Love and Freindship and Other Youthful Writings (Penguin Classics Hardcover), by Jane Austen, Spotlight & Giveaway

Love and Freindship Penguin 2015 x 200Collectors of Jane Austen books know that there have been hundreds of different editions of her classic novels created since their original publication (1811-1817). So many, in fact, that only a few of the beautiful and outrageous ones could be featured in the new book Jane Austen Cover to Cover, by Margaret C. Sullivan.

The recently published Penguin Hardcover Classics series is one of the possibilities to chose from. I am happy to share that after publishing all of Austen’s six major novels in the series, her juvenilia, Love and Freindship and Other Youthful Writings,  is now available for purchase.

With only four novels published during her short life and two posthumously, her popularity continued to grow through the decades of the nineteenth century.  It was only a matter of time before her family allowed publication of her juvenilia: a set of three volumes of her youthful writings. Composed c. 1787-1792, Austen’s Juvenilia consists of twenty seven items—sketches, parodies & short stories of comical, nonsensical, outrageous and sometimes dark imaginings by a writer in the making—all engaging amusements written for her family and friends. Continue reading

Your Invitation to Mansfield Park

Today in the 200th anniversary of the publication of Mansfield Park, Jane Austen’s third novel. Janeite and Austen scholar Sarah Emsley is organizing “An Invitation to Mansfield Park”, a blog event in honor of the bicentenary. Please join the celebration over the next few months with essays on the novel by many eminent Austen scholars and just plain Janeites like me.

Many thanks to Sarah for organizing this event. The line-up of writers is amazing an I am all anticipation to party like it’s 1814.

Cheers,

Laurel Ann

 

Sarah Emsley

Mansfield Park You’re invited to a conversation about Jane Austen’s Mansfield Park !

When: from May 9 to December 31, 2014

Where: right here at sarahemsley.com

I really hope you’ll join us in celebrating 200 years of Austen’s masterpiece. More than forty wonderful people are writing guest posts about Mansfield Park for my blog this year, and I hope you’ll all participate in the discussion in the comments. With exactly one month to go before the 200th anniversary of the novel’s publication, the countdown is on!

An Invitation to Mansfield Park

The party begins on Friday, May 9th, with Lyn Bennett’s thoughts on the first paragraph, followed in the next few weeks by Judith Thompson on Mrs. Norris and adoption, Jennie Duke on Fanny Price at age ten (“though there might not be much in her first appearance to captivate, there was, at least, nothing to disgust her relations”), Cheryl Kinney on Tom Bertram’s assessment of Dr. Grant’s health (“he…

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I have something in hand…” ~ The Publishing of Jane Austen’s Mansfield Park

Countdown to the 200th birthday of the publication of Mansfield Park begins. We will be celebrating on May 9th with the Janeite universe. Many thanks to Deb Barnum of Jane Austen in Vermont Blog for this excellent blog on MP publication history!

Cheers,

Laurel Ann

Jane Austen in Vermont

MP-vintagecover

I have something in hand – which I hope on the credit of P. & P. will sell well, tho’ not half so entertaining.(Ltr.  86: 3 – 6 July 1813, to Capt. Francis Austen)

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Dear Gentle Readers: This history of the publishing of Mansfield Park serves as an introduction to Sarah Emsley’s seriesAn Invitation to Mansfield Park,” which will begin on May 9th on her blog. As we celebrate this bicentenary of Austen’s third novel, published in May 1814, it seems only right to begin at the beginning, from when Austen first makes mention of Mansfield Park in her letters and its subsequent road to publication, to the later printings and early illustrated works. I am posting it here because of its length and number of illustrations – and Sarah will be re-blogging it immediately. Please continue to visit her blog for the interesting posts she…

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Happy 201st Birthday Pride and Prejudice

Pride and Prejudice Brock illustrationYou must allow me to tell you how ardently I admire and love you.” – Mr. Darcy, Pride and Prejudice, Ch 34

Today we celebrate another anniversary of the publication of Pride and Prejudice on 28 January 1813 in London. It’s hard to top last year’s incredible, world-wide, over the top festivities, elevating Jane Austen and her most popular novel to mega-media darlings of 2013. Who will ever forget the giant statue of Colin Firth as Mr. Darcy rising dripping wet from The Serpentine Lake in Hyde Park, or the announcement that Jane Austen would be featured on the UK £10.00 pound note in 2017?

