A Preview & Slideshow of The World of Sanditon: The Official Companion Book, by Sara Sheridan

The World of Sanditon, by Sara Sheridan (2019)Welcome to Sanditon, an 1819 Regency seaside community in Sussex England—the fictional site of the new ITV/PBS television adaptation/continuation of Jane Austen’s final unfinished novel.

For those who are watching the eight-part series currently airing in the US on PBS, The World of Sanditon, by Sara Sheridan will be catnip to heighten your addiction. A copiously illustrated behind the scenes look at the making of the new television series, it also is filled with a biography of Jane Austen, historical information on the era, seaside life and health resorts, and Regency life for women.

In addition, there are spotlights on the characters and interviews with the actors who brought them to the screen. Here is a description of the book from the publisher Grand Central Publishing, details on the content, and images from the production for your enjoyment. Continue reading “A Preview & Slideshow of The World of Sanditon: The Official Companion Book, by Sara Sheridan”

A Preview of Sanditon: A New Television Adaptation of Jane Austen’s Novel on Masterpiece Classic PBS


Premiering Sunday, August 25 on ITV, Sanditon will be the first television series inspired by Jane Austen’s final, unfinished novel.

Jane Austen fans in the UK have much to celebrate. Austen’s seaside Regency drama is being given the red-carpet treatment by the co-production team of Red Planet Pictures in the UK and MASTERPIECE PBS in the US. Adapting and continuing the eight-part series will be veteran period drama screenwriter Andrew Davies (Pride and Prejudice (1995) and Sense and Sensibility (2008)), and a cast of accomplished and emerging British actors will portray the lively and diverse characters that Austen established in her novel, with a few additions to the roister as well. The new series will air on eight consecutive Sundays at 9:00pm August 25 through October 13, 2019. Continue reading “A Preview of Sanditon: A New Television Adaptation of Jane Austen’s Novel on Masterpiece Classic PBS”

Jane Austen’s Worthing: The Real Sanditon, by Antony Edmonds – A Review

Jane Austen's Worthing, by Antony Edmonds 2014From the desk of Tracy Hickman:

Jane Austen sequels thrive on what ifs. What if Darcy’s first proposal had been delivered in a more gentlemanly manner? What if Willoughby had decided to marry for love instead of money? Jane Austen’s unfinished novel, Sanditon, is a different kind of literary “what if” for her fans. The eleven chapters Austen penned in early 1817 introduce readers to a fictional seaside resort with as promising a set of characters as any of her other novels. As Antony Edmonds notes in the introduction to Jane Austen’s Worthing: The Real Sanditon:

“In spite of the fact that during its composition she was suffering from the painful and debilitating illness that killed her, there is little evidence of any diminution of her powers, and had the book been finished it is likely that it would have been the equal of her six famous novels.” (10)

Continue reading “Jane Austen’s Worthing: The Real Sanditon, by Antony Edmonds – A Review”

Jane, Actually: or Jane Austen’s Book Tour, by Jennifer Petkus – A Review

Jane, Actually, by Jennifer Petkus © 2013 Mallard Sci-FiFrom the desk of Jeffrey Ward:

What would YOU say to Jane Austen if it became possible to communicate with her personally after two centuries? Jennifer Petkus’ third novel, Jane, Actually explores that possibility with an endless array of “what-if’s:” Is there an afterlife? If so, in what form? If departed souls are immortal, will the living be able to communicate with them? Will one departed soul be able to contact another departed soul? How will departed souls legally verify their identities? Can a disembodied soul fall in love with another disembodied soul?

A little background is necessary. In her debut novel, Good Cop Dead Cop, the author establishes a discovery that enables departed souls to contact the living via a technological marvel known as the “afternet.” In her second novel My Particular Friend, Petkus mashes together Sherlock Holmes with Jane Austen’s Bath for a Regency romp that is impossible to pin a label on. With great warmth and humor, the author ingeniously mashes together the “afternet” with the very-alive but the disembodied soul of Jane Austen and you actually get Jane, Actually.

Jane’s identity has been legally verified by the afternet authentication committee and she has finished her incomplete novel Sanditon, she has acquired an agent and staunch promoter in Melody Kramer and a grand book tour is planned. Although Jane communicates easily over the afternet, she is invisible, so the search begins for a suitable avatar to be her visual embodiment. A young acting student coincidently named Mary Crawford is one of the finalists. She knows next to nothing about Jane Austen, not even the literary significance of her own name. However, Jane takes a liking to her and she is chosen over more qualified candidates. Getting Jane and Mary to “sync-up” using the afternet proves difficult and frustrating but they warm to each other nevertheless. Continue reading “Jane, Actually: or Jane Austen’s Book Tour, by Jennifer Petkus – A Review”

Austen Book Sleuth: New Books in the Queue for July 2010

The Jane Austen book sleuth is happy to inform Janeites that many Austen inspired books are heading our way in July, so keep your eyes open for these new titles.

