UPDATED 12/16/19 – in honor of Jane Austen’s birthday today, Focus Features has premiered the second trailer. Scroll down to view. There are some amusing lines. This new adaptation just gets better and better.
Janeites are all aflutter over the forthcoming release of the new Focus Features movie adaptation of Jane Austen’s classic novel Emma, starring Anya Taylor-Joy as the misapplying matchmaker Miss Emma Woodhouse and Johnny Flynn as Mr. Knightley, her older, and wiser neighbor. This new feature film was shot entirely in England in period-accurate settings and costumes this past summer. It will premiere in the UK on February 14th and in the US on February 21st, 2020.
Emma, Jane Austen’s most highly acclaimed novel has been adapted for radio, stage, television, and feature films many times, most recently for television in 2009 starring Romola Garai and Jonny Lee Miller, and for the screen in 1996 starring Gwyneth Paltrow and Jeremy Northam in the starring roles. While Austen’s most famous and most widely adapted novel Pride and Prejudice wins the popularity race with fans, critics and connoisseurs consider Emma her masterpiece. Some early readers complained it was about nothing. Over the centuries those opinions have changed. I find it subtle, sly and hysterical. Contemporary writer-director Amy Heckerling agreed and based her 1995 teen movie Clueless on it to much acclaim.
Directed by Autumn de Wilde, with a screenplay by Eleanor Catton based on Jane Austen’s 1815 novel, we can see from the first trailer released today, that Emma 2020 will supply a visual and comedic treat. The advance publicity of this new film asks us to “Behold a new vision of Jane Austen’s beloved comedy about love and all of its surprises.” I am all anticipation. Here is a description from the production company publicity machine and the first trailer for your enjoyment.
Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of Emma. Handsome, clever, and rich, Emma Woodhouse is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
THE CAST & CREW: Continue reading
Premiering Sunday, August 25 on ITV, Sanditon will be the first television series inspired by Jane Austen’s final, unfinished novel.
Jane Austen fans in the UK have much to celebrate. Austen’s seaside Regency drama is being given the red-carpet treatment by the co-production team of Red Planet Pictures in the UK and MASTERPIECE PBS in the US. Adapting and continuing the eight-part series will be veteran period drama screenwriter Andrew Davies (Pride and Prejudice (1995) and Sense and Sensibility (2008)), and a cast of accomplished and emerging British actors will portray the lively and diverse characters that Austen established in her novel, with a few additions to the roister as well. The new series will air on eight consecutive Sundays at 9:00pm August 25 through October 13, 2019.
Inset of the first page of the manuscript that would later be titled Sanditon: “A Gentleman & Lady travelling from Tun-bridge towards that part of the Sussex Coast which lies between Hastings & E. Bourne being induced by Business to quit the high road, and were overturned in half rock, half sand toiling up its long ascent.” Via Jane Austen’s Fiction Manuscripts
Sanditon was written in 1817 when Austen was seriously ill. She was only able to finish twelve chapters and about 24,000 words before her poor health prevented her from completing it. Four months later she would die on July 18, 1817, of what is generally believed to be Addison’s disease. The manuscript was passed down through family members until it was donated in 1930 to King’s College in Cambridge where it now resides. The fragment of the novel is classified as one of her minor works. Continue reading
The highly anticipated release of Love & Friendship, filmmaker Whit Stillman’s new adaptation of Jane Austen’s novella Lady Susan, arrives this Friday, May 13 in Los Angeles, New York and Paris with national release set for May 27, 2016. Early praise for the film is more than encouraging: “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph; “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com; “Kate Beckinsale magnetizes the screen.” – Variety.
We have long been a champion of Austen’s Lady Susan. So much so we dedicated an entire blog event to it in 2009, A Soiree with Lady Susan. For those who have not read this delightfully wicked novella by Austen written in the 1790’s and published posthumously in 1871, I highly recommend it. Besides changing the title to Love and Friendship, (also the title of one of Austen’s juvenilia), Stillman has added his movie magic and adapted the story into a screenplay.
Here is a description from the distributor Roadside Attractions:
Humorous and witty, devious and scheming, or Downton Abbey with laughs, LOVE & FRIENDSHIP is an adaptation of young Jane Austen’s novella Lady Susan, believed to have been written in the mid 1790s but revised up to a fair copy prepared in 1805 and finally published by her nephew, James Edward Austen-Leigh, in 1871. Continue reading
“It’s that time of year when the world falls in love” … with Downton Abbey all over again. The final season starts in less than one month on Masterpiece Classic PBS on January 3, 2016. My anticipation of another season of great drama, romance, and witty retorts runs high.
