From the desk of Katie Jackson:
In Regency-era novels, which are popular for their promotion of proper behavior and swoon-worthy romantic declarations, forced-marriage tropes spice up the angst and the inevitable, slow-burn romances that result. It is satisfying to read of gentlemen doing the right thing, marrying not for love but as their duty to protect a lady’s reputation, and it is equally satisfying to observe the couple’s meandering journey to an ultimate love match. As a Pride & Prejudice enthusiast, my curiosity was piqued when I discovered this forced-marriage situation between two beloved characters, in a location only referred to in hindsight in the original story. Pride and Prejudice variations are like choose-your-own-adventure stories that take readers through various what-if scenarios, making them ponder how a single decision might entirely change the destiny of their characters. Debut author Lucy Marin reveals an unusually bleak beginning for Miss Elizabeth Bennet and Mr. Fitzwilliam Darcy in her Pride & Prejudice variation, Being Mrs Darcy.
This variation’s prologue opens on the August morning of Elizabeth’s forced marriage to Darcy, as they are traveling from Hertfordshire to London with his sister, Georgiana, and cousin, Sterling. Darcy is brooding, and “Elizabeth’s sense of dread grew with each successive mile they travelled.” (Kindle location 25) The situation worsens when they arrive at Darcy House. “Only the housekeeper and butler greeted them, and Elizabeth tried not to feel the slight; the entire household should be there to meet their new mistress.” (Kindle location 37) Darcy himself merely goes through the motions of his duties, dining with her and spending a short time in her company afterward, although almost entirely in silence. Elizabeth knew “he was unhappy about the marriage and despised her, as he had shown repeatedly in the six weeks of their acquaintance.” (Kindle location 58) She ends her wedding day in hopeless tears, haunted by her single fateful decision on a July night in Ramsgate that marked the point of no return. Continue reading
From the desk of Sophia Rose:
Can a Jane Austen-themed dating agency do anything about a floundering career woman’s life- ahem love life? With trepidation and not just a few sharp pokes in the back from her friend, Sophie Johnson, long-time Jane Austen lover, and dreamer of finding her own Mr. Darcy is about to find out.
Sophie Johnson dreams of a grand career in the editing office of a posh magazine, a chic lifestyle, and a dashing rich handsome guy to lavish anything her heart desires on her because he is utterly devoted to her happiness. Of course, in real life, she’s stuck in a low-level sales job at that posh magazine, a shabby chic lifestyle, and not the fashionable kind, and a pathetic serial texter who won’t believe she called it quits. She does nothing but work her dead-end job and go home to her small shared flat for a book or a favorite rom-com movie. Something has to give and fashion writer friend Mark, finds it, a dating agency right up Sophie’s alley.
Sophie loves Jane Austen and the thought of experiencing dates while engaging in themed balls, card parties, picnics, and lectures at various Jane Austen real life and movie sites makes it worth her jitters over putting herself out there to be matched. On her way out of her interview, Sophie spots a picture on the wall of gorgeous and obviously wealthy Darcy Drummond’s whose company is backing the agency and wonders what it would be liked to be matched with him.
Sophie encounters the man in real life and is unimpressed with his arrogant rich boy attitude when Darcy vocalizes his disapproval of her and others like her. After that, she bristles just being in the same room with his high and mighty, but soon she finds herself engaged in the new circle of people who have also joined the lower tier of the agency. Continue reading
From the desk of Sophia Rose:
When a mystery series is introduced with such words as, “…inspired by the novels of Jane Austen,” you may be sure that I will be more than willing to delve right in with alacrity. Wilde created a capable heroine who was high born, fallen with her family’s disgrace, and risen by her own resolution and strength as a useful woman to those who were once her peers, and what began with curiosity continues to impress with a deep appreciation for her spirit and intelligence.
And Dangerous to Know is so titled to best suit one of the intriguing real historical elements of this third installment in the Rosalind Thorne series which works best read in order. In this latest, Rosalind is involved with ‘mad, bad, and dangerous to know’ Lord Byron, indirectly. While never actually present, he can be felt throughout the book.
Rosalind has recovered from her last encounter with murder and peacefully keeping up her prodigious amounts of correspondence, her household affairs, and trying to help her friend Alice figure out where Alice’s brother George has been disappearing to each evening. Meanwhile, she ponders the affairs of her conflicted heart—a duke or a detective?
