The new residents of 165 Eaton Place have a “day full of unimaginable things” in The Cuckoo, the third and concluding episode of the revival season on Masterpiece Classic PBS.

Last week’s episode two, The Ladybird, had strong political overtones as rebellious Lady Persie (Claire Foy) and the chauffeur Harry Spargo (Neil Jackson) joined the Blackshirts, a fascist group stirring up unrest among the laboring class who are hard hit by the depression. This week, the drama revolves around personal relationships and their effect on the nation and the household, revealing secrets, scandals and new beginnings. Here is the episode three synopsis from PBS.

A chance encounter with greatness goes to Mrs. Thackeray’s (Anne Reid) head, and in turn annoys Rose (Jean Marsh), who, fed up with her pretensions, unleashes an insult so great that it sparks a feud. Yet despite the embattled cook and housekeeper, the downstairs staff is united in their love and nurturing of the child Lotte (Alexia James), who appears to need more help than they can provide. With even more than her customary authority, Maud (Eileen Atkins) steps up to take charge, whisking the child away for treatment even as she guards a secret of her own.

Preoccupied with the abdication crisis, Hallam (Ed Stoppard) attempts to buy some time from the press by hosting a special dinner for the Duke of York (Blake Ritson), placing 165 Eaton Street in the center of the monarchy’s storm. Now preoccupied, Agnes (Keeley Hawes) has abdicated her responsibility of Persie (Claire Foy), who has snapped the long leash her sister provided, and begun engaging in behavior that threatens to taint them all. Only Lotte’s absence galvanizes Hallam to bring light into his home, purging it of dishonor and dark secrets that have been hidden for too long. But just as the king charts his fate, a momentous event will change the Holland family forever.

Continue reading “Upstairs Downstairs: Part Three: The Cuckoo on Masterpiece Classic PBS – A Recap & Review” →