Tag: Jane Austen’s Mansfield Park

Oxford World’s Classics: Mansfield Park, by Jane Austen – A Review

“Me!” cried Fanny…”Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act.” Fanny Price, Chapter 15

In a popularity poll of Jane Austen’s six major novels, Mansfield Park may come close to the bottom, but what a distinction that is in comparison to the rest of classic literature! Even though many find fault with its hero and heroine, its love story (or more accurately the lack of one), its dark subtext of abuse, neglect and oppression, and its overly moralistic tone, it is still Jane Austen; with her beautiful language, witty social observations and intriguing plot lines. Given the overruling benefits, I can still place it in my top ten all-time favorite classic books.

Considering the difficulty that some readers have in understanding Mansfield Park, the added benefit of good supplemental material is an even more important consideration in purchasing the novel. Recently I evaluated several editions of the novel currently in print which you can view here. For readers seeking a medium level of supplemental material, one solid candidate is the new reissue of Oxford World’s Classics (2008) which offers a useful combination of topics to expand on the text, place it in context to when it was written, and an insightful introduction by Jane Stabler, a Senior Lecturer in English at the University of Dundee, Scotland and Lord Byron scholar.

Understanding all the important nuances and inner-meanings in Mansfield Park can be akin to ‘visiting Pemberley’, the extensive estate of the wealthy Mr. Darcy in Jane Austen’s more famous novel Pride and Prejudice. One is intrigued by its renown but hard-pressed to take it all in on short acquaintance. The greatest benefit of the Oxford World’s Classics edition to the reader who seeks clarification is Jan Stabler’s thirty-page introduction which is thoughtfully broken down into six sub-categories by theme; The Politics of Home, Actors and Audiences, The Drama of Conscience, Stagecraft and Psychology, Possession, Restoration and Rebellion, and Disorder and Dynamism. Written at a level accessible to the novice and veteran alike, I particularly appreciate this type of thematic format when I am seeking an answer or explanation on one subject and do not have the time to wade through the entire essay at that moment. Her concluding lines seemed to sum up my recent feelings on the novel.

“The brisk restoration of order at Mansfield Park and healing of the breach between parent and child is underwritten by the same doubt that lingers around the last scene of Shakespeare’s King Lear: ‘Is this the promis’d end? (v. iii 262). Recreating the urge to defy parental authority while teaching us to sit still, and pitting unruly energy against patient submission to the rule of law, Mansfield Park is an enthralling performance of the competitive forces which governed early nineteenth-century politics, society and art.”

For me, Mansfield Park is about Jane Austen teaching this unruly child to sit still and enjoy the performance! With patience, I have come to cherish Fanny Price, the most virtuous and under-rated heroine in classic literature! Re-reading the novel and supplemental material was well worth the extra effort, expanding my appreciation of Austen’s skills as a storyteller and the understanding of the social workings in rural Regency England. I am never disappointed in her delivery of great quips such as

“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.” The Narrator, Chapter 1

Also included in this edition are four appendixes; the first two on Rank and Social Status and Dancing which are included in all six of the Oxford World’s Classics Jane Austen editions and have been previously reviewed, followed by; Lovers’ Vows (the theatrical that the young people attempt to produce in the novel), and Austen and the Navy which helps the reader understand Jane Austen’s connection to the Royal Navy through her brothers James and Francis and its influence on her writing. The extensive Explanatory Notes to the text help place the novel in context for the modern reader while offering helpful and insightful nuggets of Regency information.

Mansfield Park may have the dubious distinction of being Jane Austen’s most challenging novel, but I have come to appreciate her characters and plot by a better understanding of the subtext through supplemental material and further re-readings of the novel. It is now one of my favorite Austen novels. Readers who hesitate to read Mansfield Park because of the ‘bad rap’ that it has received over the years are reminded of heroine Fanny Price’s excellent observation to the unprincipled character Henry Crawford, “We have all a better guide in ourselves, if we would attend to it, than any other person can be“. The Oxford World’s Classics Mansfield Park is certainly a fine edition to help you discover your own better inner-guide to the novel!

 4 out of 5 Regency Stars 

Read my previous reviews in the Oxford World’s Classics – Jane Austen Collection

Oxford World’s Classics: Mansfield Park, by Jane Austen, edited by James Kinsley
Oxford University Press, Rev. Ed. (2008)
Trade paperback (480) pages

ISBN: 978-0199535538

Cover image courtesy of Oxford University Press © 2008; text Laurel Ann Nattress, Austenprose.com

8

Mansfield Park Chapters 33-40: Summation, Musings & Discussion: Day 12 Give-away!

THE NOVEL

He was in love, very much in love; and it was a love which, operating on an active, sanguine spirit, of more warmth than delicacy, made her affection appear of greater consequence because it was withheld, and determined him to have the glory, as well as the felicity, of forcing her to love him. The Narrator on Henry Crawford, Chapter 33 

Quick Synopsis 

Henry persists in his quest for Fanny’s hand. Sir Thomas solicits Edmunds help, who attempts to discern what Fanny’s doubts are. He insists it was Henry’s abrupt delivery. She tells him she can not love a man of such unprincipled character. Everyone at Mansfield and the parsonage know of Henry’s proposal and in their own way try to chisel away at Fanny’s resolve. William visits on leave. Sir Thomas sees an opportunity for Fanny to see the difference that a good income can bring, and sends her home to her impoverished family in Portsmouth. Anxious to be with people who love her, the household, her parents and her siblings are a shock, and the complete opposite of her tranquil, ordered, and quiet home at Mansfield Park. Sister Susan shows some interest in improving herself and gives Fanny some hope. Edmund is more in love with Mary than ever, visiting her in London. Fanny dreads the post, fearful of what news it will bring. 

Musings 

After Fanny’s rejection of Henry’s offer of marriage, I am amazed at what lengths everyone takes to change her indifference to him. No one honors her decision and proceed to create excuses why she declined. Sir Thomas encourages Henry to continue his pursuit, which he does relentlessly, even though she shows him no encouragement at all. Having always won a ladies heart, he is both invigorated by her rejection and certain he will succeed. (conceited lout) Sir Thomas increases the pressure by telling his wife Lady Bertram and her sister Mrs. Norris of Henry’s proposal. They have opposite reactions; Lady Bertram thinks it an honor to her family to attract such a wealthy and handsome suitor, and Mrs. Norris takes it as an insult to her niece Julia who they all wanted Henry to marry from the beginning. 

