From the desk of Natalie Jenner
I am a firm believer that the love story at the heart of Pride and Prejudice is the best-constructed romance arc in all of literature. Author Julian Barnes once said of Darcy and Elizabeth that “the lovers are really made for each other—by their creator. They are constructed for each other: interlocked for wedlock.” The result for so many of us is the need for an occasional new hit of these two characters and their lust-versus-logic dynamic. So, when a promising debut author pens a modern retelling of Pride and Prejudice set in my very own city of Toronto, Canada, I quickly find myself attending her local book signing and grabbing up several copies for the Austen lovers in my life.
In Uzma Jalaluddin’s Ayesha at Last, the setting is Scarborough, a suburban and diverse community in eastern Toronto full of townhouses and waterparks and strip malls. Our Darcy and Elizabeth are Khalid and Ayesha, two young Muslims who are both fatherless, both still living at home, and both experiencing the typical career angst of the millennial generation. After the meet-cute, not at a local assembly but rather an open-mike poetry slam night at a local bar, Khalid and Ayesha engage in a series of almost wilful misunderstandings as they both end up working on a Muslim youth event for the local community centre. Yet Khalid, in particular, is drawn to Ayesha and does not protest when he thinks that his mother has orchestrated an arranged marriage between him and the young teacher. But then events start to spiral comically out of control as Khalid’s mother intervenes in his life Caroline Bingley-style, one of Ayesha’s many young female cousins falls prey to a modern Wickham, and the community centre faces a financial and ethical crisis. As the two most level-headed, attractive and charismatic characters in the plot, Khalid and Ayesha must learn to work together for the sake of their families, their community, and their own romantic destiny. Continue reading
Recently I pulled Pemberley, or Pride and Prejudice Continued, by Emma Tennant off my bookshelf. I was feeling nostalgic after looking at my “to be read” pile of new Jane Austen Pride and Prejudice retellings that have or will hit bookstores this year. It was one of the first P&P inspired novels that I read way back in 2002. Published in 1993, the author was forging virgin territory. At this point there were very few Austen-inspired books in print and readers did not know what to expect. It received a tepid reception from critics and the public. One recent Amazon reviewer called it “a real nightmare.” Ouch! You can read my detailed review of Pemberley from 2013, or read it and decide for yourself.
Since Tennant’s Austenesque-trek to boldly go where no author dared to go, there have been hundreds, possibly thousands, of Pride and Prejudice prequels, sequels, continuations, and inspired-by books. Recently we are in a retelling cycle—all presented with an ethnic twist. Last year we had Pride, by Ibi Zoboi, a contemporary retelling of Austen’s classic hate/love romance set in Brooklyn, NY featuring an all-black cast of characters. This year we have three new novels: Unmarriageable, by Soniah Kamal set in 2000 in Pakistan; Ayesha at Last, by Uzma Jalaluddin in which Darcy and Lizzy are transported to contemporary Canada featuring Muslim characters; and Pride, Prejudice, and Other Flavors, which after this long and winding introduction is the book I will discuss today.
Another contemporary retelling, PPAOF is set in the “bay area” of San Francisco, California. Loosely based on Jane Austen’s spikey romance where the roles of the rich, proud Fitzwilliam Darcy and the much-less-rich, prejudiced Elizabeth Bennet are reversed. Meet Dr. Trisha Raje, a brilliant thirty-something neurosurgeon specializing in cutting-edge microsurgery at a prominent hospital, who also happens to be an Indian Princess by default. Her father was the second son of the royal line of an Indian Principality which is no longer in power. When he immigrated to the US, his wealth and royal mien came with him. At the premature death of his older brother, he became HRM in name only. The family live like royalty in their Woodside estate with multiple servants and the exotic air of old-world nobility with all its privileges and baggage. Even though Trisha is a successful and highly prestigious doctor she is a disappointment to her parents, who cannot forgive her for a fifteen-year-old social faux pas against her brother, a rising Politician, and, the fact that she remains unmarried. Continue reading
From the desk of Tracy Hickman:
Jane Austen is a tough act to follow and that is exactly what the Austen Project asks contemporary authors to do: reimagine one of Austen’s novels in the here and now. Curtis Sittenfeld, author of four novels including Prep and American Wife, was chosen to take on Austen’s best-known work, Pride and Prejudice. While P&P-inspired books and films such as Bridget Jones’ Diary and Bride and Prejudice demonstrate that the story and its themes have broad appeal, I wondered how Sittenfeld’s Eligible would handle the main plot points in a modern setting. Many of the issues that Austen’s characters grappled with are barely recognizable if they exist at all in modern daily life.
