From the desk of Tracy Hickman:
What can the places that Jane Austen called home tell us about the author’s life and work? In Jane Austen at Home, historian, author, and BBC presenter Lucy Worsley looks at the author’s life through the lens of Austen’s homes. As Worsley notes in the book’s introduction, “For Jane, home was a perennial problem. Where could she afford to live? Amid the many domestic duties of an unmarried daughter and aunt, how could she find the time to write? Where could she keep her manuscripts safe?” (1) Worsley seeks to place Jane Austen “into her social class and time” while admitting that, as an Austen reader and biographer, she has a vision of the beloved author that allows Jane to speak for her and to her circumstances. “Jane’s passage through life, so smooth on the surface, seems sharply marked by closed doors, routes she could not take, choices she could not make. Her great contribution was to push those doors open, a little bit, for us in later generations to slip through.” (4)
Jane Austen at Home is divided into four major sections, titled as acts in a play. I thought this a lovely touch by Ms. Worsley, reminding readers of the Austen family’s love of amateur theatricals. “Act One: A Sunny Morning at the Rectory” covers Austen’s early life at Steventon Rectory in Hampshire (1775-1801). During this period, Jane traveled to relatives’ homes and even lived away at boarding schools for several years. Nonetheless, Steventon remained her place of safety until her father’s retirement forced Mr. and Mrs. Austen, along with Cassandra and Jane, to move to Bath.
Steventon Rectory, Hampshire
From the desk of Katie Patchell:
I remember what I felt when I discovered that Jane Austen was not famous in her lifetime: Outright shock. I had been a self-proclaimed Janeite for years when I discovered this fact. I had read her books multiple times, collected movie adaptations, researched and written papers about her novels in college, etc. The enormous amount of 21st-century hype around Jane led me to believe that, like Charles Dickens, her fame began in her lifetime. How wrong I was; in fact, many of Austen’s early readers never even knew her name until after she died.
Discovering you are mistaken is always a jolting experience, and I felt like my own literary world had shifted on its axis. Somehow not knowing this fact earlier was very unsettling, and with hindsight, I think it was so unsettling because my ‘Jane Austen timeline’ was thrown off. The little fact about when Jane was famous shouldn’t be a footnote in her history because how and when she became THE Jane Austen is of cultural and historical importance. Not only for what we know about the author, but what we know about ourselves, her fandom. Timelines really do matter. Devoney Looser’s The Making of Jane Austen is a gem of a book because, in it, she answers the integral questions of “how” and “when” that has rarely been asked. How did the early illustrations in Sense and Sensibility affect people’s views of the novel? When did the idea of a brooding Heathcliff-esque hero replace Jane Austen’s original reserved Mr. Darcy? These questions and answers are only a few of the many addressed in The Making of Jane Austen.
Image from chapter two, of an illustration by A. F. Lydon from Mansfield Park, Groombridge & Sons’ (London) 1875. Fanny Price gazing over the verdant park to the manor house.
As advertised on the cover flap, the key question of this book is “How is a literary icon made, transformed, and handed down through the generations?” Each of its four parts contains anecdotes and research that generally follows a chronological journey from the 1800s to present. In the first – “Jane Austen, Illustrated” – Looser gives an in-depth analysis of the artistic interpretations of Austen’s novels. She includes some pictures which are fascinating to view, although I wish there had been more. A highlight for me was learning that Victorian illustrators updated the clothing styles from the Regency to be more “modern” in their images – although these clothing choices are severely outdated now! Continue reading
Just in time for the premiere on 13 January 2019 of the third season of Victoria on Masterpiece Classic on PBS, Queen Victoria: Twenty-Four Days That Changed Her Life is a new biography of one of the United Kingdom’s (and the world’s) most famous queens. Arriving like a gift on a royal red velvet cushion, fans of the TV series and British history will devour and adore this book.
In her usually upbeat and engaging style, Chief Curator at Historic Royal Palaces, television presenter, and one-woman British history hurricane, Lucy Worsley’s biography of Queen Victoria is a selective and sympathetic view of the life of the most powerful woman of her generation. Structured as twenty-four significant dates in her life, it is a personal look at her family history, social context, and her inner thoughts and impressions. Drawing upon a variety of sources, including her own personal diaries and of those around her, Worsley also adds quotes and references from the Queen’s major biographers and historians of the Victorian era.
Some readers may assume that the most significant dates in the Queen’s long life such as her coronation, marriage or the death of her beloved husband Albert would be the most interesting dates of her life. However, I found the quieter moments, even more, moving, insightful and tragic. For example, on the 20th of June 1837 not only did she learn that her uncle William IV had died, making her Queen, but she also met privately for the first time with her Prime Minister, Lord Melbourne who would become a close advisor, stalwart advocate and dear friend to the young Queen. Starved for male companionship after the death of her father in her infancy and a childhood dominated by a weak mother and her circle of cronies, Melbourne would become the antidote to her lonely and isolated life helping her to transition to a monarch and rule her country. Continue reading
From the desk of Lisa Galek:
Very little has been written about Jane Austen’s life before she started writing at the age of 12. That’s probably because so very little is known about that time. In Young Jane Austen, author Lisa Pliscou focuses on these early years to give us a better understanding of how one of the greatest novelists of all time got her start.