This is all interrupted when an imperious summons brings her to the august doors of Melbourne House and she encounters its notorious mistress, Lady Melbourne, and her more notorious daughter in law, Lady Caroline Lamb. Lady Melbourne has letters written by Lord Byron that have gone missing and they are such that ruin for several will happen if they are ever published or the contents bandied about. Rosalind has a bad feeling about the whole thing, but when Lady Jersey recommended her and another society queen wishes to hire her, there is only one answer to give. Continue reading
Today is #JaneAustenDay, marking the online celebration of her birthday. Born on a stormy night in 1775, she was the seventh child of Rev. George Austen and his lady Cassandra of Steventon, Hampshire. Her modest beginning stands in strong contrast to her international fame today. In observance, I am participating in a blog tour organized by TLC Blog Tours for a new Austen book worthy of your consideration, The Lost Books of Jane Austen.
Scholar Janine Barchas and I share a passion for Jane Austen and book collecting. In the early 1990s, I started my search for illustrated editions of Jane Austen’s novels, while she was hunting for the early inexpensive editions of Austen’s works that were marketed to Britain’s working-class folk. At the time I was actively collecting I was unaware of this niche of Austen’s novels, and until I read the description of this book, I did not know that they existed. However, Barchas presents the important story of these forgotten books in The Lost Books of Jane Austen, a heavily illustrated and informative new book for Jane Austen fans, book collectors, graphic artists, and Anglophiles.
Chronicling the print history of a classic author through the nineteenth century could be a very dry enterprise and more scholarly than the general reader could fathom. I am happy to share that there is much to celebrate and enjoy for all levels of readers in The Lost Books of Jane Austen. Barchas knows her audience, and like a skilled playwright, screenwriter, or novelist she starts off her exploration with a snappy opening line. ”Cheap books make authors canonical.” Zing! Continue reading
From the desk of Sophia Rose:
First, Julie Klassen pulled me into her writing with a haunting, gothic romantic suspense, The Secret of Pembrooke Park, and most recently delighted me with the world of a quaint English village and its occupants in her series, The Tales of Ivy Hill. In her latest release, Klassen wrote a romantic suspense that is slightly darker, splitting the setting of an island estate on the Thames and London. I love a good murder mystery, and setting it in the Regency period had me taking up The Bridge to Belle Island prepared for a reading treat.
Young lawyer, Benjamin Booker, has just experienced a humiliating loss in court when the client he thought innocent had charmed him into risking all to defend her and it turned out she had utterly lied. He feels that he has disappointed his mentor at the firm and took a hard hit to his confidence in reading people and situations. However, he soon has the opportunity to prove himself to his mentor, Mr. Hardy, when Mr. Hardy wants justice for the death of his former colleague at the firm who lately held the position of trustee for the Wilder family and was murdered in their London Town House.
Living retired from the rest of the world on Belle Island, Isabelle Wilder has seen a great deal of tragic death in her family and it has left her with an extreme fear that won’t allow her to leave her island family home for years now. She is sorry to miss her niece’s engagement party in London because of her own weakness. The night of the party, Isabelle has a terrible dream that their skinflint trustee was murdered. She is dismayed when Mr. Booker, a skeptical lawyer from the family firm, shows up both to sort their legal matters brought on by the death of her trustee, but also to investigate the death with her as the chief suspect. It was a dream when she saw vivid images of the death, right? She has nothing to hide, she hopes, so welcomes Mr. Booker to Belle Island and invites him into her life there where he starts to mellow toward her until disturbing facts start to come to light leading right to her door. Continue reading
From the desk of Tracy Hickman:
Readers of Pride and Prejudice often compare Charlotte Lucas unfavorably with Elizabeth Bennet who bravely resists financial and familial pressure to accept a proposal from the comically inept Mr. Collins, the man who stands to inherit Longbourn upon her father’s death. While nothing but the deepest love will induce her into matrimony, her closest friend Charlotte decides that she does not have the luxury of waiting for love and quickly catches Mr. Collins on the rebound. Lizzy’s bold refusal stirs our hearts; Charlotte’s pragmatic and calculated choice elicits feelings of resignation and dismay. But I’ve often thought that Charlotte is unfairly maligned by readers, who seem to expect her to possess courage equal to that of Jane Austen’s daring heroine. Could a P&P-inspired novel offer Charlotte something other than a loveless marriage of convenience?
