important at Downton Abbey. At least three types of wine are served at every upstairs dinner, plus port for the gentlemen after it. There’s alcoholic punch at parties, plenty of Champagne, and, as the years go by, the gradual adoption of the cocktail.”

And so, begins the introduction to The Official Downton Abbey Cocktail Book by food historian Annie Gray. Continuing, she goes on to describe the mention of American-style cocktails in season two, which takes four more seasons before we see the very proper British butler Mr. Carson reluctantly serving them to the Crawley family and their guests at a pre-dinner gathering. A cocktail party? Are the shades of Downton to be thus polluted? The Dowager Countess of Grantham is shocked. We are amused.

It is her granddaughter Lady Edith who embraces the consumption of alcohol in the series. Living a modern life after being jilted at the altar by Sir Anthony Strallan, and then alone after her lover Michael Gregson moved to Germany in order to renounce his British citizenship so he could divorce his mentally ill wife and marry her. That was the plan until he was murdered. Out of all the main characters in the series, Edith deserved a drink.

There is so much emotional tension swirling in Downton that the audience has needed this cocktail book since the series opener in 2010. Here are more details about the book including a description from the publisher and a slide show of several of the beautifully designed pages.

BOOK DESCRIPTION:

Timed to coincide with the much-anticipated Downton Abbey movie, this enticing collection of cocktails celebrates the characters, customs, and drinking way of life at Downton Abbey.

Cocktails were introduced in the drawing rooms of Downton Abbey in the 1920s when US prohibition inspired the insurgence and popularity of American-style bars and bartenders in Britain. This well-curated selection of recipes is organized by the rooms in the Abbey in which the drinks were served and spans everyday sips to party drinks plus hangover helpers and more. In addition to classic concoctions like a Mint Julep, Prince of Wales Punch, and Ginger Beer, this collection features character-specific variations such as Downton Heir, Turkish Attaché, The Valet, and The Chauffeur. The recipes reflect drinks concocted and served upstairs and down, as well as libations from village fairs, cocktail parties, and restaurant menus typical of the time. Features 40+ color photographs, including drink images photographed on the set of Downton Abbey.

A LOOK INSIDE:

This slideshow requires JavaScript.

AUTHOR BIOS: Continue reading

A Preview of Downton Abbey: The Official Film Companion, by Emma Marriott, with a Foreword by Julian Fellowes

Downton Abbey: The Official Film Companion (2019)Downtonites have been patiently awaiting the arrival of the Downton Abbey movie since its official announcement in the summer of 2018. The possibility of a feature film of the phenomenally popular British period drama television series had been rumored (and wished for) since the final episode of season six aired in the UK on Christmas day in 2015 on ITV and in the US on Masterpiece Classic PBS in March of 2016. We just cannot get enough of those posh upstairs Crawley’s and their devoted downstairs servants, can we? It took four long years to reach the big screen. Its premiere in the UK and the US this past September garnered major media attention and red-carpeted events.

My further hopes and wishes were granted with the publication of Downton Abbey: The Official Film Companion, a tie-in, over-sized, coffee table book featuring gorgeous full-color images from the production, interviews with the cast and crew, historical and social context, and insights into the storyline. Take a deep breath and a shot of brandy. This is very heady stuff for those devotees of the series around the globe.

Haven’t seen the film yet? Take heed and avert your eyes. I would not want to spoil one spectacular moment of your enjoyment. For those who have seen it, the book allows you to relive many of the special moments, fabulous costumes, idyllic scenery, and witty dialogue we were privileged to experience. Here is more information about this special volume for your enjoyment.

BOOK DESCRIPTION:

The official tie-in book for Downton Abbey, the full-length feature film.

Downton Abbey: The Official Film Companion is a stunning memento, bringing the world and the characters of our favorite fictional country house to life. Featuring spectacular photographs from the production, interviews with the cast and crew, and a look into the historical and geographical backdrop of the film, this official guide to the Downton Abbey film is made to be treasured and loved by fans across the globe.

