Follow Friday: Girlebooks

Girlebooks logoIf anyone hadn’t noticed, I love books! I work in a bookstore, I blog about books, a lot, and I have a household full of them. As a book reviewer, publishers and authors send me books weekly. I also buy *gasp* books, more than I would like to admit in this public forum. I have my special collection beautifully displayed in my ONE bookcase, stashes of them stuffed about the house, and boxes of them in storage. I am now maxed out on buying more physical books. Making me stop acquiring more books was not an option that I cared to even to contemplate. My solution was to buy a NOOK, Barnes & Noble’s nifty digital eReader. It has solved my space issues and also opened up even more possibilities of acquiring new books. Squee.

One great online source of digital books that I enjoy is Girlebooks, so I am selecting them as my Follow Friday this week. The “gals” Laura McDonald and Joyce McDonald  are experts at digital geeky stuff and offer many classics and some new authors too in a variety of digital formats. So who are Girlebooks and why are they so great? Here’s the low down from their website:

What is Girlebooks?
Much more than a simple ebook resource, Girlebooks aims to make classic and contemporary works by female writers available to a large audience through the ebook medium. The site was founded by Laura McDonald and her mom  Joyce McDonald with lots of help by volunteers and contributing bloggers.

Why books by women?
We love books by both men and women. However, if we may generalize, women’s most loved and re-read books are generally books by other women. The same is probably true for men. Also, as women authors were not always as celebrated and promoted as they are today, we are digging up many forgotten books that that we believe deserve a wider audience than they have. Continue reading “Follow Friday: Girlebooks”

Pride and Prejudice and Zombies: The Graphic Novel, adapted by Tony Lee and Illustrated by Cliff Richards – A Review

Pride and Prejudice and Zombies: The Graphic Novel, adapted by Tony Lee and Illustrated by Cliff Richards (2010)Guest review by Kimberly Denny-Ryder of Reflections of a Book Addict

Who would have ever thought that adding zombies to a classic novel like Pride and Prejudice would create the literary mash-up phenomenon? It started in 2009 when Seth Grahame-Smith took Jane Austen’s original work and mashed it together with flesh eating zombies. Pride and Prejudice and Zombies has since spawned a graphic novel, a prequel Pride and Prejudice and Zombies: Dawn of the Dreadfuls, soon to be released sequel Pride and Prejudice and Zombies: Dreadfully Ever After, and a movie adaptation is in production.

The storyline in the graphic novel edition has been adapted by Tony Lee from the Jane Austen and Seth Grahame-Smith original. Regency England has become overridden with zombies, or unmentionables, and Elizabeth Bennet and her four sisters have each been trained in the “deadly arts,” a combination of both ninja skills and martial arts training, to fight off the maraudring hordes. Due to their father’s previous training in the “deadly arts”, the Bennet sisters are well known for being the fiercest and bravest zombie warriors in the Meryton area.

Illustrations by Cliff Richards for Pride and Prejudice and Zombies: The Graphic Novel (2010)

Following the classic plot of Pride and Prejudice, Mr. Bingley, a single man in possession of a good fortune moves into the area sending the Bennet household into an uproar. Mrs. Bennet has five unmarried daughters and has designs upon him marrying one of them. Bingley is introduced along with his sisters and good friend Fitzwilliam Darcy to the Bennet family at a local Assembly ball.  Bingley dances several times with Jane Bennet, encouraging Darcy to enjoy the ball and dance with her younger sister Elizabeth. Darcy, not wanting to mix with the local gentry, tells Bingley that Elizabeth is “not handsome enough to tempt me.” Elizabeth overhears Darcy’s reaction and instantly decides that he is the most arrogant man she’s ever met and that she must kill him to revenge her honor. His life is saved only by the zombie attack that occurs at the ball. Elizabeth and her sisters save the townspeople by forming their pentagram of death and killing all of the attacking unmentionables. As Darcy sees them fighting, he notices Elizabeth’s stellar skills and begins to look at her in a different way.

Illustrations by Cliff Richards for Pride and Prejudice and Zombies: The Graphic Novel (2010)

Throughout the rest of their acquaintance in Meryton, Darcy continues to look at her more and more in a positive light and begins falling in love with her. This is all unbeknownst to Elizabeth who still looks upon Darcy with contempt. The plot continues to play out similarly to the original with Darcy separating Bingley from Jane due to her inappropriate family, cousin and heir to Longbourn Mr. Collins arriving, Elizabeth rejecting his proposal, Charlotte in turn accepting him, Elizabeth’s trip to Kent, and Darcy’s failed proposal to her, etc. The elements of Austen’s story are all still there, only the added in zombie-killing action sequences have been added.