Angry she (Mrs. Norris) was: bitterly angry; but she was more angry with Fanny for having received such an offer than for refusing it. It was an injury and affront to Julia, who ought to have been Mr. Crawford’s choice; and, independently of that, she disliked Fanny, because she had neglected her; and she would have grudged such an elevation to one whom she had been always trying to depress. The Narrator, Chapter 33 

I has stunned and disappointed in Edmund’s part in the interrogations, working away at his friend Fanny on behalf of his father. His actions hurt her the most since he was her mentor and only friend at Mansfield Park up until Mary Crawford corrupted him. All of his conversation now is tainted by her influence. When Edmund insists that he knows the truth of the rejection based on her surprise alone, I am angry at his arrogance and appalled that he suggests she should now let Henry succeed, and show everyone that she is the “perfect model of a woman which I have always believed you born for” Outrageous attitude from any friend, let alone a minister of the church. Where have his principles gone? I admire Fanny’s tenacity. She knows her mind and her own temperament. She explains that she and Henry are too different in nature to be happy together and does not waver from her position. Edmund, more than anyone in her circle should honor her wish to marry for love alone since his heart is also strongly inclined to the same desire, even though he has struggled against the unsuitability of his attachment to Mary Crawford for almost the entire novel! 

On his (Edmund) side the inclination was stronger, on hers less equivocal. His objections, the scruples of his integrity, seemed all done away, nobody could tell how; and the doubts and hesitations of her ambition were equally got over-and equally without apparent reason. It could only be imputed to increasing attachment. His good and her bad feelings yielded to love, and such love must unite them. The Narrator, Chapter 37 

The final wedge in an attempt to break Fanny’s spirit is Sir Thomas’ banishment of her to Portsmouth. His private plan is to let her see the difference that a good income can mean to her comfort, and motivate her to accept Henry Crawford with all his gentility and wealth. At first she sees it as a refuge from the pressures at Mansfield, and a benefit to be with family who truly love her, but after being reunited she soon discovers the disparity of the two households. Her parents, her siblings and their impoverished lifestyle are a quite a shock to a young lady who has become accustomed to living in the home of a Baronet. The noise, squalor and the indifference of her parents to her cruelly remind her of the peace, tranquility and order at her home, Mansfield Park. William departs for sea, and with no friend left in the world to support her, she is truly alone. Fearful of the pending news from London of Edmund and Mary’s engagement she waits for the other shoe to drop. Even under these adverse circumstances, our heroine is still optimistic. 

Fanny soon became more disposed to admire the natural light of the mind which could so early distinguish justly, than to censure severely the faults of conduct to which it led. The Narrator, Chapter 40 

With so much romantic turmoil in these last eight chapters, I am more than a bit uneasy with the uncertainty. Austen is building to a climax and I am all anticipation. We shall see if everyone ends up with who they love, or don’t know they love, and who gets their comeuppance. I have never known her to cheat us out of a wedding or two at the end, or a bit of moralizing for those unruly characters who stirred up the plot. One can never be certain though until the curtain falls on this theatrical.   

Further reading 

Online text complements of Molland’s Circulating Library

Cast of characters

Chapter 33-40 summary

Chapter 33-40 quotes and quips 

Mansfield Park Madness: Day 12 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

Mansfield Park: Oxford World’s Classics

Oxford University Press (2008). Revised edition. Novel text and introduction and notes by Jane Stabler. Trade paperback, 418 pages, ISBN 978-0199535538 

Upcoming posts
Day 13 – Aug 27          MP 2007 movie discussion
Day 14 – Aug 28          MP novel discussion chapter 41-48
Day 15 – Aug 29          MP: Sequels, Spinoff’s and Retellings
Day 16 – Aug 30          MP: The Scoop! What People Are Saying

11

Mansfield Park: Fun with Fanny and Friends: Day 11 Give-away!

Here’s a little humor to brighten your Monday morning Janeites! 

Can you describe your life in six words or less? That was the question that Smith Magazine asked their online readers in 2006. What developed was an amazing array of comic, tragic and poignant mini life stories that are now available in the book Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure. 

Originally inspired by an incident in writer Ernest Hemmingway’s life, he was challenged to write a story in six words or less. He responsed 

‘For Sale: baby shoes, never worn,’ 

proving that the imagination can run with half dozen words creating a whole life story. This amazing collection of a “thousand glimpses of humanity-six words at a time.” is both contagious and addictive. Here are a few of my favorites 

Read romances. Met a man. Disappointed! 

Girlfriend is pregnant, my husband said. 

Most successful accomplishments based on spite. 

No wife. No kids. No problems. 

Aging late bloomer yearns for do-over. 

Wasn’t born a redhead; fixed that. 

Still lost on road less traveled. 

The Mansfield Park Six Word Review Challenge 

This creative and clever concept can be applied to almost anything we have an opinion on. So, the challenge that I am putting forward today is for Janeites to write a six word review of Mansfield Park, Jane Austen’s oft maligned and misunderstood novel! 

You can write about anything in the plot or characters that inspires you; humorous, tragic or snarky. I have written a few of my own to start you off. The most striking, funny or poignant reviews will be selected and announced in the Mansfield Park Madness roundup and deconstruction on August 31. Good luck! 

Be kind, because Fanny did mind. 

Resistance is futile. Surrender Fanny! 

The grey pony died. Fanny survived. 

Fanny Price. What becomes insipid most. 

What happens in Mansfield Park? 

Edmund Bertram sermonized. Henry Crawford womanized! 

Fanny Bashers conference in East room. 

Fanny Price? Wasn’t she on Broadway? 

Pug. Fanny Price’s Fairy Dogmother. 

Did Jane Austen write Mansfield Park? 

Poor Fanny. Rich cousins. Integrity wins. 

Mansfield Park Madness: Day 11 Give-away!

Leave a comment by August 30th to qualify for the drawing on August 31st for one

 

Jane Austen Address book, by Potter Style

Paperback, with alphabetical tabs. Image of Regency lady and Jane Austen portrait on the front. 120 pages, ISBN: 978-0307352385 

Upcoming posts
Day 12 – Aug 26          MP novel discussion chapters 33-40
Day 13 – Aug 27          MP 2007 movie discussion
Day 14 – Aug 28          MP novel discussion chapter 41-48
Day 15 – Aug 29          MP: Sequels, Spinoff’s and Retellings

24

Mansfield Park Chapters 25-32: Summation, Musings & Discussion: Day 9 Give-away!

THE NOVEL

Fanny’s last feeling in the visit was disappointment: for the shawl which Edmund was quietly taking from the servant to bring and put round her shoulders was seized by Mr. Crawford’s quicker hand, and she was obliged to be indebted to his more prominent attention. The Narrator, Chapter 25 

Quick Synopsis 

Sir Thomas notices that Henry is paying particular attention to Fanny as they dine at the parsonage. Henry visits Thornton Lacey, Edmund’s pending parish, and would like to improve the parsonage and live there himself. This talk reminds Mary of Edmund’s looming ordination. Sir Thomas will host a ball in Fanny and William’s honor at Mansfield. Fanny receives two gifts of chains for her amber cross. Which one should she wear? Fanny realizes that Edmund is seriously in love with Mary. Mary tells Edmund that she does not dance with clergymen in a last attempt to dissuade him from his profession. Fanny thinks “in spite of everything, that a ball was indeed delightful.” William departs for London with Henry. Henry returns informing Fanny that William has been promoted to lieutenant by his hand through his uncle the Admiral. She is delighted, until he proposes marriage. She will not accept, even though Sir Thomas drills and badgers her for reasons, condemning her as “Self-willed, obstinate, selfish, and ungrateful”.  Fanny is wretched and miserable and made to speak to Henry one last time. 

