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The response to this giveaway was quite amazing. 110 of you obviously can’t wait to read Mr. Darcy Broke My Heart and Jane Austen Ruined My Life. What a compliment to author Beth Pattillo. Here are the winners drawn at random: 

Winners of one copy of Mr. Darcy Broke My Heart, by Beth Pattillo: 

Dizzy Girl, Melanie, Bella, Katie H., Bloggin BB, SeaStar 

Winners of the two book set of Mr. Darcy Broke My Heart and Jane Austen Ruined my Life: 

Shelly & Lori (Psychotic State) 

Congratulations to all of the winners. To claim your prize, please e-mail me at austenprose at verizon dot net by midnight PST on February 14th, 2010. Shipment is to US and Canadian addresses only. 

Happy reading!

*The I Love Mr. Darcy Tote Bag is by Create Your Own I Heart Shirts at CafePress.

Episode three of Emma (2009) aired tonight on Masterpiece Classic PBS. I am feeling more than a bit of melancholia setting in! 

There be spoilers ahead! 

Despite being a “troublesome creature” throughout most of the story, Emma does redeem herself by admitting her misconceptions and blunders. How could we not forgive, admire and love her? After all, Mr. Knightley does and everyone knows he is the voice of reason throughout the story! You can read my original thoughts on this new adaption of Jane Austen’s classic novel at my review, Miss Woodhouse – a nonsensical girl

Top hat alert! What’s the top hat count Janeites?

Emma is so attentive to dear Mr. Woodhouse

Frank Churchill, charmer or scoundrel?

Finally, Emma gets her excursion to Box Hill for a picnic

The peevish Elton’s don’t enjoy the Box Hill picnic much!

Emma and Frank flirt outrageously

Jane Fairfax watches as Emma and Frank flirt

Badly done Emma. Badly done! 

Mr. Knightley departs for London, but no kiss for Emma’s hand

The moment of truth for Emma

 Mr. Knightley proposes

Telling Mr. Woodhouse

Mr. Knightley and Emma happy at Harriet’s wedding

Mr. and Mrs. Knightley by the seaside

Austen has taken us on a great ride from revulsion to delight with her exasperatingly heroine Emma Woodhouse. Screenwriter Sandy Welch may not have included much of Austen’s original language in this new adaptation, but the story and the Austen magic remained. By the third episode our Miss Woodhouse had matured from spoiled and willful to contrite and accepting. What a relief. Along the way, I came to respect Romola Garai’s interpretation of Emma, I suspect because her delivery improved and I just adore Austen’s story. Jonny Lee Miller was not my first choice as Mr. Knightley and I had my doubts, but he shined in the proposal scene and everyone knows that’s what really matters. *wink* I will conclude with one of the most joyful quotes from the novel that unfortunately was not included in this adaptation – but should have been.  

“It is such a happiness when good people get together — and they always do.” Miss Bates Ch 21 

Adieu Miss Woodhouse, it was sorely lacking in Austen’s language, but I got over it.

Don’t miss the last episode of Emma (2009) staring Romola Garai on Masterpiece Classic PBS Sunday, February 7th from 9-10 PM. (check your local listing). 

In this final installment of the three part mini-series, we travel to Box Hill for the famous picnic and witness more than a bit of bad behavior by our heroine Miss Woodhouse. Later, shocking news angers the Highbury community and Emma has a revelation about her future – but it might all be too late!

Also, be sure to join the bi-coastal Twitter party, Sunday February 7th, 2010 9-10PM eastern and pacific coast times.  

     

Occasionally, real authors walk into my book store and ask to sign their books, opposed to unreal authors who remain in that unknown nether galaxy of far, far away Authorland. 

As a bookseller it’s always an unexpected surprise to meet an author face to face, reminding me that there is actually a person who wrote and rewrote that book before it landed on the book shelf. Last week I had the pleasure of meeting local author Jane Porter who came to the information desk and introduced herself. Friendly and unassuming (no Jackie Collins get-up or airs) she was actually camped out in our café with her laptop pounding away on her latest book trying to finish the last 200 pages to meet a deadline. As she signed the multiple copies of Easy on the Eyes that we had on the shelf she chatted away about the book industry and her career as a writer. The conversation came around to her shocking statement that chick-lit was dead, how the recession had killed it and the affect on her and many of her fellow authors in the genre. Inwardly, I felt embarrassed. I should know this. I’m a professional book seller. It then dawned me that our new release tables were sorely lacking in the tell-tale shocking pink covers that personified the genre. Gone, all gone, along with the billions of dollars that seemingly disappeared overnight from people’s 401K’s and home values. 