While the illustrations in the graphic novel are well drawn, it was a bit confusing trying to figure out who was who. The artwork is in black and white, so in scenes with lots of dialogue, it was confusing to figure out who is saying what.  As the novel progresses however, it’s easier to follow since the character list drops to just major characters only. I would have liked to have seen color illustrations in this graphic novel edition. I think it would have brought a different element to the zombie attack scenes. The lack of color made me feel like I was reading a newspaper comic rather than a graphic novel.

Illustrations by Cliff Richards for Pride and Prejudice and Zombies: The Graphic Novel (2010)

The difficulty in following the character dialogue caused me to dislike the first half of the graphic novel. Once the plot picked up, and it was easier to follow the action, I found that I actually enjoyed it more. The mashed-up plot is an incredibly creative story that is a really interesting juxtaposition between ninjas, zombies, martial arts and Regency England. Pride and Prejudice and Zombies: the Graphic Novel is an imaginative way to get more people to read classic novels, albeit not in their original context. Regardless, it is still making people check out the classics, which is very exciting.

This book is definitely not for the Austen purists out there. The story is liberally changed to make Lizzy an intense warrior, Lady Catherine the foremost zombie killer in all of England, and Charlotte Lucas into an unmentionable, just to name a few. For those willing to see a creative change in Jane Austen’s classic work, check it out, but do prepared for some gory, bloody bits!

3 out of 5 Regency Stars

Pride and Prejudice and Zombies: The Graphic Novel, by Jane Austen, Seth Grahame-Smith, adapted by Tony Lee and illustrated by Cliff Richards
Random House Publishing Group (2010)
Paperback (176) pages
ISBN: 978-0345520685

2007 – 2011 Kimberly Denny-Ryder, Austenprose

Exclusive Preview and Excerpt from Wickham’s Diary, by Amanda Grange

Wickham's Diary, by Amanda Grange (2011)Launching on April 1st, Wickham’s Diary, Amanda Grange’s new novella inspired by Jane Austen’s bad boy enters this world on April Fools Day. We promise it is no joke, but indeed a treat. Renowned for her retellings of Austen’s classic stories from the heroes perspective: Mr. Darcy’s Diary (2007), Mr. Knightley’s Diary (2007), Captain Wentworth’s Diary (2008), Edmund Bertram’s Diary (2008), Colonel Brandon’s Diary (2009) and the soon to be released Henry Tilney’s Diary (31 May in the UK & 6 Dec in US), this is Grange’s first novel based on an Austen villain. It promises to be wickedly intriguing!

Jane Austen did not suffer fools gladly. We know by the end of Pride and Prejudice that her rakish cad George Wickham and the selfish, impetuous Lydia Bennet are married and shipped off to a Northumberland exile. Their eventual fate is quickly revealed in the concluding chapter of the novel.

Their manner of living, even when the restoration of peace dismissed them to a home, was unsettled in the extreme. They were always moving from place to place in quest of a cheap situation, and always spending more than they ought. His affection for her soon sunk into indifference: her’s lasted a little longer; and in spite of her youth and her manners, she retained all the claims to reputation which her marriage had given her.

Indeed a grim reward for such scandalous behavior. But how did Wickham, who was raised with the honorable Mr. Darcy, become so dissipated? Ms. Grange shares her insights into how she envisioned the events.

This prequel to Pride and Prejudice begins with George Wickham at age 12, handsome and charming but also acutely aware that his friend, Fitzwilliam Darcy, is rich, whilst he is poor. His mother encourages him to exercise his charm on the young Georgiana Darcy and Anne de Bourgh in the hopes of establishing a stable of wealthy social connections.

At university, Darcy and Wickham grow apart. Wickham is always drinking and wenching, whilst Darcy, who apparently has everything, is looking for something he cannot find. Wickham runs through the money Darcy gives him and then takes up with the scandalous Belle, a woman after Wickham’s own greedy, black heart.

Here is an exclusive excerpt from Wickham’s Diary selected by the author. Enjoy!

3rd July 1799

Whilst walking through the park today, who should I see but Belle! She was as delighted to see me as I was to see her and we went to an inn together. The day was so hot that we both ordered an ice.