Fiction (prequels, sequels, retellings, variations, or Regency inspired)

Murder at Mansfield Park, by Lynn Shepherd

Mansfield Park is considered (by some) to be the dark horse of Austen’s oeuvre and her heroine Fanny Price weak and insipid. I do not agree, but the majority of readers might find this new novel an improvement since the narrative is “renovated” (not unlike Sotherton) and Fanny gets bumped off. Shepherd mixes up Austen’s classic story by switching the protagonist and antagonist, morphing other characters and plot points and spotlighting the murder instead of the the moralistic undertones that Austen chose to soft shoe her narrative. Personally, secondary to Jane Austen, I enjoy a good murder mystery, so this reader is quite charmed at the possibility of having both together. (Publishers description) In this ingenious new twist on Mansfield Park, the famously meek Fanny Price–whom Jane Austen’s own mother called “insipid”–has been utterly transformed; she is now a rich heiress who is spoiled, condescending, and generally hated throughout the county. Mary Crawford, on the other hand, is now as good as Fanny is bad, and suffers great indignities at the hands of her vindictive neighbor. It’s only after Fanny is murdered on the grounds of Mansfield Park that Mary comes into her own, teaming-up with a thief-taker from London to solve the crime. Featuring genuine Austen characters–the same characters, and the same episodes, but each with a new twist – Murder at Mansfield Park is a brilliantly entertaining novel that offers Jane Austen fans an engaging new heroine and story to read again and again. St. Martin’s Griffin, Trade Paperback (384) pages, ISBN: 978-0312638344

Review of Murder at Mansfield Park in the Sterling Observer

Austen’s Oeuvre

Sense and Sensibility, by Jane Austen, illustrator Chris Hammond, introduction by Joseph Jacobs

Dover has done it again! They have taken a classic Victorian illustrated edition of a Jane Austen novel and reproduced the interior exactly offering the book lover the next best thing to the original. Their first volume in this series of hardback collector editions was Pride and Prejudice. For any of you who collect vintage Austen editions it is a reproduction of the popular and pricey 1894 ‘Peacock’ edition illustrated by Hugh Thomson. This edition of Sense and Sensibility illustrated by Chris Hammond is even more beautiful and my personal favorite Victorian edition of a Jane Austen novel. Enjoy! (Publishers description) A delightful comedy of manners, this novel concerns the romantic travails of two sisters, who struggle to balance passion and prudence. It abounds in the author’s customary wit and engaging characterizations. This handsome hardcover gift edition features a dust jacket and more than 60 charming drawings by a leading Victorian-era illustrator. Dover Publications, Hardcover (416) pages, ISBN: 978-0486477435.

Audiobooks

The Watsons/Sanditon (Naxos Complete Classics), by Jane Austen, read by Anna Bentinck

Now available outside of the audio collection Jane Austen: the Complete Novels, readers can listen to two of Austen’s unfinished works professionally produced and read by BBC Radio personality Anna Bentinck. They are gems, and you might be pleasantly surprised. (Publishers description) One abandoned, one unfinished, these short works show Austen equally at home with romance (a widowed clergyman with four daughters must needs be in search of a husband or two in The Watsons) and with social change (a new, commercial seaside resort in Sanditon). Typically touching, funny, charming and sharp. Naxos AudioBooks, 4 CDs, 4h 29m, ISBN: 978-9626342817

Read my review of The Watsons/Sanditon

Austen’s Contemporaries & Beyond

Helen, by Maria Edgeworth

Maria Edgeworth (1767-1849) was a major “best selling” novelist of her day, surpassing many of her male counterparts. Jane Austen admired her so much that she sent one of the 12 presentation copies of Emma that she received from her publisher even though they had never corresponded or met. Regretfully, Austen did not have the opportunity to read Helen since she died in 1817, but you can judge for yourself why she and her contemporaries valued Edgeworth and why she merits this re-issue of her 1834 novel. (Publishers description) The last and most psychologically powerful novel by Jane Austen’s leading rival, the newly orphaned Helen Stanley is urged to share the home of her childhood friend Lady Cecilia. This charming socialite, however, is withholding secrets and soon Helen is drawn into a web of ‘white lies’ and evasions that threaten not only her hopes for marriage but her very place in society. A fascinating panorama of Britain’s political and intellectual elite in the early 1800s and a gripping romantic drama, Helen was the inspiration for Elizabeth Gaskell’s Wives and Daughters. Sort of Books, Trade paperback (544) pages, ISBN: 9780956003898

Review of Helen in the Scotland Herald

Until next month, happy reading!

