From the desk of Sophia Rose:
Over a decade ago, CS Harris released the first in a long-standing series of Regency Era historical mysteries featuring an aristocratic detective who starts out as the suspect solving his first crime to a renowned amateur detective in his own right. That book, What Angels Fear, introduced a complex hero who must solve murders and at the same time, the mystery of his own past. He must deal with what he discovers, learn the hard lessons of love, and come into his own throughout the series alongside other series regulars.
From the beginning, I was enamored with Sebastian St. Cyr and the rest of the characters who joined him along the way. I was enthralled with the author’s way of writing not just a mystery, but Sebastian’s story. Fifteen books later, I am still a tremendous fan and tend to fan girl over Sebastian and stalk the author’s website to get any tidbits about the next release.
Who Speaks for the Damned opens with the murder of black sheep Nicholas Hayes. No one knew the man was still alive since it has been years since he was charged with the murder of a Frenchman’s wife and sentenced as a hard labor convict in a prison colony. Sebastian has heard of the man, of course, but now he has to discover the answers to the present murder and sudden appearance of Hayes by delving into the man’s past. There are still some around who knew him and knew him well including Sebastian’s own valet, Calhoun. Many give him half-truths and lies, but he ruthlessly picks them apart to expose a disturbing, emerging picture. Sebastian is slowly convinced that Hayes wasn’t necessarily guilty in the past and that means someone got away with murder and plans to keep it that way. Meanwhile, a young child who depended on Hayes has been missing since the murder and someone wants this last witness silenced.
Sebastian’s progressive and brilliant wife Hero isn’t idle during this time. She is conducting her own investigation in her ongoing crusade to bring to light the conditions of London’s poor. Her focus for this study are the street musicians and she observes one young musician who may be more than he seems and the key to her husband’s case. Continue reading
Hey-ho gentle readers!
The holiday season is quickly approaching with all of its delights. My local radio station started playing Christmas music the day after Veterans Day. Retailers are hanging garland and stocking their tables with gift-giving fare. A friend told me that they are finished with their shopping and have already mailed their gifts. It’s not even Thanksgiving and I am behind!
Desperate to get myself in the seasonal mood I coincidently learned of the new release of the audiobook of Yuletide: A Jane Austen Inspired Collection of Stories. I had read the book last year, so this was a nice surprise. It contains seven Pride and Prejudice-inspired stories set during the holiday season in Regency and modern-day. You can read my review of Yuletide for a summary of the stories and my impressions. Here are the book description and audio excerpts from the publisher.
“I went up to the Great House between three and four, and dawdled away an hour very comfortably….” — Jane Austen
A holiday short story anthology with some favorite Austenesque authors, Yuletide is inspired by Jane Austen, Pride and prejudice, and the spirit of the season. Regency and contemporary alike, each romance was dreamt to spark love, humor, and wonder while you dawdle over a hot cup of tea this Christmas.
- Chapter 1: Opening Credits
- Chapter 2: “The Forfeit” by Caitlin Williams
- Chapter 3: “And Evermore Be Merry” by Joana Starnes
- Chapter 4: “The Wishing Ball” by Amy D’Orazio
- Chapter 5: “By a Lady” by Lona Manning
- Chapter 6: “Homespun for the Holidays” by J. Marie Croft
- Chapter 7: “The Season for Friendly Meetings” by Anngela Schroeder
- Chapter 8: “Mistletoe Management” by Elizabeth Adams
- Chapter 9: Closing Credits
AUDIO EXCERPT: Continue reading
Set in an English country village at the onset of WWII, The Chilbury Ladies Choir is told through letters and journal and diary entries by four female characters who are faced with keeping the home fires burning while their menfolk are off fighting Nazis. The first-person format intrigued me, and the subject sounded promising. However, it was the anticipation of escaping into the lives of “three or four families in a country village” that really hooked me. If English-born author Jennifer Ryan could dish out endearing and foibled characters I was in for a great read.
Ominously, the novel begins with the funeral of Commander Edmund Winthrop, the first casualty of the war from this tight-knit community. The reality of his death hits the remaining residents hard, coupled with the fact that the vicar decided to close the church choir due to the lack of male voices. The ladies rebel. They are done with being told what to do by the few men remaining. Disobeying the vicar, they form the Chilbury Ladies Choir led by Miss Primrose Trent, a music tutor from the local university.
