Having long been credited as the grandmother of the romance novel, it is an interesting notion to ponder if Jane Austen can also be attributed as an early feminist writer. Did she gently inject progressive thinking into her female characters to bring about the equality of the sexes? While we have been admiring Austen’s style, wit, and enduring love stories, were we missing the subtext that Austen’s strong female characters were also way ahead of their time?
Rational Creatures, a new Austen-inspired short story anthology edited by Christina Boyd posits the possibility. Sixteen Austenesque authors have been challenged with the task to create original stories inspired by Austen’s ladies—both heroines and supporting characters—revealing details, back stories, and asides that could have been part of the narrative.
If you are doubtful of the feminist infusion gentle reader, then let’s take a closer look at the famous quote from her final novel Persuasion, that obviously inspired the title of the anthology.
“But I hate to hear you talking so, like a fine gentleman, and as if women were all fine ladies, instead of rational creatures. We none of us expect to be in smooth water all our days.”
In the foreword Prof. Devoney Looser explains how for two hundred years we have turned to Austen to “reflect on the world’s unfairness, and to laugh at its trivial absurdities…to avoid unequal marriages…and seek Austenian combinations of inventiveness, wisdom and entertainment.” I could not agree more. In an era when women were treated like tender plants, Austen bravely portrayed her ladies’ vulnerabilities and strengths. In this collection there is a wide variety of stories from heroines and minor characters who exhibit intelligence, patience, resilience and grace to advance their own causes. Here is a brief description of the stories that await you: Continue reading
For years, I thought Gilded Age New York socialite Alva Vanderbilt’s ferocious ambition was only rivaled by Jane Austen’s Mrs. Bennet in Pride and Prejudice as the most grasping, husband hunting mother imaginable, however my assumptions have been proved totally unfounded in A Well-Behaved Woman, a new bio-fic by Therese Anne Fowler, New York Times bestselling author of Z: A Novel of Zelda Fitzgerald.
Applying her skill at thorough, in-depth historical research and thought provoking fictional characterization Fowler has re-imagined Alva in my mind.
Alva Erskin Smith was born in 1853 into a privileged but impoverished southern aristocratic family. Educated in France, her mother died young and her father, also gravely ill, returns with his children to New York city in hopes of re-connecting with family and friends. One of his daughters must marry well to save their starving family. Alva sets her sights on the Vanderbilt clan, industrial tycoons who are new money to the standards of New York’s social elite. William Kissam Vanderbilt, grandson of Cornelus Vanderbilt, was soon her best bet. Like many challenges in her life, those in her radar are soon overtaken, and they marry in 1875. Their union would be the social event of the season, and help improve the Vanderbilts social standing.
As we watch Alva pull the Vanderbilts up the steep social ladder of New York in the Gilded Age, a fascinating story emerges revealing her many talents. With the Vanderbilt money behind her, she builds mansions, has three children, heads up charitable organizations and throws lavish parties. Her drive to raise the Vanderbilt’s social standing culminates in her obsession of her daughter Consuelo’s marriage to an English lord. History has not been kind to Alva on that front preferring to only remember the scandalous divorce that ensued, but there is much of her life that warrants the well-behaved woman that the title of this book teasingly professes. Continue reading
We were very pleased when a novel inspired by Pride and Prejudice crossed our path. What Kitty Did Next is a continuation, as such, of one of the five Bennet sisters after the close of Jane Austen’s classic novel, whose heroine Elizabeth receives most of the praise from her family and marriage to Mr. Darcy of Pemberley in the end. Her younger sister Catherine on the other hand, or Kitty as she is called by her family, only earns put-downs and threats from her father after her involvement in her younger sister Lydia’s infamous elopement with Mr. Wickham. Accused of being silly and ignorant, what could Kitty do to regain her family’s trust, raise her self-esteem and make herself marriageable? From the title of the book, my expectations were high. How would Kablean turn the floundering duckling of Longbourn into a swan?
Much of the anticipation for the reader is generated by Kitty’s past behavior in Pride and Prejudice. For those who have not read the original, Kablean gives us ample background and character backstory.
