Publication Dates of Jane Austen’s Novels and Minor Works

The History of England, by Jane Austen excerpt p 171Inquiring reader Lily recently wrote to me and expressed her frustration at not being able to locate the publication dates of Jane Austen’s minor works online. Ever the accommodating Janeite, here is a partial list of her published works.

Novels: (c. 1794-1817)

  • Sense and Sensibility: (30 October 1811) Thomas Egerton, Military Library (Whitehall, London)
  • Pride and Prejudice: (28 January 1813) Thomas Egerton, Military Library (Whitehall, London)
  • Mansfield Park: (9 May 1814) Thomas Egerton, Military Library (Whitehall, London)
  • Emma: (December 1815) John Murray (London)
  • Northanger Abbey: (December 1817) John Murray (London)
  • Persuasion: (December 1817) John Murray (London)

Image of Jane Austen Minor Works Volume 1 at The Bodleian Library Oxford, England

Juvenilia: (c. 1787-98) Three manuscript notebooks containing 27 items.

Volume the First (c. 1787-90) was first edited by R. W. Chapman and published by Clarendon Press, Oxford in 1933. It is now owned by the Bodleian Library, Oxford.

  • Frederic & Elfredia
  • Jack & Alice
  • Edgar & Emma
  • Henry & Eliza
  • The adventures of Mr. Harley
  • Sir William Mountague
  • Memoirs of Mr. Clifford
  • The Beautiful Cassandra
  • Amelia Webster
  • The Visit
  • The Mystery
  • The Three Sisters
  • A beautiful description
  • The generous Curate
  • Ode to Pity

Volume the Second (c. 1790-93) was first published by Chatto & Windus in 1922. It is now owned by The British Museum.

  • Love and Freindship (Austen’s original spelling of friendship)
  • Lesley Castle
  • The History of England
  • A Collections of Letters
  • The female philosopher
  • The first Act of a Comedy
  • A Letter from a Young Lady
  • A Tour through Wales
  • A Tale

Volume the Third (c. 1792) was first edited by R. W. Chapman and published by Clarendon Press, Oxford in 1951. It is now owned by The British Museum.

  • Evelyn
  • Catharine, or the Bower

Illustration from The History of England, by Jane and Cassandra Austen

Novella:

  • Lady Susan: (c. 1793-4) was first published in part in A Memoir of Jane Austen, by James Edward Austen-Leigh in the second edition of 1871, and later, a full record of the manuscript alterations was edited by R. W. Chapman and included in the Oxford Press edition of 1923. The manuscript is now owned by The Pierpont Morgan Library, New York.

Fragments of Novels:

  • The Watson’s: (c. 1804-5) was first was first published in part in A Memoir of Jane Austen, by James Edward Austen-Leigh in the second edition of 1871. The first six leaves of the manuscript were sold and later acquired by The Pierpont Morgan Library, New York. The remained of the manuscript (minus recently missing pages) was sold last year to The Bodleian Library, Oxford.
  • Sanditon: (1817) an extract was first published (about one-sixth) in A Memoir of Jane Austen, by James Edward Austen-Leigh in the second edition of 1871. The manuscript is now owned by the King’s College Library, Cambridge.

You can visit digital images of many of the existing original Jane Austen manuscripts in her handwriting online at the awe inspiring website Jane Austen Fiction Manuscripts. Enjoy!

Cheers,

Laurel Ann

© 2007 – 2012 Laurel Ann Nattress, Austenprose

Persuasion: An Annotated Edition, edited by Robert Morrison Due Out in November

Persuasion: An Annotated Edition, by Jane Austen, edited by, Robert Morrison (2011)Where are my aromatic vinegars? Harvard University Press really knows how to make this Janeite book lover swoon.

Next November we will be treated to another sumptuous annotated edition of one of Jane Austen’s classic novels. Last year they gave us Pride and Prejudice: An Annotated Edition, edited by Patricia Meyer Spacks, and now Persuasion, edited by scholar Robert Morrison will be available to drool over.  Here is the publisher’s info:

Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.

In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.

Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.

About the Author

Robert Morrison is Queen’s National Scholar at Queen’s University, Kingston, Ontario.

