From the desk of Christina Boyd:
In this wild, wild west of the new publishing world, we are seeing more books being published and through many different avenues. No longer are traditional publishers the only way to get a book into the hands of readers as there are smaller independent presses, hybrid publishers and many self-publishing resources. In the past, I have been an unabashed on-line Jane Austen fan fiction reader. During the height of my online Jane Austen fan fiction (JAFF) addiction, I might have followed anywhere from 10 to 15 works-in-progress (WIPs) at various on-line sites. Anything from continuations (a story that continues after the original novel ends), the alternative universe (a story when the author deviates from the original canon and creates events to effect a different action) and even crossovers (a fanfiction integrating characters and places from another story source). But I must confess, as many of these on-line authors have taken their stories to the next step and even stepped away from posting their new works on-line, I too have transferred my reading of on-line fan fiction to my e-reader by purchasing the published works and even adding the bound books to my collection.
One rainy day in December, I found myself reading in my pajamas all day author Joana Starnes’ newly released “The Falmouth Connection”. I was instantly engaged by the unexpected, surprisingly smart, and innovative handling of “Pride and Prejudice” in a very alternate universe where Elizabeth becomes an heiress to a fine fortune. Therefore, when Laurel Ann, our blog mistress, asked if I would be interested in reading Starnes “The Second Chance: A ‘Pride & Prejudice – ‘Sense & Sensibility Variation’ ” for review, how could I not jump at the chance! Continue reading
Board books are a brilliant concept. A child’s first book-sized for their little hands printed on cardboard pages that are practically un-rippable, and, it doubles as a teething ring for toddlers. Add to that a Jane Austen theme and you are on your way to creating the next literati in the world.
In 2011, Jennifer Adams introduced us to Pride & Prejudice BabyLit, her first Little Miss Austen board book. It was a big hit. She has now created a cottage industry out of board books inspired by classic literature for very young readers including Jane Eyre, Moby Dick, The Hounds of Baskerville to name a few! Each one is exquisitely illustrated by Allison Oliver and handsomely published by Gibbs Smith, who excel at gift books and illustrated editions.
Sense & Sensibility: Little Miss Austen (BabyLit) is a beautiful package with a clever theme. On the front cover, we find the image of Jane Austen’s two heroines Marianne and Elinor Dashwood. Anyone who has read the original book, or seen any of the popular movie adaptations, will recognize the two divergent sisters and understand the irony that they have been chosen to represent an opposites primer. The fact that Marianne is impulsive and overly-romantic and Elinor stoic and even-tempered will matter not to toddlers or kindergartners. It is the adult that is buying the book. They will connect with the association and want to teach their child about it too. After all, you can never start too early with the education of Janeites.
The book has eleven illustrations of opposites helping the child learn the differences between big Norland Park and little Barton Cottage, happy Mr. Willoughby and sad Colonel Brandon and single Marianne and Elinor and then married, symbolically standing on top of their own wedding cakes with their bridegrooms by their side. While the choices in Sense & Sensibility do not relate to the story as directly as they did in the Pride & Prejudice BabyLit counting primer, I still found the illustrations charming and the concept interesting and creative. Continue reading
From the desk of Lisa Galek:
Margaret Dashwood is only rarely mentioned in Sense and Sensibility. She starts the story as a girl of thirteen who loses her father and her home and then sits back to watch her two older sisters fall in love and get married. But, what kind of adventures did Margaret have after Jane Austen’s classic was done? In Margaret Dashwood’s Diary, Anna Elliott explores the life and loves of the youngest Dashwood sister.
As the title indicates, this novel takes the form of a diary and we begin with a brand new entry. See, Margaret has just burned her old journal after breaking off an engagement to a very eligible and rich young bachelor. She means to start fresh and has gone to stay with her sister, Marianne Brandon, at Delaford House for a change of scenery.
Colonel Brandon is away hunting down some dangerous smugglers that are operating in the neighborhood, but Margaret still runs into all kinds of old favorites. Elinor and Edward pop up every now and then. Mrs. Jennings is still poking her nose into everyone’s business. And even Mr. and Mrs. Palmer are in town to add to the laughs. But, when John Willoughby and his wife rent a house in the neighborhood things start to get a bit awkward for everyone. Continue reading
From the desk of Katie Patchell”
Many books have been written to continue the stories of the characters that Jane Austen created, including sequels, prequels, continuations, and diaries. Most of these books have been written about the most popular of her novels, Pride and Prejudice while ignoring some of her other different, but equally well-written and beautiful novels–Sense and Sensibility, Northanger Abbey, Emma, Mansfield Park, and Persuasion. Now for the first time, all six of Jane Austen’s books have been re-imagined and set in the 21st century. The Austen Project has started their new series with an update of Sense and Sensibility by Joanna Trollope—a version filled with unique problems and surprises from today’s world, while still holding true to some of the qualities in Jane Austen’s original novel that makes Sense and Sensibility a timeless tale of sisterhood and second chances.