Laurel Ann

Sanditon, by Jane Austen (Hesperus Press): A Review

From the desk of Laurel Ann Nattress: 

On the 27th of January, 1817 Jane Austen began work on a novel that is now known as Sanditon. It was never completed. Her declining health robbed her of what she dearly loved most, writing, and on the 18th of March 1817 after penning 22,000 words she wrote the last lines of chapter twelve and put down her pen. Four months later at age 41 she would succumb to what is generally believed to have been Continue reading “Sanditon, by Jane Austen (Hesperus Press): A Review”

By the Seaside with Sanditon: Sea-Bathing, a match to every disorder in the 19th-century

Why would anyone want to go into freezing cold sea water? What medical benefits were they hoping to achieve?

In Jane Austen’s novel Sanditon an entire seaside community is in development to attract visitors to a new watering place for the therapeutic or curative benefit of sea-air and sea-bathing. This involved the process of immersing yourself in freezing cold water. However unpleasant this many sound to our 21st-century sensibilities, it was strongly believed in the 18th and 19th-centuries to have strong physical benefits to a wide range of maladies. Julie at Austenonly blog has graciously investigated the 19th-century medical mindset which instigated this belief and fueled the development of the seaside resorts such as Sanditon. Please visit her great blog and discover why Mr. Parker in the novel Sanditon believes “The Sea air and Sea Bathing together were nearly infallible, one or the other of them being a match for every Disorder” and Mrs. Bennet in Pride and Prejudice thinks a little sea-bathing will set her up forever!

Further reading

Upcoming event posts

Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

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Sanditon Group Read Chapters 9-12: Summary, Musings & Discussion: Day Six Giveaway

It was impossible for Charlotte not to suspect a good deal of fancy in such an extraordinary state of health. Disorders and recoveries so very much out of the common way seemed more like the amusement of eager minds in want of employment than of actual afflictions and relief. The Narrator, Ch 9

Quick Synopsis

Charlotte believes the Parkers ailments are imaginary. Diana makes arrangements for Mrs. Griffiths even though not asked to do so. Charlotte meets Susan and Arthur Parker. One is worn by illness and medicine, the other does not look ill at all. Arthur is engrossed in eating buttered toast and cocoa. Mrs. Griffiths arrives in Sanditon bringing only three young ladies. One is a Miss Lambe a sickly heiress that Lady Denham thinks will do for Sir Edward. Charlotte and Mrs. Parker walk to Sanditon House. Charlotte sees Clara Brereton and Sir Edward secretly meeting. Lady Denham seems put out by their arrival. Clara returns and lies about her delay. Sir Edward arrives unaffected. Charlotte realizes that they deceive Lady Denham who would not approve of their match. Sir Edward extols upon the virtues of sea-bathing and encouraging both ladies to try it. Charlotte realizes that her first impression of Sir Edward and Lady Denham were not true. She and Mrs. Parker walk home. Talk of Sidney Parker catches her off guard.

Musings

Charlotte meets the two additional Parker siblings, Susan and Arthur. Visiting there lodgings is like entering a sick ward. The windows are closed and the fire is blazing even though it is a fine summer day. It does not take Charlotte long to conclude that their ailments are imagined fancy since there is a discrepancy with the activity they are about and their hypochondria talk. Diana is running all over town in preparation of Mrs. Griffiths’ arrival and Susan has relocated the three of them from the hotel to lodging moving heavy boxes herself. “It would seem that they must either be very busy for the good of others or else extremely ill themselves.” Arthur appears in good health, though he needs to sit by the fire to ward away damp sea air and his rheumatism. As Charlotte becomes better acquainted with the Parkers medical maladies we begin to really see Austen making fun of people attaching illness as an identity. This family revolves around illness or activity. Such a dichotomy! The bit with Arthur’s speech about toasting bread and sneaking butter behind his sisters was hysterical. This is truly burlesque comedy. Who does not know someone who secretly eats or has done so themselves? Ha!

Miss Lambe was beyond comparison the most important and precious, as she paid in proportion to her fortune. She was about seventeen, half mulatto, chilly and tender, had a maid of her own, was to have the best room in the lodgings, and was always of the first consequence in every plan of Mrs. Griffiths. The Narrator Ch 10

All the wheels of communication behind Diana’s efforts to bring two large families to Sanditon end in embarrassment for her. There is only one Mrs. Griffiths of Camberwell and the West Indians are one Miss Lambe, a sickly heiress that neatly fills Lady Denham’s requirements for a wife for Sir Edward. Her practical nature regrets the long journey from Hampshire, a brother disappointed, an expensive house for a week rented, “and worse than all the rest, the sensation of her knowing that she was not clear-sighted and infallible as she had believed herself.” It did not trouble her for long. Besides Miss Lambe, Mrs. Griffiths brings only two other young ladies with her. Austen describes the two Miss Beauforts as “common as any young ladies in the kingdom with tolerable complexions and showy figures, very accomplish and very ignorant.” This made me laugh out loud. She is mocking what young English ladies are raised to be by showing how shallow they are. Their true ambitions are only the pursuit of admiration by men and the accumulation of fashion in order to captivate some man of better fortune than their own. Ouch! Is Charlotte the only character of virtue in this novel? I do not think I have ever seen Austen dig so deep into human imperfections than in Sanditon!