‘And have you married your merchant?’ I asked her, as we began to eat. ‘You were going to find some rich husband and settle down the last time we met.’

‘No, I changed my mind. I couldn’t find any­one to suit me and in the end I decided that, anyway, it would not do. I am not cut out to be a wife. I have taken a salaried position instead.’

‘Ah, so you are some man’s mistress then. He is very lucky. I only wish I had more money, my dear, and I would snap you up myself.’

She laughed at me.

‘Pockets to let as usual, George?’

‘You know me too well,’ I said, turning them out so that she could see how empty they were.

She raised her eyebrows and went back to her ice, but after a minute or two she said seriously, ‘We’re both getting older, George, even you are not as young as you were. You ought to be thinking of settling down. Marriage is easier for a man, not as restraining. With your silver tongue you ought to be looking for an heiress to marry.’

‘I have been thinking in just the same way.’

She turned and looked at me appraisingly.

‘What is it?’ I asked.

‘Only this. That I am engaged to be a companion—’

‘A companion! I had no idea your salaried position would be so respectable,’ I said. ‘You will never keep it, Belle. You will not be able to hold your tongue when some old harridan starts telling you what to do.’

‘I’m not engaged to be a companion to an old harridan, but to a young girl—’

‘A young girl!’ I exclaimed. ‘You, Belle! Why, who would employ a woman like you to be a companion to a young girl—begging your par­don, but you know what I mean.’

‘Don’t worry, George, I know exactly what you mean. But you see my employer doesn’t know about my history, and who is going to tell him? You?’

‘No, of course not, but how did you come by such a post in the first place?’ I asked curi­ously, for I could not imagine any way in which it could happen.

She took another spoonful of ice and let it melt slowly on her tongue, then said, ‘I met an old school friend by chance in the circulating library. I went to an elegant seminary, you know, one of the best, a very respectable establishment it was, and frequented by some very good families. My family were respectable, God bless them, when they were alive. But when my parents died, shortly after I left the seminary, I had to fend for myself and—well, you know the rest. Well, I met this friend again, Amelia Campbell, and we exclaimed over the chance and then caught up on all the news, only my version of my history was, as you may well guess, a slightly altered one.’

‘Did she not suspect anything? Had she not heard anything of you in the meantime?’

‘No, not she. She had married a man in the diplomatic corps and so had spent many years abroad, and she and her husband had only just returned to this country. So she had heard nothing of my years in the demimonde. She saw what she expected to see: an old school friend, somewhat shabbily dressed but as respectable as ever. I quickly saw she could be of use to me, and so I spun her a tale about how I had mar­ried a wonderful man, how happy we had been until his tragic death in a carriage accident, my brave struggle to manage since his death, and my poor but respectable life. She, bless her, was full of sympathy and said she knew of an excellent position that might suit me, and before the week was out I was employed. So tomorrow I am to take up my new appointment and in a few weeks we are to go to Ramsgate, where my young lady is to spend the summer; her brother thinks it is too hot for her in London and he wants her to have the benefit of sea air.’

‘And you have a plan in mind?’ I asked her.

‘Yes, I have, George. This young woman is an heiress.’

I saw where her thoughts were tending and I began to take more interest in her story.

‘An heiress, under your influence,’ I said thoughtfully. ‘And she is to spend the sum­mer at a seaside resort, where she will not be watched very closely. She will be away from her family?’

‘She will. She will be there alone with me. She is an orphan,’ she said by way of explanation.

‘Better and better. If she is all alone in the world—’

‘Now, George, don’t be mean, I would rather have two.’

‘I will be the one running all the risks,’ I reminded her.

‘What risks?’ she said in derision. ‘There aren’t any risks.’

I pushed the ice away from me and leant forward.

‘Yes there are,’ I said. ‘If her brother finds out what I’m doing and calls me out, then it will be me looking down the wrong end of a pistol, not you, and if he is a good shot then it will be me taking the bullet.’

‘He will have to catch you first.’ She laughed and finished off her ice with one last lick of the spoon. ‘And how will he find out? By the time he learns that anything is amiss you will be half­way to Scotland.’

‘Scotland?’ The word brought me up short. ‘She is under age then?’

‘Yes. She is fifteen.’

‘That is very young,’ I said with a frown.