The author begins by letting us know that this particular biography will be a “speculative” one. Since so little is known about Jane Austen’s early years, Lisa Pliscou draws on a wide variety of Austen scholarship to give us a charming portrait of the artist as a young girl. She begins in 1775 with the birth of little Jane—nicknamed Jenny—and takes us up through 1787 when Jane first decides to put pen to paper for the amusement of her family.
Along the way, the author includes short scenes from Austen’s life but presents them in a narrative format. We meet Jane at various moments in her journey—playing with siblings, spending time with her family, lounging in her father’s library, heading off to school with her sister, Cassandra. Each step of the way, the author reflects on what a young Jane Austen might have felt and thought in these moments.
Most Austen biographies I’ve read tend to gloss over Jane’s early years. They focus more on her evolution as a writer and her years as a successful author. The typical Austen biography also tends to be a little more dense and scholarly because it’s just trying to pack so much information into one little volume. But, Young Jane Austen avoids these pitfalls and, as a result, becomes a delightful and infinitely readable story. Continue reading
From the desk of Tracy Hickman:
I have been a Kim Wilson fan since reading her books In the Garden with Jane Austen and Tea with Jane Austen. Her latest work At Home with Jane Austen, a luscious coffee table book, promises a virtual tour of the places Austen called home. Some of these homes were permanent residences and others were temporary: the sites of visits to wealthy relatives or seaside holidays with her family.
The chapter titles follow the course of Austen’s life. After introducing “The Author” in the first chapter, the remaining chapters are Steventon, Away at School, Bath, Travels and Tours, Stately Mansions, Southampton, By the Sea, Chawton, London, and Winchester. True to its genre, you could have a lovely experience of this book by merely turning the pages and looking at the illustrations and photographs. However, I found Kim Wilson’s narrative of Austen’s life, focused on her surroundings and travels in southern England, to be equally appealing and informative. As Ms. Wilson points out:
Though Jane changed her residence many times, family and home remained the emotional center of her life. She expressed her love of home in her work, creating heroes and heroines who also cherish the idea of home, even when, like Fanny Price in Mansfield Park, they are uprooted and must learn to love a new one: “When [Fanny] had been coming to Portsmouth, she had loved to call it her home, had been fond of saying that she was going home; the word had been very dear to her; and so it still was, but it must be applied to Mansfield. That was now the home. Portsmouth was Portsmouth; Mansfield was home.” (10)
From the desk of Tracy Hickman:
We are spoiled for choice when it comes to biographies of Jane Austen these days, but that was not always the case. As Helen Amy notes, it was not until fifty years after Austen’s death that a growing number of readers wanted to know more about her life. At that time, the only outlet for this increasing public interest was Austen’s grave in Winchester Cathedral. Flocks of people began visiting the site, causing a puzzled verger to inquire, “Is there anything particular about that lady?” (172)
This interest coincided with the death of Jane’s last surviving sibling and prompted her nephew Edward Austen-Leigh to write his biography of her in 1869. Other family biographies were subsequently published in the late 19th and early 20th centuries and by this time Austen was regarded as an important literary figure. Later scholarly works have uncovered a somewhat different Jane than the quiet homebody her family described. Since Helen Amy’s work references the family biographies extensively, I was curious to see the portrait of Austen that would emerge in Jane Austen In Her Own Words & The Words of Those Who Knew Her.
From the first chapter “Childhood 1775-1786” the Austen family home is described as cheerful and harmonious with Jane growing up in a “well-educated, intellectual and cultivated family whose members were close, loving and united.” (13) However, this fondness for one another did not blunt the acerbic wit within the family. For example, Jane’s mother remarked upon her young daughters’ close relationship by saying, “if Cassandra were going to have her head cut off, Jane would insist on sharing her fate.” (13)
Jane’s own words, apart from her novels, come to us in her letters. Many of these may be familiar to readers, such as the letter she wrote under an assumed name to urge a publisher to take action on her novel Susan (later Northanger Abbey) where she signed her name “M.A.D. Mrs Ashton Dennis” (93) or her correspondence with her niece Fanny in which she famously advised “anything is to be preferred or endured rather than marrying without Affection” (126). Amy does not use the letters to fill pages but has chosen excerpts to bring out Austen’s ease with language and mastery of her trademark humor. The exchange of letters between Jane and the prince regent’s librarian is an excellent example that Amy includes in the chapter “The Later Writing Period 1815-1816.” Continue reading