I will always remember this anniversary as the year that I visited Jane Austen’s England for the first time and walked in her footsteps through gardens, stately homes, and her last residence, Chawton Cottage in Hampshire.  It was quite a year for this Janeite.

I was also very happy to see an increased interest in reading Pride and Prejudice and the many spinoffs that it has generated. Over 400 fans signed up for our own year-long Pride and Prejudice Bicentenary Challenge here on Austenprose and over of a quarter of a million visitors landed on our Pride and Prejudice Archives, detailing the novel’s characters, plot summary and significant quotes. If you have not visited our archives yet, the links to each page are listed below. Continue reading

Quotes honoring Pride and Prejudice’s 199th Birthday!

Pride and Prejudice, by Jane Austen, J. M. Dent & Co, London (1907)I could not let this day pass without wishing Jane Austen’s novel, Pride and Prejudice a happy 199th birthday.

Written between October 1796 and August 1797, Pride and Prejudice was first entitled First Impression and would not premiere on the printed page until after many revisions and another sixteen years. Publisher Thomas Egerton of Whitehall (London) purchased the copyright from Jane Austen for £110 (worth £3,735.60 or $5,867.77 today). She would make no further pecuniary emolument from her most popular novel in her lifetime.

We have all had the pleasure of enjoying her “light, bright and sparkling” prose for almost 200 years now. Renowned for her witty dialogue, the friction between Austen’s hero Mr. Darcy and heroine Elizabeth Bennet has given us some of the most memorable lines in literature. Here are a few of my favorites:

“She is tolerable; but not handsome enough to tempt me; I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.” (Mr Darcy to Mr. Bingley about Elizabeth Bennet; Ch. 3)

“I could easily forgive his pride, if he had not mortified mine.” (Elizabeth Bennet about Mr. Darcy; Ch. 5)

“Your conjecture is totally wrong, I assure you. My mind was more agreeably engaged. I have been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty woman can bestow.” (Mr. Darcy to Miss Bingley; Ch. 6)

“A lady’s imagination is very rapid; it jumps from admiration to love, from love to matrimony, in a moment.” (Mr. Darcy to Miss Bingley; Ch. 6)

“Nothing is more deceitful,” said Darcy, “than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast.” (Mr. Darcy; Ch. 10)

“There is, I believe, in every disposition a tendency to some particular evil— a natural defect, which not even the best education can overcome.”

“And your defect is a propensity to hate everybody.”

“And yours,” he replied with a smile, “is willfully to misunderstand them.” (Mr. Darcy and Elizabeth Bennet; Ch. 11)

“It is particularly incumbent on those who never change their opinion, to be secure of judging properly at first.”

“May I ask to what these questions tend?”

“Merely to the illustration of your character,” said she, endeavouring to shake off her gravity. “I am trying to make it out.”

“And what is your success?”

She shook her head. “I do not get on at all. I hear such different accounts of you as puzzle me exceedingly.” (Mr. Darcy and Elizabeth Bennet; Ch. 18)

“There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it…” (Elizabeth Bennet; Chapter 24)

“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” (Elizabeth Bennet; Chapter 31)

“I certainly have not the talent which some people possess,” said Darcy, “of conversing easily with those I have never seen before. I cannot catch their tone of conversation, or appear interested in their concerns, as I often see done.”

“My fingers,” said Elizabeth, “do not move over this instrument in the masterly manner which I see so many women’s do. They have not the same force or rapidity, and do not produce the same expression. But then I have always supposed it to be my own fault- because I would not take the trouble of practising…” (Mr. Darcy and Elizabeth Bennet; Ch. 31)

“In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” (Mr. Darcy; Ch. 34)

“I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration.” (Elizabeth Bennet; Ch. 34)

“From the very beginning— from the first moment, I may almost say— of my acquaintance with you, your manners, impressing me with the fullest belief of your arrogance, your conceit, and your selfish disdain of the feelings of others, were such as to form the groundwork of disapprobation on which succeeding events have built so immovable a dislike; and I had not known you a month before I felt that you were the last man in the world whom I could ever be prevailed on to marry.” (Elizabeth Bennet; Ch. 34)

“If Mr. Darcy is neither by honour nor inclination confined to his cousin, why is not he to make another choice? And if I am that choice, why may not I accept him?”