‘In England, yes, though in Scotland it is thought plenty old enough to be married and no parents’ or guardian’s consent needed, just two people who say they want to be wed. Then it’s a quick ceremony over the anvil and you’re legally man and wife—or perhaps I should say man and fortune!’ she added, laughing.

I joined in her laughter.

‘Man and fortune. I like that,’ I said. Then I became serious. ‘Now, how is the thing to be done?’

She thought. ‘You must meet us casually,’ she said at last. ‘A chance meeting, in the circulating library…’

‘No, not the library; there will be too many people there and too many curious glances. We should meet somewhere less crowded, whilst walking by the sea perhaps, somewhere well away from the main promenade, so that there will be very few people there. Then I can scrape an acquaintance—perhaps we have friends in common, or anyway I can at least pretend we have. What is her name?’

‘Darcy,’ she said.

© Amanda Grange, Wickham’s Diary, Sourcebooks (2011)

About the Author

Amanda Grange was born in Yorkshire, in the north of England. She spent her teenage years reading Jane Austen and Georgette Heyer whilst also finding time to study music at Nottingham University. She went on to be a teacher and then managed to fulfill her ambition to become a published writer. Amanda has had eighteen novels published including five (soon to be six!) Jane Austen retellings, which look at events from the heroes’ points of view. Amanda Grange now lives in Cheshire, where she spends half her life in the twenty-first century and the other half in the early nineteenth century.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Jane Austen and Children, by David Selwyn – A Review

Jane Austen and Children, by David Selwyn (2010)Guest review by Shelley DeWees – The Uprising

“Of the parents who survive [in Austen’s novels] only Catherine Morland’s and Charlotte Heywood’s are unexceptionable.  For the rest, Mrs. Dashwood is kind and loving but admits that she is imprudent.  Most of the others are foolish (Mrs. Bennet, Lady Middleton, Lady Bertram, Sir Walter Elliot), ill-judging (Mr. Bennet, Sir Thomas Bertram), weak (Mr. Woodhouse, Mary Musgrove), over-indulgent (Mrs. Thorpe), incapacitated by circumstances (The Prices, Mr. Watson), or downright poisonous (Mrs. Ferrars, Lady Susan).  They do not on the whole add up to an encouraging picture of parenthood, and in view of the fact that Jane Austen herself had exemplary parents, we can only assume that as an author she found that bad parents made for richer drama and better comedy than good ones.”

Those who are looking to take a gander at Jane Austen’s time with intense, academic vigor need look no further than Jane Austen and Children, the newest book by the great David Selwyn, a mammoth name in all things Jane Austen.  On top of acting as the Chairman of the Jane Austen Society, he’s contributed to the new Cambridge Edition of the Works of Jane Austen and also to the Cambridge Companion to Jane Austen. Long story short, this guy knows his stuff.

Jane Austen and Children is an expansive work, covering all aspects of the lives of children and their parents.  Selwyn opens with a description of pregnancy and birth practices in the 18th and 19th centuries, which every woman everywhere should be thankful she doesn’t have to endure, and continues with the portrayal of life as a new mother.  He then examines the world of the child as they grow…their clothes, toys, and games, as well as their probable sicknesses, punishments, and relationships with other children and their parents, all of which is seen through the eyes of Austen’s characters and Austen herself.  The book is extraordinarily well researched, and I found myself with my jaw on the table, staring at the dizzyingly long list of references Selwyn used, both published and unpublished.  Your head will positively swim when you see just how much work went into this book!  Quotes from letters, books, and papers grace nearly every page, sometimes to the point of oversaturation but mostly acting as an example of the standard Mr. Selwyn has employed, one that every researcher aspires to.  It’s truly remarkable!

The account of the relationships Jane Austen enjoyed with her nieces and nephews is particularly intriguing, and uses support from letters and notes penned by relatives I’d never ever heard of!  Another winning portion is an analysis of the bond between Fanny Price and her brother William, in contrast with that of Anne Elliot and her insipid sister, Elizabeth.  Selwyn also explores the cost of raising a child and their subsequent education, and enjoys a notable tangent into the life of a governess (with all its rather frightening variations).  The book is, as you would expect, a bit dry, but not so much that it’s unreadable, either as a cover-to-cover crash course or as a chapter-by-chapter reference guide.  The only noticeable flaw in Jane Austen and Children was the blatant absence of illustrations, the lack of which is only slightly alleviated by a laughable attempt on page 123.  The photos are poorly printed, predictable, and (dare I say) somewhat irrelevant to the topic at hand.  However, the book as a whole is an amazing piece of literature, phenomenally well-researched and more than enough to add another tick mark on David Selwyn’s list of amazing achievements.  It was a breath of fresh air in many senses and took me into an interesting state of mind…I’ll call it “geeking out.”  I wanted to think more, do more with Jane Austen’s characters.  I wanted to meet the people who were lucky enough to live around her, sitting on the floor as she reads the real Little Goody Two Shoes story.  I enjoyed this read immensely, and I think you will too!

