A new Jane Austen adaptation/continuation written by Andrew Davies (Pride and Prejudice 1995) debuted last night in the US on Masterpiece PBS. Inspired by an unfinished novel that Austen began shortly before her death in 1817, Sanditon, the original novel, the television series, and the novelization by Kate Riordan, all share the same title. A tie-in novel based on a screenplay based on an uncompleted novel. That is six degrees of separation that is a challenge to get my mind around. Today we are reviewing the novelization!
The story unfolds from the perspective of Charlotte Heywood, a young lady experiencing her first trip away from her family as a guest of the Parkers of Sanditon, an emerging seaside village on the Sussex coast. Mr. Parker and his business partner Lady Denham are the two entrepreneurs behind its redevelopment from a fishing village into a fashionable watering-place offering the therapeutic and curative benefits of sea-bathing. Mr. Parker has three siblings: Arthur and Diana, a comical pair who are obsessed with their health, and the mysterious Sidney, whose handsome portrait greeted Charlotte when she entered the Parker home. Lady Denham is a widow twice over whose heirs are circling in anticipation of her “ shuffle of this mortal coil,”: Sir Edward Denham and his sister Esther, and Clara Brereton, all young and eager to please their aunt to win her approval, and her fortune.
Every experience in Sanditon is a new adventure for Charlotte—seeing the ocean for the first time and meeting new people. Her first day after her arrival is spent sea-bathing, a bracing experience from the cold temperature of the ocean, and by the view of naked men bathing from an adjoining stretch of the beach. Later, while walking with Mrs. Parker to visit Lady Denham at Sanditon House, she sees Sir Edward and Clara together in the park engaging in an intimate activity that she is uncomfortable with. Inside, Charlotte is in awe of the splendor of the grand manor house. Everything about Sanditon and its residents is so different than her life as the daughter of a gentleman farmer. Continue reading
UPDATED 12/16/19 – in honor of Jane Austen’s birthday today, Focus Features has premiered the second trailer. Scroll down to view. There are some amusing lines. This new adaptation just gets better and better.
Janeites are all aflutter over the forthcoming release of the new Focus Features movie adaptation of Jane Austen’s classic novel Emma, starring Anya Taylor-Joy as the misapplying matchmaker Miss Emma Woodhouse and Johnny Flynn as Mr. Knightley, her older, and wiser neighbor. This new feature film was shot entirely in England in period-accurate settings and costumes this past summer. It will premiere in the UK on February 14th and in the US on February 21st, 2020.
Emma, Jane Austen’s most highly acclaimed novel has been adapted for radio, stage, television, and feature films many times, most recently for television in 2009 starring Romola Garai and Jonny Lee Miller, and for the screen in 1996 starring Gwyneth Paltrow and Jeremy Northam in the starring roles. While Austen’s most famous and most widely adapted novel Pride and Prejudice wins the popularity race with fans, critics and connoisseurs consider Emma her masterpiece. Some early readers complained it was about nothing. Over the centuries those opinions have changed. I find it subtle, sly and hysterical. Contemporary writer-director Amy Heckerling agreed and based her 1995 teen movie Clueless on it to much acclaim.
Directed by Autumn de Wilde, with a screenplay by Eleanor Catton based on Jane Austen’s 1815 novel, we can see from the first trailer released today, that Emma 2020 will supply a visual and comedic treat. The advance publicity of this new film asks us to “Behold a new vision of Jane Austen’s beloved comedy about love and all of its surprises.” I am all anticipation. Here is a description from the production company publicity machine and the first trailer for your enjoyment.
Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of Emma. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
THE CAST & CREW: Continue reading
Premiering Sunday, August 25 on ITV, Sanditon will be the first television series inspired by Jane Austen’s final, unfinished novel.
Jane Austen fans in the UK have much to celebrate. Austen’s seaside Regency drama is being given the red-carpet treatment by the co-production team of Red Planet Pictures in the UK and MASTERPIECE PBS in the US. Adapting and continuing the eight-part series will be veteran period drama screenwriter Andrew Davies (Pride and Prejudice (1995) and Sense and Sensibility (2008)), and a cast of accomplished and emerging British actors will portray the lively and diverse characters that Austen established in her novel, with a few additions to the roister as well. The new series will air on eight consecutive Sundays at 9:00pm August 25 through October 13, 2019.
Inset of the first page of the manuscript that would later be titled Sanditon: “A Gentleman & Lady travelling from Tun-bridge towards that part of the Sussex Coast which lies between Hastings & E. Bourne being induced by Business to quit the high road, and were overturned in half rock, half sand toiling up its long ascent.” Via Jane Austen’s Fiction Manuscripts
Sanditon was written in 1817 when Austen was seriously ill. She was only able to finish twelve chapters and about 24,000 words before her poor health prevented her from completing it. Four months later she would die on July 18, 1817, of what is generally believed to be Addison’s disease. The manuscript was passed down through family members until it was donated in 1930 to King’s College in Cambridge where it now resides. The fragment of the novel is classified as one of her minor works. Continue reading
After reading the advance press on Dark Angel – the new period drama starring Joanne Froggatt as Victorian-era serial killer Mary Ann Cotton – I was seriously considering skipping my weekly MASTERPIECE appointment with my television. Multiple murders by a woman who successively kills her husbands and children by poison for their life insurance sounded like nails on a chalkboard to me – something way beyond my comfort zone. The fact that it featured Froggatt, an awarding winning actress who I adored as Anna Bates in Downton Abbey, Emmy award winning director Brian Percival (Downton Abbey) and acclaimed screenwriter Gwyneth Hughes (Miss Austen Regrets) softened the blow a bit, but I was still not convinced.
