Sanditon, Jane Austen’s last unfinished novel is in the news. A new TV adaptation and continuation of the same name premiered in the UK on ITV on August 25, 2019. The new eight-part series was written by Andrew Davies (Pride and Prejudice 1995) and will be shown on MASTERPIECE PBS in the US starting on January 20, 2020. Inspired by Jane Austen’s 11-and-a-half-chapter fragment, Davies claimed in an early interview that he used up all of Austen’s text in the first 30 minutes of his screenplay. That was about 24,000 words or about one-quarter of an average-sized fiction novel today. To say I was shocked by this admission is an understatement.
Alas, because it was never completed, Sanditon has not received much attention in comparison to Austen other popular novels: Pride and Prejudice, Emma, and Sense and Sensibility. I am so pleased that the new TV adaptation has brought it into the limelight. It is one of Austen’s forgotten treasures. I have written previously about it in detail, including an introduction, character list, plot summary, and quotes.
There are few single editions of Sanditon available in print. It is usually lumped in with Austen’s other minor works in a large volume. To remedy that gap, Fentum Press in London has published a stylish new hardcover edition entitled Jane Austen’s Sanditon: with an Essay by Janet Todd. The book has been beautifully designed with interesting and amusing illustrations from Regency-era artists such as Rowlandson, Gillray, and Cruikshank. Its dainty size of 5 ½ inches by 8 inches reminds one of the elegant volumes designed expressly for the comfort of ladies’ delicate hands.
What really brings this edition to the forefront is its editor and introductory essayist Janet Todd. To have such an eminent academic and scholar on Austen and other women’s writing on board really gives the reader the confidence that they are in capable hands. Included with the insightful seventy-page introductory essay is a brief biography of Jane Austen; the complete text transcribed from the original handwritten draft work in progress held in King’s College, Cambridge; endnotes; an essay entitled Anna Lefroy to Andrew Davies: Continuations of Sanditon; further reading; a list of illustrations; and the acknowledgments. In what appears to be a diminutive volume, the reader will be delighted to discover quite the reverse. In addition to the unfinished novel, it is brimming with information and the energy that Austen brought to her final work, perfectly complementing the text. Continue reading
From the desk of Katie Patchell
Recently, I discovered the joy that comes from not reading the description on the back of a book prior to opening page one. When I was asked to review The Work of Art, I heard “Regency” and “Laurel Ann recommends” and I was all for it. After downloading this novel, I opened my Kindle edition to a story as beautiful, atmospheric, and arresting as its haunting cover—one that captured me from the very first line…
“Captain Arthur Heywood had never seen such an ill-mannered assortment of canines in his life.”
…to the very last line, with its soul-satisfying conclusion.
When Phyllida Satterthwaite’s grandfather dies, she is plucked from her freedom in the Devonshire countryside and sent to Town to the constrained, shallow world that her vile aunt and uncle and odious cousins bask in. She lives for the few nature-filled walks she can take, with her dogs as her only companions. When she meets the solemn but kind Captain Heywood, Philly discovers that she’s not the only one yearning to be free from London society’s iron rules.
Captain Arthur Heywood, ex-Corinthian and ex-soldier, is facing his own bleak future. His life is ruled by the terms set by his injuries. His memories of the Napoleonic Wars and what gave him his scars haunt his dreams, as do the visions of the carefree life he’s lost. When Arthur meets Philly by chance he finds someone who quietly treats him with the same intuitive kindness she treats her dogs—which he quickly finds is a compliment of the highest sort. Continue reading
From the desk of Katie Patchell:
Espionage. Matchmaking Mamas. Pretend Romances. Ladybugs!
Who would have thought that these four things are closely related? Yet these tantalizing details (and much more!) can be found in April’s latest Regency novel involving spies and traitors to the English crown, conniving young heiresses, dashing rescues, and one very independent, insect-loving heroine. In Cindy Anstey’s debut, Love, Lies and Spies, readers are whisked away from the chill and rain-streaked windows of early spring to the shores of Devon, crowded streets of London, and glittering, secret-filled ballrooms of Regency England.
Love, Lies and Spies opens onto a scene of danger and a dramatic cliffhanger—a quite literal moment of cliff-hanging peril, underwent by the brave (and very embarrassed) heroine, Juliana Telford. Up until her buggy overturned and she found herself dangling far above the English Channel, Miss Telford had managed to avoid potential scandal. For eighteen years she had grown up with only her scientist father for company, running the estate and filling her spare hours with her favorite pursuit: studying the ladybug. But her growing dread that she’ll die before completing her plans is calmed at the hope-boosting sound of approaching footsteps. Continue reading
From the desk of Christina Boyd:
As a fan of the Being Jane Austen Mystery series, I have been all anticipation for the latest edition, Jane and the Waterloo Map. Author Stephanie Barron knows her Austen lore, as well as a being a masterful storyteller and researcher; writing in a most Austen-like style. She is also The Incomparable when it comes to Regency mysteries. Given that disclaimer, and holding the series in much esteem, I feel quite at liberty to share my impressions herein.