5 out of 5 Regency Stars

Jane Austen and Children, by David Selwyn
Continuum International (2010)
Hardcover (256) pages
ISBN: 978-1847250414

© 2007 – 2011 Shelley DeWees, Austenprose

Young Master Darcy: A Lesson in Honour, by Pamela Aidan – A Review

Young Master Darcy: A Lesson in Honor, by Pamela Aidan (2010)Guest review by Kimberly Denny-Ryder of Reflections of a Book Addict

Have you ever finished reading Pride and Prejudice and wondered how Darcy became so filled with pride and conceit?  Now, you might find your answer. Pamela Aidan, author of the Fitzwilliam Darcy, Gentleman trilogy is back with Young Master Darcy, a novella focusing on Fitzwilliam Darcy’s youth.

Young Master Darcy introduces us to a thirteen year old Darcy returning to Pemberley for the holidays after his first semester at Eton.  Upon his return, his father calls him into his study to share with him the bad news that his mother’s health is failing and that in all probability she will not recover.  Mr. Darcy tells Fitzwilliam that he expects him to take the news as a gentleman of his stature should, and not let it affect his duties as “Master Darcy.”

Now, I must trust you with some distressing news-a blow, really-but you are a young man now, Fitzwilliam, and know what is expected of a gentleman in regard to misfortune.”

Darcy, distraught with grief, decides to take a morning ride out into the village of Lambton.  It is there that he meets a group of children his age practicing for a play they will be putting on in the town square the night before Christmas.  Darcy, anxious to escape the high expectations of his privileged life, decides to join them while lying about his true identity.  He finds great comfort in his new role as a commoner.  He begins leading a double life as common village boy by day and privileged gentleman by night.  With his cousin Richard (later known as Colonel Fitzwilliam) and family coming for the holidays he knows it’s not long until this double life is revealed.  Will he be able to perform in the Christmas play with no one knowing, or he will his parents discover where he’s been spending all of his time and punish him?

Aidan has possibly created a new Jane Austen fan fiction trend in starting to delve into who these characters where in their youth.  Just the idea of reading about Darcy, before his pride and arrogance took hold, was appealing to me. However, despite my original excitement, the novella did fall a little short.

The most confusing part was the weaving of Darcy’s two lives.  On one side you have Darcy just wanting to act like a typical thirteen year old boy.  He wants playmates and friends that are his age and accept him not for his money, but for his personality.  On the other side you have “Master Darcy” living a lavish life with much expected of him.  It was this side that was a bit hard to believe.  It’s difficult to imagine that a boy who has been living such a privileged life for thirteen years does not know how to request a bath to be drawn, or the proper way to announce his plans for the day, as well as acting shy in front of the servants.  I found all of these things to require a bit too much of a stretch of my imagination.

We know from Pride and Prejudice that Darcy learns the ways of being a gentleman from his parents.  In this novella however, it’s the staff that are teaching him.  They coach him on the proper way to request things, and at one point tell him that he should send his compliments to his mother.  The character of “gentleman” Darcy was just too bizarre for me to accept.

On a more positive note, the storyline of the book is its best attribute.  There is a quote in Pride and Prejudice that seems to be where certain aspects of the storyline are drawn from:

I was spoilt by my parents, who, though good themselves (my father, particularly, all that was benevolent and amiable), allowed, encouraged, almost taught me to be selfish and overbearing; to care for none beyond my own family circle; to think meanly of all the rest of the world; to wish at least to think meanly of their sense and worth compared with my own.

Darcy has multiple conversations with his mother where she stresses to him the importance of marrying someone of their own social class, as well as what will be expected of him and Georgiana as they mature.  This was very intriguing as we begin to see how Darcy became the man we are later introduced to in Pride and Prejudice.  Intriguingly, the ending of the novella seems to be the catalyst that cements Darcy’s ultimate future personality.

