Georgette Heyer: Biography of a Bestseller, by Jennifer Kloester – A Review

From the desk of Laura A. Wallace: 

I must acknowledge that it is well-nigh impossible for me to be objective when it comes to reviewing Jennifer Kloester’s new biography of Georgette Heyer which was released this month in the UK.  Rarely have I looked forward so much to reading a biography.  But be assured, gentle reader, that had I found it sub-standard, I would tell you so.  Instead, I am delighted to report that it met or exceeded almost all of my expectations.

This is a more traditional biography than Hodge’s, which discusses each work Heyer wrote in some detail, creating a dual focus on the events of Heyer’s life and her works, occasionally feeling as though the biographical material is merely a bridge until the next novel.  Kloester’s treatment of Heyer’s workplaces them firmly in the context of the events of her life, with emphasis most definitely on her life.

Kloester had access to more of Heyer’s letters than Hodge (and Hodge generously gave Kloester all of her Heyer research notes).  The bibliography is divided into two:  published sources and archival sources, and the latter is extensive, with letter collections located all over the English-speaking world.  (Oklahoma?  New Zealand?  Who knew?)  Heyer didn’t keep her own manuscripts, and very few letters, but private archives such as the Frere families provided Kloester with dozens of frequent, chatty letters over several decades that reveal Heyer’s personality clearly, as well as some of the more mundane details of her life.

Kloester reveals more details about the incidents of plagiarism that Hodge mentioned.  The first copier was indeed, as Heyer fans have long agreed amongst themselves, Barbara Cartland.  The second, some years later, was Kathleen Lindsay.

One point I found particularly interesting is Kloester’s treatment of Penhallow.  Hodge reported that this was intended as a contract-breaking book.  Kloester’s research revealed that this notion was, in fact, a family legend built up after the fact.  At the time, Heyer had the highest expectations of the novel and hoped it would be well-received in the literary world— and in fact, it was, garnering several positive reviews, but never high enough to satisfy her.  She always yearned for more serious literary recognition, and never felt that she received it.

This biography is interesting (to me, at least) on so many levels, especially placing Heyer’s life in a chronological context.  The Regency setting of her later novels was less than a century before her own birth in 1902.  She personally experienced the transition of the world from Edwardian times— when carriages and servants and indeed much of social and even some technological norms of the Regency were still an ordinary part of life for the upper-middle class of which she was a part— to the new world “after the war” (i.e., World War I) of the twentieth century.  Numerous small details of Heyer’s early life, and even of her antecedents, inform incidents in her novels.  For example, Felix’s obsession with steam engines and his trip up and down the Thames in a steam-boat (Frederica) comes directly from Heyer’s grandfather’s successful tugboat fleet.

Like other biographies of authors, including Hodge’s, this work provides insights into the author’s creative process that other writers will find interesting and informative.

The only minor criticism I have is that some of Kloester’s examples and quotations are the same as Hodge’s.  This is completely understandable as they are perfect choices to illustrate certain points, but I found myself slightly (and unfairly) resenting any duplicate quotations, as I wanted more and new quotations!  (Perhaps Kloester will publish an edition of Heyer’s letters!)

The book itself is produced beautifully.  The pages are stitched, the paper is substantial, and the photographic plates are well-chosen and well-described.  The cover is stunning:  I literally gasped when I opened it, not having seen it online first.  This is a fine book that is aesthetically an admirable complement to the most fastidious collector of Heyer’s first editions or uniform editions.   And substantively it is just as pleasing.  Congratulations, Ms. Kloester, on a job exceptionally well done and worthy of its subject.

5 out of 5 Stars


  • Georgette Heyer: Biography of a Bestseller, by Jennifer Kloester
  • Sourcebooks (January 1, 2013)
  • Hardcover, trade paperback, eBook, & audiobook (464) pages
  • ISBN: 978-1402271755
  • Genre: Literary Biography


We received a review copy of the book from the publisher in exchange for an honest review. Austenprose is an Amazon affiliate. Cover image courtesy of Sourcebooks © 2013; Laura A. Wallace © 2011, Updated 9 March 2022.

12 thoughts on “Georgette Heyer: Biography of a Bestseller, by Jennifer Kloester – A Review

Add yours

  1. Since I’ve read around 18 of Georgette Heyer’s books (yes, I’m going to try and read them ALL) it would seem fitting to satisfy my curiosity by reading this offering. Laura: a great review that further piques my curiosity about one of my very favorite authors. Laurel Ann: Ms Heyer also published a fine anthology of short stories: Pistols for Two. Has anyone here read it? And, Elaine Simpson-Long: upon perusing your website, you are certainly no slouch when it comes to devouring Georgette Heyer offerings! Thanks for the opportunity to share my feelings…

    Liked by 1 person

    1. As a matter of fact, I am half way through Pistols for Two right now. Although the stories are short, I find them satisfying nevertheless. So far, I like Bath Miss the best.

      Thank you for the review of Ms Heyer’s biography, Laura. I look forward to reading it.

      Liked by 1 person

  2. I am excited to hear about this biography. I have read the Hodge biography and have a copy of Kloester’s Georgette Heyer’s Regency world. After her books, these are great supplementary material and filled in so much info around the books.

    I’ll have to put this new book on my wish list.

    I read Pistols for Two and loved it.

    Liked by 1 person

  3. Laura Wallace, you said: “This is a more traditional biography than Hodge’s, which discusses each work Heyer wrote in some detail, creating a dual focus on the events of Heyer’s life and her works, occasionally feeling as though the biographical material is merely a bridge until the next novel.” Yes!
    Thank you — perfect timing so now I can read Kloester’s biography to feed the need for more about Georgette Heyer, and later as I continue reading Heyer novels, I can refer back to Hodge’s book. (Be nice if Hodge’s book had an appendix to facilitate this).

    Liked by 1 person

  4. Thank you so much for this terrific review of the book. It means a great deal to have someone read the biography so closely and to know that it has given them new and deeper insights into Georgette Heyer’s life and writing. I found her a fascinating subject and, although her life was not filled with scandal or great drama, the way it bled into her novels has been an endless source of fascination every time I re-read her books.

    And I don’t mind your minor criticism at all – it is very true and I felt it every time I used a Heyer quotation that had been in Jane’s book. The trouble was, I had so many more letters than Jane Aiken Hodge and they often threw new light on some incident she had reported in her book – so naturally I felt compelled to include it and expand upon it.

    Perhaps one of the most interesting thiings about researching Heyer’s life and writing was the extraoridnary resonance her historical context gave to her novels. As you say Laura, those incidents (such as Felix’s fascination with steam boats and the balloons in Frederica) came from the time in which she lived – especialy her childhood. This was where her snobbery came from – undoubtedly part of her makeup and practically unavoidable given her upbringing and the world in which she was raised.

    Thank you for such an interesting and informative review. Best wishes


    Liked by 1 person

Please join in and have your share of the conversation!

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Website Built with

Up ↑

%d bloggers like this: