Jane Austen and Children, by David Selwyn – A Review

Jane Austen and Children, by David Selwyn (2010)Guest review by Shelley DeWees – The Uprising

“Of the parents who survive [in Austen’s novels] only Catherine Morland’s and Charlotte Heywood’s are unexceptionable.  For the rest, Mrs. Dashwood is kind and loving but admits that she is imprudent.  Most of the others are foolish (Mrs. Bennet, Lady Middleton, Lady Bertram, Sir Walter Elliot), ill-judging (Mr. Bennet, Sir Thomas Bertram), weak (Mr. Woodhouse, Mary Musgrove), over-indulgent (Mrs. Thorpe), incapacitated by circumstances (The Prices, Mr. Watson), or downright poisonous (Mrs. Ferrars, Lady Susan).  They do not on the whole add up to an encouraging picture of parenthood, and in view of the fact that Jane Austen herself had exemplary parents, we can only assume that as an author she found that bad parents made for richer drama and better comedy than good ones.”

Those who are looking to take a gander at Jane Austen’s time with intense, academic vigor need look no further than Jane Austen and Children, the newest book by the great David Selwyn, a mammoth name in all things Jane Austen.  On top of acting as the Chairman of the Jane Austen Society, he’s contributed to the new Cambridge Edition of the Works of Jane Austen and also to the Cambridge Companion to Jane Austen. Long story short, this guy knows his stuff.

Jane Austen and Children is an expansive work, covering all aspects of the lives of children and their parents.  Selwyn opens with a description of pregnancy and birth practices in the 18th and 19th centuries, which every woman everywhere should be thankful she doesn’t have to endure, and continues with the portrayal of life as a new mother.  He then examines the world of the child as they grow…their clothes, toys, and games, as well as their probable sicknesses, punishments, and relationships with other children and their parents, all of which is seen through the eyes of Austen’s characters and Austen herself.  The book is extraordinarily well researched, and I found myself with my jaw on the table, staring at the dizzyingly long list of references Selwyn used, both published and unpublished.  Your head will positively swim when you see just how much work went into this book!  Quotes from letters, books, and papers grace nearly every page, sometimes to the point of oversaturation but mostly acting as an example of the standard Mr. Selwyn has employed, one that every researcher aspires to.  It’s truly remarkable!

The account of the relationships Jane Austen enjoyed with her nieces and nephews is particularly intriguing, and uses support from letters and notes penned by relatives I’d never ever heard of!  Another winning portion is an analysis of the bond between Fanny Price and her brother William, in contrast with that of Anne Elliot and her insipid sister, Elizabeth.  Selwyn also explores the cost of raising a child and their subsequent education, and enjoys a notable tangent into the life of a governess (with all its rather frightening variations).  The book is, as you would expect, a bit dry, but not so much that it’s unreadable, either as a cover-to-cover crash course or as a chapter-by-chapter reference guide.  The only noticeable flaw in Jane Austen and Children was the blatant absence of illustrations, the lack of which is only slightly alleviated by a laughable attempt on page 123.  The photos are poorly printed, predictable, and (dare I say) somewhat irrelevant to the topic at hand.  However, the book as a whole is an amazing piece of literature, phenomenally well-researched and more than enough to add another tick mark on David Selwyn’s list of amazing achievements.  It was a breath of fresh air in many senses and took me into an interesting state of mind…I’ll call it “geeking out.”  I wanted to think more, do more with Jane Austen’s characters.  I wanted to meet the people who were lucky enough to live around her, sitting on the floor as she reads the real Little Goody Two Shoes story.  I enjoyed this read immensely, and I think you will too!

5 out of 5 Regency Stars

Jane Austen and Children, by David Selwyn
Continuum International (2010)
Hardcover (256) pages
ISBN: 978-1847250414

© 2007 – 2011 Shelley DeWees, Austenprose

There Must be Murder, by Margaret C. Sullivan – A Review

There Must Be Murder, by Margaret C. Sullivan (2010)I was once told by an academic that Jane Austen’s Northanger Abbey was the least read of her six major novels. Shocking. I can’t think why; or why we even need to rank masterpieces among masterpieces. I adore it. I will admit that it was the last of her major novels that I read, so I may be proof to her pudding. Yes, the academic shall remain unnamed and duly forgotten; but Northanger Abbey should not.

I sincerely regretted waiting so long to read it. I laughed and rolled my eyes at the incredible skill of Austen at parodying Gothic romances, and for creating a hero, unlike any of her others, whose sense of humor and endearing charm make the über romantic icon Mr. Darcy dull in comparison to Mr. Tilney’s sparkling wit. Who, pray tell, could not love a man who loves a woman who thinks she cannot speak well enough to be unintelligible, or who thinks people who have no pleasure in a good novel are intolerably stupid? *swoon*

Northanger Abbey sequels are as scarce as a comely heiress. I can count them on one hand. There Must Be Murder, by Margaret C. Sullivan is a welcome addition to the slim collection. At 118 pages and twelve chapters it qualifies as a novella. I am not complaining. At all. I will take a Jane Austen sequel continuing the story after the wedding of our heroine in the making Catherine Morland and Austen’s most underrated hero Henry Tilney without hesitation, but with a wary eye. The story has a promising beginning. The tone is pleasing and the reverence to canon characters a relief.