The film revolves around the King and Queen making an official visit to Downton in 1927, and not only sees the return of all the main cast from the final television series but also introduces some great British actors to the world of Downton, as we meet the royal family and their retinue. The accompanying book is lavishly illustrated with stunning shots from both behind and in front of the camera, which capture some wonderful off-guard moments during filming, as well as the original costume illustrations.

AN EXCLUSIVE LOOK INSIDE:

This slideshow requires JavaScript.

Continue reading

Downton Abbey – A Celebration: The Official Companion to All Six Seasons, by Jessica Fellowes – A Review

Downton Abbey a Celebration 2015 x 300“It’s that time of year when the world falls in love” … with Downton Abbey all over again. The final season starts in less than one month on Masterpiece Classic PBS on January 3, 2016. My anticipation of another season of great drama, romance, and witty retorts runs high.

I am, of course, paraphrasing The Christmas Waltz; the famous 1954 holiday song written by Sammy Cahn and Jule Styne for Frank Sinatra. There is nothing like listening to Christmas carols to make me sentimental. Coupled with the fact that this will be the sixth and final season of Downton Abbey, one of my favorite period dramas on television, and I am ready for a double shot of brandy in my eggnog.

Despite my melodramatic angst over the conclusion of the Crawley family and their servants’ story, fellow Downtonites can revisit the fabulous plots, locations, and characters by reading the final companion volume to the series, Downton Abbey – A Celebration, by Jessica Fellowes. This is her fourth large and lavish book spotlighting the phenomenally popular, award-winning television series.  And, it truly lives up to its title—a jubilant fête worthy of her uncle Julian Fellowes’ vision of portraying the changes in the British aristocracy through the Crawley family and their servants from the sinking of the Titanic in 1912 to the Jazz Age of 1925. Continue reading

The Wit and Wisdom of Downton Abbey, by Jessica Fellowes – A Review

Wit and Wisdom of Downton Abbey by Jessica Fellowes 2015 x 200Will we ever be able to explain the phenomenon that is the television series, Downton Abbey? Watched by millions and showered with awards, I find the reason for its success as elusive to pinpoint as Jane Austen’s lasting appeal. It means so much to so many. In two hundred years’ time will people be watching and reading about this period drama as passionately as we do Austen’s novels?

Quite possibly so. Their common link is the witty writing. Clever bon mots and cheeky retorts never go out of fashion. They make us smile, laugh-out-loud and reflect upon what makes us tick as humans. They are a window into our souls.

The Wit and Wisdom of Downton Abbey, by Jessica Fellowes, is a collection of those fabulous zingers that make this series so “light, bright and sparkling” to Austen fans and the bazillion other viewers around the world. Creator and writer Julian Fellowes must love Austen as much as this Janeite. He certainly recognizes how her prose can sing with humor and social reproof using the same technique in his own dialogue. Whenever anyone complains about anything I am tempted to use a little Lady Catherine, oops, Lady Violet on them… Continue reading

25 Downton Abbey-inspired Holiday Gifts for the Downtonite in Your Life

 Downton Abbey Season 5 poster

Acclaimed by critics and cherished by fans, Downton Abbey is the most popular period drama ever. North America is all anticipation of the premier of Season 5 on January 4, 2015 on Masterpiece Classic PBS. Until then, feed your Downtonite with these great holiday gifts.

GIFTS

     What is a Weekend Mug x 250     Countess Grantham Bear x 250

 1. What Is A Weekend Coffee Mug

When the Dowager Countess of Grantham asked “What is a weekend?” in season one of Downton Abbey, I was totally addicted to this fabulous period drama. That line summed up the classification of “aristocrat” as an endangered species and foreshadowed all the laughter to come. I now start my morning as an anachronistic aristocrat with this clever coffee (or tea) mug.