Since the economy was in the tank and no one had any extra money to fly their Lear jet to Hawaii, ski St. Moritz or shop in NYC it was no fun reading about hip, stylish, career driven thirty-something women who did. Potter explained that when publishers saw the plummeting decline in sales for their niche imprints they abruptly did an about face, authors were asked to make last minute major revisions on unpublished manuscripts and other authors who had been successful in the genre were now cast aside. Jane is a big name in the chick-lit biz. Her best selling 2008 novel Flirting with Forty was made into a movie with Heather Locklear. She also writes classic romance’s for Harlequin. She is not going away. She has always written about deeper issues with humor and insight. It may have saved her. 

So what does all this have to do with Jane Austen you ask? Ever since the Pride and Prejudice inspired novel Bridget Jones’ Dairy became a best seller in 1996 spawning a genre and million pink book covers, Jane Austen has been called the grandmother of chick-lit. This always amused me. She really has little connection to the genre except her novels contain a few similar characteristics: the importance of wealth and social connections, an erring heroine who lacks the afore mentioned wealth and social connections, and a rich but honorable hero who must earn her love. Jane Austen just happened to be the first modern novelists to use these elements, the current darling of the media and a convenient target to hitch their genre to. 

Trends seem to go full circle. We may not have pink covers anymore, but we still have Jane. She never goes out of fashion and you get a lot more satisfaction from the final denouement. If you don’t know what denouement means, it has nothing to do with sex, though it sounds as if it should. Honestly, I do not think chick-lit is dead. It’s just had a make-over. Now its heroines don’t just shop for shoes and have sex, they have a social conscience while they’re doing it.

If you think chick-lit is dead please don’t tell WriteMeg

Further reading

A campy, madcap adventure story, Mr. Darcy’s Great Escape is Marsha Altman’s third book, in her Pride and Prejudice Continues series.  The year is 1812, seven years after Elizabeth Bennet and her devoted sister Jane married Mr. Darcy and Mr. Bingley respectively, and the families are all returning to Longbourn for the wedding of Kitty Bennet, daughter number four. Within the first 100 pages, Elizabeth Darcy finds herself immersed in the intrigues of the Napoleonic War as she races across the continent to the rescue of Mr. Darcy, who has become imprisoned in a medieval cell in Transylvania!  Unbelievable? Quite, but hang on . . . there’s more. 

Licentiously diverting is Altman’s treatment of her own original character’s as well as Jane Austen’s canon characters. Altman’s Mr. Darcy was half brother to George Wickham who he apparently killed in a duel in Book 2, The Plight of the Darcy Brothers: A Tale of the Darcy’s and the Bingley’s.  And, Darcy’s other illegitimate brother Gregoire, by his father’s dalliance with his mother’s French maid, is now a monk in Austria and favors prominently in this bold undertaking. Mary Bennet is now the mistress of Longbourn, although having been compromised while on tour of the Continent. (also in Book 2) Oh, and there is also an utterly convoluted entail of Rosings that deems Darcy as heir apparent, regardless of the fact that Anne is now married to Colonel Fitzwilliam. And, if that is not enough action there is also an insane Oriental assassin en route to Pemberley.  This is all cleverly forged to create an eyebrow raising, humorous, 486 page saga. 

Wild? Far-fetched? Contrived? Yes, to all. But Marsha Altman bravely undertakes this continuation of Pride and Prejudice and makes it entirely her own. Although inspired by Jane Austen’s masterpiece, little if any of Austen’s original is obvious in this series. However, that’s not to say that readers won’t enjoy this fun romp. In the same vein as the British ITV series “Lost in Austen,” those that want more of the Darcy’s and the Bingley’s might find this wicked tale a satisfying joke. “I can hardly write for laughing.” 

Reviewed by Christina B. 

3 out of 5 Regency Stars 

Interested? Read chapter one of Mr. Darcy’s Great Escape

Mr. Darcy’s Great Escape: A Tale of the Darcy’s & the Bingley’s by Marsha Altman
Sourcebooks, Naperville, IL (2010)
Trade paperback (496) pages
ISBN: 978-1402224300

Additional Reviews

GIVEAWAY CONTEST

Enter a chance to win one of three sets of the Pride and Prejudice Continues series by Marsha Altman. Visit Jane Austen Today for the details. Contest ends February 16th, 2010.