Pamela Aidan continues to excel at period details, characterization and language. Young Master Darcy is an interesting experiment in the exploration of our favorite Austen characters childhood. At 122 pages, it is short and sweet and I do encourage you to read it. It will be interesting to watch the world of Austen fan fiction to see if she has created a new trend in prequels.

3 out of 5 Regency Stars

Young Master Darcy: A Lesson in Honour, by Pamela Aidan
Wytherngate Press (2010)
Trade paperback (122) pages
ISBN: 978-0983103103

© 2007 – 2011 Kimberly Denny-Ryder, Austenprose

Follow Friday: The Jane Austen Twitter Project

Jane Austen Twitter Project banner

Would you like to be part of a new Jane Austen story developing on Twitter? Join the Jane Austen Twitter project in progress.

This has to be a first for Twitter! We’re planning a completely new experiment in creative collaboration, and would love you to get involved. The idea is to work together to write a whole new Jane Austen-style story, with a plot chosen on Twitter, developed on Twitter, and published on Twitter.

Hosted by Murder at Mansfield Park author Lynn Shepherd @GhostingAusten and Adam Spunberg @AdamSpunberg, check out the stories in progress and join in the fun!

The Jane Austen Twitter Project blog

© 2007 – 2011 Laurel Ann Nattress, Austenprose

The Countess and the King, by Susan Holloway Scott – A Review

The Countess and the King, by Susan Holloway Scott (2010)Guest review by Shelley DeWees – The Uprising

“I deftly slipped free as soon as I could with a pretty, breathless show of resistance, enough to make him smile as he let me return to the ball. Seduction was better played in several acts, and we both knew it.  But that single kiss had excited me mightily. I’d tasted the power of royalty in it, and of a man who was accustomed to having whatever he wanted. Yet I’d power, too, because what he wanted was me, exactly as I was and without any regard for my fortune.  Was there any more heady realization than that?”

Thus, the big question of Catherine Sedley’s life begins to rage inside her. How can a woman be in love and still keep a hold of what’s hers? Raised to be willful and sharp-tongued by a father who participated in endless royal frivolity, a marriage contract for Catherine would mean a huge loss of wealth and freedom. So, despite the wishes of her father and the questionable morality of mistresshood, she decides to forsake that silly marriage idea in favor of becoming a professional bedfellow…a lowly station indeed in most situations. However, her situation is different.

Born in 1657 to an 18-year-old fledgling playwright, Catherine Sedley was never a pretty girl.  Too thin, too small-chested, too pale, she learned quickly to distinguish herself from the sea of bedecked beauties with her clever humor and outspoken manner. Her mother had lost her mind and her father, being highly favored by King Charles II, was involved in a constant cycle of partying, recovering, and preparing to party again. Left to her own devices and without much direction from schooling, it was only a matter of time before Catherine joined in the royal debauchery. She learned the ropes, met the important figures, and began to impress the highest ranks of people with her unguarded intellect.  So it was that she attracted the gaze of the king’s brother, the Duke of York, and eventually became his most favored coital co-hort.

Huzzah! What an exalted position!  It was better than being some rich guy’s wife, and way better than living a life of spinsterhood. Each day was a veritable fountain of finery for Catherine, and she lived a life removed from the bonds of royal matrimony…no pressure to produce an heir, no need to be presented as a paradigm of good principles, no reason to uphold the honor and integrity that the bonds of marriage were supposed to represent.  She lived like this for several years, standing by her man as he ascends to become King of England himself. He put her up in her own place, gave her a large allowance by which to support herself and their daughter, and continued to care for her even as his own circumstances were in question. It wasn’t so bad.

This is the story of Catherine Sedley, Countess of Dorchester as told by Susan Holloway Scott in The Countess and the King. It’s a wonderful book, impeccably researched and extremely well written. The vocabulary is delicious, the imagery beautifully detailed, and the characters are full of depth and intrigue, all of which combine to successfully breathe life into this dusty ‘ol narrative that, if it hadn’t been so skillfully crafted, could’ve been as sleepy as a little kid in the back of a car. Ms. Scott weaves a fantastic example of historical fiction and romance, intertwined with life in 17th-century England and its constant trouble with religion. Should the kingdom be Catholic?  How about Anglican? What about our allies…what religion are they? Round and round it goes, bouncing back and forth between the two royal brothers, King Charles and the Duke of York, who each have a foot in a different pool. This battle of spirituality is explored exhaustively, so much that I found the last half of the book to drag a bit. But in the larger sense, The Countess and the King was an enjoyable romp through the palaces of English royalty, a naughty little glimpse behind the bedroom doors of those who made history, and most definitely an educational look at the plight of women. I think you’ll like it.