It already has the blessing of two prominent scholars:

  • Robert Morrison’s new annotated edition of Persuasion is terrific: thorough, scrupulous, and thoughtful. It is a worthy addition to the wonderful Harvard series of annotated volumes, likely to be long read and much enjoyed by Austen enthusiasts. — Patricia Meyer Spacks
  • Readers who know Pride and Prejudice and Emma very well, can on encountering or re-encountering Austen’s final novel find it disconcerting and disorienting. Fortunately, they are now well served by the thorough and thoughtful annotation in Persuasion: An Annotated Edition. — Deidre Lynch, University of Toronto

What an incredibly beautiful cover. I can’t wait to tear into this.

Persuasion: An Annotated Edition, edited by Robert Morrison
Harvard University Press (2011)
Hardcover (360) pages
ISBN: 978-0674049741

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Persuasion, by Jane Austen (Naxos AudioBooks) Review & Giveaway

Persuasion, Jane Austen’s last completed novel was written between 1815 and 1816, with final chapter revisions in August of that year. Published posthumously in late 1817 with her earlier work Northanger Abbey, each of the novels represents the alpha and omega of her writing career. Even though they are divergent in tone and topic, they each share a commonality in being partially set in Bath and display Austen’s trademark play on social strata, money and courtship. Austen finished the manuscript of Persuasion in declining health which may account for its slim size in comparison to her heftier previous efforts Mansfield Park (1814) and Emma (1816). Or, quite possibly it is exactly the length that she preferred for her story, allowing for a simpler plot and focus on fewer characters. Its size in no way diminishes it value. Some scholars consider it her finest achievement and readers have long cherished it for its jab at social mobility and moving love story. 

In 1817 Austen wrote to her niece Fanny Austen Knight in her usual ironic manner, “You may perhaps like the heroine, as she is almost too good for me.” At age 27, Anne is not your typical Austen heroine. The middle daughter of Sir Walter Elliot she is from a distinguished family of a landed Baronet. Her vain father takes their aristocratic ancestry and social position very seriously and expects his three daughters to make prominent matches. Quiet, reserved and not as pretty as her father values, Anne is often overlooked and her opinions dismissed by her family; “but Anne…was nobody with either father or sister; her word had no weight; her convenience was always to give way — she was only Anne.”  Eight years prior Anne met and fell in love with a young naval officer Frederick Wentworth. Because he did not match her social and financial status, Anne was persuaded by a well meaning family friend to reject his marriage proposal. Wentworth returned to sea and forgets her. Anne never forgets him and remains unmarried. When he returns eight years later a wealthy and successful naval hero he reenters her social sphere with heightened status. On the other hand, Sir Walter’s extravagant lifestyle has out paced his income to the point of serious debt and the family must retrench, let Kellynch Hall and remove to Bath. As Anne watches the younger ladies of the neighborhood swoon and play for Captain Wentworth’s affections she is painfully aware of her lost bloom of youth, deeply regrets her decision and pensively longs for his favor until a tragic accident at Lyme Regis and events in Bath renew her hopes.  

In yet another brilliant reading of a Jane Austen classic novel, British actress Juliet Stevenson interprets Austen’s poignant story of fidelity and second chances with wry humor and sensitive pathos. Her depth of characterization is remarkable and I am never in doubt that she is relaying Austen’s intension faithfully. Those who have previously read the novel will find new enjoyment in this beautifully produced audiobook and those new to Austen’s masterpiece will be treated to an unabridged eight hours and forty three minutes of pure perfection. Such equal blending of masterful story and artistic integrity is rarely encountered and I highly recommend it. 

5 out of 5 Regency Stars 

Persuasion, by Jane Austen, read by Juliet Stevenson
Naxos AudioBooks, USA (2007)
Unabridged, 7 CD’s, 8h 43m
ISBN: 978-9626344361 

GIVEAWAY CONTEST 

Enter a chance to win one copy of a Naxos AudioBooks recording of Jane Austen’s novel Persuasion by leaving a comment by midnight PST March 2, 2010 stating who your favorite character is in the novel or movie adaptation of Persuasion. Winners will be announced on March 3, 2010. Shipping to continental US addresses only. Good luck!

The giveaway drawing has now concluded and the winner has been announced. Many thanks to all who paticipated. 

