I am a true movie geek and confess to having spent a good portion of my free time since childhood in a movie theater or glued to the TV screen. I adore everything from the Golden Age of Hollywood classics to modern creations.
Now that we can stream just about any movie ever made through pay for view or subscription services, our options can be overwhelming. That is why I enjoy movie guides to help curate my choices. When I learned that historical mystery and fiction author Rachel McMillan shared my passion for movies and was publishing, A Very Merry Holiday Movie Guide, I was over the moon with joy!
Recently, holiday movies created by TV channels like Hallmark® have become so abundant that they devote weeks and months of solid Christmas themed movies in their schedule to fill the addiction that they helped to create. A Very Merry Holiday Movie Guide helps us whittle down the possibilities into a reasonable mob of binge-able viewing.
This beautifully illustrated hardcover edition includes a carefully curated selection of the best “Must-See, Made-for-TV Movie Viewing Lists.” Not only does it share themed lists of some of McMillan’s favorite holiday movies, it includes party ideas and food recipes to make in celebration of the season while watching the movies.
I am pleased to present additional info on this charming guide including an exclusive slideshow from the publisher of illustrator Laura Leigh Bean’s artwork. Enjoy!
From the desk of Sophia Rose:
Compiling his thoughts on the first three of Jane Austen’s published novels, Sense and Sensibility, Pride and Prejudice, and Mansfield Park, author Robert Rodi fires a broadside at the swooning, sugary sentimentality of the modern Jane Austen fan craze. He is appalled that such a group has turned a witty, sharp-tongued wonder into trite purple prose and slapped her silhouette on a t-shirt. Forging ahead for over four hundred pages, he dissects these Austen novels chapter by chapter, line upon line, precept upon precept highlighting a lack of romance and a decided prevalence of comedy and insight into the human condition.
I would like to give an early warning that this is not a book for those who have never read these novels. Though, it might be argued that it is exactly for those who are still considering them. My warning is for those who prefer to go into their books without spoilers and no undue influence because, reader, the author most definitely means to influence and discuss with thoroughness each character and each event and he does.
Bitch in a Bonnet begins with an explanation and a warning. Rodi doesn’t plan to take anyone by surprise or leave anyone in question of his purpose in writing his book. He basically shouts out ‘There be dragons here!’ And, I suspect for some, his method of discussion might be just that. I would be lying if I said I never had the urge to bop him on the head for trashing some of my favorite characters or scenes or that I have a decidedly differing opinion on matters, particularly in Mansfield Park.
In colloquial turns of phrase and a great preponderance of cultural idioms, he dissects each of the books in his own chapters that tackle the novel’s chapters in about five-chapter sections. His sardonic humor and often sarcastic turn of phrase can be highly amusing (read, laugh out loud funny) and, once in a while, wearying (he can belabor his point now and then). Continue reading
From the desk of Tracy Hickman:
Was Jane Austen a radical? Was she sympathetic to the “radical reforms” of Charles James Fox and others that included universal male suffrage, the abolition of slavery, and women’s rights? Few would readily place her in the company of Thomas Paine, William Godwin, or Mary Wollstonecraft, but perhaps that is because she kept her dangerous views so well hidden that most of her contemporaries, as well as later generations, have missed them. While I began reading Jane Austen, The Secret Radical with an open but somewhat skeptical mind, I was curious to see what evidence Helena Kelly would provide. In Chapter 1, she throws down the gauntlet:
We’re perfectly willing to accept that writers like [William] Wordsworth were fully engaged with everything that was happening and to find the references in their work, even when they’re veiled or allusive. But we haven’t been willing to do it with Jane’s work. We know Jane; we know that however delicate her touch she’s essentially writing variations of the same plot, a plot that wouldn’t be out of place in any romantic comedy of the last two centuries.
We know wrong. (4%)
Kelly cites a number of reasons for what she calls the misreading of Austen, including a lack of reliable biographical information about Austen, the destruction of most of her letters by her sister Cassandra, and a concerted effort by surviving family members to reframe Jane’s life and creative endeavors along more conventional and non-threatening lines. Delays in the publication of her early works obscured themes that were rooted in the upheavals of the French Revolution and the literary phenomenon of the Gothic novel. Add to these the many film adaptations and biopics that have nearly overtaken the original novels in the consciousness of the current age:
When it comes to Jane, so many images have been danced before us, so rich, so vivid, so prettily presented. They’ve been seared onto our retinas in the sweaty darkness of a cinema, and the aftereffect remains, a shadow on top of everything we look at subsequently. (10%) Continue reading
Welcome to Sanditon, an 1819 Regency seaside community in Sussex England—the fictional site of the new ITV/PBS television adaptation/continuation of Jane Austen’s final unfinished novel.
For those who are watching the eight-part series currently airing in the US on PBS, The World of Sanditon, by Sara Sheridan will be catnip to heighten your addiction. A copiously illustrated behind the scenes look at the making of the new television series, it also is filled with a biography of Jane Austen, historical information on the era, seaside life and health resorts, and Regency life for women.
In addition, there are spotlights on the characters and interviews with the actors who brought them to the screen. Here is a description of the book from the publisher Grand Central Publishing, details on the content, and images from the production for your enjoyment.
Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award-winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice).
This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.
CONTENTS: Continue reading