The novel opens with our dear Miss Austen attending her sick brother Henry at his London residence while editing the proofs of her latest novel, Emma, for her publisher John Murray. Summoned to Carlton House, the opulent London mansion of His Royal Highness the Prince Regent, Jane meets his toady Historiographer, Mr. James Stanier Clarke, who not only arrogantly invites her to use the Royal Library to write her next novel, but welcomes her to dedicate her work-in-progress to the Prince Regent himself. As she holds the prince and his profligate ways in contempt, Jane cautiously makes no commitment and politely continues on with the tour. Upon reaching the library, they come upon a Colonel MacFarland, the hero of Waterloo, collapsed upon the floor in an apoplectic fit. As Mr. Clarke finds help, the colonel utters his last words to Jane, “Waterloo map.” After a curious inspection of the colonel’s vomit, Jane speculates that the colonel may have been poisoned. The next day, word reaches her that the colonel did succumb, and it is not long before the royal physician confirms that the hero of Waterloo was murdered. Thus begins the intrigue—and danger—for our clever authoress as she exposes whodunit in this thirteenth of Stephanie Barron’s mystery series. Continue reading
From the desk of Lisa Galek:
Fantasy novels with a supernatural bent are all the rage right now. So, if you love a battle between the forces of good and evil… all set against the backdrop of the upper-crust society of 1812 London, then The Dark Days Club by Alison Goodman should be on your reading list.
We meet 18-year-old Lady Helen Wrexhall on the eve of her presentation to Queen Charlotte. Helen’s mother, who drowned at sea ten years before, was allegedly a traitor to England, and Helen’s current guardians—her aunt and uncle—really hope this won’t affect Helen’s chance of making a good marriage. After all, isn’t that the best that any young lady with fortune and tainted family connections can hope for?
But, Helen has other ideas. Wilder ideas. She gets the feeling she’s meant for something more than ballrooms and husband hunting. When she meets the mysterious Lord Carlston, who has quite the checkered past himself, she discovers that the growing spirit inside her actually points to the rare ability to identify and destroy a group of supernatural baddies that are overrunning England. Will Helen follow her demon-fighting destiny with Lord Carlston? Or will she resign herself to the life of a proper English wife instead?
The Dark Days Club is the first in what will be a series of novels focused on Lady Helen and her adventures in Regency London. It actually reminded me a lot of The Mortal Instruments series by Cassandra Clare (which actually has a Victorian spinoff of its own). The basic premise is the same—a young girl with a mysterious family history finds out she actually has the ability to fight supernatural villains. It’s miles from a Jane Austen novel, but the author does a great job of giving us the Georgian-era feel while still mixing in elements of mystery and fantasy. Continue reading
From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge. Continue reading
All good things must come to end. And so it seems must my favorite historical romance series, The Pink Carnation—offering us its twelfth and final installment, The Lure of the Moonflower. *deep sigh*
For eleven novels author Lauren Willig has enchanted us with Napoleonic spies, romance and laughter. It has been an amazing ride while it lasted. Now with one last fling ahead of me, I started to read (and listen to the audio edition) this new novel. Pushing aside my deep lament, I came to the realization that I am a sappy sentimentalist. Honestly, how could I not be? I had been duly “Pinked”.
It is very fitting that this final book in the series focuses on Miss Jane Wooliston – the Pink Carnation herself, the infamous English spy who gave “the French Ministry of Police headaches” and “who had caused Bonaparte to gnash his molars into early extraction…” Let’s hope I have teeth by the end of the book.
It is 1807 and Napoleon’s army has invaded Portugal. At the urging of the British government, the Royal family has fled, sailing away to their colony in Brazil. Working as a British spy Jane is in Lisbon, the capital of a country that she is not familiar with nor does she speak the language. Her local contact is Jack Reid, aka the Moonflower, a rogue operative whose notorious turncoat antics are as fluid as the tide. The natural son of Scotsman Colonel William Reid and an Indian Princess, Reid is unaware of his connection to Jane through the marriage of her fellow spy Miss Gwendolyn Meadows to his father. She must convince Reid to assist her in discovering the whereabouts of Mad Queen Maria who has been sequestered away by loyalists. The French are looking for her too in the hopes of using her influence to manipulate their cause. Besides the touchy family connection, Jane’s paring with Jack Reid is more than a bit awkward. He does not believe she is the Pink Carnation. She is very leery of his true loyalty. Continue reading
From the desk of Katie Patchell:
In 2012, author Patrice Kindl published her Regency debut, Keeping the Castle. Heralded by critics as part Jane Austen and part I Capture the Castle (Dodie Smith’s classic), Keeping the Castle is set in the memorable town of Lesser Hoo, Yorkshire, and filled with quirky (and mostly loveable) characters, witty and very quote-worthy lines, and one very spectacular heroine. Really, what’s not to love? Sadly, a return to the characters and town discovered in Keeping the Castle seemed only possible through a re-read rather than a sequel…until this month, that is! In A School for Brides, Patrice Kindl’s companion novel to Keeping the Castle, readers return to the small village of Lesser Hoo to see the latest comedic mayhem caused by old and new residents alike.