My tipping point was my love of English history and my curiosity. Life in lower-class Victorian England was harsh and bleak, however, many wives and mothers did not become serial killers. What was Mary Ann Cotton’s story? What pushed her beyond despair and made her a mass murderer?
“Why don’t you let me make you a nice cup of tea?” – Mary Ann Cotton
Screenwriter Gwyneth Hughes had an extraordinary true-life story to draw from. It is estimated that Cotton poisoned with arsenic up to 21 people including: three of her four husbands, fifteen children, a lover, a friend, and her mother – collecting life insurance for many of them. Continue reading
It’s time to announce the winner of the giveaway of the Love & Friendship prize pack offered in honor of the new movie release. The lucky winner was drawn at random and is:
- Amanda Mauldin who left a comment on May 11, 2016
Congratulations Amanda! To claim your prize, please contact me with your full name and address by May 25, 2016, or you will forfeit your prize! Shipment is to US addresses only.
Thanks to all who left comments and to Roadside Attractions for the giveaway prize package.
Cover image courtesy of Roadside Attractions © 2016, text Laurel Ann Nattress © 2016, Austenprose.com
The highly anticipated release of Love & Friendship, filmmaker Whit Stillman’s new adaptation of Jane Austen’s novella Lady Susan, arrives this Friday, May 13 in Los Angeles, New York and Paris with national release set for May 27, 2016. Early praise for the film is more than encouraging: “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph; “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com; “Kate Beckinsale magnetizes the screen.” – Variety.
We have long been a champion of Austen’s Lady Susan. So much so we dedicated an entire blog event to it in 2009, A Soiree with Lady Susan. For those who have not read this delightfully wicked novella by Austen written in the 1790’s and published posthumously in 1871, I highly recommend it. Besides changing the title to Love and Friendship, (also the title of one of Austen’s juvenilia), Stillman has added his movie magic and adapted the story into a screenplay.
Here is a description from the distributor Roadside Attractions:
Humorous and witty, devious and scheming, or Downton Abbey with laughs, LOVE & FRIENDSHIP is an adaptation of young Jane Austen’s novella Lady Susan, believed to have been written in the mid 1790s but revised up to a fair copy prepared in 1805 and finally published by her nephew, James Edward Austen-Leigh, in 1871. Continue reading
Captain Ross Poldark (Aidan Turner). Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
Last week in episode 6 of Poldark, we had the “Pride and Prejudice Poldark Edition,” in which talk of frocks, balls and beaus resounded with snappy repartees and witty retorts, in true Jane Austen style.
This week in episode 7 of Poldark, it’s just another day in Cornwall when an epidemic strikes the community, tragedy befalls the Poldark family and a rip roaring shipwreck sends more than a ship to the bottom of the sea, in the thrilling and heartbreaking 2 hour season 1 finale.
Side Note: Masterpiece Classic chose to combine episodes 7 and 8 of the UK broadcast into one episode. This will be confusing to some. Do not be alarmed. Both episodes are included.
(Fair warning. There be spoilers ahead)
“Where’s Verity?”—Elizabeth Poldark
While George Warleggan (Jack Farthing) reminds Ross Poldark’s (Aidan Turner) business partner Sir Jonathan Tressider (Mark Seaman) where his true interests lie in light of the debt that he owes to Warleggan Bank, Verity (Ruby Bentall) makes her move (finally) and elopes with Captain Blamey (Richard Harrington). Francis Poldark (Kyle Soller), the narcissistic cad that he is, does not take the news well. He is convinced that Ross aided them in their plans. His wife Elizabeth (Heida Reed) questions his rash accusations, defending Ross proclaiming, “I stand up for no one, but it’s the merest justice not to condemn people unheard.”
Jud (Phil Davis) and Prudie (Beatie Edney) leave Nampara in Poldark. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“Don’t bend ye brows at me girl. You ain’t nothin’ but a trull from Illugin.”—Jud Paynter
Image of Demelza Poldark (Eleanor Tomlinson) at the Warleggan ball in Poldark (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Last week in episode 5 of Poldark everyone was reckless and bold—gambling on their future and love. Miner Mark Daniel married a questionable woman, Ross began a copper smelting company, Demelza played defiant matchmaker and Francis had a meltdown after losing his mine in a card game.
This week: The Pride and Prejudice Poldark edition. In which talk of frocks, balls and beaus resounds with sparkling repartees and retorts, echoing Jane Austen’s prose.
