Jane Austen’s Sanditon: With An Essay by Janet Todd — A Review

Jane Austen's Sanditon: With an Essay by Janet Tood (2019)Sanditon, Jane Austen’s last unfinished novel is in the news. A new TV adaptation and continuation of the same name premiered in the UK on ITV on August 25, 2019. The new eight-part series was written by Andrew Davies (Pride and Prejudice 1995) and will be shown on MASTERPIECE PBS in the US starting on January 20, 2020. Inspired by Jane Austen’s 11-and-a-half-chapter fragment, Davies claimed in an early interview that he used up all of Austen’s text in the first 30 minutes of his screenplay. That was about 24,000 words or about one-quarter of an average-sized fiction novel today. To say I was shocked by this admission is an understatement.

Alas, because it was never completed, Sanditon has not received much attention in comparison to Austen other popular novels: Pride and Prejudice, Emma, and Sense and Sensibility. I am so pleased that the new TV adaptation has brought it into the limelight. It is one of Austen’s forgotten treasures. I have written previously about it in detail, including an introduction, character list, plot summary, and quotes. 

There are few single editions of Sanditon available in print. It is usually lumped in with Austen’s other minor works in a large volume. To remedy that gap, Fentum Press in London has published a stylish new hardcover edition entitled Jane Austen’s Sanditon: with an Essay by Janet Todd. The book has been beautifully designed with interesting and amusing illustrations from Regency-era artists such as Rowlandson, Gillray, and Cruikshank. Its dainty size of 5 ½ inches by 8 inches reminds one of the elegant volumes designed expressly for the comfort of ladies’ delicate hands.

What really brings this edition to the forefront is its editor and introductory essayist Janet Todd. To have such an eminent academic and scholar on Austen and other women’s writing on board really gives the reader the confidence that they are in capable hands. Included with the insightful seventy-page introductory essay is a brief biography of Jane Austen; the complete text transcribed from the original handwritten draft work in progress held in King’s College, Cambridge; endnotes; an essay entitled Anna Lefroy to Andrew Davies: Continuations of Sanditon; further reading; a list of illustrations; and the acknowledgments. In what appears to be a diminutive volume, the reader will be delighted to discover quite the reverse. In addition to the unfinished novel, it is brimming with information and the energy that Austen brought to her final work, perfectly complementing the text.

Illustration by Thomas Rowlandson’s ‘he Runaway Coach (c. 1791)

Sanditon begins with a carriage accident like this scene in Thomas Rowlandson’s illustration, ‘The Runaway Coach’ c. 1791. (13)

In the introductory essay, Todd shares insights into Austen’s declining health and frame of mind when she began writing her novel that would later be titled by her family after her death in 1817 at age forty-one. In a deep decline she “…used her last months to compose a work that mocks energetic hypochondriacs and departs radically from the increasing emphasis on the interior life marking the previous novels.” She was also very concerned about family finances after a recent bankruptcy by her brother Henry Austen which affected the entire family. To offset her real-world troubles clouded by health and finances, she instead wrote a book “about risky investments and comic speculators.” Composing at times in pencil because she was too weak to hold a pen, the last written page of the manuscript ominously starts with the date of March 18th and then trails off to a blank page, “The final date signified that Jane Austen would write no more novels.” For those who cherish every word she has written, this is a sobering moment. The empty pages of the homemade booklet that she composed in signify that “what is not written haunts what is, and no number of continuations by cameras and other pens can quite displace the ghostly presence of that emptiness.” The section continues by describing the “smart, silly and ludicrous characters,” that Austen set in an emerging seaside community. Throughout the essay, Todd balances her descriptions of the characters, scenes, Austen’s thematic choices, plot, and the history of the era with examples from Austen’s other novels, novels of her contemporaries, and from real-life, giving us bearing and breadth.

