Rare Presentation of Copy of Jane Austen’s Emma Commands £325,000

Jonkers Rare Books, of Hart Street, Henley-on-Thames has announced today that an undisclosed British collector has paid £325,000 for the rare first edition presentation copy of Jane Austen’s novel Emma once owned by her dear friend Anne Sharp. Jonkers has owned the three volume set since June 2008 when it outbid all other participants at Bonham’s Auction House in London. The £180,000 sales price set a new auction record for a printed book by the British author. 

Bookshop director Christiaan Jokers revealed some amazing facts in his statement to the Henley Standard regarding the copy of Emma that I find quite debatable. 

“The important thing is the signature of Jane Austen to her best friend. That’s what moves it from being a £20,000 book to a £300,000 book.” 

“The fact that it is the only presentation copy is also really something.” 

When the copy was presented for sale in 2008, Bonham’s researched the history of its provenance and the hand writing prior to listing for auction. Since this was a presentation copy sent directly to Anne Sharpe from Jane Austen’s publisher John Murray, Bonham’s did not believe that the inscription was Jane Austen’s but had been written by her publisher before it was sent to Anne. I also doubt that it is the only known remaining presentation copy of Emma. Out of the twelve copies sent, nine went to her family and one to the Prince Regent. There must be another one still in the family or in the Royal library. 

Come what may, I am quite pleased that the sale was to a British collector and hope that it was to a museum or a certain millionairess in Chawton who will exhibit it to the public. 

  • Read my original post regarding the history of Anne Sharp’s presentation copy and her relationship with Jane Austen.

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James Fairfax: A Gender Bending Alternate Regency Universe Will be the Next Austen Mash-up

James Fairfax, by Jane Austen and Adam Campan (2009)Gentle Readers: In yet the third announcement in less than a week, another publisher is jumping on the classic literary re-imagining/mash-up band wagon and hitching their star to Austen’s prose. Independent publisher Norilana Books has announced today a new novel entitled James Fairfax, combining Jane Austen’s original text of Emma with new scenes by Adam Campan. Described as a “re-envisioning of Jane Austen’s world, where gay marriage is commonplace and love is gender-blind,” one is all astonishment as to this new premise.

Here is the publicity blurb:

In this stunning, gender-bending, stylish dance-of-manners version of Jane Austen’s beloved classic novel EMMA — an alternate Regency where gay marriage is commonplace and love is gender-blind — matchmaking Emma Woodhouse tries to find a suitable spouse for her lover Harriet Smith, and is embroiled in the secrets of the relationship between the mysterious and accomplished James Fairfax and the handsome Frank Churchill…

Last week Quirk Books, the publisher of the surprising best-seller Pride and Prejudice and Zombies, revealed its next Austen mash-up would be Sense and Sensibility and Sea Monsters, followed by Beautiful Books announcement of Murder at Mansfield Park on Monday. With recent deluge of Jane Austen inspired books, this writer like Austen’s character Mary Bennet, “wished to say something very sensible, but knew not how.”

Further reading

Jane Austen’s Emma: English verdure – a sweet view

Illustration from Emma, by Phillip Gough, Macdonald & Co (1948)It was hot; and after walking some time over the gardens in a scattered, dispersed way, scarcely any three together, they insensibly followed one another to the delicious shade of a broad short avenue of limes, which stretching beyond the garden at an equal distance from the river, seemed the finish of the pleasure grounds. It led to nothing; nothing but a view at the end over a low stone wall with high pillars, which seemed intended, in their erection, to give the appearance of an approach to the house, which never had been there. Disputable, however, as might be the taste of such a termination, it was in itself a charming walk, and the view which closed it extremely pretty. The considerable slope, at nearly the foot of which the Abbey stood, gradually acquired a steeper form beyond its grounds; and at half a mile distant was a bank of considerable abruptness and grandeur, well clothed with wood; and at the bottom of this bank, favourably placed and sheltered, rose the Abbey-Mill Farm, with meadows in front, and the river making a close and handsome curve around it.  