Musings 

Everyone notices Fanny at last! She has matured into a beautiful young woman and is being invited to visit the parsonage and dine, much to the amazement of her aunt’s who can only wonder why anyone would want Fanny, and lecture her on her manners and deportment. On reflection, it is really Mrs. Norris’ repeated putdowns that established her lowly position in the Mansfield household. If Lady Bertram’s passive indifference had been only the reverse, Fanny’s life and outlook could have been so much different. By nature she was a shy child, but a positive environment could have drawn her out. Mary Crawford seems to be her complete opposite in temperament and attitudes. I was struck by this telling quote. 

“There, I will stake my last like a woman of spirit. No cold prudence for me. I am not born to sit still and do nothing. If I lose the game, it shall not be from not striving for it.” Mary Crawford, Chapter 25 

And she is playing her game to win Edmund’s heart and persuade him to change his profession like a master. It seems in every one of their meeting, she is working away at his resolve in pursuit of her goal. He is charmed by her spell, blind to her faults, and ready to forgive her by rationalizing her indecorous behavior by blaming her upbringing. One wonders what kind of minister he will make if he does not read personalities or see human failings so easily? The one question that he deliberates over and over is, does she love him enough to give up her essentials to happiness, – money and freedom. He doubts it, but continues in his delusion all-the-same. I can not think of two people so far apart on principles and life goals than Mary and Edmund. Today, they would definitely fail one of those compatibility tests that young couples take before they marry! My heart went out to Fanny though when she truly understands how much in love with Mary he is. 

He was gone as he spoke; and Fanny remained to tranquillise herself as she could. She was one of his two dearest- that must support her. But the other: the first! She had never heard him speak so openly before, and though it told her no more than what she had long perceived, it was a stab, for it told of his own convictions and views. They were decided. He would marry Miss Crawford. The Narrator, Chapter 27 

My greatest surprise is in Henry Crawford! Has the callous cad found principles and virtues from his nearness to Fanny? If so, she may deserve sainthood! Ha! He has undergone such a material change from rogue to gallant savior with his attentions, manner and proclamations of his honorable intensions to Fanny, that I am all amazement. 

“I care neither what they say nor what they feel. They will now see what sort of woman it is that can attach me, that can attach a man of sense. I wish the discovery may do them any good. And they will now see their cousin treated as she ought to be, and I wish they may be heartily ashamed of their own abominable neglect and unkindness. They will be angry,” Henry Crawford, Chapter 30 

His timing with his offer of marriage to Fanny is off though, and blew my slight softening to him. Helping Fanny’s brother William to obtain a promotion was a sly manipulation to win her gratitude which she graciously bestowed. Never-the-less, how little he truly knows the woman that he wants to marry, judging her against other women of his acquaintance such as Julia and Maria who would have succumbed to his ploy and accepted him without hesitation. Our Fanny Price has principles and can not be bought or badgered by her uncle into submission. Bravo Fanny! 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 25-32 summary
Chapter 25-32 quotes and quips 

Mansfield Park Madness: Day 9 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

Mansfield Park: Barnes & Noble Classics

Barnes & Noble (2005). Revised edition. Novel text and introduction and notes by Amanda Claybaugh. Hardcover, 427 pages, ISBN 978-1593083564 

Upcoming posts
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review
Day 12 – Aug 26          MP novel discussion chapters 33-40
Day 13 – Aug 27          MP 2007 movie discussion

12

Mansfield Park: Choice Quotes & Bon Mot’s: Day 8 Give-away!

The Novel

Jane Austen is renowned for her witty and sometimes cutting dialogue. Her novel Mansfield Park, though considered to contain a more darker subject matter, it still is full of them. Here are a select few that aim to amuse. Do not be surprised that the antagonist Mary Crawford gets all the best lines! 

“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.” The Narrator, Chapter 1 

“Do not let us be frightened from a good deed by a trifle.” Mrs. Norris, Chapter 1 

“If this man had not twelve thousand a year, he would be a very stupid fellow.” Edmund Bertram on Mr. Rushworth, Chapter 4 

“Mansfield shall cure you.” Mrs. Grant, Chapter 5 

“Nothing ever fatigues me but doing what I do not like.” Mary Crawford, Chapter 7 

“Selfishness must always be forgiven, you know, because there is no hope of a cure.” Mary Crawford, Chapter 7 

“Everybody likes to go their own way–to choose their own time and manner of devotion.” Mary Crawford, Chapter 9 

“It will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation.” Edmund Bertram, Chapter 9 

“Oh! Do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch.” Mary Crawford, Chapter 9 

“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Chapter 9 

It was a quick succession of busy nothings. The Narrator, Chapter 10 

“Where an opinion is general, it is usually correct.” Mary Crawford, Chapter 11 

“Those who have not more must be satisfied with what they have.” Mrs. Rushworth, Chapter 12 

“Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears.” Edmund Bertram, Chapter 13 

“Let your conduct be the only harangue.” Edmund Bertram, Chapter 15 

“One cannot fix one’s eyes on the commonest natural production without finding food for a rambling fancy.” Fanny Price, Chapter 22 

“There seems something more speakingly incomprehensible in the powers, the failures, the inequalities of memory, than in any other of our intelligences.” Fanny Price, Chapter 22 

“Oh! you can do nothing but what you do already: be plagued very often, and never lose your temper.” Mary Crawford, Chapter 22 

“A large income is the best recipe for happiness I ever heard of.” Mary Crawford, Chapter 22 

“Nothing amuses me more than the easy manner with which everybody settles the abundance of those who have a great deal less than themselves.” Mary Crawford, Chapter 23 

“A woman can never be too fine while she is all in white.” Edmund Bertram, Chapter 23 

The enthusiasm of a woman’s love is even beyond the biographer’s. The Narrator, Chapter 27 

“I am worn out with civility,” said he. “I have been talking incessantly all night, and with nothing to say.” Edmund Bertram, Chapter 28 

“We have all a better guide in ourselves, if we would attend to it, than any other person can be.” Fanny Price, Chapter 42 

“Finish it at once. Let there be an end of this suspense. Fix, commit, condemn yourself.” Fanny Price, Chapter 44 

There is nothing like employment, active indispensable employment, for relieving sorrow. The Narrator, Chapter 46 

“Nobody minds having what is too good for them.” The Narrator, Chapter 48 

Let other pens dwell on guilt and misery. I quit such odious subjects as soon as I can. Narrator, Chapter 48 

Mansfield Park Madness: Day 8 Give-away

Leave a comment by August 30th. to qualify for the free drawing of two copies of 

The Jane Austen Miscellany

By Leslie Bolton, Sourcebooks, Inc. (2006). The ultimate guide of everything Jane Austen for those who just can’t get enough! Hardcover, 144 pages, ISBN 978-1402206856 

Upcoming posts
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review
Day 12 – Aug 26          MP novel discussion chapters 33-40

18

Mansfield Park Chapters 17-24: Summation, Musings & Discussion: Day 7 Give-away!

