Now that my holiday décor, baking, and gift shopping are finished—reading time was in order! What better way to celebrate the season than tucking up with a cup of tea and a good holiday themed story? Fortunately for my Jane Austen obsession, a surprise anthology appeared like an irresistible kitten with a big red bow arriving on your doorstep on Christmas Eve.
Yuletide is a new short story collection edited by Christina Boyd. Inspired by Jane Austen’s classic novel Pride and Prejudice, seven altruistic Austenesque authors donated their stories, along with others involved in the independent publishing process, to create a small collection of stories to benefit Chawton House, the manor house owned by Jane Austen’s brother Edward Austen Knight near Alton, England. This seemed a win-win for me. My purchase would benefit a worthy cause and support the Austenesque genre.
I understand that the book was pulled together in a very short time frame, so we shall see what magic happens when authors, editors, and book designers’ mettle is tested. Here is a rundown of the seven stories in the anthology. Continue reading
We were very pleased when a novel inspired by Jane Austen’s fourth daughter in Pride and Prejudice crossed our path. What Kitty Did Next is a continuation, as such, of one of the five Bennet sisters after the close of the classic novel, whose heroine Elizabeth receives most of the praise from her father and a marriage to Mr. Darcy of Pembeley in the end. Her younger sister Catherine on the other hand, or Kitty as she is called by her family, only earns put-downs and threats from her father after her involvement in her younger sister Lydia’s infamous elopement with Mr. Wickham. Accused of being silly and ignorant, what could Kitty do to regain her family’s trust, raise her self-esteem and make herself marriageable? From the title of the book, my expectations were high. How would Kablean turn the floundering duckling of Longbourn into a swan?
Much of the anticipation for the reader is generated by Kitty’s past behavior in Pride and Prejudice. For those who have not read the original, Kablean gives us ample background and character backstory.
Kitty, meanwhile, was just Kitty. A docile child, she had trailed after her adored eldest sisters but they, like many older siblings, had not delighted in her presence and had sent her off to play with the younger ones. Only sickness and prolonged periods of enforced rest had brought Jane, and occasionally Elizabeth, to her bedside, and when she had fully recovered her health Lydia had so far inserted herself as her mother’s favourite that it had seemed obvious that she should follow in her younger sister’s wake and share all the delights and comforts bestowed upon her. Neither commanding nor being the centre of attention, Kitty had become more adept at observing than doing and, until the events of the previous year, had not questioned this order of things. Chapter 6
From the desk of Stephanie Barron:
PARANOIA RUNS DEEP
From the moment I saw the title of Sue Wilkes’s latest book, Regency Spies (Pen & Sword Books, 2015), I was desperate to get my hot little hands on a copy. In a distant chapter of my life I was trained in espionage by the CIA, and I have a habit of inventing spies in my Jane Austen novels—most of them working nefariously on behalf of Bonaparte, but a few ready to die for King and Country. There’s a paucity of scholarly data on tradecraft, recruitment, and spy running during Jane Austen’s heydey, as Lauren Willig’s fictional Eloise discovers in the absorbing adventures of the Pink Carnation. A century ago, Baroness Orczy handed us the consuming history of the Scarlet Pimpernel and forever transformed our sense of the French Revolution. (Can there be any pleasure greater than tucking oneself up in bed with a soothing drink and a copy of one of these books on a stormy night?) Patrick O’Brian channeled the Secret Funds of the Admiralty’s Sir Joseph Banks into the hands of his irascible polymath Stephen Maturin, who collected intelligence wherever his voyages with Jack Aubrey took him; but O’Brian failed to detail his sources at the back of his marvelous novels.
Perhaps, like me, he had none.
So I was eager to discover what Ms. Wilkes had to share with the world.
I confess to a moment of dismay when I opened Regency Spies. As Georgette Heyer’s character Freddie Standen often observes, “I never knew a more complete take-in!” And as is so often the case with poor Freddie, the fault lay with me, not with Ms. Wilkes. I assumed that by Regency spies, she referred to dashing men in cravats and pantaloons, fencing the despicable minions of Napoleon on behalf of the Crown. In fact, Regency Spies is an impeccably researched and scholarly record of the informants recruited, generally by the British Home Office but also by local militias and constabularies, to report on the seditious conspiracies of their fellow Englishmen. Continue reading
From the desk of Tracy Hickman:
Jane Austen is a tough act to follow and that is exactly what the Austen Project asks contemporary authors to do: reimagine one of Austen’s novels in the here and now. Curtis Sittenfeld, author of four novels including Prep and American Wife, was chosen to take on Austen’s best-known work, Pride and Prejudice. While P&P-inspired books and films such as Bridget Jones’ Diary and Bride and Prejudice demonstrate that the story and its themes have broad appeal, I wondered how Sittenfeld’s Eligible would handle the main plot points in a modern setting. Many of the issues that Austen’s characters grappled with are barely recognizable if they exist at all in modern daily life.