Kitty, meanwhile, was just Kitty. A docile child, she had trailed after her adored eldest sisters but they, like many older siblings, had not delighted in her presence and had sent her off to play with the younger ones. Only sickness and prolonged periods of enforced rest had brought Jane, and occasionally Elizabeth, to her bedside, and when she had fully recovered her health Lydia had so far inserted herself as her mother’s favourite that it had seemed obvious that she should follow in her younger sister’s wake and share all the delights and comforts bestowed upon her. Neither commanding nor being the centre of attention, Kitty had become more adept at observing than doing and, until the events of the previous year, had not questioned this order of things. Chapter 6
Of the five Bennet sisters in Jane Austen’s Pride and Prejudice, Mary is the most unlikely of heroines. Priggish, sanctimonious, and unattractive, her prospects for a happy life were bleak. In Mary B., debut novelist Katherine Chen chooses to give Mary her own story – delving into her young, awkward life with her family at Longbourn, her early attempts at romantic attachments, and ultimately her escape to her sister’s home at Pemberley where she discovers an unknown talent, and that men can be interested in women for more than their reputed beauty and handsome dowry.
In Part I of the novel, Chen has paralleled Jane Austen’s narrative in Pride and Prejudice with a glimpse of a prequel to the Bennet sisters’ childhood. We see young Mary, awkward and introverted in comparison to her older sisters Jane and Elizabeth, and the brunt of abuse by her two younger siblings Kitty and Lydia. As the reader we are as hurt and confused as our heroine and it is not an enjoyable experience. As the story continues, those who have read Pride and Prejudice will recognize the plot as it picks up at the beginning of Austen’s famous tale. Through Mary’s eyes we experience the arrival of Mr. Bingley and Mr. Darcy in the Meryton neighborhood, the ball at Netherfield Park and the visit to the family home by the Bennet’s odious cousin Mr. Collins. Infatuated with the silly man, Mary throws herself at him and then watches as he chooses her sister Lizzy as the “companion of his future life.” Adding insult to injury, after her sister rejects his proposal of marriage Mr. Collins does not even think of her as an alternative, marrying their neighbor Charlotte Lucas instead. Continue reading
From the desk of Tracy Hickman:
Lady Susan is my favorite of Jane Austen’s minor works. A scheming widow who also happens to be “the most accomplished coquette in England,” Lady Susan Vernon is intelligent, attractive, and unscrupulous, agreeing with her immoral friend Alicia Johnson that “Facts are such horrid things!” (256) Her letters to Alicia detail her plans to snare wealthy husbands for both herself and her daughter Frederica, while causing pain and suffering to those she deems detestable. As she includes her own daughter in this camp, calling her a “stupid girl,” she has no qualms in forcing Frederica to marry a decidedly silly man with a large fortune. Lady Susan is a terrible person, but a wonderful character. While the novella lacks the depth of later works, it is a wickedly funny short story in epistolary form; its tone is reminiscent of the snarky comments found in many of Austen’s letters.
Who better to capture Austen’s witty social commentary than filmmaker and writer Whit Stillman? His first film, Metropolitan, was one of my favorites from the 1990s, but I confess that I didn’t catch its similarities to Mansfield Park until many years later. Now Stillman has written a companion piece to his latest film Love & Friendship in straight narrative form. He introduces a new character to the story: Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. Rufus has penned his “true narrative of false-witness” to expose Austen’s supposed hatchet job on his aunt. His loyalties are made clear with the novel’s subtitle, “In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated (Concerning the Beautiful Lady Susan Vernon, Her Cunning Daughter & the Strange Antagonism of the DeCourcy Family).”
Readers familiar with Austen’s Lady Susan will notice an inversion of good and evil from the outset. Rufus has dedicated his novel to none other than the Prince of Wales, mimicking Austen’s dedication of Emma to the Prince Regent, but in a much more effusively toad-eating style. After two knowing winks from Stillman in two pages: consider yourself warned. Rufus is the quintessential unreliable narrator, writing his rebuttal of Austen’s version of events from debtors prison in Clerkenwell in 1858. The vindication of his maligned aunt, riddled with inconsistencies and bizarre logic, is peppered with tirades on a range of subjects: history, theology, and grammar. These make for some of the funniest passages in the novel. Continue reading
From the desk of Stephanie Barron:
PARANOIA RUNS DEEP
From the moment I saw the title of Sue Wilkes’s latest book, Regency Spies (Pen & Sword Books, 2015), I was desperate to get my hot little hands on a copy. In a distant chapter of my life I was trained in espionage by the CIA, and I have a habit of inventing spies in my Jane Austen novels—most of them working nefariously on behalf of Bonaparte, but a few ready to die for King and Country. There’s a paucity of scholarly data on tradecraft, recruitment, and spy running during Jane Austen’s heydey, as Lauren Willig’s fictional Eloise discovers in the absorbing adventures of the Pink Carnation. A century ago, Baroness Orczy handed us the consuming history of the Scarlet Pimpernel and forever transformed our sense of the French Revolution. (Can there be any pleasure greater than tucking oneself up in bed with a soothing drink and a copy of one of these books on a stormy night?) Patrick O’Brian channeled the Secret Funds of the Admiralty’s Sir Joseph Banks into the hands of his irascible polymath Stephen Maturin, who collected intelligence wherever his voyages with Jack Aubrey took him; but O’Brian failed to detail his sources at the back of his marvelous novels.