The Novel

Her heart (Fanny) and her judgment were equally against Edmund’s decision: she could not acquit his unsteadiness, and his happiness under it made her wretched. The Narrator, Chapter 17 

Quick Synopsis 

Edmund reverses his opposition to act based on concerns for Mary Crawford. Fanny is shocked, Maria and Tom gloat. Henry’s flirtations with Maria become obvious to the others, and divides the two sisters. The actors squabble during rehearsals. Sir Thomas returns home from Antigua unannounced. The play is off and everyone’s spirits are low. The house is cleared of all evidence of the play including Mr. Yates. Henry leaves for Bath without declaring himself to Maria. She is miffed, but Julia gloats over her misery, relieved that he is gone. Since Henry did not propose and she must get away from her father’s tyranny, Maria marries Mr. Rushworth. Julia goes on honeymoon to Brighton with the newlyweds. In Maria and Julia’s absence, the focus shifts to Fanny for amusements for the Crawford’s. Mrs. Grants honors Fanny with an invitation to dine, much to Lady Bertram’s puzzlement. At dinner, Henry laments the loss of the play and Fanny condemns his “corrupted mind” intriguing Henry to look at Fanny in a whole new light. Mary laments Edmund’s pending ordination. Fanny’s brother William arrives at Mansfield. 

Musings 

As the plot develops, I am amazed at how layered it is becoming. The chapters of the theatrical being produced are almost like a mini-novella within the text. I understand that the play Lovers’ Vows which I have not read yet, adds greatly to the interpretation of the scenes as it mirrors much of the action. The romantic entanglements unfolding with the love triangle of Henry Crawford flirting with the two Bertram sisters is the main focus of these chapters, resulting in tension and suspense. Is this just entertainment for him or is he a serious suitor? Who does he prefer? Will Maria risk her reputation and dump the rich lout Mr. Rushworth for him? I am amused as both Mr. Rushworth and Henry Crawford take turns at discrediting each other behind their backs to the other members; Rushworth repeating his amazement at anyone liking such a short fellow, and Crawford deriding Rushworth’s ability to learn his four-and-twenty speeches! Too funny! Fanny, who is developing into the sage voice of reason and virtue, is appalled by it all. Jane Austen drops an insult by way of a complement to Henry Crawford with this telling clue as observed by Fanny. 

Mr. Crawford was considerably the best actor of all: he had more confidence than Edmund, more judgment than Tom, more talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. The Narrator, Chapter 18 

When Sir Thomas’s early return from Antigua halts the play, it is interesting to see how all of the parties react; Edmund is horrified, Tom is annoyed, Maria and Julia miffed over the loss of Henry’s attentions, Mary non-pulsed, Henry bored again, and Fanny relieved that the perfect timing totally saved her from acting. Their naughty antics without proper parental supervision have ceased, and his children must face the music! Their lives are mundane and dull again at Mansfield under the tyranny of Sir Thomas. The over-all reaction is for those who can to scatter and flee; Mr. Yates departs, Henry leaves for Bath, Maria marries, and Julia goes with her to Brighton. Even though Jane Austen does not show us dialogue of Sir Thomas admonishing his children for their bad behavior, she cleverly shows us the gravity of a situation by other means through a characters reaction. 

He (Mr. Yates) had known many disagreeable fathers before, and often been struck with the inconveniences they occasioned, but never, in the whole course of his life, had he seen one of that class so unintelligibly moral, so infamously tyrannical as Sir Thomas. He was not a man to be endured but for his children’s sake, The Narrator, Chapter 20 

Now that Maria and Julia are gone, the spotlight turns to the only other young woman left at Mansfield, Fanny Price! This causes quite a bit of amazement from all quarters since Fanny, always in her cousin’s shadows has never been considered anything other than a glorified servant in the Mansfield household. So when Mary Crawford looks about for new amusements and sets her sights on poor innocent Fanny, the hairs on the back of neck go up. Mrs. Grant, concerned that Mary accustomed to the social pace of London is bored, encourages the friendship. When Fanny is invited to dine with the Grant’s at the parsonage, Lady Bertram is amazed that anyone would want Fanny as a guest. Lady Bertram’s reaction really clarifies the lowly position in the household that Fanny holds in her estimation. 

She (Fanny) had neither sympathy nor assistance from those who ought to have entered into her feelings and directed her taste; for Lady Bertram never thought of being useful to anybody, and Mrs. Norris, when she came on the morrow, in consequence of an early call and invitation from Sir Thomas, was in a very ill humour, and seemed intent only on lessening her niece’s pleasure, both present and future, as much as possible. The Narrator, Chapter 23 

Mrs. Norris’ reaction, as usual, is even stronger as she lectures her on staying within her sphere and that she must be the “lowest and the last” at the dinner! This is abominable behavior to a relative or anyone for that matter even in Regency times, but Fanny has no choice and must absorb it all. I am inclined to believe that it did have some effect on her spirits though, since while talking with Henry Crawford at dinner she speaks very boldly and out of character disagreeing with his views and condemning his “corrupted mind“!  Wow! That is the first time we have ever see Fanny speak out so strongly and I applauded her convictions. Henry is stirred by her spirit also, and decides that she is much improved in appearance and deposition and will be his next amusing romantic dalliance. 

“But I cannot be satisfied without Fanny Price, without making a small hole in Fanny Price’s heart.” Henry Crawford, Chapter 24 

Oh my! Jane Austen has added a new layer of romantic mischief to the plot. We shall see where it takes us and poor Fanny, who seems to be the Crawford’s new play-thing! With Fanny’s brother William’s arrival at Mansfield, we see how energetically Fanny reacts to family and people who truly love her. Henry is now even more determined to “be also loved by such a girl“, and extends his stay indefinitely. 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 17-24 summary
Chapter 17-24 quotes and quips 

Mansfield Park Madness: Day 7 Give-away

Leave a comment by August 30th to qualify for the free drawing on August 31st.

Mansfield Park: Penguin Classics

Penguin Classics (2003). Revised edition. Novel text and re-instated introduction by Tony Tanner. Trade paperback, 480 pages, ISBN 978-0141439808 

Upcoming posts 
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review

13

Metropolitan (1990) Movie: Musings & Discussion: Day 6 Give-away!

MOVIES

Anyone who lived through the 1980’s can not hear the term Preppy and not smile! For the rest of you young things who were just a twinkle in your parents eyes, take notice and rent the movie Metropolitan, writer, director and producer Whit Stillman’s witty take on the WASP subculture of young upper-class Manhattanites as they spend their Christmas holiday attending debutant balls and discussing the downward social mobility of the upper class. It will fill you in on many of the cultural references that you might hear from your parent’s or their friends, and give you a good laugh at the 1980’s women’s fashions that today, just look downright overstated and clownish.

(Let’s hope that 1980’s fashion does not resurface soon!)