Among other points of moralising reflection which the sight of this tete-a-tete produced, Charlotte could not but think of the extreme difficulty which secret lovers must have in finding a proper spot for their stolen interviews. The Narrator Ch 11

Charlotte plans to visit Lady Denham at Sanditon House for the first time with Mrs. Parker. Always the salesman, Mr. Parker wants his wife to turn the social call into business opportunity and solicit Lady Denham for a charity cause. His sister Diana, always churning alway at some activity for others has a long list of charities that she would like Mrs. Parker to ask her Ladyship to contribute to also. Now, Mrs. Parker is a very biddable sort of woman, but even she has her limits retorting that she “could no more mention these things to Lady Denham than I could fly.” I did not expect that reaction at all. I love it when Austen has characters react in the opposite of what we are expecting. This point is proved further when Charlotte sees a secret assignation between Clara Brereton and Sir Edward Denham. I expected this from Sir Edward who fancies himself in the “line of a Lovelace,” but not of Clara. What does she have to gain from their relationship? She is an impoverished cousin serving at Lady Denham’s whim. To endanger her relationship with her would be foolish. She seems smart. What does she see in him? Charlotte is puzzled also. “The connection between Clara and Sir Edward was as ambiguous in some respects as it was plain in others.” She seems to abhor their deceit yet sympathize with their plight. “To be continually at the mercy of such an old lady’s whims struck Charlotte as being particularly hard upon a young couple.” Is Austen being purposely ambiguous also?

Still extolling the pleasures of bathing, he sought to entertain them with his longest syllables and most edifying sentences. “To plunge into the refreshing wave and be wrapped round with the liquid element is indeed a most delightful sensation,” he assured them. “But health and pleasure may be equally consulted in these salutary ablutions; and to many a wan countenance can the blush of the rose be restored by an occasional dip in the purifying surge of the ocean.” Now, he hastened to add, trying to bow to them both at the same time, “that either of my fair listeners would need the rose restored to their lovely cheeks.” Sir Edward Denham, Ch 12

Well, there is definitely nothing ambiguous about Sir Edward and his continued foppery and nonsense speeches. His choice of sensual words to two young ladies is most inappropriate, oozing total seduction. How can any woman, no anyone take him seriously? In comparison to Austen’s other bounders, rakes and rattles, he is like a toady Mr. Collins preaching the efficacy of love instead of religion. Our heroine Charlotte sees right through him. The rest of the community, not so much. The only other person who has the potential to set things in balance with his honest opinions, neat equipage and fashionable air is Sidney Parker, who shall sadly remain the mystery hero of Austen’s oeuvre.

Favorite words

superfluity, circuitous, hitherto, efficacy, dross, perturbation, solicitude, importunate, assignation and assiduously.

Further reading

By the Seaside with Sanditon: Day 6 Giveaway

Enter a chance to win one copy of Sanditon: Jane Austen’s Unfinished Masterpiece Completed, by Jane Austen and Juliette Shapiro by leaving a comment stating what intrigues you about Sanditon, or who your favorite character is by midnight PDT Friday, March 26th, 2010. Winner to be announced on Saturday, March 27th. Shipment to continental US addresses only.

Upcoming event posts

Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

© 2010 Laurel Ann Nattress, Austenprose

By the Seaside with Sanditon: Guest Blog with Mandy N. on Regency-era Seaside Fashions

Please welcome Mandy N. today as a guest blogger during ‘By the Seaside with Sanditon’. Mandy is an avid collector of vintage fashion plates and has graciously offered to share some of her lovely images and chat about Regency-era fashion that I am quite certain Mr. Parker would think quite elegant enough for Sanditon.

During the Regency-era, seaside resorts were popular among fashionable society for both health cures and holidays. Jane Austen’s novels mention the resorts of Brighton, Scarborough, Cromer, Lyme and her fictional ‘Sandy ton’ or Sanditon. At resorts, fashionable visitors delighted in leisurely pleasures of promenading and seabathing amid sunshine and sea breezes. To partake of resort pleasures visitors required fashionable apparel to promenade, seabath, mingle and be seen by society. Seaside resorts also encouraged ladies to buy trinkets and shell ornaments at the circulating library similar to what Mr. Parker tries to establish at Sanditon. 