“First, they whisk our men away to fight, then they force us women into work, then they ration food, and now they’re closing our choir. By the time the Nazis get here there’ll be nothing left except a bunch of drab women ready to surrender.” Mrs. Brampton-Boyd (3)
From the desk of Debra E. Marvin:
Discovering just-released fiction on my library’s New Audiobooks shelf makes me feel as if someone has let me slip in at the front of a long line. When I found Helen Simonson’s The Summer Before the War, I was delighted she’d chosen another charming English town (I’d quite enjoyed her debut Major Pettigrew’s Last Stand) and the summer of 1914. Whether she planned it or not, the timing may help some of us adjust to the end of a ‘certain’ British historical drama, though enjoying this novel can’t be limited to Downton Abbey fans. What better time than the centennial of The Great War, to revisit its impact.
Protagonist Beatrice Nash is a young woman of high intellect, low tolerance for the superficial, and a middle-class income stymied by the death of her beloved father. Mr. Nash’s academic profession provided his daughter an unusual upbringing ripe with experiences beyond England, and making Beatrice independent, resilient, and practical. She was “not raised to be shy, and had put away the fripperies of girlhood.” All very good indeed when she takes a position as a Latin teacher for the local children and is tested by the restrictions and social expectations of small-town life in this delightful corner of Sussex. She simply must succeed or risk returning to her wealthy aunt’s suffocating control.
If this novel was a miniseries, she’d be the lead in an outstanding ensemble cast. To her left, Mrs. Agatha Kent, mentor, and “of a certain age when the bloom of youth must give way to the strength of character, but her face was handsome in its intelligent eyes and commanding smile.” To Beatrice’s right, Hugh Grange, likely the most uncomplicated man in town…who happens to be a brain surgeon. The residents of Rye create the rich background we so enjoyed in Ms. Simonson’s debut, and Rye itself rounds out the cast as quintessential England. I had no trouble balancing the many characters who exit the other side of the war—the autumn after the war, so to speak—forever altered. Just as it should be. Continue reading
From the desk of Br. Paul Byrd, OP:
“In my last [letter] I left off at our sitting down to Supper on our Wedding Night, where I behaved with as much Bashfulness as the purest Virgin in the World could have done. The most difficult Task for me was to blush; however, by holding my Breath, and squeezing my Cheeks with my Handkerchief, I did pretty well” (297).
Reading Samuel Richardson’s novel Pamela, Or, Virtue Rewarded, as I recounted in my previous review of it, is not for the faint of heart; but I am happy to say that it was all made worthwhile just this past week as I listened to a Naxos AudioBooks recording of Henry Fielding’s masterful parody fittingly entitled Shamela. Many know Fielding for Tom Jones, but his satirical powers are at their full and outrageous height in Shamela. In a quarter of the number of pages found in the original story, Fielding highlights and lampoons all of Richardson’s characteristic tropes, transforming Miss Pamela Andrews from a paragon of female virtue into an archetypical scheming hussy. The great irony is that as shamefully vicious as Shamela maybe, she is a great deal more fun to listen to than her saintly prototype. Continue reading
From the desk of Br. Paul Byrd, OP:
“Her knowledge of Richardson’s works was such as no one is likely again to acquire, now that the multitude and the merits of our light literature have called off the attention of readers from that great master.” – J.E. Austen-Leigh, Memoir of Jane Austen, ch. 5
Listed among Jane Austen’s most beloved authors is the rebellious printer-turned-novelist Samuel Richardson, creator of such potboilers as Pamela, or Virtue Rewarded (1740). The novel opens at the death of Pamela Andrew’s employer, the woman who has educated her to be as accomplished as any young woman could hope to be, by eighteenth-century standards. And from there commences a rather strange and disturbing plot in which Pamela must fend off the unwanted advances of her new male employer—and I’m not simply talking about sexual harassment, which would have been bad enough; I’m talking about the outright attempted rape. Indeed, the main dramatic question of the novel is whether Pamela will forfeit her honor (read “her virginity”) for the sake of wealth and safety, or will she display a heroic level of Christian virtue, and risk the possibility of public disgrace. Spoiler Alert: the novel’s subtitle gives the answer away from the start. Continue reading