Perhaps, like me, he had none.
So I was eager to discover what Ms. Wilkes had to share with the world.
I confess to a moment of dismay when I opened Regency Spies. As Georgette Heyer’s character Freddie Standen often observes, “I never knew a more complete take-in!” And as is so often the case with poor Freddie, the fault lay with me, not with Ms. Wilkes. I assumed that by Regency spies, she referred to dashing men in cravats and pantaloons, fencing the despicable minions of Napoleon on behalf of the Crown. In fact, Regency Spies is an impeccably researched and scholarly record of the informants recruited, generally by the British Home Office but also by local militias and constabularies, to report on the seditious conspiracies of their fellow Englishmen. Continue reading
From the desk of Debra E. Marvin:
Discovering just-released fiction on my library’s New Audiobooks shelf makes me feel as if someone has let me slip in at the front of a long line. When I found Helen Simonson’s The Summer Before the War, I was delighted she’d chosen another charming English town (I’d quite enjoyed her debut Major Pettigrew’s Last Stand) and the summer of 1914. Whether she planned it or not, the timing may help some of us adjust to the end of a ‘certain’ British historical drama, though enjoying this novel can’t be limited to Downton Abbey fans. What better time than the centennial of The Great War, to revisit its impact.
Protagonist Beatrice Nash is a young woman of high intellect, low tolerance for the superficial, and a middle-class income stymied by the death of her beloved father. Mr. Nash’s academic profession provided his daughter an unusual upbringing ripe with experiences beyond England, and making Beatrice independent, resilient, and practical. She was “not raised to be shy, and had put away the fripperies of girlhood.” All very good indeed when she takes a position as Latin teacher for the local children and is tested by the restrictions and social expectations of small town life in this delightful corner of Sussex. She simply must succeed or risk returning to her wealthy aunt’s suffocating control.
If this novel was a miniseries, she’d be the lead in an outstanding ensemble cast. To her left, Mrs. Agatha Kent, mentor, and “of a certain age when the bloom of youth must give way to strength of character, but her face was handsome in its intelligent eyes and commanding smile.” To Beatrice’s right, Hugh Grange, likely the most uncomplicated man in town…who happens to be a brain surgeon. The residents of Rye create the rich background we so enjoyed in Ms. Simonson’s debut, and Rye itself rounds out the cast as quintessential England. I had no trouble balancing the many characters who exit the other side of the war—the autumn after the war, so to speak—forever altered. Just as it should be. Continue reading
From the desk of Shelley DeWees:
Once as a child he’d had himself electrocuted to see how it would feel. He’d let the current course through him. He’d felt vibrant.
Perhaps he’d never been the same since, just full of sparks. Perhaps touching him she’d taken on some of his electricity, only instead of making her more alive, it had singed and dulled her.
Confident, theatrical, and opinionated, the genius anti-hero of Janet Todd’s novel—which is a departure from her well-known nonfiction work on Jane Austen and others—positively reeks of potential for unusual behavior, right from the start. He’s fussy and aloof; he gets upset if he is forced to walk through pale-colored soil in dark boots; he balks at tea cups that are “coarse” or “thick” and favors a more delicate model of his own choosing. He is Byronically volatile and tense, but in Ann’s eyes, Robert James is the picture of perfection, a man she simply cannot ignore. Their first meeting at a party in 1816 leaves her reeling with desire to hear more of his rhetoric, and to become familiar with his not-so-attractive yet completely arresting face—for this face, in that moment, becomes the face to Ann. “Robert James,” she acknowledges within five pages, “changed everything.”
