From the desk of Debra E. Marvin:
Discovering just-released fiction on my library’s New Audiobooks shelf makes me feel as if someone has let me slip in at the front of a long line. When I found Helen Simonson’s The Summer Before the War, I was delighted she’d chosen another charming English town (I’d quite enjoyed her debut Major Pettigrew’s Last Stand) and the summer of 1914. Whether she planned it or not, the timing may help some of us adjust to the end of a ‘certain’ British historical drama, though enjoying this novel can’t be limited to Downton Abbey fans. What better time than the centennial of The Great War, to revisit its impact.
Protagonist Beatrice Nash is a young woman of high intellect, low tolerance for the superficial, and a middle-class income stymied by the death of her beloved father. Mr. Nash’s academic profession provided his daughter an unusual upbringing ripe with experiences beyond England, and making Beatrice independent, resilient, and practical. She was “not raised to be shy, and had put away the fripperies of girlhood.” All very good indeed when she takes a position as Latin teacher for the local children and is tested by the restrictions and social expectations of small town life in this delightful corner of Sussex. She simply must succeed or risk returning to her wealthy aunt’s suffocating control.
If this novel was a miniseries, she’d be the lead in an outstanding ensemble cast. To her left, Mrs. Agatha Kent, mentor, and “of a certain age when the bloom of youth must give way to strength of character, but her face was handsome in its intelligent eyes and commanding smile.” To Beatrice’s right, Hugh Grange, likely the most uncomplicated man in town…who happens to be a brain surgeon. The residents of Rye create the rich background we so enjoyed in Ms. Simonson’s debut, and Rye itself rounds out the cast as quintessential England. I had no trouble balancing the many characters who exit the other side of the war—the autumn after the war, so to speak—forever altered. Just as it should be. Continue reading
From the desk of Shelley DeWees:
Once as a child he’d had himself electrocuted to see how it would feel. He’d let the current course through him. He’d felt vibrant.
Perhaps he’d never been the same since, just full of sparks. Perhaps touching him she’d taken on some of his electricity, only instead of making her more alive, it had singed and dulled her.
Confident, theatrical, and opinionated, the genius anti-hero of Janet Todd’s novel—which is a departure from her well-known nonfiction work on Jane Austen and others—positively reeks of potential for unusual behavior, right from the start. He’s fussy and aloof; he gets upset if he is forced to walk through pale-colored soil in dark boots; he balks at tea cups that are “coarse” or “thick” and favors a more delicate model of his own choosing. He is Byronically volatile and tense, but in Ann’s eyes, Robert James is the picture of perfection, a man she simply cannot ignore. Their first meeting at a party in 1816 leaves her reeling with desire to hear more of his rhetoric, and to become familiar with his not-so-attractive yet completely arresting face—for this face, in that moment, becomes the face to Ann. “Robert James,” she acknowledges within five pages, “changed everything.”
And it’s true. At the beginning of the story, Ann St Clair is a different person. She’s plainly-dressed—relying as she does on her Gothic writings as her only source of income—and “not dissatisfied with her mode of life” in her small lodgings. Yet as soon as she connects herself to Robert James, she must change, first by demurring to his opinions of proper dress, and later, far more destructively, by abandoning her life in order to accompany him to Italy. This, in fact, is the point in the story where the relationship begins to degrade in haste: With one snide comment after another, one slight, one violent outburst, one mad musing after another, Ann and Robert James fall apart. Quality of life deteriorates for both of them, and in a long crescendo we are swept to the inevitable conclusion of a relationship built on half-truths and unspoken grievances. Yet you need not worry that it will be predictable; rather, it’s quite surprising how it all shakes out in the end. Continue reading
Hold on to your bonnets historical fiction fans! Today is the official debut of Julian Fellowes’ Belgravia, a new serialized novel by Downton Abbey’s creator/writer. Set in London in the early Victorian-era, the story follows one family’s life and how a secret from twenty-five years earlier, changed them forever.
Austenprose is honored to be the first stop on the Julian Fellowes’ Belgravia Progressive Blog Tour which will, over the course of ten weeks, travel through the ether visiting popular book bloggers and authors specializing in historical fiction and romance. Today we will be recapping and reviewing the first episode, “Dancing Into Battle.”
