There is something intriguing to readers and writers about an unfinished work by an author that they admire. Everyone wants closure in their life, and certainly in their fiction! Therefore, I was very excited to learn that there would be a new novel completing Jane Austen’s unfinished fragment The Watsons, by Rose Servitova.
I had read and enjoyed Servitova’s debut novel, The Longbourn Letters, and was very impressed by her ability to neatly turn an Austenesque phrase—and it also just made me laugh. It was on my Best of 2018 list for Austenesque novels and I highly recommend it.
Following in the wake of a successful first novel is always a challenge to authors, so I was curious to know what she would write about next. Choosing to complete The Watsons was not what I expected, but a welcome surprise. It takes a confident and capable writer to complete an Austen novel. I was eager to see if she could pull it off.
In celebration of its release, The Watsons is going on a blog tour. Here is additional information about the book and the tour running November 18th—29th, 2019.
Can she honour her family and stay true to herself?
Emma Watson returns to her family home after fourteen years with her wealthy and indulgent aunt. Now more refined than her siblings, Emma is shocked by her sisters’ flagrant and desperate attempts to ensnare a husband. To the surprise of the neighbourhood, Emma immediately attracts the attention of eligible suitors – notably the socially awkward Lord Osborne, heir to Osborne Castle – who could provide her with a home and high status if she is left with neither after her father’s death. Soon Emma finds herself navigating a world of unfamiliar social mores, making missteps that could affect the rest of her life. How can she make amends for the wrongs she is seen to have committed without betraying her own sense of what is right?
Jane Austen commenced writing The Watsons over two hundred years ago, putting it aside unfinished, never to return and complete it. Now, Rose Servitova, author of acclaimed humour title, The Longbourn Letters: The Correspondence between Mr Collins and Mr Bennet has finished Austen’s manuscript in a manner true to Austen’s style and wit.
EARLY PRAISE: Continue reading
Today is the official launch day for the second fantasy novel in the Austen Adventures series, The Unexpected Past of Miss Jane Austen, by Ada Bright and Cass Grafton. Congratulations to the authors.
This novel includes heroine Rose Wallace and her beau Aiden Trevellyan who we were introduced to in book one, The Particular Charm of Miss Jane Austen. As time-travelers, they are sent back to Regency-era England to be reunited with Jane Austen.
Jane Austen and time travel. What Janeite has not dreamed of having a personal conversation with the author herself? What would you ask her? What would she be like? What would it be like to be in nineteenth-century England? The possibilities of learning insights into her life, family, and friends are fascinating.
I am pleased to share additional information on the book and an exclusive excerpt to give you a bit of a peek inside the story.
Rose Wallace thought her time-traveling adventures were over. Jane Austen is about to prove her wrong.
After becoming trapped in present-day Bath due to a mishap with her time-traveling charm, Jane Austen is safe and sound back in the 1800s thanks to Rose’s help. Now, Rose is ready to focus on her fledgling romance with dreamy Dr. Aiden Trevellyan.
But when Jane reappears in the present, it looks like Rose and Aiden have no choice but to follow her back to 1813…
Staying in the Austen household, Rose and Aiden are introduced to a number of interesting figures from the past, including Jane’s eccentric – and surprisingly modern – neighbour. Suddenly it looks like Rose’s life is in need of a re-write as she discovers some unexpected ties to Jane Austen’s world and her past.
The sequel to The Particular Charm of Miss Jane Austen is perfect for fans of Victoria Connelly’s Austen Addicts series and The Jane Austen Book Club by Karen Joy Fowler.
EXCLUSIVE EXCERPT: Continue reading
From the desk of Debbie Brown:
Soon, All Hallow’s Eve will be upon us, when restless spirits of the dead are said to roam. What better time to pick up a gothic Austenesque novel centered around an ancestral family curse that continues to claim its victims? Beware, brave readers: this tome is not for the faint of heart. Several characters will not survive until the end of the story. (Cue creepy organ music, a bolt of lightning, and evil laughter!)
Diana Birchall’s latest, The Bride of Northanger, is a sequel to Jane Austen’s Northanger Abbey. In this case, General Tilney’s estate is the setting for melodramatic goings-on that are NOT the products of anyone’s imagination.
Catherine Morland – who becomes Catherine Tilney in the early pages here – is a year older and wiser. She has put aside silly gothic romances and instead reads more scholarly works. (There’s an interesting subtext here: her husband Henry is happy to see how educated she is becoming but, since she is a woman, there are limits on how much education is desirable in a wife.) Our more mature heroine is determined to control her imagination, though she still retains curiosity that must be satisfied. As she says, “I am no longer a fanciful girl, given to fears.” Her resolve is sorely tested throughout the book.