“Mark my words. If something drastic is not done, none of us shall ever marry. We are doomed to die old maids, banished to the seat farthest from the fire, served with the toughest cuts of meat and the weakest cups of tea, objects of pity and scorn to all we meet. That shall be our fate, so long as we remain in Lesser Hoo.” (A School For Brides, p. 1)
From the desk of Katie Patchell:
- Betrayals and Lies. Harmful Secrets. Surprising Redemption.
For the past several years, Austenprose has had the joy of reviewing books inspired by a beloved author, Jane Austen, as well as those set in the Regency period. One author, in particular, has appeared more than once and has written numerous Regency books inspired by the timeless novels of Jane Austen and the Bronte sisters: Julie Klassen. In her latest novel Lady Maybe, Klassen blends notes of Charlotte Bronte’s Jane Eyre and Daphne du Maurier’s Rebecca, to create a mystery-filled Gothic romance about the power of truth, and the lengths people will go to conceal it.
Lady Marianna Mayfield: Pressured into a marriage to Sir John Mayfield by her money-obsessed father, Lady Marianna ignores her older husband to instead focus on her many flirts, especially her lover, Anthony Fontaine. When her husband suddenly decides to take her with him to a house far away from Bath, she obeys—her silent companion and husband beside her, and the surety that her lover will do anything to find her. Continue reading
From the desk of Katie Patchell:
Captain Wentworth and Anne Elliot’s romance in Jane Austen’s Persuasion is one of the most captivating in classic literature. Opinion varies as to what it is that makes their romance so satisfying, but something almost all fans of Persuasion can agree with is the complete beauty that is found when a hero and heroine, after long separation and opposition, discover that the time apart has done nothing to lessen the strength of their affection. Sarah M. Eden follows this timeless pattern in her latest Regency romance, For Elise, but unlike in Persuasion, the hero and heroine do not face a father’s disapproval or society’s disappointment—they face a murderer.
It is the spring of 1815, and Miles Linwood recently returned from the West Indies, cannot pass a day without being haunted by memories of his carefree childhood friend and neighbor, Elise. Four years previously a tragedy had shattered both of their lives, leaving them to cope as they always did: together. A few weeks later and with no explanation Elise left Miles’ estate, vanishing without a trace—until four years later when Miles catches a glimpse of familiar brown curls and Elise’s peculiar blue eyes in a small town. Miles is overjoyed to discover his best friend, but Elise is drastically altered from who she used to be, and is now hostile and untrusting, particularly towards Miles. Continue reading
From the desk of Kimberly Denny-Ryder
Last year I had the pleasure of being introduced to Jane Austen fan fiction author C. P. Odom via his novel Consequences. His writing invoked deep feelings, as he was able to draw me in completely to his story. He had me fully enveloped in his characters and their lives, which resulted in Consequences being one of my favorite reads of 2014. When I heard about his latest “what-if” novel, Pride, Prejudice and Secrets, I immediately began searching for a way to receive a review copy.
Secrets tells the tale of our beloved Lizzie and Darcy in Jane Austen’s Pride and Prejudice, although it’s Elizabeth now instead of Jane who falls ill in an untimely manner. Darcy has just worked up the courage to deliver an ill-conceived and prideful offer of marriage, and Elizabeth, still in a haze and unsteady from sickness, accepts his offer. When she fully recovers from her ailments, however, she is mortified to learn that she is betrothed to “the last man in the world whom I could ever be prevailed on to marry.” Not only this, but all of society has become accustomed to the prospect, so for her to break off said engagement would be the equivalent of social banishment, not to mention the effect it would have on her unmarried sisters. How, then, is she to avoid this unfortunate misunderstanding and escape with her and Darcy’s pride unharmed? She has to use every ounce of her sharp wit and captivating personality to pull off this accomplishment. Will she be forced to remain with Darcy or will she be able to extract herself with her reputation intact? Continue reading
From the desk of Katie Patchell
A young vicar trapped in a country village, dreaming of exotic lands. A woman pressured to marry the next eligible gentleman that comes along, yet yearning for freedom and true love. Whether or not the hero and heroine attain their dreams can be discovered in Charlotte Brentwood’s 2014 debut, The Vagabond Vicar, a traditional Regency novel containing romance, danger, and just a little bit of small-town gossip.
William Brook dreams of experiencing adventure and saving lives as a missionary to lands far away from English shores. When he receives a summons from the Dean of St. Mary’s, William expects his dreams to be realized, but within five minutes all his hopes are dashed: rather than the difficult but meaningful life of a missionary, he has been given the title of vicar and a safe living in pastoral Shropshire, England. On arriving in the small village of Amberley, William views the peaceful fields, chattering busybodies, and pushy mothers of single daughters with dread. When he first meets the lovely Miss Grant, he expects her to be a husband-hunting gossip, but on closer acquaintance, William discovers that she is the most intriguing and perceptive woman he has ever met. But his past experiences of love and friendship have trained him to reject what is bound to only hurt him in the end. Continue reading