In Eligible, the tension between the original story and Sittenfeld’s inventions kept me turning pages. Brief, episodic chapters mirror the short attention span of a digital era audience. In contemporary Cincinnati, Mr. Bennet spends as much time as possible alone at his computer, while Mrs. Bennet’s life revolves around country club gossip and planning luncheons for the Women’s League. Jane and Liz have carved out careers in Manhattan: the eldest Miss Bennet teaches yoga while her sister writes features for a magazine. They return to Cincinnati when Mr. Bennet has a heart attack. Their practical assistance and support are needed because their younger sisters, while living at home, are little help to their parents. Socially awkward Mary is pursuing her third online master’s degree while Kitty and Lydia, as crass and self-absorbed as ever, are obsessed with working out at the gym and following trendy diets. Sittenfeld’s group portrait of the Bennet clan was one of my favorite parts of Eligible. It’s easy to picture Jane Austen smiling at this: Continue reading
From the desk of Kimberly Denny-Ryder:
When I was first asked to review Then Comes Winter edited by Christina Boyd, I felt that the fact that it was a short story compilation was perfect. In the midst of holiday planning, gift buying, and cookie baking, I had less than my normal appointed time for reading. So, having the ability to read these shorter, Austen-inspired stories let me fit them right in with my schedule and enjoy them that much more. Couple that with the fact that I now had a bunch of new authors to check out, and I was certainly excited to get started. Even more exciting, however, is the fact that my fellow Austenprose contributor Christina Boyd is the editor!
As I did with my last compilation review, Sun-kissed, I’m posting the Goodreads summary below as there are multiple stories and I cannot summarize them all here.
If you long for a toasty snuggle on a cold winter’s night, this compilation of original short stories inspired by the magic of the holiday season-and more than a nod to Jane Austen-is fancied as a sublime wintertime treat. On the heels of the summer anthology, Sun-kissed: Effusions of Summer, and in concert with some of Meryton Press’s most popular authors, this romantic anthology introduces several promising writers. With a robust mix of contemporary and Regency musings, Then Comes Winter rekindles passionate fires with equal wonder, wit, and admiration. Stories by: Lory Lilian, Linda Gonschior, Suzan Lauder, Beau North & Brooke West, Sophia Rose, Natalie Richards, Anngela Schroeder, Melanie Stanford, Denise Stout, Erin Lopez, and Maureen Lee.
From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge. Continue reading
From the desk of Tracy Hickman:
Jane Austen fans cannot be filed neatly into a single category any more than Austen’s works can be limited to one literary genre. How might an editor attempt to do justice to the multiplicity of Janeite fandom in a slim volume of essays and interviews? This question was uppermost in my mind as I began reading Fan Phenomena: Jane Austen. The Fan Phenomena series website explains that the goal of the series is to “look at particular examples of ‘fan culture’ and approach the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating–and often unusual–‘universes’.”
What is the joy of Jane? What is it about her work that keeps readers, and viewers, coming back for more? Is it the Darcy effect? Is it the irony, the wit, the romance? Or is it a combination of all these factors? Many critics and authors have compiled works to analyse this vast and still growing phenomenon of fandom…This collection offers material about the fans, for the fans, by the fans, and offers a combination of the popular and the academic. (5)
Editor Gabrielle Malcom’s introduction provides a clear description of the purpose and scope of the collection. She acknowledges the differences between mainstream fan culture and the academic treatment of Austen. After setting Austen’s work in its historical context with a few concise and insightful paragraphs, she provides brief descriptions of the essays and interviews that follow. While Fan Phenomena: Jane Austen has the look of an academic journal, its design and use of color photographs creates a visually appealing experience for the reader, with the exception of the excessively small font size used for the text of the essays. Although I suspect that the text format is dictated by the Fan Phenomena series as a whole and not unique to this volume, the cramped appearance distracted me from the content at times. I found the format used in the Fan Appreciation interviews to be much more appropriate and reader-friendly. Continue reading