And it’s true. At the beginning of the story, Ann St Clair is a different person. She’s plainly-dressed—relying as she does on her Gothic writings as her only source of income—and “not dissatisfied with her mode of life” in her small lodgings. Yet as soon as she connects herself to Robert James, she must change, first by demurring to his opinions of proper dress, and later, far more destructively, by abandoning her life in order to accompany him to Italy. This, in fact, is the point in the story where the relationship begins to degrade in haste: With one snide comment after another, one slight, one violent outburst, one mad musing after another, Ann and Robert James fall apart. Quality of life deteriorates for both of them, and in a long crescendo we are swept to the inevitable conclusion of a relationship built on half-truths and unspoken grievances. Yet you need not worry that it will be predictable; rather, it’s quite surprising how it all shakes out in the end. Continue reading
From the desk of Tracy Hickman:
Jane Austen is a tough act to follow and that is exactly what the Austen Project asks contemporary authors to do: reimagine one of Austen’s novels in the here and now. Curtis Sittenfeld, author of four novels including Prep and American Wife, was chosen to take on Austen’s best-known work, Pride and Prejudice. While P&P-inspired books and films such as Bridget Jones’ Diary and Bride and Prejudice demonstrate that the story and its themes have broad appeal, I wondered how Sittenfeld’s Eligible would handle the main plot points in a modern setting. Many of the issues that Austen’s characters grappled with are barely recognizable if they exist at all in modern daily life.
In Eligible, the tension between the original story and Sittenfeld’s inventions kept me turning pages. Brief, episodic chapters mirror the short attention span of a digital era audience. In contemporary Cincinnati, Mr. Bennet spends as much time as possible alone at his computer, while Mrs. Bennet’s life revolves around country club gossip and planning luncheons for the Women’s League. Jane and Liz have carved out careers in Manhattan: the eldest Miss Bennet teaches yoga while her sister writes features for a magazine. They return to Cincinnati when Mr. Bennet has a heart attack. Their practical assistance and support are needed because their younger sisters, while living at home, are little help to their parents. Socially awkward Mary is pursuing her third online master’s degree while Kitty and Lydia, as crass and self-absorbed as ever, are obsessed with working out at the gym and following trendy diets. Sittenfeld’s group portrait of the Bennet clan was one of my favorite parts of Eligible. It’s easy to picture Jane Austen smiling at this: Continue reading
Hold on to your bonnets historical fiction fans! Today is the official debut of Julian Fellowes’ Belgravia, a new serialized novel by Downton Abbey’s creator/writer. Set in London in the early Victorian-era, the story follows one family’s life and how a secret from twenty-five years earlier, changed them forever.
Austenprose is honored to be the first stop on the Julian Fellowes’ Belgravia Progressive Blog Tour which will, over the course of ten weeks, travel through the ether visiting popular book bloggers and authors specializing in historical fiction and romance. Today we will be recapping and reviewing the first episode, “Dancing Into Battle.”
Released in 11 weekly installments, each episode of Julian Fellowes’ Belgravia will conclude with twists, turns and cliff-hanger endings popularized by the novels of Dickens, Gaskell and Conan Doyle in the nineteenth century. Delivered directly to your cell phone, tablet or desktop via a brand new app, you can read the text or listen to the audio recording narrated by acclaimed British actress Juliet Stevenson, or jump between the two. In addition, you will have access to the exclusive bonus features available only through the app including: history, fashion, food & drink, culture and more that will frame the story while immersing you into the character’s sphere. In addition, the first episode is totally free!
Here is a short video on how it all works: Continue reading
From the desk of Katie Patchell:
Espionage. Matchmaking Mamas. Pretend Romances. Ladybugs!
Who would have thought that these four things are closely related? Yet these tantalizing details (and much more!) can be found in April’s latest Regency novel involving spies and traitors to the English crown, conniving young heiresses, dashing rescues, and one very independent, insect-loving heroine. In Cindy Anstey’s debut, Love, Lies and Spies, readers are whisked away from the chill and rain-streaked windows of early spring to the shores of Devon, crowded streets of London, and glittering, secret-filled ballrooms of Regency England.
Love, Lies and Spies opens onto a scene of danger and a dramatic cliffhanger—a quite literal moment of cliff-hanging peril, underwent by the brave (and very embarrassed) heroine, Juliana Telford. Up until her buggy overturned and she found herself dangling far above the English Channel, Miss Telford had managed to avoid potential scandal. For eighteen years she had grown up with only her scientist father for company, running the estate and filling her spare hours with her favorite pursuit: studying the ladybug. But her growing dread that she’ll die before completing her plans is calmed at the hope-boosting sound of approaching footsteps. Continue reading
From the desk of Christina Boyd:
As a fan of the Being Jane Austen Mystery series, I have been all anticipation for the latest edition, Jane and the Waterloo Map. Author Stephanie Barron knows her Austen lore, as well as a being a masterful storyteller and researcher; writing in a most Austen-like style. She is also The Incomparable when it comes to Regency mysteries. Given that disclaimer, and holding the series in much esteem, I feel quite at liberty to share my impressions herein.