 2. Lady Cora Teddy Bear

Teddy bears became the rage during the American Presidency of Theodore Roosevelt, so it seems only fitting that the American heiress Lady Cora Crawley should be featured as a Teddy Bear doll. This 14″ stuffed bear is soft and plush with old-fashioned felt paw pads, is fully-jointed and dressed to the nines in beautifully styled period costume. Continue reading

Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle, by The Countess of Carnarvon – A Review

Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle, by The Countess of Carnarvon  (2011)Review by Laura A Wallace

The Countess of Carnarvon has written a biography of one of her predecessors:  Almina, Countess of Carnarvon, wife of the 5th Earl of Carnarvon.  This book lacks depth but is fairly well written and well researched.  It does not purport to be a sophisticated biography, being entirely without footnotes or endnotes, and claims, in the Prologue, to be “neither a biography nor a work of fiction, but places characters in historical settings, as identified from letters, diaries, visitor books and household accounts written at the time.”  I found this characterization a little puzzling because it is clearly a biography and does not in any way approach fiction:  there is no dialogue and very little in the way of scenes or vignettes.  I rather wish Lady Carnarvon had chosen to go in one direction or the other:  a meaty, substantive biography or a lighter, fictionalized account.  But the result is easy to read and the bibliography, if little else, is substantive (though it seems to me that little of it actually made it into the text).

I can reduce my review to three phrases:  (1) Title Abuse;  (2)  Downton Abbey;  (3) Amelia Peabody.  I’ll take them in reverse order.  To be honest, there is nothing about Amelia Peabody in the book at all.  But for those who are fans of hers (I speak of the series of novels written by Elizabeth Peters), the account of Howard Carter’s discovery (along with the 5th Earl of Carnarvon, of course) of the King Tutankhamun’s tomb in 1922 inevitably brings Amelia and her milieu to mind.  Having long been familiar with not only Carter but other real people like Wallis Budge and even T. E. Lawrence from the Peabody novels, I felt like an insider when it came to Lord Carnarvon’s archaeological efforts in Egypt.  And this book, rather than sending me back to watch Downton Abbey all over again, sent me instead to reread the novels about Amelia Peabody (and Vicky Bliss too).

The Downton Abbey connection (in case you missed it) is that Highclere Castle, the ancestral home of the Earls of Carnarvon, is the filming location for Downton Abbey, which is set contemporaneously with Almina’s tenure as chatelaine of Highclere.  The 5th Earl inherited his patrimony at a young age, and soon realized (as did Downton’s Earl of Grantham) that he needed to marry an heiress to secure his estates and lifestyle.  But instead of choosing an American heiress, as some other peers of his generation did, Lord Carnarvon selected an heiress from the Rothschild family.  To be fair, it appears to have been a love match—she was vivacious, charming, warmhearted, and beautiful, and they seem to have had a long and remarkably happy marriage—but, as with the fictional Granthams, money is what made the love match possible for the Carnarvons.  And the house played a great role in their lives.

The first and most obvious difference between the reality of Highclere and the fiction of Downton is that the roles of the servants were substantially reduced and simplified for television.  The “mutually dependent community” of Highclere was run, not by a butler, but by a steward.  There was also a groom of the bedchambers, butler, under-butler, and of course valets, all above at least four footmen (who powdered their hair to wait at table until 1918), who were above porters and the steward’s room boy (whose primary job was to find and alert the proper staff when one of the sixty-six bells rang).  The female staff was likewise magnified, and the division of labor among all these servants was not always the traditionally understood setup as depicted in Downton Abbey.  The outdoor staff included not only an estate agent, but gamekeepers, gardeners, coachmen, grooms, stableboys, and people to take care of the automobiles.  And that’s just for the house and its immediate environs, not even getting out into the estate’s farms and tenantry.  Lady Carnarvon rightly describes the setup as feudal—even though the house itself had been (re)built during the 4th Earl’s lifetime.  (The estate had been owned by his family since the late seventeenth century.)

Like Downton, Highclere played a role as a private hospital during the World War I, funded and run by the Countess.  But after some months, she decided that the house and location were inadequate and moved her hospital to a house in London in Bryanston Square.  She purchased the latest equipment, hired the best staff, and did her utmost to make the officers under her care feel as though they were guests in a private house rather than in an institution.  Also like Downton, several members of the estate family volunteered for service and were killed in the war.  Many of them belonged to Highclere in a very personal way:  they were members of families that had served the estate and the Carnarvons for generations.