(there be spoilers ahead)
Francis (Kyle Soller) scythes. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“You’ll never get it Ross.”—Francis Poldark
“Justice for all.”—Francis Poldark
“Fair wages would be a start.”—Ross Poldark
With the image of the shirtless and buff Ross Poldark (Aidan Turner) scything his field in episode three still fresh in our minds, the scene of his cousin Francis (Kyle Soller) attempting the same sends an entirely different message. Moral fortitude vs. weakness has won the day. Taking the initiative and rebuilding your life has paid off for Ross. Will his cousin rise to the challenge? The omen that Aunt Agatha (Caroline Blakiston) foretold of the dark and fair Poldark, “The stronger rises as the weaker falls,” has flipped in the five years since Ross’s return. The only ammunition that Francis has left to wound his cousin is sarcasm and doubt. Continue reading
Captain Ross Poldark in His Majesty’s 62nd Regiment of Foot regimentals (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Getting the historical details correct is so critical in period drama today. Gone are the days when Greer Garson could wear a hoop skirt in the 1940 Pride and Prejudice and get away with it. The production team of the new BBC/PBS Poldark, at Mammoth Screen Ltd., have stepped up to the mark depicting late eighteenth-century Cornwall, warts and all. Advising them in this monumental task is lecturer, author and historian Hannah Greig who joins us today to answer a few questions about her role in the production of Poldark and the historical context that it is set in.
An illustration “A Beauty in Search of Knowledge” derived from a print by John Raphael Smith, 1782 (c) British Library
LAN: Welcome Hannah. One has visions of historians entrenched in musty library stacks secretly pining for their favorite reference librarian! Besides teaching and writing, you have carved out an interesting niche as Historical Advisor for films, television and theatre. This seems like a very glamorous job. Can you share with us what your duties are, what a typical day would be like, and what kind of questions are asked by the production team? Continue reading
Ross Poldark (Aidan Turner), new dad, bad-ass miner and wavering lover.
Last week in episode 4 of Poldark the scandal mongers were in high dudgeon after the marriage of Ross to his kitchen maid Demelza, Uncle Charles’ death forced his son Francis to become more than a lawn ornament, Demelza Doolittle discovered that becoming a lady is hard work and Ross had an epiphany–he loves his wife!
This week everyone is RECKLESS AND BOLD—gambling on their future and love: Mark Daniel in his choice of bride, Keren; Ross in his new business venture, Demelza in her defiance, and Francis with his livelihood. The only person who is nonplussed is George Warleggan.
(there be spoilers ahead)
Keren Smith (Sabrina Bartlett), a player on more than just the stage, one suspects.
“I am undone: there is no living, none,
If Bertram be away. ‘Twere all one
That I should love a bright particular star
And think to wed it, he is so above me.” — Keren Smith as Helena in All’s Well That Ends Well
Two new important characters have entered the Poldark sphere: Dr. Dwight Enys (Luke Norris) and Keren Smith (Sabrina Bartlett). While Dr. Enys (in this screen version) is Ross Poldark’s (Aidan Turner) amiable army buddy arriving in Cornwall to study miners lung ailments, Keren is a seductive siren, an actress performing in a traveling troop who captures the heart of miner Mark Daniel (Matthew Wilson). Did any other Shakespeare fans recognize her soliloquy during the stage production? It is Helena’s lament for her love Bertram from All’s Well That Ends Well by Shakespeare—a very interesting selection for the screenwriter to choose. I will not say more, lest I spoil it for everyone. Mark agrees to Keren’s demanding terms for a marriage. He has four days to prepare a home for her or she leaves. Anyone read Why Men Love Bitches? She might have ghost written it. Just sayin’. Continue reading
“They like you.” proclaims Demelza to Ross. No kidding, sweetie!
Last week, episode three of Poldark began with Ross re-opening his family copper mine, Demelza catching his eye while dancing at a local villager’s wedding, Jim’s trial for poaching ending badly, and Ross, after a hellish day arguing with Demelza while trying to resist the temptations of the flesh, succumbing to said temptations, ending in their surprise nuptials. Whoa!
This week, as the scandal of their wedding rocks the community and sours Ross’s business venture, Uncle Charles joins the blessed above (or below), and Verity instructs Demelza on becoming a lady. A first Christmas together for Romelza is shared with the dreaded Poldark family at Trenwith, resulting in a revelation for Ross.
(there be spoilers ahead)
Prudie (Beatie Edney) and Jud (Philip Davis), servants of Nampara
“One minute she is skiverly scullery kitchen maid, the next she be Mistress High and Mighty.” — Jud
“Do you think it not as strange to me as it is to you? Do you imagine I ever looked for or expected it? Come to think of it, it is more your fault than mine.” — Demelza
“How be that then?” — Jud
“Tis you that raised me up and taught me all I know. So If I am fit for better than I hoped, blame yourselves for educating me.” — Demelza
The whole community is shocked by the news of Demelza and Ross’s marriage, including his caustic family, the scheming Warleggans (who smell a profit to be made from society’s prejudice), and the two Nampara servants, Jud and Prudie, who finally confront her. I just love how Demelza (clever girl) turns the sword around and points it firmly back at her former fellow servants while complimenting them at the same time. Touché! Continue reading