I adore this film for its clever, snarky dialogue, gentle irony and Jane Austen references. The parallels between her novel Mansfield Park and Metropolitan have been debated by critics and even included in the essay ‘From Mansfield to Manhattan: The Abandoned Generation of Whit Stillman’s Metropolitan’ by R. V. Young which can be downloaded in PDF here. The heroine of the film is Audrey Rouget (Carolyn Farina), a shy upper-class socialite who falls for middle-class Tom Townsend (Edward Clements). She is a Jane Austen admirer and the two of them have an interesting conversation about her favorite author and literature. 

Carolyn Farina as Audrey Rouget

Audrey: “I read that Lionel Trilling essay you mentioned. You really like Trilling?” 

Tom: “Yes.” 

Audrey: “I think he’s very strange. He says that nobody could like the heroine of Mansfield Park? I like her. 

Then he goes on and on about how we modern people of today with our modern attitudes, bitterly resent Mansfield Park because…its heroine is virtuous? What’s wrong with a novel having a virtuous heroine?” 

Tom: “His point is that the novel’s premise…there’s something immoral in a group of young people putting on a play? Simply absurd.” 

Audrey: “You found Fannie Price unlikeable?” 

Tom: “She sounds pretty unbearable, but I haven’t read the book.” 

Audrey: “What?” 

Tom: “You don’t have to have read a book to have an opinion on it. I haven’t read the Bible, either.” 

Audrey: “What Jane Austen novels have you read?” 

Tom: “None. I don’t read novels. I prefer good literary criticism. That way you get both the novelist’s ideas as well as the critic’s thinking. With fiction, I can never forget that none of it ever happened; that it’s all just made up by the author.” 

Edward Clements as Tom Townsend

This independent film was produced on a shoe-string budget and used unknown actors, notably Taylor Nichols as Charlie Black the angst ridden intellectual Woody Allen type and Chris Eigeman (who I adore and just think is the most under used actor in Hollywood) as the cynical and smug Nick Smith. This film is grouped together as the Stillman trilogy which also includes Barcelona (1994) and The Last Days of Disco (1998), another favorite of mine which is unfortunately not available to purchase, rent or steal!

Chris Eigeman as Nick Smith

 

Further viewing & reading 

Mansfield Park Madness: Day 6 Give-away 

Leave a comment by August 30th. to qualify for a free drawing on August 31 for 

Metropolitan (1990)

Written and directed by Whit Stillman. Independent motion picture, 98 minutes. Staring Carolyn Farina as Audrey Rouget, Taylor Nichols as Charlie Black and Chris Eigeman as Nick Smith. 

Upcoming posts
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion

15

Mansfield Park Chapters 9-16: Summation, Musings & Discussion: Day 5 Give-away!

THE NOVEL

“You need not hurry when the object is only to prevent my saying a bon mot, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out.” Mary Crawford, Chapter 9 

Quick Synopsis

The party arrives at Mr. Rushworth’s estate of Sotherton Court to tour the grounds. Mary continues to deride Edmund on his choice of profession proclaiming that clergymen are nothing. Fanny is tired and deposited on a bench outside a locked garden gate where she observes the coming and going of different couples and individuals all in pursuit of one another. Back at Mansfield, Sir Thomas will return from Antigua in November which will set Maria’s wedding date. Mary continues to criticize the clergy not weakening Edmund’s infatuation of her. Tom returns from Antigua determined to stage a theatrical at Mansfield. Edmund is against it and will not act. Which play shall they do? It will be Lovers’ Vows. Bickering over the casting divides Julia and Maria. Fanny pressured and shamed into acting, strongly declines to participate in something that Sir Thomas would not approve. Edmund motivated by the possibility of someone outside of the family group being recruited to act opposite Mary caves, and will act after all. Fanny is surprised and shocked at his reversal. 

Musings 

Now that we have been introduced to the main cast of characters, the stage was been set to Jane Austen’s preference of “three or four families in a country village” with the Bertram clan, the Crawford siblings and the lone wolf Fanny Price holding the flag of decorum and virtue among so much vice, the real fun begins. The scenes at Sotherton Court offer an opportunity for Mary Crawford to express some very strong opinions against religion and the clergy. When she discovers that Edmund will take orders, she feigns contrition for speaking so strongly without knowledge, (for about a moment), and then picks up her protest again. 

“Do you think the church itself never chosen, then?” 

“Never is a black word. But yes, in the never of conversation, which means not very often, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing.” Edmund Bertram & Mary Crawford, Chapter 9 

Austen is really using Mary Crawford as a foil against social decorum and religious stricture. Her sideways, and sometimes direct attacks against the church and people who worship are strongly against tradition, even today, so they must have been quite provocative in 1814. So far, if you follow Fanny’s reactions to her, you can see the trail of clues that Austen is leaving. Edmund is becoming more ‘blinded by love’ as the story progresses. 

The locked gate scene at Sotherton parkland is one of my favorites of the first volume of the novel. After Fanny is deposited on a bench near a locked iron gate, she is witness to the coming and going of couples and individuals all seeking others, only to miss them and be disappointed. Austen is using all of her comedic genius to play off the flirtations and romances developing. Fanny is again shown as the solid point of reference as all the others interact foolishly. It will be interesting to look back on this scene at the conclusion of the novel and see if there is any foreshadowing afoot. 

When Tom Bertram returns from Antigua ahead of his father for the hunting season, I am immediately on alert. This is trouble. When he proposes that his siblings and the Crawford’s produce a theatrical for their personal amusement, the plot opens up to all sorts of possibilities of conflicts between decorum and egos. What transpires is almost a mini Shakespearean play within the novel, of characters acting in a play that mirrors their own behavior; – pitting siblings against each other, erupting an array of emotions resulting in jealousy, fear and anger. Their quarreling over selection of the play and the casting of the roles is tiresome, and seems to go on too long, but that is Austen’s point. She pushes her characters and the reader to the point of exhaustion.  

“Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears.” Edmund Bertram, Chapter 13 

Setting up the characters in an adversarial position reveals much of their true nature. As in life, when characters are placed under pressure, we see what they are really made of. Edmund, in his father’s absence first opposes the play based on decorum. Should ladies act? What will people think? Tom, being the ungovernable son that he is, sees no harm. He is all about instant gratification. His two sisters are all for it because they can play out their competition for Henry Crawford’s affection. Mary Crawford is pulled into the scheme showing no personal concern as a lady. She always does what she chooses and is an advocate for letting others do the same. As Lady Bertram doses on the sofa ambivalent to her children’s antics, Aunt Norris who is usually the kill-joy of all pleasure and expense surprisingly does not oppose her nephew either. Fanny sits by, quietly watching in shock until pressed into service to act. She declines, standing with Edmund against the plan, even after a shameful railing by her Aunt Norris that sends her into anxiety and self doubt. 

