The new film adaptation of Jane Austen’s Emma starring Anya Taylor-Joy and Johnny Flynn opened in general release in the US on March 6th. This enchanting and visually stunning interpretation of Austen’s classic tale of Miss Emma Woodhouse as the misapplying matchmaker of Highbury has received raves from the press and viewers alike.
The costumes beautifully define the film, greatly adding to the characterization and the drama. Joining us here today is fashion historian Hilary Davidson who has generously contributed a guest blog to share her insights and impressions of the costumes made for the new film by Academy Award-winning designer Alexandra Byrne.
Emma. is the best-costumed screen adaptation of Austen ever made. Strong words but delighted ones from a dress historian who has recently written a book on Regency fashion and seen a lot of odd screen versions of the period’s dress. Costume designer Alexandra Byrne and her team studied many original garments in British historical collections and threw all their research into a gloriously realised vision of circa. 1815 dress.
Carl H. Pforzheimer Collection of Shelley and His Circle, The New York Public Library. “Comfort” The New York Public Library Digital Collections.
Director Autumn de Wilde clearly adores the details of dress and pays them great attention. Throughout the film, we are shown the components of women’s dress and how they were arranged, from the knee-high stockings to the chemise and stays that helped create the illusion of a natural body. Emma demonstrates that Regency women didn’t wear underpants in a pose taken straight from Comfort [image]. Mr. Knightley is dressed from the skin to coat in a sequence I’m going to use in teaching fashion history. Continue reading “Costuming in the EMMA. Movie with Fashion Historian Hilary Davidson”