Mermaids at Brighton, by William Heath (c. 1829)

Mermaids at Brighton, colored etching by William Heath c. 1829 (41)

I have written previously about my impressions of the unfinished novel and you can find my complete review of Sanditon here. It is one of Austen’s hidden gems, brought to a polished, shining glow by this lovely new edition. Todd has written a delightful, insightful, and memorable essay on one of Jane Austen’s lost treasures—a true gift to those who admire her genius and value her writing. Sanditon was a novel that was not meant to be, but we can still cherish what of it we have, and dream of what might have been.

5 out of 5 Regency Stars

Jane Austen’s Sanditon with an Essay by Janet Todd
Fentum Press (2019)
Hardcover & eBook (208) pages
ISBN: 978-1909572218

Purchase Links:

Amazon | Barnes & Noble | Book Depository | Indiebound | Goodreads

Disclosure of Material Connection: We received a copy of this book from the publisher in exchange for an honest review. We only review products we have read or used and believe will be a good match for our readers. Autenprose.com is an Amazon Affiliate. We receive a small remuneration when readers purchase products using our links. We are disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

Cover image courtesy of Fentum Press © 2019; text Laurel Ann Nattress © 2019, Austenprose.com

The Making of Jane Austen, by Devoney Looser—A Review

The Making of Jane Austen by Devoney Looser (2017)From the desk of Katie Patchell:

I remember what I felt when I discovered that Jane Austen was not famous in her lifetime: Outright shock. I had been a self-proclaimed Janeite for years when I discovered this fact. I had read her books multiple times, collected movie adaptations, researched and written papers about her novels in college, etc. The enormous amount of 21st-century hype around Jane led me to believe that, like Charles Dickens, her fame began in her lifetime. How wrong I was; in fact, many of Austen’s early readers never even knew her name until after she died.

Discovering you are mistaken is always a jolting experience, and I felt like my own literary world had shifted on its axis. Somehow not knowing this fact earlier was very unsettling, and with hindsight, I think it was so unsettling because my ‘Jane Austen timeline’ was thrown off. The little fact about when Jane was famous shouldn’t be a footnote in her history because how and when she became THE Jane Austen is of cultural and historical importance. Not only for what we know about the author, but what we know about ourselves, her fandom. Timelines really do matter. Devoney Looser’s The Making of Jane Austen is a gem of a book because, in it, she answers the integral questions of “how” and “when” that has rarely been asked. How did the early illustrations in Sense and Sensibility affect people’s views of the novel? When did the idea of a brooding Heathcliff-esque hero replace Jane Austen’s original reserved Mr. Darcy? These questions and answers are only a few of the many addressed in The Making of Jane Austen.

Mansfield Park illustration from Groombridge 1875 edition

Image from chapter two, of an illustration by A. F. Lydon from Mansfield Park, Groombridge & Sons’ (London) 1875. Fanny Price gazing over the verdant park to the manor house.

As advertised on the cover flap, the key question of this book is “How is a literary icon made, transformed, and handed down through the generations?” Each of its four parts contains anecdotes and research that generally follows a chronological journey from the 1800s to present. In the first – “Jane Austen, Illustrated” – Looser gives an in-depth analysis of the artistic interpretations of Austen’s novels. She includes some pictures which are fascinating to view, although I wish there had been more. A highlight for me was learning that Victorian illustrators updated the clothing styles from the Regency to be more “modern” in their images – although these clothing choices are severely outdated now! Continue reading

Polite Society: A Novel, by Mahesh Rao–A Review

Image of the cover of Polite Society, by Mahesh Rao (2019)From the desk of Katie Patchell:

I have loved Jane Austen’s Emma for as long as I can remember. Yes—I mean that literally. When I was six, my first introduction to the Regency and the magnificent world of Jane Austen began with a battered VHS copy (Gwyneth Paltrow/Jeremy Northam version) and, well, has never ended.