As the book opens, Henry reluctantly explains the superstitious rumor that the Tilney family is cursed. “…the race of Tilney might survive, but its fruitfulness be blighted forevermore. The wife of each firstborn son would die, either in terror or in madness, early in her life…” That doesn’t apply to Catherine since Henry isn’t the firstborn – his older brother Frederick is. But she’s no longer superstitious, so she’s not dissuaded anyway. Continue reading
The late eighteenth-century is one of my favorite eras in history. England and France and America were all in turmoil—fighting with each other, and internally. While Britain tried to maintain its colonies in America, France’s people were resisting their government and the aristocrats that ruled them. The outcome in America was the defeat of British tyranny and the creation of a new nation. In France, a revolution upended a feudal system and the monarchy, creating a new government. Men mostly get all the credit for the outcome of these events in the history books. Ribbons of Scarlet, a new collaborative novel written by six bestselling and award-winning authors corrects that omission. Each of the authors has taken a woman from history and brought her life to the forefront. Cleverly, each of their stories is interwoven into the narrative forming a complete novel. The possibility that multiple authors could work together, with strong women from history as their muses, was the compelling factor in my wanting to read this new book. Could they indeed pull it off?
The novel is divided into six sections, each titled to reflect the personality of the character and a hint of their social status. The story begins in Paris in the Spring of 1786 with The Philosopher, by Stephanie Dray. Sophie de Grouchy is a well-educated, upper class, unmarried woman with strong principles and ideals who marries the Marquis de Condorcet, an older statesman with similar political passions. Sophie opens a school for the lesser-privileged and we are introduced to the next character to take the baton, Louise Audi, a fruit seller in The Revolutionary, by Heather Webb. Princess Elizabeth, the sister of King Louis XVI of France, who we were first introduced to in Sophie’s story, is brought forward in The Princess by Sophie Perinot. Through her, we experience the Revolution through the eyes of the Royal family. In The Politician, by Kate Quinn, we see how a strong woman, Manon Roland, with a powerful husband, the Minister of the Interior, can be even more influential than the person in the office. In The Assassin, by E. Knight, Charlotte Corday is driven to stop the one man she feels is responsible for so much death and destruction. And finally, with The Beauty, by Laura Kamoie, we experience through Émilie de Sartine what it would have been like to live in fear of being imprisoned, condemned to death, and then await your appointment with “Madame la Guillotine,” which came to symbolize the French Revolution. The story concludes ten years after the Revolution with an epilogue with our first heroine Sophie. After so much bloodshed and destruction the people are worn down and tired. Craving security, they hope making Napoleon their Emperor will bring them peace and happiness. Continue reading
There’s a new debutante at the ball Janeites, and she’s going to knock your bonnets off.
Meet author Natalie Jenner. Her debut novel, The Jane Austen Society, arrives on May 26, 2020—that’s 8 months and 17 days and counting.
Mark your calendars.
You will thank me!
Today, I am honored to reveal the gorgeous cover of this amazing Jane Austen-inspired novel. As you can see, the design represents five individuals lined up arm-in-arm facing Chawton Cottage, Austen’s final home near Alton, Hampshire. Any Austen fan worth their weight in syllabub recognizes it is as the epi-center of the Austen universe.
Designed by Michael Storrings at St Martin’s Press, the cover features five of the main characters: a widowed village doctor, an heiress to the Knight family estate, a young house girl on that estate, a local schoolteacher and recent war bride, and a middle-aged bachelor farmer. This group is rounded out by a local solicitor from the neighboring town of Alton, an appraiser from Sotheby’s in London, and a Hollywood movie star and lifelong Janeite—all drawn together by their mutual passion for Austen’s work and a desire to preserve her legacy. Continue reading
Set in an English country village at the onset of WWII, The Chilbury Ladies Choir is told through letters and journal and diary entries by four female characters who are faced with keeping the home fires burning while their menfolk are off fighting Nazis. The first-person format intrigued me, and the subject sounded promising. However, it was the anticipation of escaping into the lives of “three or four families in a country village” that really hooked me. If English-born author Jennifer Ryan could dish out endearing and foibled characters I was in for a great read.
Ominously, the novel begins with the funeral of Commander Edmund Winthrop, the first casualty of the war from this tight-knit community. The reality of his death hits the remaining residents hard, coupled with the fact that the vicar decided to close the church choir due to the lack of male voices. The ladies rebel. They are done with being told what to do by the few men remaining. Disobeying the vicar, they form the Chilbury Ladies Choir led by Miss Primrose Trent, a music tutor from the local university.