The second episode of the new adaptation Emma (2009) aired last night on Masterpiece Classic. You can read my review of Emma and watch previous episodes until March 9th, 2010 at the Masterpiece website. As we move further into the story of Highbury’s misapplying match maker, I thought it would be interesting to delve into her character in the novel a bit deeper and explore the different Emma’s portrayed in the film and television adaptations. 

Since it’s publication in 1815, Jane Austen’s Emma has had its share of advocates and adversaries. What impressed early readers was not that it lacked energy and style, but that its story was dull and uneventful. Even Austen’s famous publisher John Murray thought it lacked ‘incident and romance’ and Maria Edgeworth, a contemporary author so greatly admired by Austen that she sent her one of the twelve presentation copies allotted by her publisher, could not read past the first volume and thought “there was no story in it.” Ironically, what these two prominent and well read individuals attributed as a weakness, is actually Emma’s greatest strength. 

If one looks beyond the surface, Emma is a intricate story focused on the astute characterization and social reproof which Austen is famous for. Its heroine, the  privileged, self-conceited and spoiled Emma Woodhouse may not be as appealing as Austen’s sparkling and clever heroine Elizabeth Bennet of Pride and Prejudice, but her character offers the reader a harder wrought and more rewarding dénouement. Like Miss Woodhouse who believes that she knows better than anyone else what is best for them, we must trust Jane Austen’s instincts for what she believes is the best subject and narrative style. Since many scholars, critics and readers attribute Emma as a masterpiece of world literature, I think Jane Austen has the final laugh on her early critics. Emma may be about nothing and lack romance, but what a pleasure it is to be so resplendently deficient. 

Emma Woodhouse is a complex character that on first acquaintance is rather a pill. In the famous opening line she appears rather appealing, ‘Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her,’ but Austen quickly dispels the readers good opinion with an equally opposite retort, ‘The real evils indeed of Emma’s situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.’ In those two sentences we learn so much: she has every advantage in life that a young lady could wish for but is untempered and totaly clueless.

Austen gave herself a great challenge in creating “a heroine whom no one but myself will like.” In contrast with her other heroines, Miss Woodhouse does not have any social or financial concerns and thus no compelling need to marry. Therein lives the rub. We have no sympathy for her whatsoever. She’s rich, she’s spoiled and she’s stuck up. Who indeed could possibly like such a “troublesome creature”? During the course of the novel we witness her exerting her superior notions of who is suitable for whom as she match makes for her friends with disastrous results. It is no wonder that Maria Edgeworth gave up reading Emma after the first volume. At that point we have met most of the characters in Emma’s world and are coming to fully understand her ignorance and misguided perceptions in relation to them. She is truly exasperating. Austen tests are endurance fully as the novel progresses and her heroine continues to make mistakes. It is a testament to her skill as a writer and deft comedian that she holds our fascination with the “busy nothings” of every-day country life in Highbury, a small village filled with endearingly flawed characters. The transformation of the heroine from spoiled and insufferable into a contrite, mature and likeable young lady that you want to root for, is nothing less than remarkable. It is truly a shame that Edgeworth could not recognize the genius of Austen’s sly sashay of characterization into a world that could be your own neighborhood. We can only account that, “One half of the world cannot understand the pleasures of the other.” 

Miss Emma Woodhouse on screen

Doran Godwin (1972), with her regal repose and swan-like neck gave us an elegant Miss Woodhouse that was more a toffee-nosed London snob than the country girl from the first family of consequence in a small Surrey village. Though I enjoyed her performance, I could never warm to her Emma and rejoice in Mr. Knightley choosing her as his Mistress of Donwell Abbey. After Mr. Woodhouse’s demise, I envisioned them packing it up and moving to Town. This Emma was meant for superior refinement.

Alicia Silverstone (1995) as Cher Horowitz in Clueless, she gave us a contemporary version of Emma set in Beverly Hills infused with Valley-speak and designer fashion that was so totally fresh and outrageous hilarious that even after fifteen years it may be what she is best remembered for. Her Cher may have been a superficial cell phone wielding Emma who soul searches while shopping, but we were not only charmed by her innocence, but by her high-tech closet. Totally, fur sure!   

Kate Beckinsale (1996) at 23 was the youngest actress to portray 21 year old Emma Woodhouse, bringing a youthful vitality and naughty school-girl persona to the part. Her immature busybody was at times both annoying and redeemable. I was highly suspect that she would mature enough to be a good match to Mark Strong’ assertive and angry Mr. Knightley. Their future life together was bound to be wrought with boisterous rows and passionate reconciliations. 