The basic seaside costume was a white muslin dress comfortable for a beach stroll and to ‘take a turn on the cliff’ (Ch.6), or dress up with accessories for a promenade. My impression is between the 1809 to 1815 seasons seaside fashion evolved. Accessories such as scarves, ribbons, shawls and reticules added blue, green or yellow colour to a white dress. Bonnets and parasols in matching colours added variety to seaside Regency costumes. ‘the most stylish girls in  the place.‘  (Ch. 11)

           

(Figure 1 left) Promenade Dress (Ackermann’s Repository 1809) shows a stylish frock for a stroll on the beach. A white muslin dress. Bonnet of plaited straw with ostrich feather, tied with ribbon. A Marine Scarf of purple silk and matching Chinese parasol of purple silk. Shoes and gloves of yellow kid. No doubt the perfect outfit to enjoy ‘the finest, purest seabreeze on the coast’ (Ch. 1) 

(Figure 2 right) Promenade or Sea Beach Costume (Ackerman’s Repository 1810). Take a turn around the cliff in natural surroundings near the resort in white muslin under an apple-green crape tunic coat with straw bonnet tied with ribbon. Chinese green silk parasol and green kid slippers. A versatile outfit to wear round the resort. 

(Figure 3) A sight to please Mr. Parker is the sight of a most fashionable young woman who knew to sit upon the seashore to enjoy sunshine and a breeze. Promenade Dress (Ackermann’s Repository 1815). A stripey pelisse with a full neck ruff and silk shawl over the shoulders. Fabric-covered bonnet with flowers. Her strapped slippers allow easier walking on a sandy shore. This Promenade Dress was fashionable in cool months. Regency society enjoyed visiting seaside resorts all year round. (Thanks Heather, for your elegant 1815 Promenade Dress)

 

(Figure 4)  Morning Dress (Ackermann’s Repository 1814). A lady sits on the beach looking out to sea.  Her robe is evening-primrose-coloured sarsanet with blonde lace. French hat of ribbons and flowers. A darker dress may not show dust or sand so much as a white dress. Fashion terms like evening primrose may’ve appealed to stylish ladies. This Morning Walking Dress has the addition of a telescope. Telescope gazing was a popular leisure with men and women at sea resorts. Like the Miss Beauforts, perhaps she- ‘looks at nothing through a telescope.‘ (Ch. 11)

         

(Figure 5 left) Walking Dress (Ackermann’s Repository 1811).  Muslin robe with a fuller sleeve and a square neckerchief in folds. Amber sarsenet coat. A mountain hat with flower, oranmented with white crape (her hair folds beneath the white crape). Half-boots of buff kid and a crimson reticule. This outfit for a seaside stroll appears more sophisticated than dresses of 1809-1810 seasons. Personally, I love the background and beach activity in this costume plate! 

(Figure 6 right) Walking Dress (Ackermann’s Repository 1815). Exemplifies a costume worn by the seashore at time of Sanditon. A high muslin dress of short waking length trimmed with treble flounces and full ruff of French style. Long sleeve with wristband over the hand. French bonnet of white satin edged with blue ribbon and a plume of feathers. Mantle of silk embroidered with silks. Silk stockings, gloves and slippers of blue kid. Blue shoes? Civilization indeed!  ‘Who would have expected such a sight at a shoemaker’s in old Sanditon!’ (Ch. 4)  But did she buy her large, large bonnet from Jebbs? 

         

(Figure 7 left) Promenade Half Full Dress (La Belle Assemblee 1810). An ensemble fit for an heiress to stroll upon the Terrace. A muslin dress with long sleeves and low neck. French scarf of yellow silk. Note the lace veil on the yellow silk bonnet to protect a lady’s complexion, or, if she is ill protection from unwanted public gaze upon the Terrace. Parasol of light yellow & white fringe. Gloves and shoes of yellow kid.  Likely, such fashion was seen at large, fashionable resorts. ‘the Terrace was the attraction to all; everybody who walked, must begin with the Terrace.’ (Ch. 7) 

(Figure 8 right) Promenade Costume (Ackermann’s Repository 1812). A muslin robe with long sleeves, simple collar and brooch. Amber sash, rosary and cross necklace. Gloves and shoes of yellow kid. Her hat is trimmed with white ribbons. I wonder if she reads a book of poetry? ‘Upon the Terrace with the Parkers and Denhams, sat Clara Brereton.’ She is known to wear white ribbons.