It was a sweet view — sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive. Narrator, Emma, Chapter 42 

We are having exceptionally fine weather in my neck of the woods in the country near Seattle, with nary a cloud in the sky and warm temperatures. The fruit trees are blooming and spring is in full flower. There is green everywhere, reminding me of this beautiful passage in Emma. As Austen describes the sweet view of the English landscape that her characters are experiencing, I am amazed how similar it is to my local landscape on a rare day when it is not raining or overcast. One wonders if Austen was feeling the same amazement with a fine clear day as I am, close to 200 years later. 

Wishing everyone a great holiday weekend in the states. 

*Illustration by Phillip Gough from Emma by Jane Austen, Macdonald & Co Publishers, London (1948)

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Austen at Large: Mr. Elton on Facebook

My class assignment taken to the fullest extent!

Mr. Elton on Facebook

 

 And of course he must have his say.

Mr. Elton's Facebook Page Notes

Virginia Claire

Virginia Claire, our Austen at Large roving reporter is a college student studying English literature and history who just returned from her time studying abroad in Bath England and working as an intern at the Jane Austen Centre. She is the Regional Coordinator of JASNA North Carolina and a lifelong Janeite. She will be sharing her thoughts on all things Austen this semester and remembering her travels in Austenland.

Emma: Mr. Knightley’s Proposal – Marriage or Merger?

Illustration by Willian C. Cooke, Emma, J. M. Dent & Co (1892)“And now, let me talk to you of something else. I have another person’s interest at present so much at heart, that I cannot think any longer about Frank Churchill. Ever since I left you this morning, Emma, my mind has been hard at work on one subject.”  

The subject followed; it was in plain, unaffected, gentleman-like English such as Mr. Knightley used even to the woman he was in love with, how to be able to ask her to marry him, without attacking the happiness of her father. Emma’s answer was ready at the first word. “While her dear father lived, any change of condition must be impossible for her. She could never quit him.” Part only of this answer, however, was admitted. The impossibility of her quitting her father, Mr. Knightley felt as strongly as herself; but the inadmissibility of any other change, he could not agree to. He had been thinking it over most deeply, most intently; he had at first hoped to induce Mr. Woodhouse to remove with her to Donwell; he had wanted to believe it feasible, but his knowledge of Mr. Woodhouse would not suffer him to deceive himself long; and now he confessed his persuasion, that such a transplantation would be a risk of her father’s comfort, perhaps even of his life, which must not be hazarded. Mr. Woodhouse taken from Hartfield! No, he felt that it ought not to be attempted. But the plan which had arisen on the sacrifice of this, he trusted his dearest Emma would not find in any respect objectionable; it was, that he should be received at Hartfield; that so long as her father’s happiness — in other words his life — required Hartfield to continue her home, it should be his likewise.  

Of their all removing to Donwell, Emma had already had her own passing thoughts. Like him, she had tried the scheme and rejected it; but such an alternative as this had not occurred to her. She was sensible of all the affection it evinced. She felt that, in quitting Donwell, he must be sacrificing a great deal of independence of hours and habits; that in living constantly with her father, and in no house of his own, there would be much, very much, to be borne with. She promised to think of it, and advised him to think of it more; but he was fully convinced, that no reflection could alter his wishes or his opinion on the subject. He had given it, he could assure her, very long and calm consideration; he had been walking away from William Larkins the whole morning, to have his thoughts to himself. Mr. Knightley & Emma Woodhouse, Chapter 51 

I have always been disappointed in Mr. Knightley’s marriage proposal to our heroine Emma Woodhouse. If you are not paying close attention, you might miss it altogether! No long speech declaring his esteem, admiration and love. No “will you be mine dearest, loveliest Emma?” No ardent realization that they are destined to be together. No jubilant acceptance by her. Nothing! And Emma is also at fault. She is as much about the business transaction as Knightley, concerned more about her father’s reaction and comforts, Mr. Knightley’s estate manager Mr. Larkins being inconvenienced by Mr. Knightey’s absence if they should live at Hartfield, and finally Harriet’s reaction to the news. This is more business merger negotiations than the final romantic reward for the build up by Jane Austen over the last 448 pages of the novel. For me, it is the biggest weakness in the plot to an otherwise brilliant story. If Austen had given us a romantic and moving marriage proposal, Emma might be more favorably accepted. I know that sounds shallow, but there your have it from this hopeless romantic.     

