From the desk of Sophia Rose:
Jane Austen’s Persuasion gets a modern facelift Desi-style in this standalone sequel to Sonali Dev’s 2019, Pride, Prejudice and Other Flavors, as Indian American chef, Ashna Raje, and Brazilian footballer, Rico Silva, encounter each other once again as acrimonious cooking partners on a reality TV show. I love that the author has cooked up a series of modern retellings of Jane Austen’s classic works by giving members of the Raje family their chances at romance.
In Recipe for Persuasion Ashna’s family is convinced a reality cooking show is just the jumpstart her dying restaurant needs and she is willing to do anything to preserve this last bit of her father who opened the restaurant.
As a pro footballer at the top of his game, Rico thought he had moved on from Ashna’s rejection. That is until he is injured badly and yet another relationship didn’t work out. He decides he has to do something about not being over his teenage love so signs onto the show to be Ashna’s partner. He vents his long-smoldering anger, but also understands as an adult what his teenage self couldn’t when he learns the true state of Ashna’s affairs. Understanding her leads to an understanding of the past.
Ashna had a difficult childhood. Her father, a prince, was forced out of India for some trouble he got into and lost the lifestyle he was accustomed to making him a bitter, angry man. Her parents were stuck in a loveless marriage where abuse and alcoholism were rife and Ashna was physically abandoned by her mother while the remaining parent’s issues were just as unhealthy for her so that, even after his death, she works to please a father who was never going to be pleased.
It was his dream to go to Paris and become a superb chef which she did for him and she now can’t even create her own dishes without bringing on an anxiety attack. She can only keep his restaurant just as he had it and cook only his dishes which is why the restaurant is failing. Others see it and she refuses to heed them because honoring her father is all she has left. Into this situation steps the boy become man from her past and she hasn’t gotten over him. Continue reading
From the desk of Pamela Mingle:
Reading a Julia Quinn novel is like spending time with an old friend. The relationship is comfortable, contented, not too demanding. Her latest, First Comes Scandal: A Bridgerton Sequel, is the story of Georgiana Bridgerton (sister of the doomed Edmund) and Nicholas Rokesbury. Their families are neighbors and longtime friends.
The book opens with Nicholas, who has received an urgent message from his father to come home immediately. This is inconvenient, since he’s a medical student in Edinburgh, and his family lives in Kent. His father didn’t give an explanation, and Nicholas is missing lectures and examinations to make the journey. Once there, his parents ask him—although it’s more like an order—to offer for Georgiana Bridgerton. It seems she was kidnapped by a suitor, who attempted to take her to Gretna Green to elope. She kicked him in a most sensitive place, tied him up, and with the help of a young Lady Dansbury (a fixture in the Bridgerton novels), made her escape. But alas, the damage is done. In the eyes of Society, she’s ruined.
Though sorry for Georgie, Nicholas is angry that his parents expect him to make this sacrifice. How can he finish medical school with a wife? And “It would be like marrying my sister,” he argues. He excels at his studies and “is his own man in Edinburgh.” He doesn’t refuse outright, however, and after sitting next to Georgiana at a dinner party, he begins to appreciate her wit and cleverness, not to speak of her enticing womanly qualities. Nicholas makes up his mind to propose. After all, he can’t leave a dear friend in such dire straits. Continue reading
From the desk of Kimberly Denny-Ryder:
I’ve always been a sucker for dark and brooding men in romance novels (hello Mr. Darcy!) One trait that seems to go along well with these types of characters is that they are loners in their own right. Yes, they may have friends and family around them, but their internal isolation is the first thing that they must overcome before they take on a new romantic interest. I find this struggle quite interesting and therefore was excited to read The Loner by Kate Moore, which stars a loner much in the same predicament.
Will Sloan is a loner with a tough upbringing, coming from nothing and making a name for himself. His mother was a waitress and his father was a rodeo cowboy, killed in a tragic accident in the ring. The former scholarship student is now a wealthy tech entrepreneur, with a net worth in the billion-dollar-plus range. By all conventional accounts, he shouldn’t have any shortage of friends, yet he still finds himself adrift amongst the party atmosphere of L.A., while his so-called friends urge him to get out and find Mrs. Right. He decides to attend his high school reunion on a whim in order to get out of this funk, and that’s when it happens: he sees Annie again. Continue reading
From the desk of Kimberly Denny-Ryder:
We all make first impressions. Every time we meet a stranger we immediately form an initial opinion, whether it be good, bad, objective, subjective, or any other form. Sometimes, after meeting this person, his/her actions fall so far opposite to your initial impression that it simply astounds you. I myself am guilty of developing a wrong first impression. When I first met my husband, I felt he was a bit odd. Yet here we are, still blissfully happy after 9 years! Anyway, back to wrong first impressions. Such was the case with Beth Pride in Pride’s Prejudice by Misty Dawn Pulsipher, who after seeing a handsome man at a benefit auction soon realized he was, in fact, an arrogant and selfish idiot. Does her original assessment do William Darcy justice? First, some backstory:
At the Hartford College Children’s Benefit Auction, a chance to dance with Beth, along with other women in attendance, is auctioned off. Dejected after no one bids on her, her hopes are lifted when Darcy steps forward, only to be crushed shortly thereafter when he pays the bid and leaves her, telling her he only felt sorry for her. She then decides to never speak to this man again, but sadly her plans are foiled when her roommate Jenna begins to date Darcy’s best friend, Les. While they are again thrust into each other’s company, Beth continues to try and keep up her hatred of Darcy, but his looks and surprising banter make a serious attempt at breaking down that wall. She begins to rethink her original assessment of Darcy but doesn’t want to fall for this handsome man a second time without seriously thinking it through. Will Beth’s pride (no pun intended) keep her from letting her true feelings out, or can she learn to trust this man who she up until recently has sworn off?