My only real complaints about this book are legalistic, so if you’re not one for getting all the tiniest details correct, you can skip this part.  The first, and biggest, error is not, I think, all the fault of its author.  Lady Carnarvon never makes the egregious mistake of referring to the wife of the 5th Earl, the Countess who is the biography’s subject, as “Lady Almina.”  (There seems to be some sort of general but erroneous belief that using “Lord” or “Lady” with the given name is an acceptable not-as-formal usage.  It is not.  The usage of Lady with the given name is allowed only to the daughters of dukes, marquesses, and earls, and is never used for the wives of peers.)  Unfortunately, not only does the title of the book brandish this error across the front cover, but it appears even in the back cover blurbs about the book and its author (who is not “Lady Fiona”), and some of the photo captions.  I think these prove that authors ultimately have very little control over the covers of their books.

However, there is another mistake in the text that is on my list of pet peeves as well, and it occurs more than once so it is not just an isolated slip.  It concerns Almina’s parentage.  Almina’s father was Alfred de Rothschild.  He was, unfortunately, not married to her mother, whose husband lived apart from her at the time Almina was born.  But these facts did not make Almina “illegitimate.”  The only thing that word refers to is the marital status of a mother at the time of birth of her child.  It has nothing to do with the identity of the child’s biological father.  Almina’s mother was married, so even if everyone “knew” that her husband was not the biological father of her child, legally he was Almina’s father in every way, and she bore his surname.  And while it is true that Almina’s actual parentage was somewhat of a scandal, she herself was not beyond the pale.  Indeed, as the book recounts, she was presented at court and attended a state ball at Buckingham Palace as a debutante.  Her mother’s status, officially and socially, is less clear, but Almina remained close to both of her parents for their entire lives, and they were welcome at Highclere.

Overall, Lady Almina and the Real Downton Abbey is a good read on the light end of the modern biographical scale, perhaps intentionally reminiscent of the more chatty biographies popular during Alimna’s lifetime.

3.5 out of 5 Stars

Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle, by The Countess of Carnarvon
Crown Publishing Group (2011)
Trade paperback (320) pages
ISBN: 978-0770435622
NOOK: ISBN: 978-0770435639
Kindle: ASIN: B0060AY7Z8

Laura A. Wallace a musician, attorney, and writer living in Southeast Texas.  She is a devotee of Jane Austen and Georgette Heyer and is the author of British Titles of Nobility:  An Introduction and Primer to the Peerage (1998).

© 2007 – 2012 Laura A. Wallace, Austenprose

The World of Downton Abbey, by Jessica Fellowes – A Review

The World of Downton Abbey, by Jessica Fellowes (2011)Season two of Downton Abbey has concluded and we are left in limbo until it returns next Fall in the UK and January 2013 in the US.

*deep sigh*

For those like myself, who have watched and re-watched every blessed minute, yet, just can’t get enough of the award-winning ITV/PBS television mini-series and are in total Downton withdrawal, may I suggests this stunning full-color coffee table-sized book about the series, The World of Downton Abbey?

The publisher touts it as a “lavish look at the real world–both the secret history and the behind-the-scenes drama–of the spellbinding Emmy Award-winning Masterpiece TV series Downton Abbey.” This is no idle boast. From cover to cover this 303-page oversized-volume is packed with sumptuous full-color pictures of the production, the cast, historical connections, and its shining star, Highclere Castle, the grand manor house in Hampshire where the series is filmed.

The author Jessica Fellowes is the niece of the series creator and writer Julian Fellowes. Not only does she have the inside scoop into the production of the series, she is also well qualified to write the text as a journalist and the former Deputy Editor of Country Life magazine. Equally important is the photographer Nick Briggs, who captures intimate and awe-inspiring images of the production that send us back into memorable scenes or highlight costuming and scenery.