Invariably, as with all modern retellings, things were left out or changed that were in Jane Austen’s original. While the basic plot stays the same, Joanna Trollope’s Sense and Sensibility has some minor differences in characters and culture—an understandable change because of the different time setting. The updated characters include: Colonel (Bill) Brandon–who converted Delaford into a rehab for drug and alcohol addicts, Edward Ferrars–the philanthropic black sheep of his family, Elinor–the practical student of architecture who has to financially (and emotionally) support her two sisters and mother, Belle Dashwood–Elinor and Marianne’s free-spirited and sentimental mother, Margaret–the moody teenager who is addicted to Facebook, Twitter, and her iPod, Marianne–the guitar-playing romantic who suffers from severe asthma attacks, and John (Wills) Willoughby–the very hot and seemingly rich playboy.
I enjoyed seeing all the characters from Sense and Sensibility from a modern perspective. Joanna Trollope had to answer some uniquely modern questions in her novel. How to keep Regency titles and hierarchy in the setting of present-day England? The Dashwood women had to work to support themselves (unlike upper-class Regency women)—which one of them would be the one to keep everyone afloat, pay bills, and get a job? How to account for the lack of contact (and dramatic suspense) between love interests in an age of texting, cell phones, cars, and email? All the characters had to “transition” from the Regency world to the modern world, and for the most part, Joanna Trollope did a great job. Continue reading
From the desk of Kathleen Elder:
Sense and Sensibility was the first of Jane Austen’s novels to be published, in 1811. A second edition came out in 1813 with author corrections, and that edition was used as the definitive version by Dr. Chapman who noted changes from the first edition. This annotated version also uses Chapman’s second edition, and changes from the first edition are recorded in the footnotes; I appreciate having that information available with other comments/explanations.
At the center of the novel are sisters, Elinor & Marianne Dashwood, who live with their younger sister Margaret and their widowed mother. The plot revolves around these two sisters and their love stories, though the novel is much more than that: it is also a social commentary on the limited options for gentlewomen with small incomes and a critique on extreme sensibility (or “emotional extravagance,” “a matter of concern in the eighteenth century” – Introduction, p. 1).
Patricia Meyer Spacks previously edited an annotated version of Pride and Prejudice. Like that annotation, Sense and Sensibility: An Annotated Edition contains footnotes that:
- define/explain terms no longer used or used today in a different sense;
- describe geographical locations;
- illuminate characters
- explain some of the incidents and importance thereof; and
- offer literary criticism/opinion (both Spacks’ own and those of other scholars/critics).
“Mrs. Jennings assured him directly that she should not stand upon ceremony,” illustration by Hugh Thomson for the Macmillian edition (1901). John Dashwood looks tentative, Elinor looks prim, and Mrs. Jennings looks jolly; all very appropriate. p. 269
Just in case you were interested to know how much your first editions of Jane Austen’s works were worth, this video featuring Adam Douglas, Senior Specialist in Early Literature at Peter Harrington, a rare book dealer in London, introduces a selection of Jane Austen’s first editions and explains how bindings affect value.
We just love how he handles the books. It’s like an aphrodisiac for an Austen fan as he sensually glides his hands over first editions of Sense and Sensibility and Mansfield Park and speaks in reverent and seductive tones! Adam, you are such a Willoughby!
For two hundred and one years readers have had the pleasure of reading Jane Austen’s first published novel, Sense and Sensibility. For the bicentenary celebration last year, Penguin Classics issued this new edition with an introduction by Cathleen Schine (The Three Weissmanns of Westport) and cover illustration by Audrey Niffenegger (yes the author of The Time Travelers Wife is also an artist).
The cover shows us a tempest in a teacup. While I love the design, I’m not sure that it exactly mirrors the action in Sense and Sensibility. The phrase tempest in a teacup, or teapot, has a slightly derogatory implication, like making a mountain out of a molehill. I personally think that Austen’s drama is not puffed up and only her heroine Marianne Dashwood is exaggerated (on purpose) to show her overly romantic personality. But, that’s just me.
Elinor could not be surprised at their attachment. She only wished that it were less openly shewn; and once or twice did venture to suggest the propriety of some self-command to Marianne. But Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. – Sense and Sensibility, Ch 11
For those who have not had the pleasure yet of reading Austen’s tale of two divergent sisters and their financial and romantic challenges, what are you waiting for? If you need further inducement or would like a refresher on the plot, characters and style, you can read my reviews of the print book, Naxos audio recording and four movie adaptations from 1971, 1981, 1995 and 2008 Episode One, Episode Two.
Make haste and purchase this lovely Penguin Classics Bicentenary Edition of Sense and Sensibility directly at the Penguin website.
Many happy reading/listening/viewing hours await all those who seek the Dashwood story.
© 2012 Laurel Ann Nattress, Austenprose