Released in 11 weekly installments, each episode of Julian Fellowes’ Belgravia will conclude with twists, turns and cliff-hanger endings popularized by the novels of Dickens, Gaskell and Conan Doyle in the nineteenth century. Delivered directly to your cell phone, tablet or desktop via a brand new app, you can read the text or listen to the audio recording narrated by acclaimed British actress Juliet Stevenson, or jump between the two. In addition, you will have access to the exclusive bonus features available only through the app including: history, fashion, food & drink, culture and more that will frame the story while immersing you into the character’s sphere. In addition, the first episode is totally free!
Here is a short video on how it all works: Continue reading
Downton Abbey may have ended but its creator/writer Julian Fellowes has not missed a beat. The multiple award-winning screenwriter, playwright, and TV show creator has a new novel called Belgravia to fill that huge whole in our hearts when the sixth and final season of Downton concluded in the US last March. Breaking new ground in the digital age, the book will be released in 11 serialized installment beginning Thursday, April 14 by Grand Central Publishing followed by hardcover release on July 05, 2016.
Julian Fellowes’ Belgtavia is the story of a secret. A secret that unravels behind the porticoed doors of London’s grandest postcode. Set in the 1840s when the upper echelons of society began to rub shoulders with the emerging industrial nouveau riche, Belgravia is people by a rich cast of characters. But the story begins on the eve of the Battle of Waterloo in 1815. At the Duchess of Richmond’s new legendary ball, one family’s life will change forever.
The serialized novel is hardly a new concept. Victorian authors such as Dickens, Gaskell, Collins and Conan Doyle became famous through their weekly newspaper installments popular because of their addictive episodic format of twists and cliff hangers. Belgravia will embrace the same concept but with new technology. An app available for download from the official website will send the weekly file to reader’s phones, tablets or computers. Additional annotation and historical detail will also be available to embellish the narrative while readers can jump between the digital text and the audio recording by acclaimed British actress Juliet Stevenson. Continue reading
What a great year of Austenesque reading! We reviewed 40 fiction and nonfiction books in the Austenesque, Regency or Georgian genre this past year and would like to share our list of what we feel were the most exciting, memorable and rewarding books of 2015.
Best Austenesque Historical Novels 2015:
- Brinshore: The Watson Novels Book 2, by Ann Mychal (5 stars)
- Jane by the Sea: Jane Austen’s Love Story, by Carolyn V. Murray (5 stars)
- Alone with Mr. Darcy: A Pride & Prejudice Variation, by Abigail Reynolds (5 stars)
- Pride, Prejudice and Secrets, by C. P. Odom (5 stars)
- The Darcy Brothers, by Monica Fairview, Maria Grace, Cassandra Grafton, Susan Mason-Milks and Abigail Reynolds (4.5 stars)
- Suddenly Mrs. Darcy, by Jenetta James (4.5 stars)
- Yours Forevermore, Darcy, by KaraLynne Mackrory (4.5 stars)
- The Second Chance: A Pride & Prejudice and Sense & Sensibility Variation, by Joana Starnes (4.5 stars)
- A Will of Iron, by Linda Beutler (4.5 stars)
- Miss Georgiana Darcy of Pemberley, by Shannon Winslow (4 stars)
Best Austenesque Contemporary Novels 2015: Continue reading
Today, December 16th, is Jane Austen’s 240th birthday. While the world celebrates Jane Austen Day, Austenprose is joining in the festivities with gifts to her fans.
Offered in the Grand Giveaway are several prizes including Austenesque books that we have reviewed this past year and some of our favorites from past years, and a tea package with a Pride and Prejudice mug.
To enter, just leave a comment stating why you enjoy Ms. Austen’s work and which character is your favorite by 11:59 pm, Monday, December 21, 2015. All books are print copies in either hardcover or paperback trade size. Winners will be drawn at random from the comments and announced on Tuesday, December 22, 2015. The contest is open to US residents and shipment will be to continental US addresses. Good luck to all!
From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge. Continue reading