(Figure 9) ‘Two females in elegant white.’ (Ch. 4) Promenade or Sea Beach Costumes (Ackermann’s Repository 1810). First figure: White muslin gown, a tunic of pink sarsanet with cording up front. Straw hat tied with white ribbon. A founding lace cap with flowers. Muslin cloak and head-dress of square veil of French lace. Gloves and pink slippers. Second figure: A white muslin robe and cloak of fine muslin. Headdress with a square veil of lace accented with a brooch. Gloves and amber slippers. Lace veils probably protected a lady’s face from sun and wind on the beach. The outfits appear loose and comfortable for around the resort wear. ‘The sea air and sea bathing together were nearly infallible’ (Ch. 2)

(Figure 10) Sea Bathing Costume (La Belle Assemblee 1815). A pelisse of green-white silk with fringes. Leghorn hat with feathers. Green and white striped half boots. At seaside resorts, ladies could parade in style enjoying the purest seabreeze by the dancing sea. Yet, promenading was not the only leisure. Sea resorts were famed by society for the novelty of sea cures and seabathing. ‘Here began the descent to the beach, and to the bathing machines-and this was therefore the favourite spot for beauty and fashion.’ (Ch. 4) This fashion plate features a lady strolling in seabathing costume to the beach in to the seabathing machines to change and enter the water in privacy. Seabathing machines can be seen on the lower right side of the fashion plate. The advantage of this costume was a lady could quickly dress or undress. Does she carry a muslin slip in her bag? The most fastidious belle could not find a more becoming Bathing Costume. I wonder if this lady bathes for leisure or sea cure? In the novel, active hypochondriac Diana Parker appears a regular seabather, so presumably owns a Bathing Costume. She intends ‘to enourage Miss Lambe in taking her first dip…and go in the machine with her if he wishes it.‘ (Ch. 12)  

In the Regency-era seabathing was the motive to improve one’s health, but socializing and fashion appear as important as any sea cure. As we see in these fashion plates from the Ladies Journals of the era, it is apparent that they catered to the novelty of fashion by the sea. To realistically display Walking Dresses or a Sea Bathing Costumes, beach or cliff scenes were popular as background on fashion plates. To a fashionable lady, the picture may convey not only the infallible delights of finery but the delight of visiting a resort for ‘the sea, dancing and sparkling in sunshine and freshness.’ (Ch. 4)

For people not yet drowned by seaside images, you can check the wallpaper gallery at Solitary Elegance. The August wallpaper features two Regency seaside mother & child plates and a quote from Sanditon for your enjoyment.

Many thanks to Mandy N. for all her work scanning images and researching the text. Bravo!

Further reading

Upcoming event posts

Day 6 – March 20 Group Read Chapters 9-12
Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Event Wrap-up

By the Seaside with Sanditon: Worthing, the inspiration for Sanditon?

Eastbourne vs. Worthing? As we continue to explore Jane Austen’s last unfinished novel Sanditon it is interesting to ponder what Jane Austen used to model her emerging seaside resort of Mr. Parker’s creation. Julie at Austenonly presents a strong argument for the resort for Worthing in Sussex, also an emerging seaside resort in the early 1800’s that Austen visited with her family.

“There has been much speculation about Jane Austen’s inspiration for the town of Sanditon: was the place completely  imaginary or did she base it on a resort with which she was familiar? Eastbourne in Sussex has been mooted as a candidate, though as far as I am aware, Jane Austen is not recorded as ever having visited that town.

But she is recorded as having visited Worthing, another Sussex resort, and this definitely has possibilities for being her template for the developing resort of Sanditon.”

Visit Austenonly, Julie’s excellent blog to discover the evidence in support of her theory and decide for yourself. 

Upcoming event posts

Day 6 – March 20 Group Read Chapters 9-12
Day 6 – March 20 Review: Sanditon (Hesperus)
Day 7 – March 21 Sanditon Completions
Day 8 – March 22 Events Wrap-up

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By the Seaside with Sanditon: Sir Edward Denham’s Sentimental Stirrings about the Sea & Seduction

He began, in a tone of great taste and feeling, to talk of the sea and the sea shore; and ran with energy through all the usual phrases employed in praise of their sublimity and descriptive of the undescribable emotions they excite in the mind of sensibility. The terrific grandeur of the ocean in a storm, its glass surface in a calm, its gulls and its samphire and the deep fathoms of its abysses, its quick vicissitudes, its direful deceptions, its mariners tempting it in sunshine and overwhelmed by the sudden tempest — all were eagerly and fluently touched; rather commonplace perhaps, but doing very well from the lips of a handsome Sir Edward, and she could not but think him a man of feeling, till he began to stagger her by the number of his quotations and the bewilderment of some of his sentences. Sanditon, Chapter 7

Jane Austen’s anti-hero in Sanditon, Sir Edward Denham, Baronet of Denham Park is a bit of rake and a rattle. He is prone to long inflated speeches in the most pompous and affected style all in an attempt to reinforce his own notion that he is a romantic character born to seduce women “quite in the line of Lovelaces.” Lovelace refers to the villain Robert Lovelace in Samuel Richardson’s 1748 novel Clarissa who rapes and ruins the young heroine. With Sir Edward, Austen is poking fun at the dramatic and sentimental heroes and villains of the novels of her times.  