“What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort-so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat.” Mrs. Norris, Chapter 15 

The biggest shock for me (and also Fanny) was Edmund’s reversal for weak reasons. After vehemently opposing the play, he acquiesces based on his concern for Mary Crawford! Oh how gallantly he goes out on his unprincipled limb to save her the discomfort of acting with a stranger outside the family circle. (I smell a besotted sod here) He rationalizes all this to the only person who is on his side, Fanny, who is shocked and puzzled, and then begins to doubt her own decision since her mentor Edmund has changed his colors. After deep reflection, I think she has the better handle on all the nonsense. 

Things should take their course; she cared not how it ended. Her cousins might attack, but could hardly tease her. She was beyond their reach; and if at last obliged to yield-no matter-it was all misery now. The Narrator, Chapter 16 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 9-16 summary
Chapter 9-16 quotes and quips 

Mansfield Park Madness: Day 5 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. 

Jane Austen Journal

By Potter Style. Paperback lined journal with the image of Regency lady and quote “We have a better guide in ourselves, if we would attend to it, than any other person can be” from Mansfield Park. 160 pages, ISBN 978-0307352392 

Upcoming posts
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32

22

Mansfield Park, by Jane Austen (Naxos AudioBooks), Read by Juliet Stevenson-A Review & Giveaway

I adore audiobooks and always have one playing away in my car during my commute to work; — so when I went hunting to purchase a new unabridged audio edition on CD of Jane Austen’s novel Mansfield Park, I was quite surprised to learn that my choices were very few at exactly two; a Blackstone AudioBooks, Inc (2008) read by Johanna Ward and a Naxos AudioBooks (2007) read by Juliet Stevenson. My first choice was, of course, the Juliet Stevenson version, for what Janeite could ever forget her outrageous performance as Mrs. Elton in the 1996 movie adaptation of Emma?  My abject apologies to Johanna Ward, who I am sure must be a very fine reader since she has several audiobooks to her credit, but the thought of listening to Mansfield Park read by Mrs. Elton just intrigued me and gave me the giggles. If anyone could liven up Mansfield Park, reputed to be Jane Austen’s most complex and dark novel, she could!

Being a reader for an audiobook is not an easy task since so many different ‘performances’ are required to distinguish each of the characters for the listener. I have found through a course of trial and error that I enjoy audiobooks read by classically trained actors. Juliet Stevenson fills this qualification perfectly for me using every inch of her Royal Shakespearean Company training. Her understanding of Jane Austen’s use of language and her true British accent added greatly to my enjoyment of this fine production.

Naxos AudioBooks has made quite a solid commitment to present quality productions of all of Jane Austen’s six major novels in unabridged and abridged formats. You can read about all of their recordings on their excellent web site and listen to a PodCast of an interview of Juliet Stevenson as she discusses her involvement in the audio recordings and her affinity to Jane Austen. Of note is the free download for this month of Milton’s L’Allegro read by Samantha Bond (Maria Bertram in Mansfield Park 1983 and Mrs. Weston in Emma 1996)

It has been said that Jane Austen often read her writings to her family as entertainments. Her beautiful use of language which just flows effortlessly is completely suited for the spoken word. When you add to perfection an accomplished actress with a keen sensitivity to Jane Austen’s particular style, the results truly are remarkable.

4 out of 5 Regency Stars 

Mansfield Park Madness: Day 4 Giveaway

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one abridged and one unabridged copy of Mansfield Park, by Jane Austen audiobook.

FREE JANE AUSTEN AUDIO SAMPLER

Available to all participants of Mansfield Park Madness. Just leave a comment between August 15-30, 2008 and e-mail your physical address to Austenprose at Verizon dot net before September 1, 2008, and you will receive one copy of the following sampler by mail. US residents only.

Jane Austen Naxos AudioBooks Sampler, read by various artists

Naxos AudioBooks, Ltd. (2008). A lively sample reading of the Biography of Jane Austen by Elizabeth Jenkins, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma, Northanger Abbey, Persuasion and an interview with actress Juliet Stevenson. 1 CD, 75 minutes.

Mansfield Park, by Jane Austen, read by Juliet Stevenson
Naxos AudioBooks (2007)
Unabridged 14 CD’s (17 hours)
ISBN: 978-9626344675

Upcoming posts
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips

Cover image courtesy of Naxos Audiobooks © 2007; text Laurel Ann Nattress © 2008, Austenprose.com

21

Mansfield Park (1983) Movie: Musings & Discussion: Day 3 Give-away

Movies

This six part BBC mini-series was adapted from Jane Austen’s novel Mansfield Park by Ken Taylor and broadcast in 1983 in the UK winning a BAFTA for costume designs by Ian Adley. Sensitively directed by David Giles, this interpretation of Jane Austen’s most complex and challenging novel is by far the most accurate attempt to follow Austen’s plot and characterizations of the three film adaptations now available on DVD. Featuring a stellar cast of notable British actors, the two main leads where played by Sylvestra Le Touzel as Fanny Price and Nicholas Farrell as Edmund Bertram. Supporting roles went to Angela Pleasence and Bernard Hepton as Sir Thomas and Lady Bertram, Robert Burbage and Jackie Smith-Wood as Henry and Mary Crawford, and most notably, Anna Massey as the most annoying Mrs. Norris that anyone could envision! 

At 312 minutes over six episodes, we are privy to almost all of the novels scenes and veteran readers of Mansfield Park will recognize much of Jane Austen’s choice and witty dialogue. Some viewers might be disappointed in the production quality, as this was originally filmed on video tape and the sound does not supply the quality that we have become accustomed to since it was produced twenty five years ago. Its strengths lie in the actors performances, costumes and visual beauty as many of the scenes were actually filmed on location, which considering its budget, was a bonus. 

Because of time restraints, I will not attempt to critique the entire movie but focus on one favourite scene which I will call the ‘Sentinel at the garden gate’ from episode 2. Fanny Price and her cousins Maria, Julia and Edmund Bertram travel with Mary and Henry Crawford to the grand Elizabethan era estate of Sotherton Court to visit Maria’s fiancé Mr. Rushworth. As the couples walk through the wilderness parkland adjacent to the estate, director David Giles reveals Austen’s comedic genius in a scene that could have inspired any vintage vaudeville burlesque or modern television sitcom. When Fanny becomes fatigued, she is deposited on a park bench in the shade adjacent to a locked iron gate that has bared progress through the park. As the different groups and individuals arrive in search of each other, Fanny acts as the ‘sentinel of the garden gate’, relaying messages and explaining to everyone who has come and gone, and why. Austen’s brilliant comedic timing is in full play, and the director David Giles knows how to emphasize the right moments to build tension to the point of hilarity.

You can view the scene online here. Enjoy these screencaps with descriptions.

 Fanny Price, Mary Crawford and Edmund Bertram arrive at the locked garden gate.

Fanny is fatigued, and left on a bench as Mary and Edmund walk on together.

Henry Crawford, Mr. Rushworth and Maria Bertram
 arrive to  find Fanny and the locked gate.

After Mr. Rushworth goes to the house for the key, Henry and Maria become
 impatient and squeeze through the bars to enter the park in pursuit
of a better vantage of the grounds, or is that really the motivation?