* Illustration by William C. Cooke, “Mr. Knightley’s proposal”, Emma, The Novels of Jane Austen, J. M. Dent & Co, London (1892)

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Emma Woodhouse: Poverty, Marriage & Pedestals!

Illustration by Edmund H. Garrett, Emma, Roberts Bros, Boston (1892)“Dear me! it is so odd to hear a woman talk so!”  

“I have none of the usual inducements of women to marry. Were I to fall in love, indeed, it would be a different thing! but I never have been in love; it is not my way, or my nature; and I do not think I ever shall. And, without love, I am sure I should be a fool to change such a situation as mine. Fortune I do not want; employment I do not want; consequence I do not want: I believe few married women are half as much mistress of their husband’s house, as I am of Hartfield; and never, never could I expect to be so truly beloved and important; so always first and always right in any man’s eyes as I am in my father’s.”  

“But then, to be an old maid at last, like Miss Bates!”  

“That is as formidable an image as you could present, Harriet; and if I thought I should ever be like Miss Bates! so silly — so satisfied — so smiling — so prosing — so undistinguishing and unfastidious — and so apt to tell every thing relative to every body about me, I would marry to-morrow. But between us, I am convinced there never can be any likeness, except in being unmarried.”  

“But still, you will be an old maid — and that’s so dreadful!”  

“Never mind, Harriet, I shall not be a poor old maid; and it is poverty only which makes celibacy contemptible to a generous public! A single woman, with a very narrow income, must be a ridiculous, disagreeable, old maid! the proper sport of boys and girls; but a single woman, of good fortune, is always respectable, and may be as sensible and pleasant as anybody else. And the distinction is not quite so much against the candour and common sense of the world as appears at first; for a very narrow income has a tendency to contract the mind, and sour the temper. Harriet Smith and Emma Woodhouse, Emma, Chapter 10 

Miss Emma Woodhouse is such a prig! She proclaims that only poverty makes an old maid contemptible. Oh really? She need not marry because it offers her nothing that she does not already possess: fortune, employment or consequence. Arrogance! The first time a read Emma, I scowled so much my face hurt. 

Some readers complain that they can not identify with Emma. Jane Austen has certainly created “a heroine whom no-one but myself will much like.” It is difficult for a reader to sympathize with her struggles, because her arrogance is her biggest fault, and who can feel empathy with that? When I think of other literary heroines we love to hate, I think of Scarlet O’Hara, that smug southern belle in Gone With the Wind. Even though we want to give them both a swift kick in the rear, we are mesmerized over the prospect of what silliness they will do next and who will eventually knock them off their self appointed pedestals. It’s along fall, but worth the wait! 

*Illustration by Edmund H. Garrett, Emma, Chapter 10, Roberts Bros, Boston (1892)

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Oooh Mr. Woodhouse … it’s snowing!

Woodhouse weather6, Seattle snow storm (2008)“This will prove a spirited beginning of your winter engagements, sir. Something new for your coachman and horses to be making their way through a storm of snow.”  

Poor Mr. Woodhouse was silent from consternation; but every body else had something to say; every body was either surprized or not surprized, and had some question to ask, or some comfort to offer. Mrs. Weston and Emma tried earnestly to cheer him and turn his attention from his son-in-law, who was pursuing his triumph rather unfeelingly.  

“I admired your resolution very much, sir,” said he, “in venturing out in such weather, for of course you saw there would be snow very soon. Every body must have seen the snow coming on. I admired your spirit; and I dare say we shall get home very well. Another hour or two’s snow can hardly make the road impassable; and we are two carriages; if one is blown over in the bleak part of the common field there will be the other at hand. I dare say we shall be all safe at Hartfield before midnight.” John Knightley, Emma, Chapter 15 

Enjoy these snowy photos. They are a “spirited beginning to my winter engagement” as John Knightley would say.

Woodhouse weather5, Seattle snow storm (2008)

Woodhouse weather4, Seattle snow storm (2008)

We are in the midst of a bitter snow storm here near Seattle. I live in the country and took these photos of our pastures and trees yesterday morning. It looks so pretty and peaceful, but the snow and cold are causing quite a bit of anxiety and stress. Mr. Woodhouse would be comatose. 