During his speech to Charlotte Heywood, he rambles on about the sea describing in quite unoriginal phrases its “terrific grandeur” of glass surface, gulls and samphire. When I originally read the novel years ago, I had no idea what samphire was, what significance it had and why Jane Austen used as and example of describing the sea. Understanding the cultural context of Austen’s novels can be so enlightening and I asked Julie of Austenonly, a fellow Austen enthusiast and expert on the era to explain it all for me. She has graciously obliged and you can read her excellent post on samphire at her blog.

In addition to his rattling’s about the sea we are treated to his lengthy effusions on poets as he incorrectly attributes Scott to have written about the sea, which Charlotte quickly corrects him on.

“Do you remember”, said he, “Scott’s beautiful Lines on the Sea? — Oh! what a description they convey! — They are never out of my Thoughts when I walk here. — That Man who can read them unmoved must have the nerves of an Assassin! — Heaven defend me from meeting such a Man un-armed.”  

“What description do you mean?”, said Charlotte. “I remember none at this moment, of the Sea, in either of Scott’s Poems.”

“Do not you indeed? — Nor can I exactly recall the beginning at this moment.”  Ch 6

This blunder does not deter him in the least and he continues quoting other poets: Burns, Montgomery and Campbell. Our observant heroine is having none of it and calls him out again.

“I have read several of Burns’ Poems with great delight”, said Charlotte, as soon as she had time to speak, “but I am not poetic enough to separate a Man’s Poetry entirely from his Character; — & poor Burns’s known Irregularities greatly interrupt my enjoyment of his Lines. — I have difficulty in depending on the Truth of his Feelings as a Lover. I have not faith in the sincerity of the affections of a Man of his Description. He felt & he wrote & he forgot.” Ch 8

One wonders if Charlotte has learned that Sir Edward’s “known irregularities greatly interrupt” her enjoyment of his speech? She has difficulty believing the truth of Burns’ poetry because of his personal life. A man’s actions reflect upon his reputation and character. I love the parallel between what she describes as Burns’ faults, “He felt & he wrote & he forgot” with Sir Edward’s want of being a seducer, who we well know are all about the conquest and not the results or consequences!

More on the insincere and insalubrious Sir Edward Denham as he expounds upon “The mere Trash of the common Circulating Library” when ‘By the Seaside with Sanditon’ continues this week.

Upcoming event posts

Day 4 – March 18 Group read Chapters 5-8
Day 5 – March 19 Regency seaside fashions
Day 6 – March 20 Group Read Chapters 9-12
Day 7 – March 21 Sanditon Completions

Sanditon Group Read Chapters 1-4: Summary, Musings & Discussion: Day Two Giveaway

“But Sanditon itself – everybody has heard of Sanditon. The favourite – for a young and rising bathing-place – certainly the favourite spot of all that are to be found along the coast of Sussex; the most favoured by nature, and promising to be the most chosen by man.” Mr. Parker, Chapter 1

Quick Synopsis

While traveling through Sussex Mr. & Mrs. Parker have a carriage accident on a steep road. Mr. Parker exits the carriage and sprains his foot. Mr. Heywood, a local gentleman farmer and his family take them in and they stay a fortnight. They depart for home with Mr. Heywood’s daughter Charlotte to Sanditon, a seaside resort community that Mr. Parker is developing in partnership with Lady Denham. She is old, rich, shrewd widow who has buried two husbands. Her companion is her young cousin Clara Brereton. Her deceased husband’s nephew is Sir Edward Denham. Her family, Clara and Edward all vie for her fortune. They enter old Sanditon village and Mr. Parker is excited over shop merchandise and improvements. Civilization! They pass his former residence and climb the hill to his new home Trafalgar House. The Terrace, shopping Mall and sea bathing machines are visible from Charlotte’s rooms.

Musings

The story opens with a carriage accident that is brought about by Mr. Parker’s impetuous nature. On a whim and without investigation he has altered his route home and taken a treacherous and steep road in pursuit of a doctor he read about in the morning newspaper. When his carriage overturns he and his wife are not injured. Only after he steps from the carriage onto the firm ground is he injured by twisting his ankle. This made me smile. Here is Jane Austen beginning with an irony, and then doubling it for us when he discovers that he is in the wrong town and that there are two Willingden’s. Mr. Heywood a local gentleman farmer comes to their rescue and offers aid and refreshments. They stay a fortnight! What hospitality! The two gentlemen could not be farther in temperament or personality: Mr. Parker is all about change and progress and the ‘modern’ life and Mr. Heywood is content to never leave home or change anything about his life. Mr. Parker is seeking a doctor and Mr. Heywood has no need of them! Mr. Parker enthusiastically describes Sanditon, a seaside community he is developing and Mr. Heywood thinks that resorts are “Bad things for a country — sure to raise the of provisions and make the poor good for nothing.” Amazingly, even though they are polar opposites they enjoy each others company and Mr. Heywood trusts him enough to allow his daughter Charlotte to return with them to Sanditon for a holiday. The way Mr. Parker enthusiastically defends the need of another seaside resort reminds me of a modern-day time-share salesman. He rattles off a list of amenities off the top of his head without any effort.