 Fanny is alarmed and advises them to wait, but to no avail.

 

Heyday! Julia Bertam arrives in pusuit of Henry and
Maria to find Fanny alone on the bench.

Julia will not wait for the key either, and squeezes through
 the bars seeking to find Henry and Maria.

Fanny is further alarmed and worries that Julia will
harm herself or her gown, but is unheeded.

Mr. Rushworth arrives with the key! Where is Maria?

Mr. Rushworth sits with Fanny despondent, deriding the shortness of Mr. Crawford.

Mr. Rushworth decides to unlock the gate and pursue Maria and Henry. Fanny is left
 alone to continue waiting for Mary and Edmund’s return, which was much,
much longer than a anyone anticipated!

Further reading 

Mansfield Park Madness: Day 3 Give-away

 Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

Mansfield Park (1983) 

BBC 6 part mini-series, adapted by Ken Taylor and directed by David Giles. 312 minutes. Staring Sylvestra Le Touzel as Fanny Price, Nicholas Farrle as Edmund Bertram and Anna Massey as Aunt Norris. 

Upcoming posts
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24

16

Mansfield Park Chapters 1-8: Summation, Musings & Discussion: Day 2 Give-away

Illustration by H.M. Brock, Mansfield Park Ch 2 (1898)

THE NOVEL

“Do not let us be frightened from a good deed by a trifle. Give a girl an education, and introduce her properly into the world, and ten to one but she has the means of settling well, without farther expense to anybody.” Mrs. Norris, Chapter 1

Quick Synopsis

Ten year old poor relation Fanny Price arrives at Mansfield Park and meets her cousins the Bertrams. Spoiled sisters Maria and Julia think her ignorant and stupid. Sad and sacred, her only friend is cousin Edmund who helps her write a letter to brother William. Five years pass. Sir Thomas Bertram and eldest son Tom leave for Antigua. Maria and Julia husband hunt with Aunt Norris. Fanny left out. Maria engaged to Mr. Rushworth. Mary and Henry Crawford arrive and meet their neighbors. Maria and Julia keen on Henry. Mary keen on Tom. Fanny and Edmund think Mary indecorous. Mary’s harp arrives, bewitching Edmund who falls in love with Mary. All the young people travel to Mr. Rushworth’s estate of Sotherton.   

Musings 

Jane Austen sets the tone of the novel immediately with Mrs. Norris’ passive-aggressive surly voice. It is effectively comical and annoying at the same time. She seems to run the Bertram family while her sister lounges on the sofa with her dog pug. I loved this description of Lady Bertram. 

To the education of her daughters Lady Bertram paid not the smallest attention. She had not time for such cares. She was a woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children, but very indulgent to the latter when it did not put herself to inconvenience, guided in everything important by Sir Thomas, and in smaller concerns by her sister. The Narrator, Chapter 4 

I think that Austen is introducing a theme here of negligent parenting with possibilities for great material. Lady Bertram’s two spoiled and snarky daughters Maria and Julia are certainly the evidence of it. Their brother Tom the eldest son seems to be also ungovernable by their father Sir Thomas, gambling and drinking with little regret. Only second son Edmund seems to have his head on straight, though I fear he has over compensated for his lax upbringing and taken the high road too firmly with his moralizing and starchy attitudes. With an outlook like this, one can only imagine his frustration in living in a household of such cretins and understand his desire to be a minister to save unruly souls. 

When we are introduced to newcomers to the neighborhood siblings Mary and Henry Crawford, I was amazed at how well their cutting remarks and superior attitude fit in with the Bertram clan. It is no wonder that the introductions go so well. I was amused that their sister Mrs. Grant immediately suggests possible mates for her single brother and sister. Shades of an Emma Woodhouse; – who may only be a gleam in Austen’s eye while writing this. Their discussion on marriage in chapters four and five is a great introduction to their personalities, and sets the stage for future romantic machinations. Here are two favorite quotes by Henry and Mary that really reveal what is coming. 

“I am of a cautious temper, and unwilling to risk my happiness in a hurry. Nobody can think more highly of the matrimonial state than myself I consider the blessing of a wife as most justly described in those discreet lines of the poet-‘Heaven’s last best gift.'” Henry Crawford, Chapter 4 

Of course, he is being totally sarcastic and poking fun at marriage and women after his sister Mary derides his past performance with ladies to their sister Mrs. Grant. 

“In marriage…there is not one in a hundred of either sex who is not taken in when they marry. Look where I will, I see that it is so; and I feel that it must be so, when I consider that it is, of all transactions, the one in which people expect most from others, and are least honest themselves.” Mary Crawford, Chapter 5 

Mary Crawford is much more frank about it. Like Elizabeth Bennet she decidedly expresses her opinions, but unlike Jane Austen’s other strong female character from Pride and Prejudice she does so without much censure and is often moralistically off center. I like that dangerous laissez-faire, wildly over confident quality about her. She definitely gets the sharp witty dialogue that Austen is so famous for. It is like watching a train wreck and makes for a great story. 

But what of our heroine Fanny Price? At this point she has had little to say or do. Cleverly, I think that is Austen’s point. Being the poor relation and a charity case in a resplendent household is a tenuous position. We see her pitiful situation, how terribly she is treated by her cousins, and feel her pain. It is uncomfortable and we are angered by it. The over-eager reader may miss the subtly of her character and not understand why she is in the background so much. It is a bit perplexing but I am confident that Austen has her reasons that will unfold as the plot develops. 

Questions 

  1. Why is Mrs. Norris not given a first name? Is this a telescopic insight by Jane Austen by way of a slight?
  2. Fanny Price does not act like Jane Austen’s other heroines. Nor does Mary Crawford. Is Austen being ambiguous?
  3. Why do you think that Austen has set up such a caustic cast of characters? What are the benefits and downfalls to this approach? 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 1-8 summary
Chapter 1-8 quotes and quips

Mansfield Park Madness: Day 2 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park

Oxford University Press, USA (1988). Third edition. This hardcover volume has been the preferred edition by many since its publication in 1923. It includes an unabridged novel text and extensive supplemental material. Nice compact, but could use a make-over!

Upcoming posts
Day 3 – Aug 17            MP 1983 movie discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion

17

Mansfield Park: Current Editions in Print Roundup & Review

THE SCOOP

Literary classics that are out of copyright can be a gold mine for publishers. With no living authors to negotiate contracts or pester them about marketing and promotions, they are at their leisure to do as they please, and do so, as is apparent in some choices of cover artwork! The competition in the marketplace for classics is stiff and really heats up when a renowned author such as Jane Austen enters the arena. Even her lesser known works such as Northanger Abbey and Mansfield Park get equal treatment. Hurrah. We are all for equality in the book force.

There are at present over 50 editions of Mansfield Park available in printed book format on Amazon.com. Everyone has their preferred edition, but here are my selections of the best and brightest currently in print. I would love to hear about your favoured edition, so please share by leaving a comment between August 16 and the 30 to qualify for some of our free give-aways during Mansfield Park Madness.  