In fact, my first classic ever read was a neon yellow copy of Emma gifted for Christmas at the age of ten. It is now battered and torn, but will forever hold a place on my shelves. To me, the heroine Emma has always gone beyond the place of a lovable but mistaken fictional friend; she’s been in some ways, a mirror of myself. Perhaps this quality is why people love to hate her – she reflects how we all would be if given enough time, money, and influence. And that is: Sure that our way is the best way. Mahesh Rao’s Polite Society shows a world and cast of characters where this idea is everything.

Retellings can always be tricky – there’s a whole host of questions we ask ourselves. Will the modern setting give or detract something from the original? How much do morals connect to ethics, and ethics to society’s rules, and society’s rules to good behavior? Etc. etc. etc. We as readers can forgive much, including creative license with the original, as long as we find some kind of spark. Of wit, or romance, or searing visions of who we are (when we didn’t even realize it)…any or all of these can grab us and not let go. Polite Society attempts all of this, and its success depends on the reader.

Self-styled by Rao, a lifelong fan of Jane Austen, as a book that “mines a much darker seam” than Crazy Rich Asians (a book it’s already being compared to), Polite Society definitely accomplishes this vision. Ania Khurana, the 21st-century version of Emma Woodhouse, and the elite in Delhi are terrible. Oh, I can make all kinds of beautifully polite parallels between the glittering sparkle of diamonds and Ania’s society, but at the core, their world is shallow and rotting. Rao has the eye and the heart of an anthropologist. He writes the elite with all their poison, all their attempts at climbing higher and higher on their social ladder, with a just pen. In the middle of the well-written nastiness, there are surprising moments of kindness (Dev/Mr. Knightley), true interest in others (Renu Khurana/Mrs. Weston), and self-realization (Colonel Rathore/Mr. Weston). Continue reading

The Chilbury Ladies Choir: A Novel, by Jennifer Ryan — A Review

The Chilbury Ladies Choir x 200Set in an English country village at the onset of WWII, The Chilbury Ladies Choir is told through letters and journal and diary entries by four female characters who are faced with keeping the home fires burning while their menfolk are off fighting Nazis. The first-person format intrigued me, and the subject sounded promising. However, it was the anticipation of escaping into the lives of “three or four families in a country village” that really hooked me. If English-born author Jennifer Ryan could dish out endearing and foibled characters I was in for a great read.

Ominously, the novel begins with the funeral of Commander Edmund Winthrop, the first casualty of the war from this tight-knit community. The reality of his death hits the remaining residents hard, coupled with the fact that the vicar decided to close the church choir due to the lack of male voices. The ladies rebel. They are done with being told what to do by the few men remaining. Disobeying the vicar, they form the Chilbury Ladies Choir led by Miss Primrose Trent, a music tutor from the local university.

“First, they whisk our men away to fight, then they force us women into work, then they ration food, and now they’re closing our choir. By the time the Nazis get here there’ll be nothing left except a bunch of drab women ready to surrender.” Mrs. Brampton-Boyd (3)

Continue reading

The Work of Art, by Mimi Matthews—A Review

The Work of Art Matthews 2019 x 200From the desk of Katie Patchell

Recently, I discovered the joy that comes from not reading the description on the back of a book prior to opening page one. When I was asked to review The Work of Art, I heard “Regency” and “Laurel Ann recommends” and I was all for it. After downloading this novel, I opened my Kindle edition to a story as beautiful, atmospheric, and arresting as its haunting cover—one that captured me from the very first line…

“Captain Arthur Heywood had never seen such an ill-mannered assortment of canines in his life.”

…to the very last line, with its soul-satisfying conclusion.

When Phyllida Satterthwaite’s grandfather dies, she is plucked from her freedom in the Devonshire countryside and sent to Town to the constrained, shallow world that her vile aunt and uncle and odious cousins bask in. She lives for the few nature-filled walks she can take, with her dogs as her only companions. When she meets the solemn but kind Captain Heywood, Philly discovers that she’s not the only one yearning to be free from London society’s iron rules.