Organized into nine chapters: Family Life; Society; Change; Life in Service; Style; House & Estate; Romance; War; and Behind the Scenes, each chapter is written in context to the series characters and their roles and included pertinent quotes from the screenplay illustrating key scenes and events in the series”

‘I mean, one way or another, everyone goes down the aisle with half the story hidden.’ Violet, The Dowager Countess

There are also quotes from the actors and actresses about their characters:

‘There’s an independence about Mary – she’s not influenced by anyone and she’s very much her own person, she makes her own decisions. I understand her because I’m one of three girls too and I’ve always been defiant that I didn’t want to do what they did.’ Michelle Dockery

…and from the creator:

‘There’s an element of performance. They were all performing a role that had been decreed for them. For and aristocrat to be convincing, he must look like an aristocrat.’ Julian Fellowes

I particularly enjoyed the insights from the costume designer Susannah Buxton on her research influences for the clothing and the historical vignettes that linked the series to actual period personalities such as Daisy, Countess of Warwick, and Mary Leiter, an American buccaneer that inspired Julian Fellowes to create the character of Cora Levinson who married Robert, the future Earl of Grantham in 1889.

Overall, the most spectacular impression of this volume is its sheer bulk and beauty. Any Downtonite, Edwardian historian or period drama lover could get lost in this volume for days. Creator Julian Fellowes rightfully opens the book with a brief forward, offering us insights and asides, yet, I felt quite cheated that Violet, The Dowager Countess of Grantham was not given the last word.

4.5 out of 5 Stars

The World of Downton Abbey, by Jessica Fellowes
St Martin’s Press (2011)
Hardcover (304) pages
ISBN: 978-1250006349

Cover image courtesy of St. Martin’s Press © Carnival Film & Television Limited 2012 for MASTERPIECE

Downton Abbey’s Stunning Film Locations

Image of Highclere Castle, Hampshire, England

Season one of Downton Abbey on Masterpiece Classic PBS concludes this Sunday, January 30th. This new Edwardian-era period drama was incredibly popular when it first aired in the UK last Fall, and now is also a huge hit with North American audiences. Many viewers will be happy to know that a second season and Christmas special are in the works for Fall and December in the UK, and will probably air in the US in 2012.

Not only has screenwriter Julian Fellowes given us a brilliant script, the costumes and film locations are stunning. Please welcome guest blogger Abby Stambach, whose lovely blog Nooks, Towers and Turrets features information and commentary on historic homes and stately architectural highlights. She has graciously offered a tour of film locations used in Downton Abbey.

As someone who loves historic places, I am always curious about the locations used in historic films or mini-series. I always want to believe that the homes used in my favorite films are real and not some creation on a studio’s back lot. I had high hopes for the locations used in Downton Abbey when I first saw the trailer. I was not disappointed when I found that the series was filmed at the historic Highclere Castle and the village of Bampton.

Highclere Castle circa Georgian-era

The Crawley estate was brought to life at Highclere Castle in the county of Hampshire. It sits on 1,000 acres of parkland and it has been the country seat of the Earls of Carnarvon since 1679. During the late 18th and early 19th centuries, Henry Herbert, the 1st Earl of Carnarvon made many improvements to the building transforming it to a Georgian mansion. I was surprised to find that Highclere Castle is only about 30 miles from Jane Austen’s childhood home in Steventon. It appears as if the Austen and Carnarvon families’ social circles crossed paths since Jane mentioned the Carnarvon family in a letter she wrote to her sister, Cassandra between October 25 and 27, 1800. Jane wrote:

This morning we called at the Harwood’s & in their dining room found Heathcote & Chute forever – Mrs. Wm. Heathcote & Mrs. Chute – the first of whom took a long ride in to LordCarnarvons Park and fainted away in the evening…

In the mid-nineteenth century, Highclere Castle was remodeled again into the Elizabethan Castle that is seen in Downton Abbey. Sir Charles Barry is responsible for the design and it was completed in 1878.