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Persuasion (2007) Encore on Sunday

Don’t miss the encore presentation of Persuasion (2007) on Masterpiece Classic PBS Sunday, February 21st 9:00 – 10:30 PM (check your local listings). This adaptation by screenwriter Simone Burke stars Sally Hawkins as Jane Austen’s steadfast and long suffering heroine Anne Elliot and Rupert Penry-Jones as the dashing naval hero Captain Wentworth.

Persuasion was Jane Austen’s last completed novel before she died at age 41 in 1817. It reflects her mature style and deeper introspective narrative. Here is a description of the adaptation from PBS:

Unhappily unmarried at age 27, and dealing with family financial peril, hope is fading from Anne Elliot’s (Sally Hawkins, Little Britain) life. Circumstances bring Captain Frederick Wentworth (Rupert Penry-Jones, Casanova), a dashing naval officer she once deeply loved, back into her life eight years after Anne was persuaded by her family to reject his marriage proposal. Having returned from sea with a new fortune, Wentworth is surrounded by swooning women while Anne broods at the periphery, longing to be in Wentworth’s favor. Now Anne comes face-to-face with the deep regret of her old decision, and her abiding love for Wentworth, as she wonders if a long ago love can be rekindled.

This adaptation has its charms, namely excellent performances by Anthony Head as the vain Sir Walter Elliot and Rupert Penry-Jones as Captain Wentworth, the best letter writer of Austen’s canon (you pierce my soul), but the ending will more than surprise Austen purists. Despite having poor Anne run through the streets of Bath like a madwoman, it is beautifully filmed and is eye candy for any Janeite.

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Persuasion: Does Anne Elliot have poor judgment?

Portrait of Maria Bicknell, by John Constable (1816)“Any acquaintance of Anne’s will always be welcome to me,” was Lady Russell’s kind answer. 

“Oh! as to being Anne’s acquaintance,” said Mary, “I think he is rather my acquaintance, for I have been seeing him every day this last fortnight.” 

“Well, as your joint acquaintance, then, I shall be very happy to see Captain Benwick.” 

“You will not find any thing very agreeable in him, I assure you, ma’am. He is one of the dullest young men that ever lived. He has walked with me, sometimes, from one end of the sands to the other, without saying a word. He is not at all a well-bred young man. I am sure you will not like him.” 

“There we differ, Mary,” said Anne. “I think Lady Russell would like him. I think she would be so much pleased with his mind, that she would very soon see no deficiency in his manner.” 

“So do I, Anne,” said Charles. “I am sure Lady Russell would like him. He is just Lady Russell’s sort. Give him a book, and he will read all day long.” 

“Yes, that he will!” exclaimed Mary tauntingly. “He will sit poring over his book, and not know when a person speaks to him, or when one drops one’s scissors, or any thing that happens. Do you think Lady Russell would like that?” 

Lady Russell could not help laughing. “Upon my word,” said she, “I should not have supposed that my opinion of any one could have admitted of such difference of conjecture, steady and matter-of-fact as I may call myself. I have really a curiosity to see the person who can give occasion to such directly opposite notions. I wish he may be induced to call here. And when he does, Mary, you may depend upon hearing my opinion; but I am determined not to judge him beforehand.” 

“You will not like him, I will answer for it.” 

Mary Musgrove, Charles Musgrove, Anne Elliot & Lady Russell, Persuasion, Chapter 14 

Jane Austen knows a bit about family dynamics. This conversation regarding Captain Benwick appears to be about Mary Musgrove’s objections to him, but it is more about her opinion of her sister Anne and her judgment. It is a theme running throughout the novel. Her family generally shuns her opinions “but Anne…was nobody with either father or sister; her word had no weight; her convenience was always to give way — she was only Anne.” Lady Russell her closest female advisor didn’t trust her judgment either. We learn about her choice of Captain Wentworth as a spouse eight years before the novel begins and how Lady Russell persuaded her to reject his offer of marriage because he did not match her social or financial station. However, some characters do trust Anne, but are not in the family. After Louisa Musgrove is injured in a fall on the Cobb at Lyme, only Captain Wentworth sees the truth. “But if Anne will stay, no one so proper, so capable as Anne.” This line is the turning point of the novel for our heroine. As readers we have never doubted Anne’s judgment; we were just not sure until this moment if Captain Wentworth did.

*Portrait of Maria Bicknell, by John Constable (1816)

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