The new film adaptation of Jane Austen’s Emma starring Anya Taylor-Joy and Johnny Flynn opened in general release in the US on March 6th. This enchanting and visually stunning interpretation of Austen’s classic tale of Miss Emma Woodhouse as the misapplying matchmaker of Highbury has received raves from the press and viewers alike.
The costumes beautifully define the film, greatly adding to the characterization and the drama. Joining us here today is fashion historian Hilary Davidson who has generously contributed a guest blog to share her insights and impressions of the costumes made for the new film by Academy Award-winning designer Alexandra Byrne.
Emma. is the best-costumed screen adaptation of Austen ever made. Strong words but delighted ones from a dress historian who has recently written a book on Regency fashion and seen a lot of odd screen versions of the period’s dress. Costume designer Alexandra Byrne and her team studied many original garments in British historical collections and threw all their research into a gloriously realised vision of circa. 1815 dress.
Carl H. Pforzheimer Collection of Shelley and His Circle, The New York Public Library. “Comfort” The New York Public Library Digital Collections.
Director Autumn de Wilde clearly adores the details of dress and pays them great attention. Throughout the film, we are shown the components of women’s dress and how they were arranged, from the knee-high stockings to the chemise and stays that helped create the illusion of a natural body. Emma demonstrates that Regency women didn’t wear underpants in a pose taken straight from Comfort [image]. Mr. Knightley is dressed from the skin to coat in a sequence I’m going to use in teaching fashion history. Continue reading
Welcome to Sanditon, an 1819 Regency seaside community in Sussex England—the fictional site of the new ITV/PBS television adaptation/continuation of Jane Austen’s final unfinished novel.
For those who are watching the eight-part series currently airing in the US on PBS, The World of Sanditon, by Sara Sheridan will be catnip to heighten your addiction. A copiously illustrated behind the scenes look at the making of the new television series, it also is filled with a biography of Jane Austen, historical information on the era, seaside life and health resorts, and Regency life for women.
In addition, there are spotlights on the characters and interviews with the actors who brought them to the screen. Here is a description of the book from the publisher Grand Central Publishing, details on the content, and images from the production for your enjoyment.
Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award-winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice).
This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.
CONTENTS: Continue reading
A new Jane Austen adaptation/continuation written by Andrew Davies (Pride and Prejudice 1995) debuted last night in the US on Masterpiece PBS. Inspired by an unfinished novel that Austen began shortly before her death in 1817, Sanditon, the original novel, the television series, and the novelization by Kate Riordan, all share the same title. A tie-in novel based on a screenplay based on an uncompleted novel. That is six degrees of separation that is a challenge to get my mind around. Today we are reviewing the novelization!
The story unfolds from the perspective of Charlotte Heywood, a young lady experiencing her first trip away from her family as a guest of the Parkers of Sanditon, an emerging seaside village on the Sussex coast. Mr. Parker and his business partner Lady Denham are the two entrepreneurs behind its redevelopment from a fishing village into a fashionable watering-place offering the therapeutic and curative benefits of sea-bathing. Mr. Parker has three siblings: Arthur and Diana, a comical pair who are obsessed with their health, and the mysterious Sidney, whose handsome portrait greeted Charlotte when she entered the Parker home. Lady Denham is a widow twice over whose heirs are circling in anticipation of her “ shuffle of this mortal coil,”: Sir Edward Denham and his sister Esther, and Clara Brereton, all young and eager to please their aunt to win her approval, and her fortune.
Every experience in Sanditon is a new adventure for Charlotte—seeing the ocean for the first time and meeting new people. Her first day after her arrival is spent sea-bathing, a bracing experience from the cold temperature of the ocean, and by the view of naked men bathing from an adjoining stretch of the beach. Later, while walking with Mrs. Parker to visit Lady Denham at Sanditon House, she sees Sir Edward and Clara together in the park engaging in an intimate activity that she is uncomfortable with. Inside, Charlotte is in awe of the splendor of the grand manor house. Everything about Sanditon and its residents is so different than her life as the daughter of a gentleman farmer. Continue reading
UPDATED 12/16/19 – in honor of Jane Austen’s birthday today, Focus Features has premiered the second trailer. Scroll down to view. There are some amusing lines. This new adaptation just gets better and better.
Janeites are all aflutter over the forthcoming release of the new Focus Features movie adaptation of Jane Austen’s classic novel Emma, starring Anya Taylor-Joy as the misapplying matchmaker Miss Emma Woodhouse and Johnny Flynn as Mr. Knightley, her older, and wiser neighbor. This new feature film was shot entirely in England in period-accurate settings and costumes this past summer. It will premiere in the UK on February 14th and in the US on February 21st, 2020.
Emma, Jane Austen’s most highly acclaimed novel has been adapted for radio, stage, television, and feature films many times, most recently for television in 2009 starring Romola Garai and Jonny Lee Miller, and for the screen in 1996 starring Gwyneth Paltrow and Jeremy Northam in the starring roles. While Austen’s most famous and most widely adapted novel Pride and Prejudice wins the popularity race with fans, critics and connoisseurs consider Emma her masterpiece. Some early readers complained it was about nothing. Over the centuries those opinions have changed. I find it subtle, sly and hysterical. Contemporary writer-director Amy Heckerling agreed and based her 1995 teen movie Clueless on it to much acclaim.
Directed by Autumn de Wilde, with a screenplay by Eleanor Catton based on Jane Austen’s 1815 novel, we can see from the first trailer released today, that Emma 2020 will supply a visual and comedic treat. The advance publicity of this new film asks us to “Behold a new vision of Jane Austen’s beloved comedy about love and all of its surprises.” I am all anticipation. Here is a description from the production company publicity machine and the first trailer for your enjoyment.
Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of Emma. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
THE CAST & CREW: Continue reading
Premiering Sunday, August 25 on ITV, Sanditon will be the first television series inspired by Jane Austen’s final, unfinished novel.
Jane Austen fans in the UK have much to celebrate. Austen’s seaside Regency drama is being given the red-carpet treatment by the co-production team of Red Planet Pictures in the UK and MASTERPIECE PBS in the US. Adapting and continuing the eight-part series will be veteran period drama screenwriter Andrew Davies (Pride and Prejudice (1995) and Sense and Sensibility (2008)), and a cast of accomplished and emerging British actors will portray the lively and diverse characters that Austen established in her novel, with a few additions to the roister as well. The new series will air on eight consecutive Sundays at 9:00pm August 25 through October 13, 2019.
Inset of the first page of the manuscript that would later be titled Sanditon: “A Gentleman & Lady travelling from Tun-bridge towards that part of the Sussex Coast which lies between Hastings & E. Bourne being induced by Business to quit the high road, and were overturned in half rock, half sand toiling up its long ascent.” Via Jane Austen’s Fiction Manuscripts
Sanditon was written in 1817 when Austen was seriously ill. She was only able to finish twelve chapters and about 24,000 words before her poor health prevented her from completing it. Four months later she would die on July 18, 1817, of what is generally believed to be Addison’s disease. The manuscript was passed down through family members until it was donated in 1930 to King’s College in Cambridge where it now resides. The fragment of the novel is classified as one of her minor works. Continue reading