In Eligible, the tension between the original story and Sittenfeld’s inventions kept me turning pages. Brief, episodic chapters mirror the short attention span of a digital era audience. In contemporary Cincinnati, Mr. Bennet spends as much time as possible alone at his computer, while Mrs. Bennet’s life revolves around country club gossip and planning luncheons for the Women’s League. Jane and Liz have carved out careers in Manhattan: the eldest Miss Bennet teaches yoga while her sister writes features for a magazine. They return to Cincinnati when Mr. Bennet has a heart attack. Their practical assistance and support are needed because their younger sisters, while living at home, are little help to their parents. Socially awkward Mary is pursuing her third online master’s degree while Kitty and Lydia, as crass and self-absorbed as ever, are obsessed with working out at the gym and following trendy diets. Sittenfeld’s group portrait of the Bennet clan was one of my favorite parts of Eligible. It’s easy to picture Jane Austen smiling at this: Continue reading
From the desk of Kimberly Denny Ryder:
Much of the Jane Austen Fan Fiction that I read usually falls in to two categories: works that take place during the Regency Period and works that take place during contemporary times. Works that take place during times of war are fairly rare (Darcy Goes to War by Mary Lydon Simonsen being a notable exception) and works that take place in the South (Mary Jane Hathaway’s Jane Austen Takes the South series being the only other example I’ve read) are also unfamiliar to me. Enter Longbourn’s Songbird by debut author Beau North, a re-imagined version of Austen’s Pride and Prejudice taking place in 1940’s South Carolina.
It’s 1948, only three short years since the end of the Second World War. The setting is the small, sleepy town of Meryton, South Carolina in the American south. Will Darcy has come to visit Charles Bingley and conclude some business in the acquisition of Longbourn Farms. While there, he comes across Miss Elizabeth Bennet, who despite the painful events of her past finds that she can’t stop thinking about Mr. Darcy, who engages and challenges her enough to bring her out of the vanilla monotony that she has settled in to as of late to protect her emotionally. Not only do we get to experience the charged and engaging dynamic between Lizzie and Darcy, but we also have a host of other interactions that play out, including an interesting relationship between Bingley and Jane Bennet. Jane is terrified when she realizes that Charles fancies her and has recently purchased Netherfield Plantation, because she is afflicted by diabetes, which she knows will limit her lifespan and may make Bingley rethink his choice. Continue reading
From the desk of Katie Patchell:
Two years ago The Austen Project launched their first reimagined Jane Austen novel in the series, Sense and Sensibility (by Joanna Trollope), that has so far included Northanger Abbey (by Val McDermid), and the most recent, published in April of this year—Emma: A Modern Retelling by Alexander McCall Smith. Heralded as ‘Jane Austen—Reimagined,’ each successive book has gathered mixed reviews, yet also a wide readership, as many fans of Jane Austen’s beloved classics look forward to finding out (with anticipation or trepidation) how each of Austen’s six novels have been modernized.
While I’ve enjoyed reading each of The Austen Project books so far, there’s a common issue faced in each of them, one that should be addressed in reviews and even everyday conversation. This issue is: How much can be modernized in any classic update without detracting from the original book? It’s always difficult to decide, as a reader and I’m sure as an author, what can be updated and altered for the 21st century, and what has to stay the same in order for the story to honor the original (and author’s intent). For instance, there are some things—such as views on love, sex, and marriage—that have been updated in this version of Emma to fit the author’s modern beliefs, which do not fit with the original Emma’s written views on these issues or Jane Austen’s beliefs. Some things hold true throughout the centuries, and sometimes removing these in a modern interpretation of a classic significantly takes away from the integrity and meaning of the story. Some of the differences found in this modernization include: Miss Taylor initially moves in with Mr. Weston before their marriage, Emma casually calls her dad ‘Pops’ all the time, Isabella Woodhouse and John Knightley are expecting twins before saying ‘I do,’ and Emma wonders if she’s attracted to females while painting Harriet in the nude. Continue reading
From the desk of Kimberly Denny-Ryder:
I’ve always been a sucker for dark and brooding men in romance novels (hello Mr. Darcy!) One trait that seems to go along well with these types of characters is that they are loners in their own right. Yes, they may have friends and family around them, but their internal isolation is the first thing that they must overcome before they take on a new romantic interest. I find this struggle quite interesting, and therefore was excited to read The Loner by Kate Moore, which stars a loner much in the same predicament.
Will Sloan is a loner with a tough upbringing, coming from nothing and making a name for himself. His mother was a waitress and his father was a rodeo cowboy, killed in a tragic accident in the ring. The former scholarship student is now a wealthy tech entrepreneur, with a net worth in the billion dollar plus range. By all conventional accounts he shouldn’t have any shortage of friends, yet he still finds himself adrift amongst the party atmosphere of L.A., while his so-called friends urge him to get out and find Mrs. Right. He decides to attend his high school reunion on a whim in order to get out of this funk, and that’s when it happens: he sees Annie again. Continue reading
From the desk of Lisa Galek:
There’s so much we don’t know about Jane Austen. Her sister, Cassandra, burned many of Jane’s letters when she died leaving many details of her life lost to time. Is it possible that the author of many of the world’s most memorable stories on love and marriage never married or had children of her own? In Aerendgast, Rachel Berman imagines a new history for our favorite author in a mystery adventure that’s one part Austen biography and one part The Da Vinci Code.
Violet Desmond doesn’t know much about her past. She was raised by her grandmother who never mentioned the truth about Violet’s parents or the tragic accident that left her an orphan. But, when Violet’s grandmother dies and leaves her a beautiful cameo necklace and a trunk filled with papers, Violet finally realizes she’s found the tools she needs to hunt down the truth… which also may have something to do with her favorite author, Jane Austen. Continue reading