Design for Highclere Castle, study of Elizabethan style by Sir Charles Barry (1842)Design for Highclere Castle, study of Elizabethan style
by Sir Charles Barry (1842) from Christie’s

The re-modeled home is in the Elizabethan style. This style was dominant in England during the reign of Queen Elizabeth I. It takes many elements from the Dutch and Italian Renaissance styles and is known for its symmetrical layouts, curved gables and long galleries. When Highclere was remodeled in the 19th-century, there was a Renaissance revival and Elizabethan architecture became fashionable once again.

The grounds and several rooms of Highclere Castle are featured throughout Downton Abbey. The salon, library, dining room and entrance hall are seen frequently. The scenes taking place in the servants’ living quarters were not filmed at Highclere but rather at Ealing Studios. It was necessary to build the servants quarters from scratch because the quarters used by servants in the early 20th-century are either gone, or greatly changed. The production crew took great care in making the transitions from the rooms of Highclere to the servants’ quarters look real.

The Secret Garden at Highclere Castle

The castle sits on 1,000 acres of parkland designed in the 18th-century by the famous landscape gardener, Lancelot Brown. The gardens closest to the castle are called the Monks’ Garden. This name comes from the Bishops of Winchester who owned the land for 800 years before the Carnarvon family. There is even a Secret Garden with an arboretum within the Monks’ Garden.

The scenes taking place in Downton village were filmed in the town of Bampton in the county of Oxfordshire. Bampton was chosen because it “provided an authentic backdrop close to London.” Producer Nigel Marchant also said that “Bampton is perfect because it is so well preserved, and you hardly need to do anything in terms of alterations.” It is one of the oldest villages in England and its history can be traced to the Iron Age. The village also appears in the Domesday Book of 1086.

Aerial view of Brampton, Oxfordshire

During the 18th-century, Bampton flourished and many buildings throughout the village were built during the course of the century. There were also a many shops by the middle of the 18th-century making the village self-sufficient even though roads and bridges were built in order to connect it to the surrounding towns and villages. Bampton continued to flourish and by the early 19th-century, Bampton was a village of contrasts with wealthy landowners, middle class farmers, shopkeepers and people living in poverty.

Brampton Library used for the hospital in Downton Abbey (2010)

Several buildings in Bampton were used for filming. Lord Grantham patrons the hospital in Downton and the series has many scenes taking place in the hospital. The exterior of the Bampton Library became the entrance of the hospital and the interior scenes were filmed elsewhere.

Brampton house used as the Crawley's home in Downton Abbey (2010)

Another building served as the exterior of Matthew Crawley and his mother’s Downton home. Once again, the interior scenes were filmed on another location in Buckinghamshire.

Brampton residence used as the Dower House in Downton Abbey (2010)

This is the Dower House, residence of Violet, the Dowager Countess of Grantham. It is in the Georgian style and could easily be used in a Jane Austen adaptation.

In episode two, we see Matthew Crawley and Lady Edith tour a local church. These scenes were filmed at St. Mary’s Church in Bampton. This church was a part of an ancient parish within an Anglo-Saxon royal estate and there is archeological evidence that suggests a church was on the site before the Norman Conquest. However, the earliest surviving document records the gift of the church to Leofric, Bishop of Exeter and the Church of Peter by William the Conqueror. It is likely that the original church was destroyed by fire in 1142 and the present day building was built beginning in 1153.  The church was remodeled in 1270 when the spire and aisles were added.

St. Mary's Church in Brampton, Oxfordshire used in the filming of Downton Abbey (2010)

The production crew did a magnificent job in choosing sites that make Downton Abbey and the village of Downton come to life. They are simply gorgeous and help create the perfect atmosphere for the story.

Abby is the creator/editor of Nooks, Towers and Turrets, a blog honoring historic architecture. She fell in love with old houses when she was a little girl going to house museums with her family. She then worked as a tour guide at Schuyler Mansion State Historic Site for many summers. When she isn’t blogging or visiting house museums, she working to finish her masters degree.

Downton Abbey continues on Sunday, January 30th at 9:00 pm ET (check local listings). Don’t miss the final episode.

Links/sources/further reading

Image of Highclere Castle courtsey of ©MASTERPIECE and CARNIVAL FILMS; text © 2011 Abby Stambach, Austenprose.com