Molly Greeley’s debut novel The Clergyman’s Wife explores Charlotte’s married life in the village of Hunsford. The main storyline takes place three years after Charlotte becomes Mrs. Collins. Her life is quiet, comfortable, and secure, though she must endure visits to Rosings Park from time to time. Housekeeping, parish duties, and raising her infant daughter, Louisa, keep Charlotte busy. While this is the life Charlotte chose, the opening pages of Chapter 1 hint at her well-concealed malaise:
“Behind me on my writing desk, a fresh piece of paper sits ready. The salutation at the top—Dear Elizabeth—has been dry for some time. I never feel the quiet uniformity of my life as fully as when I am trying to compose a letter to my friend…There is always the menu to plan, the accounts to balance, the kitchen garden to tend. I embroider a great deal more than I used to, and my designs have improved, I think. But descriptions of embroidery do not an amusing letter make.” (8)
From the desk of Debra E. Marvin:
Author of The Longbourn Letters, Rose Servitova’s candid preface in The Watsons intrigued me as much as the concept of someone taking on an incomplete Austen manuscript. It’s believed Miss Austen began the story around 1803, but it was no more than a partial manuscript at the time of her death. Published in that form by her nephew in 1871, the original document is safely archived ‘as is’ with her edits and revisions. Once I began Ms. Servitova’s novel, I immediately trusted her efforts—dare I say chutzpah—to be the latest to co-author with Jane Austen. What delicate kid slippers to fill!
You’ll not be surprised to learn the story centers on a particular family of a kind, well-read, possibly dying gentleman lax in providing for his adult daughters. Around them, a circle of friends and acquaintances carries on with the business of gossip and country balls. Our protagonist is nineteen-year-old Emma Watson who’s returned home unexpectantly after being a long-time ward of her wealthy aunt and uncle. Because of this, both her family and their neighbors are practically strangers to her.
“Yes. Single women have a dreadful propensity for being poor- which is one very strong argument in favour of matrimony. She must marry, and I pray that it will happen soon,” said Elizabeth, “that she may rob a gentleman of his fortune and us of her company.”
Emma’s fourteen years away have produced a well-spoken and well-mannered young woman now surprised by the rather rough edges of two manipulative sisters, and the novelty of being the newest single female in want of a husband. Continue reading
“Fashions come and go; bad taste is timeless.” — Beau Brummell
So saith the arbiter of style in the Regency era when all of Jane Austen’s books were published and she and her characters dwelled. Since fashion is mentioned sparingly in her novels how is one to know, two hundred years after the fact, what is fashionable and what is in bad taste? Is that actress in the current period drama wearing clothing appropriate to the era, her age, and her social status? Is the hero wearing a top hat that Victorian author Charles Dickens would have worn? Is that pelisse polyester, and is a half “updo” hairstyle totally inappropriate? Dress in the Age of Jane Austen, by Hilary Davidson explores these dilemmas for modern readers of Austen’s fiction, the adaptations of her works, and those set during the same timeframe.
When I first opened this book and skimmed its pages, I was overcome by its beauty. Page after page of eye-popping images of Regency clothing, portraits, landscapes, fashion plates, and cartoons by famous artists and illustrators of Austen’s day. The publisher states that the book boasts 180 full-color illustrations, and I do not doubt it. Here is a slide show of a few that I found especially significant to give you a glimpse of the extensive research that the author conducted to bring the book to life.
From the desk of Debbie Brown:
I need “Me” time. Frequently. My husband and I joke about my need for a “Leave Me Alone!” hat as a signal that I am NOT to be disturbed for a while. Anyone else feel this way sometimes? When the worries pile up, you feel the need to go somewhere by yourself, shut all the noise out, and forget about your obligations temporarily. It’s therapeutic. It recharges your batteries.
That’s why the beginning of A Convenient Fiction immediately grabbed my attention. Laura Hayes is hiding away from everything that bothers her. She chooses a rather unorthodox method of escape, especially considering this is Victorian England: she swims below the surface of the pond at Talbot’s Wood, wishing it were the sea, and tries to remain underwater as long as possible without coming up to breathe. “There was nothing of the world underwater. No unmet expectations. No burdens too heavy to carry. Nothing, save herself, and the sound of her own beating heart.”
Then a strange man shows up compelled to “rescue” her.
Okay, Alex Archer thought she was drowning, but he ruined what would otherwise have been a perfectly lovely morning for Miss Hayes. What’s particularly embarrassing is that she’s wearing only her chemise and drawers to swim, leaving the rest of her clothing folded neatly near the banks of the pond. What’s he doing on private property, anyway?
It doesn’t take long for Laura to find out. She meets him later the same day when she joins her friend Henrietta Talbot to serve as a chaperone. Mr. Archer is supposedly a “friend” of George Wright, the ne’er-do-well son of the local vicar who’s been away from home for quite some time. In fact, George’s huge gambling debt to Alex is way over his head. In lieu of payment, George provides the introduction to Henrietta, his childhood friend, who will inherit Squire Talbot’s profitable country estate, Edgington Park, as well as a fortune from her late mother. Continue reading