After reading the advance press on Dark Angel – the new period drama starring Joanne Froggatt as Victorian-era serial killer Mary Ann Cotton – I was seriously considering skipping my weekly MASTERPIECE appointment with my television. Multiple murders by a woman who successively kills her husbands and children by poison for their life insurance sounded like nails on a chalkboard to me – something way beyond my comfort zone. The fact that it featured Froggatt, an awarding winning actress who I adored as Anna Bates in Downton Abbey, Emmy award winning director Brian Percival (Downton Abbey) and acclaimed screenwriter Gwyneth Hughes (Miss Austen Regrets) softened the blow a bit, but I was still not convinced.
My tipping point was my love of English history and my curiosity. Life in lower-class Victorian England was harsh and bleak, however, many wives and mothers did not become serial killers. What was Mary Ann Cotton’s story? What pushed her beyond despair and made her a mass murderer?
“Why don’t you let me make you a nice cup of tea?” – Mary Ann Cotton
Screenwriter Gwyneth Hughes had an extraordinary true-life story to draw from. It is estimated that Cotton poisoned with arsenic up to 21 people including: three of her four husbands, fifteen children, a lover, a friend, and her mother – collecting life insurance for many of them. Continue reading
It’s time to announce the giveaway winners of the first two novels in the Poldark Saga: Ross Poldark and Demelza. The lucky winners drawn at random are:
1.) Eight (8) trade paperback copies of Ross Poldark
- lex6819, who left a comment on June 22, 2015
- Bookfool, aka Nancy, who left a comment on July 13, 2015
- Ladycrumpet, who left a comment on August 05, 2015
- Trudystattle, who left a comment on June 9, 2015
- Veronica Sweet, who left a comment on June 7, 2015
- Patricia Barraclough, who left a comment on July 19, 2015
- Elizabeth, who left a comment on August 3, 2015
- BeckyC, who left a comment on June 10, 2015
Captain Ross Poldark (Aidan Turner). Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
Last week in episode 6 of Poldark, we had the “Pride and Prejudice Poldark Edition,” in which talk of frocks, balls and beaus resounded with snappy repartees and witty retorts, in true Jane Austen style.
This week in episode 7 of Poldark, it’s just another day in Cornwall when an epidemic strikes the community, tragedy befalls the Poldark family and a rip roaring shipwreck sends more than a ship to the bottom of the sea, in the thrilling and heartbreaking 2 hour season 1 finale.
Side Note: Masterpiece Classic chose to combine episodes 7 and 8 of the UK broadcast into one episode. This will be confusing to some. Do not be alarmed. Both episodes are included.
(Fair warning. There be spoilers ahead)
“Where’s Verity?”—Elizabeth Poldark
While George Warleggan (Jack Farthing) reminds Ross Poldark’s (Aidan Turner) business partner Sir Jonathan Tressider (Mark Seaman) where his true interests lie in light of the debt that he owes to Warleggan Bank, Verity (Ruby Bentall) makes her move (finally) and elopes with Captain Blamey (Richard Harrington). Francis Poldark (Kyle Soller), the narcissistic cad that he is, does not take the news well. He is convinced that Ross aided them in their plans. His wife Elizabeth (Heida Reed) questions his rash accusations, defending Ross proclaiming, “I stand up for no one, but it’s the merest justice not to condemn people unheard.”
Jud (Phil Davis) and Prudie (Beatie Edney) leave Nampara in Poldark. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“Don’t bend ye brows at me girl. You ain’t nothin’ but a trull from Illugin.”—Jud Paynter
Image of Demelza Poldark (Eleanor Tomlinson) at the Warleggan ball in Poldark (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Last week in episode 5 of Poldark everyone was reckless and bold—gambling on their future and love. Miner Mark Daniel married a questionable woman, Ross began a copper smelting company, Demelza played defiant matchmaker and Francis had a meltdown after losing his mine in a card game.
