What Janeite would not stop dead in her tracks when she spies “Colin Firth” in the title of a book? Mia March’s latest offering Finding Colin Firth: A Novel certainly set off all my bells and whistles. The smolderingly sexy British actor not only won our hearts when he emerged dripping wet from Pemberley pond as Mr. Darcy in the 1995 adaptation of Pride and Prejudice, but he also has an acclaimed career, winning the best actor Academy Award in 2011 for The King’s Speech. Who wouldn’t want to find Colin Firth? But no, dear friends, this is not a “How to” book sharing tips and advice on how to track and successfully have a Firth encounter. Eeesh! It’s a work of fiction about three women unknowingly bound together and whose lives intersect when the actor is slated to film a movie in a coastal Maine town. Daily rumors of Mr. Firth’s arrival fuels fantasy and stirs the excitement in their lives and aspirations. (Just imagining spotting Mr. Firth in my little town sets this fan-girl’s heart racing!)
A year after her mother’s death, (who incidentally was a Colin Firth fan), 22-year-old Bea Crane receives a mysterious letter from her deceased mother, confessing she adopted Bea as a newborn. “…Now that I feel myself going, I can’t bear to take this with me. But I can’t bear to tell you with my final breaths, either, I can’t do that to you. So I’ll wait on this, for both of us. But you should know the truth because it is the truth.” Shocked, Bea tracks down her birth mother to Boothbay Harbor, Maine and decides she must see this unknown woman for herself.
In Boothbay, Bea learns that 38-year-old Veronica Russo is an unmarried waitress-slash-magic pie baker-slash-Colin Firth fan who has only in the last year returned to her hometown. After years of failed relationships, her friends worry she will end up alone. “…she’d started saying what felt light-hearted but true at the same time, that she was holding out for a man who felt like Colin Firth to her. Her friend Shelley from the diner had known exactly what she meant. ‘I realize he’s an actor playing roles, but I get it,’ Shelley had said. ‘Honest. Full of integrity. Conviction. Brimming with intelligence. Loyal. You just want to believe everything he says with that British accent of his –and can trust it.’” Having failed to escape haunting memories of her youth, Veronica has come home to confront her past then “maybe her heart would start working the way it was supposed to. And maybe, maybe, maybe, the daughter she’d given up for adoption would contact her.” Now back to those magic pies by Veronica… She calls them elixir pies claiming to cast hope, love or banishment– or anything that conjures up a solution to one’s troubles. “For a heartbroken friend, Healing Pie. For a sick friend, Feel Better Pie. For a down-in –the dumps friend, Happiness Pie. For the lovelorn, Amore Pie.” And they seem to work! On everyone except Veronica. At least so far. Continue reading →
This is my seventh selection for The Pride and Prejudice Bicentenary Challenge 2013, our year-long event honoring Jane Austen’s second published novel. Please follow the link above to read all the details of this reading and viewing challenge. Sign up’s are now closed for new participants, but you can join us in reading all the great reviews and comments until December 31, 2013.
Eighteen years after it first aired on BBC One in October 1995, the television mini-series Pride and Prejudice (1995) is still blowing bonnets off Janeites and wowing them in the aisles! This week in London a twelve-foot statue replicating Colin Firth’s portrayal of Mr. Darcy’s famous wet shirt ascent from the Pemberley pond was revealed. Its superhero size seems apropos in relation to the impact that the mini-series had on Britain in 1995, in the US when it aired on A&E in 1996, and the world. If that was not eye-popping enough, the scene recently topped a poll of the ten most memorable British TV moments! We will be bold as brass and claim it as the most memorable TV moment in period drama evah!
Wet shirt Darcy may have fluttered hearts across the world, but let us not forget that there are five hours and thirty-nine other minutes to enjoy too. The screenplay based on Jane Austen’s 1813 novel was written by Andrew Davies and introduced a more energized and sexier version of the classic love story than viewers had previously experienced with the 1980 BBC mini-series or the 1940 MGM theatrical movie. It was a modernized Austen that purist detested, Janeites embraced, and the general public adored, converting millions into fans and launching the Austen renaissance that we are enjoying today. Continue reading →
Yep. Just when you thought that you would have to buy a Blu-ray video player to get better picture quality than previous editions of Pride and Prejudice 1995 the good folks at A&E have gone a done it. They have digitally remastered the pinnacle of perfection in Jane Austen adaptations, Pride and Prejudice 1995. Now you can really see the drops of water run down Darcy chest after he takes his plunge into the Pemberley pond. ;-)
If you pre-order through that place that is not Barnes & Noble, it is being offered at 52% off the list price of $39.95. Do the math or just go order it. The offical release date is April 27, 2010. Here is the cover blurb and all the geeky details.
PRIDE AND PREJUDICE has taken its place as one of the greatest television productions of all time. The landmark adaptation from A&E and the BBC captured the hearts of millions by seamlessly translating the wit, romance, and intelligence of Jane Austen’s classic novel to the screen.