Captain Arthur Heywood, ex-Corinthian and ex-soldier, is facing his own bleak future. His life is ruled by the terms set by his injuries. His memories of the Napoleonic Wars and what gave him his scars haunt his dreams, as do the visions of the carefree life he’s lost. When Arthur meets Philly by chance he finds someone who quietly treats him with the same intuitive kindness she treats her dogs—which he quickly finds is a compliment of the highest sort. Continue reading

Ayesha At Last: A Novel, by Uzma Jalaluddin— A Review

Ayesha At Last 200From the desk of Natalie Jenner

I am a firm believer that the love story at the heart of Pride and Prejudice is the best-constructed romance arc in all of literature. Author Julian Barnes once said of Darcy and Elizabeth that “the lovers are really made for each other—by their creator. They are constructed for each other: interlocked for wedlock.” The result for so many of us is the need for an occasional new hit of these two characters and their lust-versus-logic dynamic. So, when a promising debut author pens a modern retelling of Pride and Prejudice set in my very own city of Toronto, Canada, I quickly find myself attending her local book signing and grabbing up several copies for the Austen lovers in my life.

In Uzma Jalaluddin’s Ayesha at Last, the setting is Scarborough, a suburban and diverse community in eastern Toronto full of townhouses and waterparks and strip malls. Our Darcy and Elizabeth are Khalid and Ayesha, two young Muslims who are both fatherless, both still living at home, and both experiencing the typical career angst of the millennial generation. After the meet-cute, not at a local assembly but rather an open-mike poetry slam night at a local bar, Khalid and Ayesha engage in a series of almost wilful misunderstandings as they both end up working on a Muslim youth event for the local community centre. Yet Khalid, in particular, is drawn to Ayesha and does not protest when he thinks that his mother has orchestrated an arranged marriage between him and the young teacher. But then events start to spiral comically out of control as Khalid’s mother intervenes in his life Caroline Bingley-style, one of Ayesha’s many young female cousins falls prey to a modern Wickham, and the community centre faces a financial and ethical crisis. As the two most level-headed, attractive and charismatic characters in the plot, Khalid and Ayesha must learn to work together for the sake of their families, their community, and their own romantic destiny. Continue reading

Pride, Prejudice, and Other Flavors: A Novel, by Sonali Dev—A Review

Pride Prejudice and Other Flavors 2019 x 200Recently I pulled Pemberley, or Pride and Prejudice Continued, by Emma Tennant off my bookshelf. I was feeling nostalgic after looking at my “to be read” pile of new Jane Austen Pride and Prejudice retellings that have or will hit bookstores this year. It was one of the first P&P inspired novels that I read way back in 2002. Published in 1993, the author was forging virgin territory. At this point there were very few Austen-inspired books in print and readers did not know what to expect. It received a tepid reception from critics and the public. One recent Amazon reviewer called it “a real nightmare.” Ouch! You can read my detailed review of Pemberley from 2013, or read it and decide for yourself.

Since Tennant’s Austenesque-trek to boldly go where no author dared to go, there have been hundreds, possibly thousands, of Pride and Prejudice prequels, sequels, continuations, and inspired-by books. Recently we are in a retelling cycle—all presented with an ethnic twist. Last year we had Pride, by Ibi Zoboi, a contemporary retelling of Austen’s classic hate/love romance set in Brooklyn, NY featuring an all-black cast of characters. This year we have three new novels: Unmarriageable, by Soniah Kamal set in 2000 in Pakistan; Ayesha at Last, by Uzma Jalaluddin in which Darcy and Lizzy are transported to contemporary Canada featuring Muslim characters; and Pride, Prejudice, and Other Flavors, which after this long and winding introduction is the book I will discuss today.