This week: The Pride and Prejudice Poldark edition. In which talk of frocks, balls and beaus resounds with sparkling repartees and retorts, echoing Jane Austen’s prose.
(there be spoilers ahead)
Francis (Kyle Soller) scythes. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“You’ll never get it Ross.”—Francis Poldark
“Justice for all.”—Francis Poldark
“Fair wages would be a start.”—Ross Poldark
With the image of the shirtless and buff Ross Poldark (Aidan Turner) scything his field in episode three still fresh in our minds, the scene of his cousin Francis (Kyle Soller) attempting the same sends an entirely different message. Moral fortitude vs. weakness has won the day. Taking the initiative and rebuilding your life has paid off for Ross. Will his cousin rise to the challenge? The omen that Aunt Agatha (Caroline Blakiston) foretold of the dark and fair Poldark, “The stronger rises as the weaker falls,” has flipped in the five years since Ross’s return. The only ammunition that Francis has left to wound his cousin is sarcasm and doubt. Continue reading
From the desk of Pamela Mingle:
If you’re like me, you are spending your Sundays killing time until Poldark lights up the TV screen. When I learned that Season One would be based on Winston Graham’s first two books in the series, Ross Poldark, and Demelza, I was determined to read them before viewing the adaptation. Although the episodes I’ve seen so far can stand on their own merit, reading the books has given me a richer understanding of the two protagonists. If Ross’s character functions as the moral compass of the story, Demelza’s represents the emotional heart of the books. Her struggle to be accepted as Ross’s wife makes us empathize with her, root for her, right from the start.
Demelza opens with the birth of Ross and Demelza’s baby girl. The new mother plans two christening parties, one for the country folk and another for the gentry. Trouble arises when her father, now a Methodist and wearing his religion like a cloak of righteousness, shows up on the wrong day and promptly insults some of the guests. Put in the uncomfortable position of defending his father-in-law, Ross must intervene. Demelza flees to the house, mortified. “…I thought I would show ’em I was a fit wife for you, that I could wear fine clothes and behave genteel an’ not disgrace you. An’ instead they will all ride home snickering behind their hands…” (51) Continue reading
Ross Poldark (Aidan Turner), new dad, bad-ass miner and wavering lover.
Last week in episode 4 of Poldark the scandal mongers were in high dudgeon after the marriage of Ross to his kitchen maid Demelza, Uncle Charles’ death forced his son Francis to become more than a lawn ornament, Demelza Doolittle discovered that becoming a lady is hard work and Ross had an epiphany–he loves his wife!
This week everyone is RECKLESS AND BOLD—gambling on their future and love: Mark Daniel in his choice of bride, Keren; Ross in his new business venture, Demelza in her defiance, and Francis with his livelihood. The only person who is nonplussed is George Warleggan.
(there be spoilers ahead)
Keren Smith (Sabrina Bartlett), a player on more than just the stage, one suspects.
“I am undone: there is no living, none,
If Bertram be away. ‘Twere all one
That I should love a bright particular star
And think to wed it, he is so above me.” — Keren Smith as Helena in All’s Well That Ends Well
Two new important characters have entered the Poldark sphere: Dr. Dwight Enys (Luke Norris) and Keren Smith (Sabrina Bartlett). While Dr. Enys (in this screen version) is Ross Poldark’s (Aidan Turner) amiable army buddy arriving in Cornwall to study miners lung ailments, Keren is a seductive siren, an actress performing in a traveling troop who captures the heart of miner Mark Daniel (Matthew Wilson). Did any other Shakespeare fans recognize her soliloquy during the stage production? It is Helena’s lament for her love Bertram from All’s Well That Ends Well by Shakespeare—a very interesting selection for the screenwriter to choose. I will not say more, lest I spoil it for everyone. Mark agrees to Keren’s demanding terms for a marriage. He has four days to prepare a home for her or she leaves. Anyone read Why Men Love Bitches? She might have ghost written it. Just sayin’. Continue reading