“First, they whisk our men away to fight, then they force us women into work, then they ration food, and now they’re closing our choir. By the time the Nazis get here there’ll be nothing left except a bunch of drab women ready to surrender.” Mrs. Brampton-Boyd (3)
Are there any historical fiction readers out there who have not read the insanely popular Lilac Girls yet? Hello!
Martha Hall Kelly’s debut novel was published in 2016 – and like all book fledglings was sent out into the world with high hopes. Early reviews were rather mixed, but it hit the NY Times bestseller list immediately, a phenomenon for a debut novel. It has become one of those rare books in publishing that has an enormous wingspan, remaining on the bestseller lists for years.
One cannot even imagine the pressure on Kelly’s shoulders to produce her second novel, Lost Roses, released last month by Ballantine Books. A prequel to Lilac Girls, many of her readers will have high expectations. If she was smart, she would stick to her winning formula: base the story on real-life women facing challenges during historical events; transport readers into their lives and times through first-person narratives that are impeccably researched; offer page turning-prose that keeps you up into the wee hours; and finally, develop characters that we can empathize and care about. A very tall order, indeed.
Again, the story features a tryptic of women struggling on the home front during a world war. Lilac Girls introduced us to Caroline Ferriday in the 1940’s WWII. Lost Roses begins a generation earlier in pre-WWI and features Caroline’s mother Eliza Ferriday, an American socialite and philanthropist, her friend Sofya Streshnayva, a Russian aristocrat, and Varinka Kozlov, a Russian peasant. Continue reading
The second book in the Parish Orphans of Devon series is a historical romance road trip novel with an intriguing premise; can two unlikely companions travel together from London to India under false pretense to join forces to find a lost friend?
In A Modest Independence, author Mimi Matthews’ explores an improbable romance of an impertinent, strong-willed woman and an equally independent bachelor who are thrown together under eyebrow-raising circumstances. There are so many impediments to their success, on several levels, that I was compelled to discover if they could overcome all the obstacles that the author had placed in their path.
Starting in Victorian-era London, England we meet spirited heroine Jenny Holloway who has recently come into a small fortune. Determined to remain independent and never marry, she wishes to travel to India to find the Earl of Castleton, the missing brother of the woman who gave her a modest independence. Her attorney Tom Finchley, who holds her purse strings, is concerned for her safety and hesitant to release her funds so she can travel. Raised in a Devon orphanage, he is a self-made man who now has a very prosperous London practice. We were introduced to this couple as supporting characters in the first book in the series, The Matrimonial Advertisement. Tom harbors feelings for Jenny and decides to travel with her to protect her, help her find the missing brother, and explore the possibility of a romance. Continue reading
Between 1870 and 1914, there were at least a hundred marriages of American heiresses to British peers. Fueled by microeconomics—supply and demand—American industrial tycoons bought position, prestige, and coronets by bartering their daughter’s dowries to cash-strapped aristocrats. One transatlantic trade was Brooklynn born Jeanette “Jennie” Jerome. In 1874 she became one of the first “dollar princesses” when she married Lord Randolph Churchill, the third son of the Duke of Marlborough. Her wildly rich father reputedly paid a dowry equaling 4.3 million dollars in current currency. What a way to start a life-long marriage—and what delectable fodder for this new biographical fiction of Jennie’s life, That Churchill Woman, by Stephanie Barron.
Lady Randolph Churchill is one of those larger-than-life women from history whom we look upon with shock and awe. Most people will know her as the scandalous American mother of Winston Churchill, the famous politician and prime minister of Great Britain, however, there is so much more to know about this intelligent, fiercely independent woman. Born in 1854 into wealth, privilege and the excess that it generates, she was raised in New York City, Newport, Rhode Island, and Paris. Her childhood was colored by her parents Leonard Jerome and Clarissa “Clara” nee Hall’s Victorian marriage. He was a notorious womanizer. She turned the other cheek and befriended his long-time mistress Fanny Ronalds. When the affair finally ended the two women banded together, left their respective husbands, and sailed for Paris with their children.
Another significant event in her early life was the death of her younger sister Camille when she was nine. Devastated by the loss, her father consoled his young daughter with sage advice: “The only way to fight death, Jennie, is to live. You’ve got to do it for two people now—yourself and Camille. Take every chance you get. Do everything she didn’t get to do. Live two lives in the space of one. I’ll back you to the hilt.” Continue reading
From the desk of Debra E. Marvin:
Discovering just-released fiction on my library’s New Audiobooks shelf makes me feel as if someone has let me slip in at the front of a long line. When I found Helen Simonson’s The Summer Before the War, I was delighted she’d chosen another charming English town (I’d quite enjoyed her debut Major Pettigrew’s Last Stand) and the summer of 1914. Whether she planned it or not, the timing may help some of us adjust to the end of a ‘certain’ British historical drama, though enjoying this novel can’t be limited to Downton Abbey fans. What better time than the centennial of The Great War, to revisit its impact.
