From the desk of Jenny Haggerty:
I am going to miss Jane and Vincent, Mary Robinette’s heroes in her acclaimed Glamourist Histories series. Of Noble Family is the married couple’s fifth and final adventure set in an alternate Regency Britain enhanced by glamour, the loveliest system of magic I’ve encountered. But while their glamoured displays are often breathtaking, Jane and Vincent have taken ether-based illusions far beyond the ubiquitous drawing-room decorations created by accomplished young women. In previous books, they’ve found practical, if hair-raising, applications for glamour in the war against Napoleon, the Luddite riots, and an escapade involving pirates on the Mediterranean. For this last story, the couple will be off to the Caribbean.
When the book opens, Jane and Vincent have been resting after their harrowing exploits on the Italian Island of Murano and enjoying the company of Jane’s family, especially her sister Melody’s new baby boy, who is already showing a precocious ability to see inside glamoured images. But things don’t stay relaxing for long. Vincent receives a letter from his brother Richard that turns their world upside down.
The first shocking piece of news is that Vincent’s father has died of a stroke at the family estate on the Caribbean island of Antigua. Lord Verbury fled to the island in an earlier book to avoid being imprisoned for treason. Since Vincent was badly abused by his father while growing up, the death wasn’t as upsetting to him as it might be, but the bad news didn’t end there. Upon their father’s death, Vincent’s oldest brother Garland inherited the title Lord Verbury, bought himself a new barouche-landau, and then died when the vehicle overturned on the badly maintained road leading to Lyme Regis. Vincent’s middle brother, Richard, was severely injured in the accident, losing one of his feet. In his letter, Richard asks Vincent for a very large favor. Continue reading
From the desk of Jenny Haggerty:
I have thoroughly enjoyed the first three books of the Glamourist History series which has only gotten better as it goes on, but when I read the description of the fourth book I wasn’t positive that improving trend would continue, at least for me. Pirates? The Regency version of a heist film? Those may appeal to many but aren’t my preferred cup of tea.I love that the earlier books incorporate historic events into an alternate Regency world that shimmers with glamour–a magical art of illusion. Napoleon’s wars, the Luddite uprising, and the 1816 climate disruption are integral parts of their narratives, but the new book’s plot synopsis does not hint at a similar use of history. Still, I trust Mary Robinette Kowal’s storytelling skills so there was no way I would miss her latest. I just hoped I would love Valour and Vanity as dearly as the others.
A tip from Lord Byron sends Jane and her husband Vincent to the ruins of a Roman amphitheater where an ancient but still vibrant lion glamour roars and struts among the rubble. That beautiful lion is forever fixed in place because glamoured images made with traditional methods cannot be moved, but Jane and Vincent hope to perfect a new way of creating glamour by weaving its threads into molten glass which could then be easily transported. To that end, they are headed to the island of Murano, famous for its glass-making artistry. They have been on a mostly joyous Continental trip with the rest of Jane’s family, celebrating her sister Melody’s wedding, but Jane is glad she and Vincent will soon be alone because her mother can tend to be high strung. Sure enough, Mrs. Ellsworth musters a Mrs. Bennet worthy panic as Jane and Vincent’s ship is about to depart. She’s heard a rumor that pirates rove the Gulf of Venice! Pirates! Continue reading
From the desk of Jennifer Haggerty:
When the second book in a series is even better than the first, the third book will be highly anticipated and eagerly sought. If that is not a truth universally acknowledged it is at least true for me, which is why I couldn’t wait to get my hands on Mary Robinette Kowal’s Without a Summer, the third in her Glamourist History novels set in an alternate Regency World imbued with the loveliest of magics.
The first book, Shades of Milk and Honey, contains many elements of a Jane Austen novel–charming cads, lovesick girls, silly mothers, stern suitors, devoted sisters–but also incorporates glamour, a magic art of illusion used to enhance and beautify works of art. Shades of Milk and Honey ends in marriage like Austen’s novels, but Glamour in a Glass, the second book, takes things a bit further because the story of Jane and Vincent continues as they honeymoon in Belgium and this time history gets skillfully worked into the plot. Napoleon is on the march after escaping from Elba, leading Jane and Vincent to devise practical uses for glamour so the British military can defeat his forces. The inclusion of history, the experimental uses of glamour, and the pleasure of watching Jane and Vincent grow as artisans, as individuals, and as a married couple, make Glamour in a Glass a stronger book than its predecessor. I hopefully expected Without a Summer would continue those developments. Continue reading