We find Catherine and Henry comfortably settled as newlyweds at Woodston parsonage in Gloucestershire. Ever the thoughtful romantic, Henry proposes that they celebrate the anniversary of their first meeting in Bath with a visit to the city. Once there they are reunited with Henry’s sister Eleanor and introduced to her new husband Lord Whiting. Also in attendance at the Lower Rooms is Henry’s father the dour autocrat General Tilney, his recently widowed wealthy neighbor Lady Beauclerk, her twenty-seven year-old unmarried daughter Judith, and her husband’s nephew and heir Sir Philip Beauclerk. Catherine is happy to dance the night away, while family differences bubble and stew.

Illustration by Cassandra Chouinard in There Must Be Murder, by Margaret C. Sullivan (2010)As Henry and Catherine continue to enjoy the delights of Bath attractions, they begin to learn that there are suspicious circumstances involving the death of General Tilney’s neighbor Sir Arthur Beauclerk brought forward by his widowed sister Fanny Findlay. She believes his death had not been natural – and it appears that many in this unhappy family would benefit from his early demise. The suspects stack up like winter cordwood ready for the fire. Is it the wife, Lady Beauclerk, eager to be free of his miserly pocketbook?  The daughter, Miss Judith, squashed by parental oppression? The dissipated nephew, Sir Philip, prohibiting his uncle from changing the will? Or the sister, Mrs. Findlay, ready to bump off all the heirs in line before her to regain the family fortune? Catherine’s Gothic inspired imagination may serve her well as a detective, if Henry can temper her impulses and guide them to a logical conclusion.

There Must Be Murder had me hooked at Henry reading Udolpho, Anne Radcliffe’s classic Gothic novel, to his young bride in bed. Brilliant. It is exactly how I envisioned their marriage would continue: Henry romantically feeding his wife’s passion for a horrid novel and Catherine finding new insights from the text from his patient and humorous explanations. The story cleverly builds, slowly layering in new characters, revealing family conflicts, planting evidence. Along the way we revisit Milsom-street, Beechen Cliff, the Pump-room, Laura Place and all the highlights of Catherine’s first adventure in the beautiful Georgian-era city. Sullivan has captured the charm and endearing delight of Austen’s characters beautifully, added new ones rich in folly and nonsense, and a Newfoundland dog named MacGuffin who steals every scene. The numerous illustrations by Cassandra Chouinard are enchanting. My only disappointment was in the length. It was over much too quickly. Austen’s Henry Tilney would have been annoyed, claiming this shortcoming was “nice.”  We will agree.

4 out of 5 Regency Stars

There Must Be Murder, by Margaret C. Sullivan, illustrations by Cassandra Chouinard
LibriFiles Publishing (2010)
Trade paperback (118) pages
ISBN: 978-0615425870

© 2007 – 2010 Laurel Ann Nattress, Austenprose

The Perfect Bride for Mr. Darcy: Author Mary Lydon Simonsen’s Blog Tour

The Perfect Bride for Mr Darcy, by Mary Lydon Simonsen (2011)Please welcome Austenesque author Mary Lydon Simonsen on the first stop on her official blog tour today for her new Pride and Prejudice variation, The Perfect Bride for Mr. Darcy. This new novel released on New Year’s Day and my review was posted yesterday. After reading it, I was curious about Mary’s inspiration and choices that she made in expanding characters and changes to the original Austen storyline. She offers this blog in celebration of her book’s release, elaborating on her creative choices and insights that readers will find quite helpful.

Thank you, Laurel Ann, for inviting me to join you today to talk about my new book. As a long-time reader of your blog, I consider it to be an honor.

The first failed proposal – second thoughts and explanations…

The Perfect Bride for Mr. Darcy begins shortly after Darcy’s awful proposal to Elizabeth at Hunsford Lodge.  After parsing Darcy’s letter, Lizzy begins to have second thoughts about rejecting so worthy a suitor. As for Darcy, he quickly realizes that such a self-righteous, unfeeling response to Lizzy’s refusal probably closes the door to any renewal of his attentions. Between the letter and Lizzy’s harsh words, both parties leave Kent feeling that they will never come together. So that’s that. Right?

Fortunately, for our favorite couple, there are those who disagree. First, Anne De Bourgh, after realizing that Elizabeth is perfect for her cousin, sets a plan in motion to bring the two together at Pemberley. Along the way, she enlists the aid of an eager Georgiana Darcy.

When I first read Pride and Prejudice many years ago, I was about the age of Georgiana, and although I would have preferred to be more like the spunky Elizabeth Bennet, I was quiet and shy like Darcy’s sixteen-year-old sister. Because of that, I wanted to know more about her. I also thought that Anne de Bourgh got the short end of Austen’s pen. After all, she had to live with Lady Catherine and had to accept the fact that her mother had decided that she was destined to marry Mr. Darcy without having any say in the matter. Wasn’t that punishment enough? Little did I know that more than three decades later I would have an opportunity to stage an intervention with these characters. Continue reading “The Perfect Bride for Mr. Darcy: Author Mary Lydon Simonsen’s Blog Tour”

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