Another contemporary retelling, PPAOF is set in the “bay area” of San Francisco, California. Loosely based on Jane Austen’s spikey romance where the roles of the rich, proud Fitzwilliam Darcy and the much-less-rich, prejudiced Elizabeth Bennet are reversed. Meet Dr. Trisha Raje, a brilliant thirty-something neurosurgeon specializing in cutting-edge microsurgery at a prominent hospital, who also happens to be an Indian Princess by default. Her father was the second son of the royal line of an Indian Principality which is no longer in power. When he immigrated to the US, his wealth and royal mien came with him. At the premature death of his older brother, he became HRM in name only. The family live like royalty in their Woodside estate with multiple servants and the exotic air of old-world nobility with all its privileges and baggage. Even though Trisha is a successful and highly prestigious doctor she is a disappointment to her parents, who cannot forgive her for a fifteen-year-old social faux pas against her brother, a rising Politician, and, the fact that she remains unmarried. Continue reading

Lost Roses: A Novel, by Martha Hall Kelly – A Review

Lost Roses 2019 x 200Are there any historical fiction readers out there who have not read the insanely popular Lilac Girls yet? Hello!

Martha Hall Kelly’s debut novel was published in 2016 – and like all book fledglings was sent out into the world with high hopes. Early reviews were rather mixed, but it hit the NY Times bestseller list immediately, a phenomenon for a debut novel. It has become one of those rare books in publishing that has an enormous wingspan, remaining on the bestseller lists for years.

One cannot even imagine the pressure on Kelly’s shoulders to produce her second novel, Lost Roses, released last month by Ballantine Books. A prequel to Lilac Girls, many of her readers will have high expectations. If she was smart, she would stick to her winning formula: base the story on real-life women facing challenges during historical events; transport readers into their lives and times through first-person narratives that are impeccably researched; offer page turning-prose that keeps you up into the wee hours; and finally, develop characters that we can empathize and care about. A very tall order, indeed.

Again, the story features a tryptic of women struggling on the home front during a world war. Lilac Girls introduced us to Caroline Ferriday in the 1940’s WWII. Lost Roses begins a generation earlier in pre-WWI and features Caroline’s mother Eliza Ferriday, an American socialite and philanthropist, her friend Sofya Streshnayva, a Russian aristocrat, and Varinka Kozlov, a Russian peasant. Continue reading

A Modest Independence: Parish Orphans of Devon Book 2, by Mimi Matthews – A Review

A Modest Independence Matthews 2019 x 200The second book in the Parish Orphans of Devon series is a historical romance road trip novel with an intriguing premise; can two unlikely companions travel together from London to India under false pretense to join forces to find a lost friend?

In A Modest Independence, author Mimi Matthews’ explores an improbable romance of an impertinent, strong-willed woman and an equally independent bachelor who are thrown together under eyebrow-raising circumstances. There are so many impediments to their success, on several levels, that I was compelled to discover if they could overcome all the obstacles that the author had placed in their path.

Starting in Victorian-era London, England we meet spirited heroine Jenny Holloway who has recently come into a small fortune. Determined to remain independent and never marry, she wishes to travel to India to find the Earl of Castleton, the missing brother of the woman who gave her a modest independence. Her attorney Tom Finchley, who holds her purse strings, is concerned for her safety and hesitant to release her funds so she can travel. Raised in a Devon orphanage, he is a self-made man who now has a very prosperous London practice. We were introduced to this couple as supporting characters in the first book in the series, The Matrimonial Advertisement. Tom harbors feelings for Jenny and decides to travel with her to protect her, help her find the missing brother, and explore the possibility of a romance. Continue reading

That Churchill Woman: A Novel, by Stephanie Barron – A Review

that churchill woman barron 2019 x 200Between 1870 and 1914, there were at least a hundred marriages of American heiresses to British peers. Fueled by microeconomics—supply and demand—American industrial tycoons bought position, prestige and coronets by bartering their daughter’s dowries to cash-strapped aristocrats. One transatlantic trade was Brooklynn born Jeanette “Jennie” Jerome. In 1874 she became one of the first “dollar princesses” when she married Lord Randolph Churchill, the third son of the Duke of Marlborough. Her wildly rich father reputedly paid a dowry equaling 4.3 million dollars in current currency. What a way to start a life-long marriage—and what delectable fodder for this new biographical fiction of Jennie’s life, That Churchill Woman, by Stephanie Barron.