“Because honour, decorum, prudence, nay, interest, forbid it. Yes, Miss Bennet, interest; for do not expect to be noticed by his family or friends, if you wilfully act against the inclinations of all. You will be censured, slighted, and despised, by everyone connected with him. Your alliance will be a disgrace; your name will never even be mentioned by any of us.”

“These are heavy misfortunes,” replied Elizabeth. “But the wife of Mr. Darcy must have such extraordinary sources of happiness necessarily attached to her situation, that she could, upon the whole, have no cause to repine.” (Lady Catherine and Elizabeth Bennet; Ch. 56)

“You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged, but one word from you will silence me on this subject for ever.” (Mr. Darcy; Ch. 58)

“My dearest sister, now be serious. I want to talk very seriously. Let me know every thing that I am to know, without delay. Will you tell me how long you have loved him?”

“It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” (Jane Bennet and Elizabeth Bennet; Ch. 59)

“I cannot fix on the hour, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.” (Mr. Darcy; Ch. 60)

These are only a few of the amazing moments in Pride and Prejudice. Did I miss some your favorites? If so, do share.

Cheers,

Laurel Ann

© 2007 – 2012, Laurel Ann Nattress, Austenprose

Giveaway winner Announced for The Annotated Sense and Sensibility

The Annotated Sense and Sensibility, by Jane Austenm edited by David M. Shapard (2011)37 of you left comments qualifying you for a chance to win a copy of The Annotated Sense and Sensibility, by Jane Austen, edited by David Shapard. The winner drawn at random is Jocelyn who left a comment on May 28th.

Congratulations Jocelyn! To claim your prize, please contact me with your full name and address by June 21st, 2011. Shipment is to US and Canadian addresses only.

Thanks to all who left comments in the giveaway, and for all those participating in The Sense and Sensibility Bicentenary Challenge. This year we are reading Jane Austen’s first published novel Sense and Sensibility and books inspired by it as well as viewing many of the movies adaptation this year in honor of its 200th anniversary.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Sense and Sensibility at the Book-It Repertory Theatre in Seattle – A Review

Cast of Book-It Reperatory Theatre's adaptation of Jane Austen's Sense and Sensibility 2011

“Happy, happy Elinor, you cannot have an idea of what I suffer.”

“Do you call me happy, Marianne? Ah; if you knew! And can you believe me to be so while I see you so wretched!”

– Sense and Sensibility, Chapter 29

Happiness and suffering, and the emotional extremes that cause it, is an important theme in Jane Austen’s Sense and Sensibility that was well served in a new stage adaptation of her novel premiering at the Book-It Repertory Theatre on June 3rd at the Centre House Theatre, Seattle Center. It is the Rep’s fourth Austen novel to stage production after the highly successful Pride and Prejudice in 2004, Persuasion in 2008, and Emma in 2010. Their interpretations of Austen are always brisk, lighthearted and memorable. Jane Austen has been very good to the Rep, and obviously, audiences have felt that the Rep has been likewise to Jane Austen.

Book-It Reperatory Theatre's adaptation of Jane Austen's Sense & Sensibility (2011)Even though Sense and Sensibility is not as light, bright and sparkling as Austen’s beloved Pride and Prejudice, it may be the most adaptable of her works for the stage. At 200 years old it remains a compelling tale touting a favorable list of dramatic attributes: dual heroines with divergent personalities; three red herring heroes who are really anti-heroes in disguise; and an incredible assortment of unscrupulous and humorous minor characters that add levity and balance to a story that is quite seriously entrenched in 19th century British inheritance laws and the plight of women who were ruled by them. Heady stuff for any playwright to embrace and adapt. Even more so for the lucky audience if they get it right.