“Such a place as Sanditon, sir, I may say was wanted, was called for. Nature had marked it out, had spoken in most intelligible characters. The finest, purest sea breeze on the coast – acknowledged to be so – excellent bathing – fine hard sand – deep water ten yards from the shore – no mud – no weeds – no slimy rocks. Never was there a place more palpably designed by nature for the resort of the invalid – the very spot which thousands seemed in need of!” Mr. Parker, Chapter 1

His colleague in speculation in this development scheme is piece of work. She is the great lady of Sanditon, Lady Denham. She is old, rich, shrewd and has buried two husbands: Mr. Hollis she had married for his money and Lord Denham for his title. She has no children of her own, but Clara Brereton, a poor young cousin is her companion. Her three sets of relations court her for her fortune. The Hollis’ were not in favor with her husband and were passed over in the will. She got everything. They want it back. Sir Edward Denham of nearby Denham Park was the nephew to her last husband and is her most likely heir. When Clara Brereton enters the scene, she is in competition with Sir Edward and has a fair chance of inheriting the fortune too. Money always makes the plot churn!

“One other hill brings us to Sanditon – modern Sanditon – a beautiful spot. Our ancestors, you know, always built in a hole, Here were we, pent down in this little contracted nook, without air or view, only one mile and three quarters from the noblest expanse of ocean between the South Foreland and Land’s End, and without the smallest advantage from it.” Mr. Parker, Chapter 4.

And then their carriage reaches Sanditon and we begin to learn more about the area, the town and the people. As they pass Mr. Parker’s former home, “the house of my forefathers” now occupied by a tenant, we begin to understand Mr. Parker’s ideals of a modern community and see how Austen plays off the old vs. new Sanditon. Mr. Parker has built a new home on the hill in an unprotected spot, opposite of what his ancestors would have chosen. He has named it Trafalgar House in honor of the famous 1805 battle, but now regrets his choice and favors the more trendy Waterloo in honor of the 1815 battle! He is a man of the moment. Ironically, his wife Mary is not. Mrs. Parker looks at their former home with regret and fondness missing its gardens and shade trees “But you know,” still looking back, “one loves to look at an old friend at a place where one has been happy.” This does not faze Mr. Parker in the least. He is immediately distracted when they pass the church and the neat village of old Sanditon with its fishermen’s cottages all tidied up with curtains for “Lodgings to let,” two females in elegant white with books and harp music coming from a home. “Such sights and sounds were highly blissful to Mr. Parker.” He had no hand in the improvements, but it was “valuable proof of the increasing fashion of the place altogether.” After seeing blue shoes in the shoemaker’s window he is certain that civilization has indeed entered the town.

“Civilization, civilization indeed!” cried Mr. Parker, delighted. “Look, my dear Mary, look at William Heeley’s windows. Blue shoes, and nankin boots! Who would have expected such a sight at a shoemaker”s in old Sanditon! This is new within the month. There was no blue shoes when we passed this way a month ago. Glorious indeed!” Mr. Parker, Chapter 4

They begin ascending the hill and pass Sandition House, the last bastion of the former days of the parish and climb to the modern area. (More old vs. new civilization examples by Austen) Charlotte Heywood has been a silent observer so far. No wonder since this is her first experience traveling to another town, and compared to her parent’s staid existence in Willingden this is awe inspiring new scenery. When they reach Trafalgar House and she is installed in her apartments, she looks out her Venetian windows (what luxury) that face the ocean and sees The Terrace where people take the air, the Mall with its shops and library and the descent to the beach and the bathing machines.

And this was therefore the favourite spot for beauty and fashion. The Narrator, Ch 4

I think our young heroine is dumbfounded.

Favorite words: portentous, remonstrances, effluvia, insalubrious, sanguine, coadjutor, perturbation, pecuniary.

Further reading

By the Seaside with Sanditon: Day 2 Giveaway

Enter a chance to win one copy of Oxford World’s Classics edition of Northanger Abbey, Lady Susan, The Watsons and Sandition, by Jane Austen by leaving a comment stating what intrigues you about Sanditon, or who your favorite character is by 12:00 pm PDT  Friday, March 26th, 2010. Winner to be announced on Saturday, March 27th. Shipment to continental US addresses only.

Upcoming event posts

Day 3 – March 17 Regency seaside resorts
Day 4 – March 18 Group Read Chapters 5-8
Day 5 – March 19 Regency seaside fashions

© 2010 Laurel Ann Nattress, Austenprose

 

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