Lady Randolph Churchill is one of those larger-than-life women from history whom we look upon with shock and awe. Most people will know her as the scandalous American mother of Winston Churchill, the famous politician and prime minister of Great Britain, however there is so much more to know about this intelligent, fiercely independent woman. Born in 1854 into wealth, privilege and the excess that it generates, she was raised in New York City, Newport, Rhode Island and Paris. Her childhood was colored by her parents Leonard Jerome and Clarissa “Clara” nee Hall’s Victorian marriage. He was a notorious womanizer. She turned the other cheek and befriended his long-time mistress Fanny Ronalds. When the affair finally ended the two women banded together, left their respective husbands, and sailed for Paris with their children.

Another significant event in her early life was the death of her younger sister Camille when she was nine. Devastated by the loss, her father consoled his young daughter with sage advice: “The only way to fight death, Jennie, is to live. You’ve got to do it for two people now—yourself and Camille. Take every chance you get. Do everything she didn’t get to do. Live two lives in the space of one. I’ll back you to the hilt.” Continue reading

Unmarriageable: A Novel, by Soniah Kamal – A Review

unmarriageable kamal 2019 x 200It is a truth universally acknowledged that readers and writers are obsessed with Pride and Prejudice. Since Sybil G. Brinton’s 1913 Old Friends and New Fancies, the first original Jane Austen-inspired novel, there have been thousands of prequels, sequels, and variations penned by those who wish to never let the characters quietly rest in literary heaven. Next up for our praise or censure is Unmarriageable, a retelling set in Pakistan in 2000 by Soniah Kamal. Never one to suffer Austen renovators gladly, I was prepared to be underwhelmed.

Over the years I have read and reviewed many P&P inspired books containing a variety of themes including: zombie bedlam, religious conversion, S&M and slash fiction. There have also been some retellings that I really enjoyed, yet I yearned for the full story retold in a fresh and reverent light. It’s the Holy Grail of Austen fandom. Could moving the story to Pakistan at the turn of the twenty-first century be the opportunity to explore southern Asian culture infused with Jane Austen’s story of reproof and redemption? If so, it would be catnip to Janeites!

Unmarriageable’s premise and opening chapters were immediately promising. Kamal had converted Austen’s characters into clever doppelgangers of her Regency equivalents: the Bennet family became the Binats with sisters Jane, Elizabeth, Mary, Kitty, and Lydia becoming Jenazba, Alysba, Marizba, Qittyara, and Lady respectively. After being introduced to the Bennet family, whose financial and social position had fallen subsequent to a scandal that destroyed their fortune, the anticipation of meeting Mr. Darcy, now transformed into Mr. Darsee (snort), was quenched by the modern interpretation exhibiting all of the noble mien of the original—rich, proud, and dishy. ZING! Continue reading

Queen Victoria: Twenty-Four Days That Changed Her Life, by Lucy Worsley – A Review

queen victoria 24 days x 200

Just in time for the premiere on 13 January 2019 of the third season of Victoria on Masterpiece Classic on PBS, Queen Victoria: Twenty-Four Days That Changed Her Life is a new biography of one of the United Kingdom’s (and the world’s) most famous queens. Arriving like a gift on a royal red velvet cushion, fans of the TV series and British history will devour and adore this book.

In her usually upbeat and engaging style, Chief Curator at Historic Royal Palaces, television presenter, and one-woman British history hurricane, Lucy Worsley’s biography of Queen Victoria is a selective and sympathetic view of the life of the most powerful woman of her generation. Structured as twenty-four significant dates in her life, it is a personal look at her family history, social context, and her inner thoughts and impressions. Drawing upon a variety of sources, including her own personal diaries and of those around her, Worsley also adds quotes and references from the Queen’s major biographers and historians of the Victorian era.