Woodhouse weather3, Seattle snow storm (2008)

Woodhouse weather2, Seattle snow storm (2008)

I have always enjoyed this passage from Emma. Wicked John Knightley. He knows just how to terrify his poor father-in-law Mr. Woodhouse with the possibility of snowy bleak parts and carriage blow overs! Jane Austen is really the wicked one. She knows just how to make us laugh at his expense. 

Woodhouse weather1, Seattle snow storm (2008)

I am off to work tomorrow morning to attempt to sell books and holiday gifts to anyone foolish enough to venture out of their homes. We are expecting an even bigger storm with high winds by 4:00pm, so if you don’t hear from me for days, I am without electricity, huddled under my down quilt with a flashlight reading Emma

Cheers,

Laurel Ann

Jane Austen and the Seven Deadly Sins: Pride and Vanity

Illustration by CE Brock, Persuasion (1894)Vanity was the beginning and the end of Sir Walter Elliot’s character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did; nor could the valet of any new made lord be more delighted with the place he held in society. The Narrator on Sir Walter Elliot, Persuasion, Chapter 1 

As a clergyman’s daughter Jane Austen would have been well aware of the significance of the seven deadly sins, those cardinal vices identified by the Catholic church in the 6th- century and later adopted by other Christian religions as the most offensive and serious of sins against god and humanity.  Listed as luxuria (extravagance, later lust), gula (gluttony), avaritia (greed), acedia (sloth), ira (wrath), invidia (envy), and superbia (pride), they were all egregious offenses that would qualify the sinner to at least one foot in hell unless they confessed and were penitent. This collection, though not identified in the Bible, was in the eyes of the church the foundation of moral corruption and considered mortal sins, a most serious offense threatening eternal damnation. Pretty serious stuff.   

Throughout Jane Austen’s novels, her characters exhibit a wide range of qualities from integrity to dissipation and vice making them very realistic, and not unlike people of our own acquaintance or popular renown. One could say that the struggle against the seven deadly sins is the driving force in her plots and one of the main reasons why people connect with them so readily. Her most popular characters Mr. Darcy and Elizabeth Bennet from Pride and Prejudice are prime examples of two of the deadly sins, the offence of pride and wrath. Though Austen does not condemn them for it (as the church might), their vices are the whole axis of the story.  

Today we shall look at the sin of pride, also known as vanity which was one of Jane Austen’s most popular choices of the seven deadly sins in her novels. Vanity appears 85 times and pride 111 times. Here are a few choice quotations: 

Vanity working on a weak head, produces every sort of mischief. Emma 

With insufferable vanity had she believed herself in the secret of every body’s feelings; with unpardonable arrogance proposed to arrange every body’s destiny. Emma 

Their vanity was in such good order that they seemed to be quite free from it, and gave themselves no airs; while the praises attending such behaviour, secured and brought round by their aunt, served to strengthen them in believing they had no faults. Mansfield Park 

Henry Crawford, ruined by early independence and bad domestic example, indulged in the freaks of a cold-blooded vanity a little too long. Mansfield Park 

Catherine listened with astonishment; she knew not how to reconcile two such very different accounts of the same thing; for she had not been brought up to understand the propensities of a rattle, nor to know to how many idle assertions and impudent falsehoods the excess of vanity will lead. Northanger Abbey 

From pride, ignorance, or fashion, our foes are almost as many as our readers. Northanger Abbey 

In vanity, therefore, she gained but little; her chief profit was in wonder. Northanger Abbey 

It was a struggle between propriety and vanity; but vanity got the better, and then Elizabeth was happy again. Persuasion 

“That is very true,” replied Elizabeth, “and I could easily forgive his pride, if he had not mortified mine.” Pride and Prejudice 

Vanity and pride are different things, though the words are often used synonimously. Pride and Prejudice 

“Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.” Pride and Prejudice 

“Yes, vanity is a weakness indeed.” Pride and Prejudice 

If his own vanity, however, did not mislead him, he was the cause, his pride and caprice were the cause. Pride and Prejudice 

The world had made him extravagant and vain — extravagance and vanity had made him cold-hearted and selfish. Sense and Sensibility 

Vanity while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Sense and Sensibility 