Books 

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park

Oxford University Press, USA (1988). First published in 1923, this third edition of Oxford’s classic volume is still the definitive text and supplemental material recommended by JASNA and many veteran readers of Jane Austen novels. Editor Dr. R.W. Chapman’s emendations and revisions of the text based on a “full collation between all the published editions in the author’s lifetime” is currently under debate by scholars, but the nuances will fly past the pleasure reader. This volume contains an impressive presentation of support material including: Introductory Note, the complete play Lovers’ Vows which the characters in novel attempt to produce, Appendixes on the Chronology of Mansfield Park, Improvements, and Carriages and Travel, and Indexes to the Characters &C. The size is quite workable in spite of its extras. Probably the most used supplemental material on Mansfield Park in my personal library. Hardcover, 584 pages, ISBN 978-0192547033. 4 out of 5 Regency stars           

Mansfield Park: Penguin Classics

Penguin Classics (2003). Revised edition. The interesting slant on this edition is that the editor Kathryn Sutherland used the text of the first edition of Mansfield Park (1814), which literally reverses the emendations by Chapman in the Oxford editions, and has not attempted to make any changes; not even spelling corrections or the ones that Jane Austen made herself for the second edition! She kindly refers the reader to the extensive ‘Emendations to the Text’ section and lists the changes from the first edition of 1814 to the second edition of 1816. Pleasure readers might be puzzled by all this posturing by Austen scholars, (which is a bit deep into subtle nuances), but the rest of the supplemental material is quite extensive and helpful including; Introduction, Chronology, Further Reading, Note on Text; Appendixes: Re-instated introduction by Tony Tanner, Emendations to the Text, Textural Variants between the First and Second editions and Notes broken down by chapters. This a tight and clean editionwith its chapter notes and the re-instated introduction by Tony Tanner make it well worth the price. Trade paperback, 480 pages. $8.00, ISBN 978-0141439808. 3½ out of 5 Regency stars           

Mansfield Park: Barnes & Noble Classics

Barnes & Noble (2004). Revised edition. The best thing going for this edition is its typesetting size and price. I could not find any mention of what edition or level of emendations where used on the text, so the editors are not shooting for the scholarly types; just plan old folks who don’t give two figs about what the textural battles are about. This is a slight oversight, since they had plenty of available space on the front pages to just mention what text they used and why. Oh well. Mansfield Park is Jane Austen, largest novel in size motivating publishers to try to cut down on price by using smaller print which can be quite vexing even to young readers, so this edition’s larger typeface is a pleasant surprise. The supplemental material is medium depth and includes; From the Pages of Mansfield Park which include some choice quotes, Biography of Jane Austen, The World of Jane Austen and Mansfield Park which is basically a chronology, Introduction by Amanda Claybaugh, brief Endnotes, Inspired by Mansfield Park which includes short blurbs on the movies Metropolitan and Mansfield Park (1999), Comments and Questions, and Further Reading. I will say that most of the comparably priced MP’s do not include any supplemental material, so B&N’s clout and deep pockets give readers a slight bonus. Hardcover, 427 pages, $7.95, ISBN 978-1593083564; softcover, 427 pages, $5.95, ISBN: 978-1593081546. 2½ out of 5 Regency stars 

Mansfield Park: Oxford World’s Classics

Oxford University Press (2008). Revised edition. Oxford Press continues to impress me with their commitment to publish classics and revise them regularly. This new edition is much the same as its predecessor the 2003 edition, (which was truly a revision with new supplemental material), however, Oxford did spiff up the cover modernizing the design! This volume still shines in my estimation of what a great medium sized edition should be presenting an array of supplemental material that is easy to access, informative and inspiring including; Biography of Jane Austen, Introduction by Jane Stabler, Notes on the Text, Chronology; Four Appendixes: Lovers’ Vows (the play that the characters attempt to produce), Rank and Social Status, Dancing, Austen and the Navy; Textural Notes and Explanatory Notes. When it comes down to the wire, this edition is the best buy for the price at $7.95. Trade paperback, 418 pages, ISBN 978-0199535538. 3½ out of 5 Regency stars 

Mansfield Park: Broadview Literary Texts Series

Broadview Press (2001). This hefty volume may just be the most in depth presentation of supplemental material available with an affordable price tag. The eight appendixes pull together a variety of interesting and comprehensive essays to help the reader place the novel in historical and social context, the author’s world and perspective at the time of its writing, and beyond. Some of the topics covered in the appendixes are (and space permits me from listing them all, so if you really need to know, go here) The Theatricals in Mansfield Park, Religion, Ideals of Femininity, The Improvement of the Estate, The West Indian Connection, Women’s Education, Contemporary Reception of Mansfield Park and Jane Austen’s Letters and Mansfield Park. This edition also includes a full introduction by noted scholar June Sturrock of Simon Fraser University, Notes on the text, a Chronology, and the full novel text! I can imagine that this would be very useful to advanced high school students, college level, and true Janeites who really want to dig deep into understanding the novel, its impact on literature, and the social context that inspired it. Trade paperback, 528 pages, $14.95, ISBN 978-1551110981. 5 out of 5 Regency stars 

Mansfield Park: Norton Critical Edition

W.W. Norton & Co, Inc. (1998). Another authoritative presentation of in-depth supplemental material for scholars and serious students to digest, covering an incredibly impressive array of topics mentioned in, inspired by, or about the novel, all edited and introduced by Princeton University Professor, and Austen scholar Claudia L. Johnson. The major categories of the supplemental material include; a full Introduction, Map of England, Notes on the Text; Contexts including twelve essays ranging from poet William Cowper to landscape designer Humphry Repton; and Criticisms by Jan Fergus, Lionel Trilling, Alistair Duckworth, Nina Auerback, Joesph Litvack, Edward Said, Brian Southam, and Joseph Lew. I doubt that anyone could sit down and read this from cover to cover in one sitting, however, there is so much depth of subject and detail, that one could truly spend an entire lifetime using this edition as a resource. An incredible STEAL for the price. Trade paperback, 544 pages, $11.00, ISBN 978-0393967913. 5 out of 5 Regency stars 

Mansfield Park: The Cambridge Edition of the Works of Jane Austen

Cambridge University Press (2005). This mysterious edition (to me) may just be the Flying Dutchman and the Holy Grail of Jane Austen editions, for I have yet to see one in hand, nor does my local library carry it, or are any other libraries willing to let it out of there sights by inter-library loan! Conclusively, it must be a treasure, and since it costs a bloody fortune, it most certainly is locked away in a University library special reading room where only scholars with white gloves can handle it!! I wish I could enlighten you all on what it contains, but alas, after an exhaustive attempt to obtain a copy short of paying the hefty price tag, I came up empty. Oh well. There always needs to be an unattainable Austen book out there to keep us Janeites dreaming. Hardcover, 826 pages, $130.00, ISBN: 978-0521827652. ? out of 5 Regency stars 

Upcoming posts
Day 3 – Aug 17            MP 1983 movie discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion

5

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