Gwyneth Paltrow (1996) was another elegant and long-necked Emma Woodhouse but played the part more as a mischievous altruist, than the spoiled, conceited and misguided match maker that Austen intended. The fact that her comedic skills and suave polish suited the screenplay was a benefit too. Oh and she actually got to say some of Austen’s great lines. Screenwriter Douglas McGrath actually trusted Austen enough to leave more than a few of those in. 

Romola Garai (2009) is the newest and most energetic Miss Woodhouse to grace the screen yet. Physically she fits the part perfectly and has the experience and maturity to play a complicated heroine closest to Austen intensions. Early in the production she had an odd habit of exaggerated facial expression and popping eyes, but as Emma matures through the story we saw less of this and more refinement. Unfortunately, she did not get to say much of Emma Woodhouse’s great dialogue, but the spirit remained, and I grew to appreciate her performance. How she will be ranked among the Emma’s on the screen, we will have to wait a few years for a better perspective. 

Who is your favorite Emma Woodhouse? Have your share of the conversation and vote today.

Jane Austen is known for her finely drawn and memorable characterizations. Mr. Darcy from Pride and Prejudice is undoubtedly her most famous hero, easily filling the literary romantic icon mantle. Our fascination with his haughty, arrogant noble mien has inspired many authors, screenwriters and even composers to try recreate that magic combination of enigmatic characteristics that Austen so skillfully introduced. The latest Austen inspired novel to feature a Mr. Darcy-like doppelganger is Beth Pattillo’s Mr. Darcy Broke My Heart. It follows a similar format to her previous novel Jane Austen Ruined My Life (2009) which was one of my Top 20 Favorite Austenesque Books of 2009. Set in contemporary times, young heroine Claire Prescott is at a crossroads in her life, travels to England, meets a handsome, haughty and wealthy young man and is thrown into the path of the ‘Formidables’, a secret sect of Janeites harboring Jane Austen letters, manuscripts and her reputation. Beth has kindly offered to chat with us today about her new book and her affinity to one of her favorite authors. 

Welcome Beth, thanks for joining us: 

When did you first discover Jane Austen and did she influence your reading choices and writing career? 

I first discovered Jane Austen my junior year in college.  I was lucky enough to do a semester abroad at Westfield College, University of London.  It was a bitterly cold winter and I spent a lot of hours curled up beneath my down duvet, radiator blazing, reading those inexpensive Penguin Classic paperbacks.  I started with Pride and Prejudice and worked my way through the rest by the time spring arrived. 

I love the Regency period and have read lots and lots of research books, so I feel as if it’s a time period I know well.  I started out writing Regency romance, spent some time with Southern women’s fiction and mystery, and then, after a trip to London, started to wonder about Austen’s lost letters.  That’s when the idea for Jane Austen Ruined My Life was born.  The new book, Mr. Darcy Broke My Heart, seemed the logical next step.  If I could fantasize about Austen’s lost letters, how much more fun would it be to play a game of “What If” with regards to the original draft of Pride and Prejudice

Jane Austen is known for her astute observations of human nature and lively characterizations. Which heroes, heroines, rogues and flirts do you admire and or abhor in Austen’s novels and what do you think makes them so memorable? 

I love all her heroines, with the possible exception of Fanny in Mansfield Park.  I think Elizabeth Bennet is memorable for her wit and complexity.  The Dashwood sisters in Sense and Sensibility set up a great ‘debate’ about just how much romanticism is too much romanticism.  I have to say, I’m much more an Elinor than a Marianne.  Anne Elliot may be my favorite heroine because she takes all the indignities her family foists upon her with good grace – plus, she triumphs magnificently in the end.  I also love Emma.  I know she rubs some people the wrong way, but I think her heart is in the right place.

 As to the heroes, I’m particularly fond of Mr. Darcy, Colonel Brandon, and Captain Wentworth.  The first has to tame his own ego, the second has to persevere to gain his heart’s desire, and the third one has to learn how to forgive.  They all win our hearts because they prove themselves worthy of their heroines. 

As to the rogues and flirts, I have to say I enjoy them all.  Austen has such a keen eye for describing human nature.  All her characters remind me of people whom I’ve met in my life. 

In Mr. Darcy Broke My Heart, one of the main characters is James Beaufort, a wealthy and arrogant young man whose personality and social position are similar to Jane Austen’s Mr. Darcy. Could you share your research process for the character and elaborate on the dynamics between him and your heroine Claire Prescott.  