Of all of Austen’s characters guilty of vanity, Sir Walter Elliot in Persuasion is definitely the leading offender. Austen leaves us in no doubt of his priorities in life toward his appearance and how it impacted his family. Mrs. Allen in Northanger Abbey arrives at a distant second being excessively fond of her clothing and constantly commenting on the inferiority of others choice of fabrics and garments. Who would dare dispute that Mr. Darcy in Pride and Prejudice has the most pride since an entire novel stems from it. Mrs. Fanny Dashwood in Sense and Sensibility in my mind is second in offence of pride after Mr. Darcy. She is so arrogant and prideful that she basically evicts her mother-in-law Mrs. Dashwood out of her home after the death of her father-in-law and talks her own husband out of giving them a decent living –  all for her vanity. There are others who come to mind: Miss Elizabeth Elliot in Persuasion who is definitely her father’s daughter, Mrs. Elton in Emma who is arrogance and puffery personified, Miss Mary Crawford in Mansfield Park who thinks herself above the truth, and that tactfully bereft General Tilney in Northanger Abbey who ejects poor Catherine Morland out of his house when he learns that she is not as flush as he thought. The list goes on and on with different degrees of offence, but in the end, we can rest assured that Austen does not treat these offenders lightly, passing her judgment according to propriety and her Christian principles.

Which characters do you find prideful and vain, and do you think that Austen portrayed them correctly?

Jane Austen’s Dearest Friendship with Miss Sharp Still Resonates Today

You would have held the memory of your friend Jane too in tender regret I am sure. – But the Providence of God has restored me – & may I be more fit to appear before him when I am summoned, than I sh’d have been now! – Sick or Well, beleive me ever your attached friend. J. Austen Letter to Anne Sharp, 22 May 1817

Image of three volumes first edition of Emma, presented to Ann SharpJaneites with deep pockets and warm hearts will be winging their way to London for the June 24th auction of a first edition of Emma being offered at Bonham’s Auction House. The rare three volume presentation copy of Jane Austen’s fourth and final novel to be published in her lifetime was a gift from the authoress to Anne Sharp, a dear friend and previous governess to her brother Edward Austen Knight’s daughter Fanny at Godmersham, Kent.

Bonham’s online catalogue description contains some interesting facts.

Jane Austen was allocated twelve presentation copies by the publisher John Murray. Of these, nine were sent to family members (including Jane herself), one to the librarian of the Prince Regent (to whom the work was dedicated), and one to Countess Morley, these last under obligation from the publisher. The present copy is the only one given to a personal friend, testament to the strength of Jane’s feelings for Anne.

First editions of Jane Austen’s novels can garner healthy prices. A November 2007 article in Antiquarian Books listed a recent sale of a three volume set of Sense and Sensibility by Bloomsbury Auctions in New York for $48,000.00. (1) Because the ‘Anne Sharp’ edition of Emma has unique provenance, and no known presentation copies of Emma have ever hit the market before, Bonham’s is anticipating a sale price between £50,000 to £70,000. This could be quite a windfall for its present UK owner who had the volumes shelved in their family library for three generations without a clue as to how their ancestors acquired them. One wonders what else they have loitering about, and why they chose this moment to dispose of them!

Illustration of Godmersham Park, Kent, England

Godmersham Park, Kent, home of the Edward Austen Knight family circa 1804

Anne Sharp served as governess to Fanny Knight (1793-1882) Jane Austen’s niece, at Godmersham from 1804 to 1806, resigning for health reasons. (2) She is mentioned fondly several times in Jane Austen’s letters to her sister Cassandra and in this wonderful passage from Claire Tomalin’s biography of Jane Austen.  Continue reading

Apple Blossoms in June? Austen’s Literary Mystery

Image of Jane Austen commanding the apples to bloom

It was a sweet view — sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive…It might be safely viewed with all its appendages of prosperity and beauty, its rich pastures, spreading flocks, orchard in blossom, and light column of smoke ascending. Emma, Chapter 42 

An orchard in bloom in June? Did Jane Austen get her seasonal timing wrong? Most fruit trees bloom in May, as my apple-trees in the Pacific Northwest will confirm. This anomaly is unusual, since Austen is so correct with other facts throughout her novels according to scholar R. W. Chapman. Many have questioned this slip-up, including Jane Austen’s brother Edward, who pointed out the discrepancy to her, ‘Jane, I wish you would tell me where you get those apple-trees of yours that come into bloom in July?‘ Well, Edward, it was June but we’re splitting hairs here. 