Protagonist Beatrice Nash is a young woman of high intellect, low tolerance for the superficial, and a middle-class income stymied by the death of her beloved father. Mr. Nash’s academic profession provided his daughter an unusual upbringing ripe with experiences beyond England, and making Beatrice independent, resilient, and practical. She was “not raised to be shy, and had put away the fripperies of girlhood.” All very good indeed when she takes a position as a Latin teacher for the local children and is tested by the restrictions and social expectations of small-town life in this delightful corner of Sussex. She simply must succeed or risk returning to her wealthy aunt’s suffocating control.
If this novel was a miniseries, she’d be the lead in an outstanding ensemble cast. To her left, Mrs. Agatha Kent, mentor, and “of a certain age when the bloom of youth must give way to the strength of character, but her face was handsome in its intelligent eyes and commanding smile.” To Beatrice’s right, Hugh Grange, likely the most uncomplicated man in town…who happens to be a brain surgeon. The residents of Rye create the rich background we so enjoyed in Ms. Simonson’s debut, and Rye itself rounds out the cast as quintessential England. I had no trouble balancing the many characters who exit the other side of the war—the autumn after the war, so to speak—forever altered. Just as it should be. Continue reading
From the desk of Shelley DeWees:
Once as a child he’d had himself electrocuted to see how it would feel. He’d let the current course through him. He’d felt vibrant.
Perhaps he’d never been the same since, just full of sparks. Perhaps touching him she’d taken on some of his electricity, only instead of making her more alive, it had singed and dulled her.
Confident, theatrical, and opinionated, the genius anti-hero of Janet Todd’s novel—which is a departure from her well-known nonfiction work on Jane Austen and others—positively reeks of potential for unusual behavior, right from the start. He’s fussy and aloof; he gets upset if he is forced to walk through pale-colored soil in dark boots; he balks at teacups that are “coarse” or “thick” and favors a more delicate model of his own choosing. He is Byronically volatile and tense, but in Ann’s eyes, Robert James is the picture of perfection, a man she simply cannot ignore. Their first meeting at a party in 1816 leaves her reeling with a desire to hear more of his rhetoric, and to become familiar with his not-so-attractive yet completely arresting face—for this face, at that moment, becomes the face to Ann. “Robert James,” she acknowledges within five pages, “changed everything.”
And it’s true. At the beginning of the story, Ann St Clair is a different person. She’s plainly-dressed—relying as she does on her Gothic writings as her only source of income—and “not dissatisfied with her mode of life” in her small lodgings. Yet as soon as she connects herself to Robert James, she must change, first by demurring to his opinions of proper dress, and later, far more destructively, by abandoning her life in order to accompany him to Italy. This, in fact, is the point in the story where the relationship begins to degrade in haste: With one snide comment after another, one slight, one violent outburst, one mad musing after another, Ann and Robert James fall apart. Quality of life deteriorates for both of them, and in a long crescendo, we are swept to the inevitable conclusion of a relationship built on half-truths and unspoken grievances. Yet you need not worry that it will be predictable; rather, it’s quite surprising how it all shakes out in the end. Continue reading
Hold on to your bonnets historical fiction fans! Today is the official debut of Julian Fellowes’ Belgravia, a new serialized novel by Downton Abbey’s creator/writer. Set in London in the early Victorian-era, the story follows one family’s life and how a secret from twenty-five years earlier, changed them forever.
Austenprose is honored to be the first stop on the Julian Fellowes’ Belgravia Progressive Blog Tour which will, over the course of ten weeks, travel through the ether visiting popular book bloggers and authors specializing in historical fiction and romance. Today we will be recapping and reviewing the first episode, “Dancing Into Battle.”
Released in 11 weekly installments, each episode of Julian Fellowes’ Belgravia will conclude with twists, turns and cliff-hanger endings popularized by the novels of Dickens, Gaskell and Conan Doyle in the nineteenth century. Delivered directly to your cell phone, tablet or desktop via a brand new app, you can read the text or listen to the audio recording narrated by acclaimed British actress Juliet Stevenson, or jump between the two. In addition, you will have access to the exclusive bonus features available only through the app including: history, fashion, food & drink, culture and more that will frame the story while immersing you into the character’s sphere. In addition, the first episode is totally free!
Here is a short video on how it all works: Continue reading