I wanted to explore what would happen if Claire did indeed meet her own version of Mr. Darcy.  I think that’s a pretty common fantasy among women today!  I tried to give James enough of the Darcy elements to make him intriguing without making him a carbon copy.  And he had to be tied in to the mystery of the manuscript Claire finds, so I set him up as part of an old publishing family.  I think the central Darcy question is whether, in real life, the average woman could trust him, whether his wealth and privilege would keep him from engaging in a relationship of equals.  That’s the journey Claire has to take. 

The novel is set at Oxford University and your descriptions of the campus and town are vivid and intriguing. Jane Austen’s father, two brothers and uncle attended Oxford and I loved how you tided the family connection into the novel. Did you travel to Oxford for research or are you an armchair admirer of some of the most beautiful eighteenth-century architecture in the world? 

I was lucky enough to spend a week at Christ Church, Oxford several years ago as part of a program called The Oxford Experience.  (I highly recommend it.)  I very much enjoyed reliving in my mind the wonderful places that I experienced firsthand.  I do worry that I didn’t get all the details just right, since it’s been several years since I was there.  I spent the week I was there doing a writing course with a wonderful instructor, meeting some fascinating people, sweltering in the heat (just as Claire does in the book), and sitting for hours in the Masters Garden.  The character of Harriet Dalrymple was inspired (but not based on) a woman that I actually met along the Kings Walk on my first day. 

After your success with Jane Austen Ruined My Life, you could have gone in any writing direction but chose another Austen inspired theme. I loved how you tie the two novels together with the ‘Formidables’ a group of Janeites protecting Jane Austen’s long, and thought to be lost letters and manuscripts. Where did the inspiration of this theme come from and do you plan to continue it in your next novel? 

I’m not sure where the idea for the Formidables came from, other than that I’m always playing the “What If” game in my mind.  What if Cassandra Austen didn’t destroy her sister’s letters, as instructed?  Where would they be?  Who would have them?  And why wouldn’t they have been made public?  

I chose the name “Formidables” because that’s how Jane and Cassandra Austen referred to themselves as the strong-but-loving maiden aunts in the family.  I hope to write someday about how the group was formed and more about their function. 

My next novel from Guideposts will be The Truth About Jane Eyre (Winter 2011).  I’m switching to the Brontes for this one and it’s a nice change of pace.  I don’t think I’m done with Jane Austen quite yet, though, but it’s too soon to spill any beans. 

If you could plan a tea with Jane Austen, who else would you include in your soiree? 

If I could have tea with Jane Austen, I wouldn’t invite anyone else, because I wouldn’t want to share her!  I’d be terrified and ecstatic all at once.  I’d love to know what she would make of our fascination with/adoration of her work.  And I wouldn’t mind finding out a little more about how some of her famous couples spent the rest of their lives! 

Thanks for chatting with us today Beth. I too would want Jane Austen all to myself if she came to tea. Mr. Darcy Broke My Heart will be released on February 1st, 2010. I highly recommend it.

GIVEAWAY CONTEST

UPDATE Feb 08: The giveaway contest has now concluded and the winners will be announced today.

UPDATE Feb 04: Because the outstanding response by readers to this giveaway, the publisher has kindly offered to double the number of books being offered to 6 copies of Mr. Darcy Broke My Heart and two sets of MDBMH and Jane Austen Ruined My Life. Huzzah!

Enter a chance to win one of three copies of Mr. Darcy Broke My Heart and one set combined with Jane Austen Ruined My Life by leaving a comment before midnight PT Sunday February 7th, 2010 stating who is your favorite Mr. Darcy in an Austen inspired book or movie. Winners will be announced on Monday, February 8th, 2010. Shipping to US and Canadian addresses only. Good luck!

Mr. Darcy Broke My Heart: A Novel, by Beth Pattillo
Guideposts Books (2010)
Trade paperback (272) pages
ISBN: 978-0824947934

After being introduced to Jane Austen’s Lady Susan via A Soiree with Lady Susan, Austenprose’s rollicking cyber group read, replete with wagging tongues and fluttering fans, I delighted in discovering this ‘most accomplished Coquette in England’.  So different from other Austen heroines, I welcomed her all the more for her flagrant flaws and mercenary machinations.  Regretfully, as Jane Austen never got the chance to revise this novella, the limitations of the epistolary form did leave me with a desire for more. 

