It is a truth universally acknowledged that readers and writers are obsessed with Pride and Prejudice. Since Sybil G. Brinton’s 1913 Old Friends and New Fancies, the first original Jane Austen-inspired novel, there have been thousands of prequels, sequels, and variations penned by those who wish to never let the characters quietly rest in literary heaven. Next up for our praise or censure is Unmarriageable, a retelling set in Pakistan in 2000 by Soniah Kamal. Never one to suffer Austen renovators gladly, I was prepared to be underwhelmed.
Over the years I have read and reviewed many P&P inspired books containing a variety of themes including zombie bedlam, religious conversion, S&M and slash fiction. There have also been some retellings that I really enjoyed, yet I yearned for the full story retold in a fresh and reverent light. It’s the Holy Grail of Austen fandom. Could moving the story to Pakistan at the turn of the twenty-first century be the opportunity to explore southern Asian culture infused with Jane Austen’s story of reproof and redemption? If so, it would be catnip to Janeites!
Unmarriageable’s premise and opening chapters were immediately promising. Kamal had converted Austen’s characters into clever doppelgangers of her Regency equivalents: the Bennet family became the Binats with sisters Jane, Elizabeth, Mary, Kitty, and Lydia becoming Jenazba, Alysba, Marizba, Qittyara, and Lady respectively. After being introduced to the Bennet family, whose financial and social position had fallen subsequent to a scandal that destroyed their fortune, the anticipation of meeting Mr. Darcy, now transformed into Mr. Darsee (snort), was quenched by the modern interpretation exhibiting all of the noble mien of the original—rich, proud, and dishy. ZING! Continue reading
Just released this week is a new Jane Austen-inspired novel, Longbourn’s Songbird. Based on Austen’s iconic novel, Pride and Prejudice, author Beau North has transported the action to post WWII South Carolina.
While Pride and Prejudice has spawned the largest number of sequels in print, most of those are set during the same time period, the early nineteenth-century. Fewer still are set during contemporary times. Faithfully transferring the themes and social conflicts from a novel set in Regency times to modern times is a challenge that few authors have attempted, however some of my favorites have been: Pride and Prejudice and the Perfect Match, by Marilyn Brant, Unleashing Mr. Darcy, by Teri Wilson and Mr. Darcy Came to Dinner, by Jack Caldwell.
Readers of Jane Austen-inspired fiction can never have too many Pride and Prejudice-inspired stories, especially those focusing on their favorite iconic hero and heroine, Elizabeth Bennet and Mr. Darcy. I am always pleased to see a new contemporary re-telling arrive on the scene. Longbourn’s Songbird is an intriguing new option for Janeites. Debut author Beau North may have transported Austen’s characters and plot across the ocean to the American south and one hundred and thirty five years into the future, but the lyrical transfer is creative and engaging. Continue reading
From the desk of Monica Perry:
Letter writing can be such a beautiful way to express oneself, to pour out feelings that are too difficult to say in person. It’s especially romantic when the writer is a passionate soul undercover, and desperately in love. Mr. Fitzwilliam Darcy is just such a person. When we first meet him in Yours Forevermore, Darcy, he’s writing to Elizabeth Bennet, and not for the first time. Since the beginning of their acquaintance, he’s written letters to purge his feelings for her, the woman he wants but is convinced he can’t have. He never intends her to read them, of course; they’re just a cathartic release of emotion, a compulsive coping mechanism to clear his head and let him go on about his life. Now two months after she rejected his proposal, broke his heart and made him reevaluate his entire life, he vows to stop writing and focus on becoming a better man. Fans of Jane Austen’s Pride and Prejudice and the myriad tales it has inspired know that the beauty in the story of Darcy and Elizabeth is the personal growth each must undertake separately. In Yours Forevermore, Darcy, KaraLynne Mackrory gives readers insight into these journeys and shows how affecting the written word can be to both writer and reader.
Yours Forevermore, Darcy follows the canon timeline of P&P fairly closely, with a few well-placed tweaks to keep it being too predictable. After his humiliating rejection, Darcy intends leaving Elizabeth behind him forever with, ironically, only a letter. It’s decidedly NOT his best work, as I now know, but is nevertheless important. She has little time to contemplate it then as, with all the perverseness of mischance, they find themselves together again and again. There’s a theme woven throughout, to describe their emotions, and I loved that. Comparing Darcy to the rich warmth of a cello definitely hit the right note with me! The amiability and humor of Colonel Fitzwilliam is the perfect buffer for them too, and there is more than one scene with him and Darcy that is just laugh out loud funny. Continue reading