4 out of 5 Stars

The Countess and the King: A Novel of the Countess of Dorchester and King James II, by Susan Holloway Scott
Penguin Group (2010)
Trade paperback (400) pages
ISBN: 978-0451231154

© 2007 – 2010 Shelley Dewees, Austenprose

There Must be Murder, by Margaret C. Sullivan – A Review

There Must Be Murder, by Margaret C. Sullivan (2010)I was once told by an academic that Jane Austen’s Northanger Abbey was the least read of her six major novels. Shocking. I can’t think why; or why we even need to rank masterpieces among masterpieces. I adore it. I will admit that it was the last of her major novels that I read, so I may be proof to her pudding. Yes, the academic shall remain unnamed and duly forgotten; but Northanger Abbey should not.

I sincerely regretted waiting so long to read it. I laughed and rolled my eyes at the incredible skill of Austen at parodying Gothic romances, and for creating a hero, unlike any of her others, whose sense of humor and endearing charm make the über romantic icon Mr. Darcy dull in comparison to Mr. Tilney’s sparkling wit. Who, pray tell, could not love a man who loves a woman who thinks she cannot speak well enough to be unintelligible, or who thinks people who have no pleasure in a good novel are intolerably stupid? *swoon*

Northanger Abbey sequels are as scarce as a comely heiress. I can count them on one hand. There Must Be Murder, by Margaret C. Sullivan is a welcome addition to the slim collection. At 118 pages and twelve chapters it qualifies as a novella. I am not complaining. At all. I will take a Jane Austen sequel continuing the story after the wedding of our heroine in the making Catherine Morland and Austen’s most underrated hero Henry Tilney without hesitation, but with a wary eye. The story has a promising beginning. The tone is pleasing and the reverence to canon characters a relief.

We find Catherine and Henry comfortably settled as newlyweds at Woodston parsonage in Gloucestershire. Ever the thoughtful romantic, Henry proposes that they celebrate the anniversary of their first meeting in Bath with a visit to the city. Once there they are reunited with Henry’s sister Eleanor and introduced to her new husband Lord Whiting. Also in attendance at the Lower Rooms is Henry’s father the dour autocrat General Tilney, his recently widowed wealthy neighbor Lady Beauclerk, her twenty-seven year-old unmarried daughter Judith, and her husband’s nephew and heir Sir Philip Beauclerk. Catherine is happy to dance the night away, while family differences bubble and stew.

Illustration by Cassandra Chouinard in There Must Be Murder, by Margaret C. Sullivan (2010)As Henry and Catherine continue to enjoy the delights of Bath attractions, they begin to learn that there are suspicious circumstances involving the death of General Tilney’s neighbor Sir Arthur Beauclerk brought forward by his widowed sister Fanny Findlay. She believes his death had not been natural – and it appears that many in this unhappy family would benefit from his early demise. The suspects stack up like winter cordwood ready for the fire. Is it the wife, Lady Beauclerk, eager to be free of his miserly pocketbook?  The daughter, Miss Judith, squashed by parental oppression? The dissipated nephew, Sir Philip, prohibiting his uncle from changing the will? Or the sister, Mrs. Findlay, ready to bump off all the heirs in line before her to regain the family fortune? Catherine’s Gothic inspired imagination may serve her well as a detective, if Henry can temper her impulses and guide them to a logical conclusion.

There Must Be Murder had me hooked at Henry reading Udolpho, Anne Radcliffe’s classic Gothic novel, to his young bride in bed. Brilliant. It is exactly how I envisioned their marriage would continue: Henry romantically feeding his wife’s passion for a horrid novel and Catherine finding new insights from the text from his patient and humorous explanations. The story cleverly builds, slowly layering in new characters, revealing family conflicts, planting evidence. Along the way we revisit Milsom-street, Beechen Cliff, the Pump-room, Laura Place and all the highlights of Catherine’s first adventure in the beautiful Georgian-era city. Sullivan has captured the charm and endearing delight of Austen’s characters beautifully, added new ones rich in folly and nonsense, and a Newfoundland dog named MacGuffin who steals every scene. The numerous illustrations by Cassandra Chouinard are enchanting. My only disappointment was in the length. It was over much too quickly. Austen’s Henry Tilney would have been annoyed, claiming this shortcoming was “nice.”  We will agree.