I am, of course, paraphrasing The Christmas Waltz; the famous 1954 holiday song written by Sammy Cahn and Jule Styne for Frank Sinatra. There is nothing like listening to Christmas carols to make me sentimental. Coupled with the fact that this will be the sixth and final season of Downton Abbey, one of my favorite period dramas on television, and I am ready for a double shot of brandy in my eggnog.
Despite my melodramatic angst over the conclusion of the Crawley family and their servants’ story, fellow Downtonites can revisit the fabulous plots, locations, and characters by reading the final companion volume to the series, Downton Abbey – A Celebration, by Jessica Fellowes. This is her fourth large and lavish book spotlighting the phenomenally popular, award-winning television series. And, it truly lives up to its title—a jubilant fête worthy of her uncle Julian Fellowes’ vision of portraying the changes in the British aristocracy through the Crawley family and their servants from the sinking of the Titanic in 1912 to the Jazz Age of 1925. Continue reading
Captain Ross Poldark (Aidan Turner). Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
Last week in episode 6 of Poldark, we had the “Pride and Prejudice Poldark Edition,” in which talk of frocks, balls and beaus resounded with snappy repartees and witty retorts, in true Jane Austen style.
This week in episode 7 of Poldark, it’s just another day in Cornwall when an epidemic strikes the community, tragedy befalls the Poldark family and a rip roaring shipwreck sends more than a ship to the bottom of the sea, in the thrilling and heartbreaking 2 hour season 1 finale.
Side Note: Masterpiece Classic chose to combine episodes 7 and 8 of the UK broadcast into one episode. This will be confusing to some. Do not be alarmed. Both episodes are included.
(Fair warning. There be spoilers ahead)
“Where’s Verity?”—Elizabeth Poldark
While George Warleggan (Jack Farthing) reminds Ross Poldark’s (Aidan Turner) business partner Sir Jonathan Tressider (Mark Seaman) where his true interests lie in light of the debt that he owes to Warleggan Bank, Verity (Ruby Bentall) makes her move (finally) and elopes with Captain Blamey (Richard Harrington). Francis Poldark (Kyle Soller), the narcissistic cad that he is, does not take the news well. He is convinced that Ross aided them in their plans. His wife Elizabeth (Heida Reed) questions his rash accusations, defending Ross proclaiming, “I stand up for no one, but it’s the merest justice not to condemn people unheard.”
Jud (Phil Davis) and Prudie (Beatie Edney) leave Nampara in Poldark. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“Don’t bend ye brows at me girl. You ain’t nothin’ but a trull from Illugin.”—Jud Paynter
Image of Demelza Poldark (Eleanor Tomlinson) at the Warleggan ball in Poldark (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Last week in episode 5 of Poldark everyone was reckless and bold—gambling on their future and love. Miner Mark Daniel married a questionable woman, Ross began a copper smelting company, Demelza played defiant matchmaker and Francis had a meltdown after losing his mine in a card game.
This week: The Pride and Prejudice Poldark edition. In which talk of frocks, balls and beaus resounds with sparkling repartees and retorts, echoing Jane Austen’s prose.
(there be spoilers ahead)
Francis (Kyle Soller) scythes. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“You’ll never get it Ross.”—Francis Poldark
“Justice for all.”—Francis Poldark
“Fair wages would be a start.”—Ross Poldark
With the image of the shirtless and buff Ross Poldark (Aidan Turner) scything his field in episode three still fresh in our minds, the scene of his cousin Francis (Kyle Soller) attempting the same sends an entirely different message. Moral fortitude vs. weakness has won the day. Taking the initiative and rebuilding your life has paid off for Ross. Will his cousin rise to the challenge? The omen that Aunt Agatha (Caroline Blakiston) foretold of the dark and fair Poldark, “The stronger rises as the weaker falls,” has flipped in the five years since Ross’s return. The only ammunition that Francis has left to wound his cousin is sarcasm and doubt. Continue reading
Captain Ross Poldark in His Majesty’s 62nd Regiment of Foot regimentals (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Getting the historical details correct is so critical in period drama today. Gone are the days when Greer Garson could wear a hoop skirt in the 1940 Pride and Prejudice and get away with it. The production team of the new BBC/PBS Poldark, at Mammoth Screen Ltd., have stepped up to the mark depicting late eighteenth-century Cornwall, warts and all. Advising them in this monumental task is lecturer, author and historian Hannah Greig who joins us today to answer a few questions about her role in the production of Poldark and the historical context that it is set in.
An illustration “A Beauty in Search of Knowledge” derived from a print by John Raphael Smith, 1782 (c) British Library
LAN: Welcome Hannah. One has visions of historians entrenched in musty library stacks secretly pining for their favorite reference librarian! Besides teaching and writing, you have carved out an interesting niche as Historical Advisor for films, television and theatre. This seems like a very glamorous job. Can you share with us what your duties are, what a typical day would be like, and what kind of questions are asked by the production team? Continue reading