The two heroines of this cautionary tale are Elinor (Kjerstine Anderson) and Marianne (Jessica Martin) Dashwood – one with too much sense, and the other with not enough. Each of the sisters reacts differently to their life tragedies and budding romances. Jessica Martin’s Marianne was all pure unbridled emotion: extreme, exuberant, exasperating! Never loving by halves, she gushed about dead leaves, poetry and her beaux Willoughby with a passion leaping into Bronteism.  Marianne also dips into the depths of despair after being thrown-over by her suitor, wearing her down and into a serious illness. We had wished this had been given more attention and that Marianne had not rebounded back to herself with such cheerful alacrity.

Kjerstine Anderson as Elinor Dashwood in Sense and Sensibility at the Book-It Rep (2011)Kjerstine Anderson as the solid, staid and correct sister Elinor was surprisingly regal, imposing and privately snarky – a different interpretation than I had experienced in my reading of the novel, or in any of the movie adaptations. Questioning my previous conclusions, was Austen’s Elinor as introspective, subtle and guarded as I had thought? Anderson did a commendable job as Austen’s anchor of reason and rationality, albeit too emotionally at critical moments. I am uncertain if this change in characteristics was artistic license or by direction, but it altered the divergence in the sisters personalities and lessened some of Austen’s critical plot points.

Aaron Blakely as John Willoughby in Sense and Sensibility at the Book-It  Rep (2011) x 200The three heroes (or anti-heroes): Edward Ferrars (Jason Marr), Col Brandon (David Quicksall) and John Willoughby (Aaron Blakely) were sensitively cast as the affable nerd, the gallant geezer and the charming cad to extreme satisfaction. Austen gave us an interesting assortment of suitors for our heroines. Often we are uncertain who the hero is because of major character flaws that act like red-herrings. In this interpretation (happily) Edward did not stutter, but he was so innocuous we wonder what Elinor saw in him. Really wonder! Marr was more than a bit of a milquetoast, and so was Quicksall as Col. Brandon who barely uttered a line for several scenes (to disconcerting effect) until he finally finds his voice making it all the more moving and admirable. Well done. When Blakely’s Willoughby gallantly arrives  to rescue the injured Marianne in a billowing greatcoat, our expectation of a Byronic hero was totally fulfilled. *swoon* The fact that he looked like a young Jonny Lee Miller did not hurt either. No wonder Marianne lost all sense. Who wouldn’t?  He was equally convincing in relaying his conflicted loyalties of money vs. love.

Jessica Martin and David Quicksall in Sense and Sensibility at the Book-It Rep (2011) The minor characters in Austen’s tale are so endearingly flawed and humorous, supplying the comedy to offset the tragedy. Of note were the scheming and duplicitous Miss Lucy Steele (Angela DiMarco); selfish and manipulative Mrs. Dashwood (Emily Grogan) and her equally unappealing husband Mr. John Dashwood (Shawn Law); gossipy matchmaker Mrs. Jennings (Karen Nelson); and the jovial and obliging Sir John Middleton (Bill Johns). They brought levity to Jen Taylor’s energetic dramatization which at times had its charms and foibles. The narrative faithfully followed Austen’s own right down to some exact quotes. Huzzah! Gone though were Austen’s cynical underpinnings, subtle puns and measured pacing – all replaced by an emphasis on humor and breakneck speed. Scenes quickly altered with the draw of a curtain across the stage taking us from London to the country within seconds. Actors changed costumes by adding layers as they delivered lines on stage. Spoken dialogue shifted to narrative recited directly from the novel in one breath. It was exhausting and exhilarating. Austen encapsulated and accelerated for the modern stage.

We enjoyed every line and every moment, but we were happy to wind down afterwards with a cup of tea and the novel.

Jessica Martin and Kjerstine Anderson in Sense and Sensibility at the Book-It Rep (2011)

Book-It’s Sense and Sensibility runs at the Center House Theater thru June 26th

Photos © Alan Alabastro 2011

© 2007 – 2011 Laurel Ann Nattress, Austenprose