With a masterful script, deft direction, and star-making performances from Colin Firth and Jennifer Ehle, PRIDE AND PREJUDICE transports viewers to Georgian England, where affairs of the heart are an exquisite game, and marriage the ultimate prize. But Elizabeth Bennet – spirited, independent, and one of five unmarried sisters – is determined to play by her own rules and wed for love, not money or privilege. Will her romantic sparring with the mysterious and arrogant Darcy end in misfortune–or will love’s true nature prevail?
Now beautifully remastered for the ultimate in picture and sound quality, relive the timeless classic PRIDE & PREJUDICE on 2 DVDs.
Completely Digitally Remastered for the Ultimate in Picture and Sound Quality
Anamorphic Widescreen Presentation
Featurettes “Lasting Impressions,” “An Impromptu Walkabout with Adrian Lukis and Lucy Briers,” “Turning Point,” “Uncovering the Technical Restoration Process”
Behind-the-Scenes Featurette: “The Making of Pride and Prejudice”
The portrait of actor Colin Firth as Mr. Darcy in the 1995 miniseries of Pride and Prejudice is on the block on January 21st through Bonhams Auction House in London and available to the highest bidder. This may very well be the ultimate Darcy fan collectible. Not only is it a portrait of Colin Firth as Mr. Darcy, it represent the most significant turning point in the novel when the heroine Elizabeth Bennet gazes up at the Master of Pemberley and realizes that he’s not the chump that she thought he was; begins to fall in love; changing the course of novel and literary history; tra la!
And what a clever plot twist Jane Austen devised in having heroine Elizabeth Bennet so moved by the depiction and what he entails, “As a brother, a landlord, a master,” that her reaction to the portrait adds a “more gentle sensation toward the original” and “regard with a deeper sentiment of gratitude than it had ever raised before“. Other authors over the years have recognized the importance of a good portrait and used it to their advantage. Hollywood has picked up on this also, and I have been fascinated over the years how often it pops up in films. The most famous movie portrait is probably from the 1944 film-noir classic Laura, starring Gene Tierney as Laura Hunt whose hauntingly beautiful portrait moves the detective Mark McPherson played by Dana Andrews to fall in love with her even though he is investigating her murder. Another great movie portrait is shown in Gone With the Wind. The vain heroine Scarlett O’Hara Butler has just given birth, and as the father Rhett Butler toasts his wife and new daughter, we see a huge full length portrait of Scarlett in the background looking down supremely over the scene. From that moment on the plot significantly changes when Scarlett decides she is too fat from the baby and will have no more, spurning her husband from their bed and ruining their love. The ultimate movie portrait gone bad is in the 1945 Gothic classic, The Picture of Dorian Gray based on the 1891 novel by Oscar Wilde in which a vain plea by the young handsome hero to never grow old is mysteriously granted, but his portrait grotesquely ages, ultimatley destorying him. Jane Austen knew of the power of the portrait, but her predecessors have never reached the impact that she achieved in one brief passage in the novel.
The Darcy portrait has never been one of my favorites. I have always thought that it was not very flattering to either entities, Mr. Darcy or Mr. Firth. It made them look stout and way too middle-aged, which either was not. It appears that during the production of the 1995 miniseries the portrait had an even worse beginning and improvements were made to try to give Mr. Darcy a more favorable interpretation. You can read the full story written by Colin Firth in the letter that accompanies the lucky winner of the portrait. The proceeds of the auction will benefit charities, though its provenance is not mentioned. One wonders out loud if it has been in Firth’s possession and he was ready to pass it on so to speak. I can’t blame him really, because it is not his best likeness. However, from the viewpoint of a national treasure, that is another story, which some deep pocket or Jane Austen institution will be happy to supplant equal measure in pewter to Bonhams for the sheer pleasure of having Mr. Darcy gaze at them all day long!
Mr. Darcy soon drew the attention of the room by his fine, tall person, handsome features, noble mien, and the report, which was in general circulation within five minutes after his entrance, of his having ten thousand a year. The gentlemen pronounced him to be a fine figure of a man, the ladies declared he was much handsomer than Mr. Bingley… The Narrator, Pride and Prejudice, Chapter 3
This is our introduction to the infamous Mr. Darcy from chapter three. Fine, tall, handsome, noble with ten thousand pounds a year! What a social pedigree. What unmarried woman, or over anxious mother would not want to snag him as a husband for themselves or their daughter? Interestingly, the description is subjective, allowing the reader to insert their own physical characteristics to form their ideal Mr. Darcy. How then did the archetype of Fitzwilliam Darcy as dark haired and fair complected come about? Blame the movies.
This striking portrait of a Regency era gentleman matches my impression of what Mr. Darcy should look like in my mind from Jane Austen’s description and the later influence of Hollywood and television. When I came across this portrait of Edmund Lenthal Swifte on the Tate Museum website, I was struck by the incredible similarity to actor David Rintoul who had portrayed Mr. Darcy in the 1979 BBC miniseries of Pride and Prejudice. They could be twins separated at birth by two hundred years. ;)
So gentle readers, who is your ultimate Darcy archetype? In a contest of dueling Darcy’s between Edmund Lenthal Swifte, Sir Lawrence Olivier, David Rintoul, Colin Firth, Matthew Macfadyen or Elliot Cowan, who really floats your boat? Cast your vote before November 1. You might just be surprised with the results.