Some readers may assume that the most significant dates in the Queen’s long life such as her coronation, marriage or the death of her beloved husband Albert would be the most interesting dates of her life. However, I found the quieter moments even more moving, insightful and tragic. For example, on the 20th of June 1837 not only did she learn that her uncle William IV had died, making her Queen, she met privately for the first time with her Prime Minister, Lord Melbourne who would become a close advisor, stalwart advocate and dear friend to the young Queen. Starved for male companionship after the death of her father in her infancy and a childhood dominated by a weak mother and her circle of cronies, Melbourne would become the antidote to her lonely and isolated life helping her to transition to monarch and rule her country. Continue reading

Yuletide: A Jane Austen-Inspired Collection of Stories, edited by Christina Boyd – A Review

Yuletide Boyd 2018 x 200Now that my holiday décor, baking, and gift shopping are finished—reading time was in order! What better way to celebrate the season than tucking up with a cup of tea and a good holiday themed story? Fortunately for my Jane Austen obsession, a surprise anthology appeared like an irresistible kitten with a big red bow arriving on your doorstep on Christmas Eve.

Yuletide is a new short story collection edited by Christina Boyd. Inspired by Jane Austen’s classic novel Pride and Prejudice, seven altruistic Austenesque authors donated their stories, along with others involved in the independent publishing process, to create a small collection of stories to benefit Chawton House, the manor house owned by Jane Austen’s brother Edward Austen Knight near Alton, England. This seemed a win-win for me. My purchase would benefit a worthy cause and support the Austenesque genre.

I understand that the book was pulled together in a very short time frame, so we shall see what magic happens when authors, editors, and book designers’ mettle is tested. Here is a rundown of the seven stories in the anthology. Continue reading

A Holiday by Gaslight: A Victorian Christmas Novella, by Mimi Matthews – A Review

Holiday by Gaslight Matthews 2018 x 200What better way to get yourself into the holiday spirit than with a Victorian themed Christmas romance. Set in the Dickensian London of the 1860’s, and in Mr. Darcy territory of Derbyshire, A Holiday by Gaslight, by Mimi Matthews offers everything that a Victorian-era Christmas love story should. A snowy Palladian country manor house to set the idyllic scene: holiday traditions of bringing family and friends together to celebrate by decking the halls, sleigh rides, and yule logs—all culminating in a Christmas ball. Mix in a dutiful daughter of a baronet whose ill-founded assumptions of her suitor result in her rejection of their courtship, and you have a second chance love story reminiscent of North and South (1855). Like Elizabeth Gaskell’s classic tale of social division and misconception, the hero and heroine of this novella have both pride and prejudice.

Pressed by her family’s sinking finances into courting a prosperous cotton merchant below her social standing, Sophie Appersett and Edward “Ned” Sharpe’s relationship was doomed from the start. She does not want to marry, and he, after being raised in an austere household does not know how to woo a lady, relying on a stuffy etiquette manual for advice. No matter how much it would please her father to marry him, she thinks him too taciturn and dull and does not suit her expectations of a future husband. He, on the other hand, overlooks her family’s grasping need for her to marry money and only sees her fine character. When she calls it off, he seems unmoved at the loss. She is relieved. Her father is furious.

Placing her doubts and her pride in her pocket, Sophie ventures out to his Fleet Street business attempting to offer an olive branch of reconciliation. Would he, his family, and his business partner attend the Appersett Christmas holidays at the family estate in Derbyshire? She reasons that they could be honest with each other and give the courtship a second chance. Ned is doubtful, and his judgmental mother even more so – yet how could they pass up the opportunity of ten days in the country at the home of a baronet? Continue reading