Image of the cover of Who Betrays Elizabeth Bennet, by John SutherlandThere are two possible explanations; one by a scholar and the other by a meteorologist. In the book Is Heathcliff a Murderer: Great Puzzles in Nineteenth-Century Fiction  (new edition 2002), author John Sutherland questions Austen’s timing in chapter two, Apple blossoms in June?  His creative theory prompted a few polite objections from leading authorities; Dr. Claire Lamont and Deirdre le Faye, which are included in the next volume in the series, Who Betrays Elizabeth Bennet?: Further Puzzles in Classic Fiction (1999). They pretty much shoot holes in his theory. You can read the discussion here and draw your own conclusions, but honestly, I was so relieved to discover that a meteorologist Euan Nisbet of the Royal Holloway College in London was a Janeite, and has closely studied Jane Austen’s astute observance of accurate weather in her novels and wrote this enlightening articleContinue reading

Oxford World’s Classics Reveal New Jane Austen Editions

Image of the cover of Emma, by Jane Austen, Oxford World Classic, (2008) “Be satisfied,” said he, “I will not raise any outcry. I will keep my ill-humour to myself. I have a very sincere interest in Emma. Isabella does not seem more my sister; has never excited a greater interest; perhaps hardly so great. There is an anxiety, a curiosity in what one feels for Emma. I wonder what will become of her!”  

“So do I,” said Mrs. Weston gently; “very much.” Mr. Knightley and Mrs. Weston discussing Emma Woodhouse, Emma, Chapter 5 

The Austen book sleuth is afoot again and happy to reveal new discoveries for our gentle readers! The news is quite exciting, and like Miss Emma Woodhouse, we are always intrigued with a piece of news.   

Oxford University Press is rolling out six new Jane Austen trade paperback editions of its Oxford World’s Classics series in June. They will include full unabridged texts, new introductions, notes on the text, selected bibliography,  chronology, biography, two appendixes, textual notes and explanatory notes on each of the major novels; Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Persuasion, and Northanger Abbey with a bonus of Lady Susan, The Watson’s and Sandition included.  

Image of the cover of Pride and Prejudice, by Jane Austen, Oxford World Classics, (2008)Oxford World’s Classics launched its new re-designed classics line in April, and the improvements are quite stunning both visually and texturally. With over 750 titles of world literature to choose from, their commitment to scholars and pleasure readers is nonpareil. You can browse their catalogue here.  

Here is a description of the new edition of Emm

‘I wonder what will become of her!’ 

So speculate the friends and neighbours of Emma Woodhouse, the lovely, lively, willful, and fallible heroine of Jane Austen’s fourth published novel. Confident that she knows best, Emma schemes to find a suitable husband for her pliant friend Harriet, only to discover that she understands the feelings of others as little as she does her own heart. As Emma puzzles and blunders her way through the mysteries of her social world, Austen evokes for her readers a cast of unforgettable characters and a detailed portrait of a small town undergoing historical transition. 

Written with matchless wit and irony, judged by many to be her finest novel, Emma has been adapted many times for film and television. This new edition shows how Austen brilliantly turns the everyday into the exceptional.  

Image of the cover of Sense and Sensibility, by Jane Austen, Oxford World Classic, (2008)Product Details: Edited by James Kinsley, with a new introduction and notes by Adela Pinch, the author of Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen (Stanford UP, 1996) and numerous articles on eighteenth- and nineteenth-century English literature and culture. 448 pages; ISBN13: 978-0-19-953552-1, retail price $7.95 

Five of the beautiful new cover images are taken from classic paintings of Regency era women, and Northanger Abbey includes an image of Gothic architecture. You can read further about the re-design at the Oxford University Press website. Don’t miss taking the fun literary quiz, and discover which character from Oxford World’s Classics you are most like. I was surprised to learn that ‘today’ I am Emma Woodhouse! Who would guess?