The novel opens with our dear Miss Austen attending her sick brother Henry at his London residence while editing the proofs of her latest novel, Emma, for her publisher John Murray. Summoned to Carlton House, the opulent London mansion of His Royal Highness the Prince Regent, Jane meets his toady Historiographer, Mr. James Stanier Clarke, who not only arrogantly invites her to use the Royal Library to write her next novel, but welcomes her to dedicate her work-in-progress to the Prince Regent himself. As she holds the prince and his profligate ways in contempt, Jane cautiously makes no commitment and politely continues on with the tour. Upon reaching the library, they come upon a Colonel MacFarland, hero of Waterloo, collapsed upon the floor in an apoplectic fit. As Mr. Clarke finds help, the colonel utters his last words to Jane, “Waterloo map.” After a curious inspection of the colonel’s vomit, Jane speculates that the colonel may have been poisoned. The next day, word reaches her that the colonel did succumb, and it is not long before the royal physician confirms that the hero of Waterloo was murdered. Thus begins the intrigue—and danger—for our clever authoress as she exposes whodunit in this thirteenth of Stephanie Barron’s mystery series. Continue reading
From the desk of Lisa Galek:
Fantasy novels with a supernatural bent are all the rage right now. So, if you love a battle between the forces of good and evil… all set against the backdrop of the upper-crust society of 1812 London, then The Dark Days Club by Alison Goodman should be on your reading list.
We meet 18-year-old Lady Helen Wrexhall on the eve of her presentation to Queen Charlotte. Helen’s mother, who drowned at sea ten years before, was allegedly a traitor to England, and Helen’s current guardians—her aunt and uncle—really hope this won’t affect Helen’s chance of making a good marriage. After all, isn’t that the best that any young lady with fortune and tainted family connections can hope for?
But, Helen has other ideas. Wilder ideas. She gets the feeling she’s meant for something more than ballrooms and husband hunting. When she meets the mysterious Lord Carlston, who has quite the checkered past himself, she discovers that the growing spirit inside her actually points to the rare ability to identify and destroy a group of supernatural baddies that are overrunning England. Will Helen follow her demon-fighting destiny with Lord Carlston? Or will she resign herself to the life of a proper English wife instead?
The Dark Days Club is the first in what will be a series of novels focused on Lady Helen and her adventures in Regency London. It actually reminded me a lot of The Mortal Instruments series by Cassandra Clare (which actually has a Victorian spinoff of its own). The basic premise is the same—a young girl with a mysterious family history finds out she actually has the ability to fight supernatural villains. It’s miles from a Jane Austen novel, but the author does a great job of giving us the Georgian-era feel while still mixing in elements of mystery and fantasy. Continue reading
From the desk of Kimberly Denny-Ryder:
When I was first asked to review Then Comes Winter edited by Christina Boyd, I felt that the fact that it was a short story compilation was perfect. In the midst of holiday planning, gift buying, and cookie baking, I had less than my normal appointed time for reading. So, having the ability to read these shorter, Austen-inspired stories let me fit them right in with my schedule and enjoy them that much more. Couple that with the fact that I now had a bunch of new authors to check out, and I was certainly excited to get started. Even more exciting, however, is the fact that my fellow Austenprose contributor Christina Boyd is the editor!
As I did with my last compilation review, Sun-kissed, I’m posting the Goodreads summary below as there are multiple stories and I cannot summarize them all here.
If you long for a toasty snuggle on a cold winter’s night, this compilation of original short stories inspired by the magic of the holiday season-and more than a nod to Jane Austen-is fancied as a sublime wintertime treat. On the heels of the summer anthology, Sun-kissed: Effusions of Summer, and in concert with some of Meryton Press’s most popular authors, this romantic anthology introduces several promising writers. With a robust mix of contemporary and Regency musings, Then Comes Winter rekindles passionate fires with equal wonder, wit, and admiration. Stories by: Lory Lilian, Linda Gonschior, Suzan Lauder, Beau North & Brooke West, Sophia Rose, Natalie Richards, Anngela Schroeder, Melanie Stanford, Denise Stout, Erin Lopez, and Maureen Lee.