Enter Jane Rubino and Caitlen Rubino-Bradway’s novel Lady Vernon and Her Daughter, which certainly fulfills this desire… and more!  This clever re-imagining by a mother and daughter team turns my previous notion about this heroine on its head.  It intriguingly opens with an Austen inspired witticism: 

A woman with neither property nor fortune must ward off this affliction by cultivating the beauty, brilliance, and accomplishment that will blind a promising suitor to the want of a dowry.  When she is securely married… she must never sink to complacency, but always keep sharp, for it may be her unfortunate lot to survive her spouse and she will be thrown back upon her wits once more. 

Thus, the stage is set.  Antedating where Austen’s story begins, the novel unfolds with a credible backstory that explains why Lady Susan’s reputation as an accomplished coquette springs from malicious gossip gone awry.  Born Susan Martin, who from the cradle has been matched to her young, wealthy, and titled cousin Sir James Martin, she chooses, instead, to marry the much older and recently knighted Sir Frederick Vernon.  Becoming Lady Vernon, she inadvertently makes an enemy of Mr. Charles Vernon, her husband’s younger brother whose suit she categorically rejected.  Hell hath no fury like a man scorned!  He slovenly casts aspersions on Lady Vernon’s character that, like all gossip, assumes a life of its own. When Sir Frederick dies with the understanding that Charles would provide for his wife and daughter as he had stipulated, the embittered Charles reneges on his verbal promises.  Driven out of their home by Charles and his insipid and gullible wife, Catherine De Courcy, Lady Vernon and her daughter, Frederica, rely on the generosity of friends who place them in compromising situations that escalate the rumors.  Lady Vernon is forced to endure the advances of the married Mr. Manwaring.  Frederica is expelled from school for her kind-hearted gesture to save a friend from a ruinous elopement.  Untenable, they return to Charles’ home and confront him with his responsibility, which he continues to evade.  When Reginald De Courcy, Catherine’s brother, curiously arrives to meet the infamous Lady Vernon, the winds of persecution start to shift.  Lady Vernon maintains the protective façade of her coquetry, but underneath, her uncanny understanding of human nature and social manipulations allow her to find a way out of their financially dire situation.  Using the “most effective method of persuading both Reginald and Catherine to do anything, which was to urge them in the opposite direction”, Frederica is sent off to the forbidding estate of the De Courcy’s.  Will Lady Vernon’s gamble pay-off or just put shy Frederica in a more precarious situation?  Compounded with the return of the rebuffed Sir James Martin, a frivolous man who delights in flouting society’s expectations and making mischief, will Lady Vernon and Frederica’s pursuit for matrimonial bliss be thwarted forever?

Although I loved Lady Susan as a villain, I loved Lady Vernon more as a heroine.  Frederica, who was barely given a voice in Austen’s original oeuvre, deservedly receives her full heroine due in this re-telling.  It departs materially from Austen’s plot at certain points, but its prose and humor are so reminiscent of Austen that it is meaty enough to satisfy.  Both Lady Vernon and Frederica, echoing the trials of sister tandems Elinor-Marianne and Lizzie-Jane (albeit here as mother-daughter), are imbued with similar wit, strength, and resiliency that we have come to love in Austen’s beloved heroines.  Lady Vernon’s unerring wit outwitting a fickle society obsessed with gossip keeps this novel fresh for a modern audience whose inquiring minds want to know.  Peppered with allusion to and appearance of several characters from Austen’s other canons truly make this novel a delicious read.  So, read it not just once, for its story; not just twice, for its spin of the original work; but perhaps thrice, for all the other witty winks to Austen.  After all, there is no such thing as having too much Austen in the daily diet.

Review by Regency Romantic

5 out of 5 Regency stars

Lady Vernon and her Daughter, by Jane Rubino & Caitlen Rubino-Bradway
Crown Publishing, New York (2009)
Hardcover (328) pages
ISBN:  987-0307461667

Additional Reviews

Read a guest blog from A Soiree with Lady Susan by Jane Rubino & Cailten Rubino-Bradway

Thanks to all who participated in the two recent giveaway contests that ended January 24th. Without further ado, here are the three winners. 

One copy each of Jane Bites Back to: Meredith & Marlyn 

One copy of Cranford Naxos AudioBook to: novemberautumn 

Winners, to claim your prize, please email me at austenprose at verizon dot net before Sunday January 31st with your full name and address. Shipment to US or Canadian addresses only.

Congrats to all!

The striking Jane Austen teapot cookies are designed by the talented Mischief Mari Cookies! Check out her how-to tutorial to create your own.

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