4 out of 5 Regency Stars

There Must Be Murder, by Margaret C. Sullivan, illustrations by Cassandra Chouinard
LibriFiles Publishing (2010)
Trade paperback (118) pages
ISBN: 978-0615425870

© 2007 – 2010 Laurel Ann Nattress, Austenprose

My Dear Charlotte, by Hazel Holt – A Review

My Dear Charlotte, by Hazel Holt (2009)Guest review by Shelley DeWees – The Uprising

“When I began to write a mystery story set in the early 1800’s in the form of a series of letters, I thought a splendid way to give it authenticity might be to interweave those of my heroine with the letters written by Jane Austen. Fully aware that this was a truly presumptuous thing to do, nevertheless I have plundered that treasure house—a most enjoyable occupation.” Hazel Holt, Author’s Note

The book positively reeks of academic and literary esteem. Written by the great Hazel Holt, who is known far and wide for her Mrs. Malory mystery series, My Dear Charlotte had all the appearances and praise of a work of one seriously admired author. It boasts a beautiful cover and spectacular printing, but, more impressively, also includes a raving introduction by Jan Fergus, a noted and appreciated literary scholar from Lehigh University. By the time you’ve flipped through the first few pages, you’ll begin to think, “Wow.  This is gonna be good.” And to some extent, you’d be right.

It’s no small challenge to weave pieces and parts of Austen’s letters into those of a protagonist with dignity. Ms. Holt was aware of the precarious nature of this experiment and likened it to borrowing an “expensive and powerful car that is thrilling to drive, but you’re terrified of breaking it.” She doesn’t break it, crash it, or even dent it. No dust on the paint, no mud on the floor. No bugs on the windshield, even. The car is returned in pristine condition, perhaps even looking a little better than it did before in its freshly-driven state, beautiful in its revitalized modernity.

Indeed, the structure of the novel was brought about carefully and with the good judgment of a seasoned author, but seemingly without much regard for the actual story. Under normal circumstances, Hazel Holt is capable of fantastic edge-of-your-seat mystery writing, portraying the kind of suspense that makes you cringe in your bed, huddled under dim lighting in the wee hours of the morning. Her writing isn’t usually the kind you can fall asleep to, and certainly not the kind that stagnates or wears out.  So, you can imagine my surprise when I found myself wondering where the shadowy, intoxicating mystery had run off to as I slumped against my pillows. What gives?

The story is told through the eyes of Elinor Cowper who writes unendingly to her sister, the “Dear Charlotte” of the novel. Charlotte is away visiting relatives and wishes to stay apprised of all the details of home, even those that a third-party reader could never care about. Fabrics and fashions, gossip and bonnets are talked about at great length, first inspiring the reader’s interest and gradually arousing annoyance. The constant presence of mundane minutiae doesn’t diminish, even after the untimely death of one of Miss Cowper’s neighbors, Mrs. Woodstock. Elinor is soon engaged by the justice of the peace, Sir Edward Hampton, to assist in solving the mystery after she innocently discovered a few clues, and she sets out to glean more information. Sir Edward also happens to live next door in this inordinately interesting neighborhood, along with a beautiful highly-sought maiden and her two potential suitors, the tension of which surrounds the mystery of Mrs. Woodstock’s death. Suspicions are raised, suspects are investigated, relationships are built and torn asunder, and people are eliminated all through the window of a tête-à-tête between sisters and snippets from Jane Austen’s letters. What results is an over-blown academic exercise that lacks meaningful settings, strong characters, or passionate musings by anyone except Elinor.  It’s disappointing and even a bit tiresome.

That’s not to say the story didn’t have promise, because it most certainly did! The decision to write it in letter format was the major blunder, every other shortcoming being symptomatic of that resolution, admirable though it was. Ms. Holt is talented and progressive, slightly sarcastic, and even hilarious at times, but My Dear Charlotte, despite its charming moments, is a departure from her usual genius and is less than marvelous. Enjoy it simply as another glimpse of Regency England, another depiction of the loveable Jane Austen and her world, another sweet taste of Janeite brain candy, but nothing more.

3 out 5 Regency Stars

My Dear Charlotte, by Hazel Holt
Coffetown Press (2009)
Trade paperback (202) pages
ISBN: 978-1603810401

© 2007 – 2011 Shelley DeWees, Austenprose

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