When I first started reading this novel, the writing voice was a bit odd. The book changes tenses from using pronouns to describe the characters to using their names. After a few chapters, however, this change seemed to be for the better and became permanent, and I began to become more involved in the story. One of my favorite aspects of Pulsipher’s story is that she was able to take events that would be difficult to translate now (i.e. Jane can’t leave Netherfield Park due to her cold) and believably contemporize them. For example, the above storyline turned into a sprained ankle on a camping trip that kept all of the characters in a centralized location due to a mudslide on a mountain. Continue reading
Dear Mr. Frame:
I recently read Havisham, your prequel and retelling of Charles Dickens Great Expectations, one of my favorite Victorian novels. Your choice to expand the back story of the minor character Miss Havisham, the most infamous misandry in literary history, was brilliant. Jilted at the altar she was humiliated and heartbroken, living the rest of her days in her tattered white wedding dress in the decaying family mansion, Satis House. Few female characters have left such a chilling impression on me. I was eager to discover your interpretation of how her early life formed her personality and set those tragic events into motion.
Dickens gave you a fabulous character to work with. (spoilers ahead) Born in Kent in the late eighteenth-century, Catherine’s mother died in childbirth leaving her father, a wealthy brewer, to dote upon his only child. Using his money to move her up the social ladder she is educated with aristocrats where she learns about literature, art, languages and the first disappointments of love. In London, she meets and is wooed by the charismatic Charles Compeyson. Family secrets surface in the form of her dissipated half-brother Arthur, the child of a hidden marriage of her father to their cook. Her ailing father knows his son has no interest in his prospering business and trains his clever young daughter. After his death, the inevitable clash occurs between the siblings over money and power. Challenged as a young woman running a business in a man’s world, Catherine struggles until Charles reappears charming his way into her service and her heart. About two-thirds of the way through the novel the events of Great Expectations surface. Charles abandons her on their wedding day and she sinks into depression. Continue reading
From the desk of Kimberly Denny-Ryder:
I must say, out of all of the derivatives of Pride and Prejudice variations that exist in this realm (yes, also including the erotica variety), I never thought I’d come across a steampunk version. When one thinks of steampunk, one envisions gears, motors, and mechanical technology that are as far removed from the refined halls of Pemberley as one can get. However, such is the beauty of the Pride and Prejudice variation subgenre: anything that can connect to the original work, no matter how slight it may be. It is up to the reader to decide whether or not such a connection was warranted in the first place! So, it’s no surprise that I was quite intrigued when given the chance to review Steampunk Darcy by Monica Fairview. I just had to know how such juxtaposition would work out.
William Darcy has a special fondness for his ancestors, the very real Mr. and Mrs. Fitzwilliam Darcy of Pemberley. Although it has been many years since they lived, Mr. Darcy comes upon a unique opportunity to immortalize their beloved Pemberley as it once was after the current version of it was destroyed during a great uprising. Now, the world that has arisen from these ashes is that of a steampunk variety, and Darcy’s Pemberley is a blank canvas he can work with to restore its former glory. He hires Seraphene Grant, an expert in restoration (who also happens to own a blimp-like airship), in order to assist with the project. Although his intentions seem genuine, Seraphene is cautious towards Darcy’s actions, and she intends to steer clear of anything that isn’t strictly related to the project. Will she be able to hold back in this new world or will Darcy’s mix of tradition and steampunk creativity get the best of her?
I have to admit, this book started off really slowly. However, at the expense of plot advancement, Fairview took a lot of time to build a wonderful steampunk world which drew me in immediately. Fairview’s descriptions of this world, which in and of itself could have been its own novel, were definitely on point. The beautiful combination of industrial age technology (the “steam” references the steam-powered engines which were the workhorse of this era) and the sci-fi aspects of this dystopic world were amazing. I love how the theme also adds Victorian-era flair, making the world even more magical. Unfortunately, the inventiveness of the steampunk environment could only keep me entertained for so long. I was slightly confused by some early portions of the work, as the characters mention the Uprising and past events that occurred before the book’s plot in detail. I felt as if I was reading the second book in a series that I had not originally started. This created a disconnect that took a few chapters to get over and get back into the swing of things. The Hunger Games and For Darkness Shows the Stars (other dystopic novels I have read) gave the reader a description of events (fairly early on) that led to the novels’ worlds becoming dystopic. I think had Fairview expanded upon the Uprising and the need for Citiships and biodomes, and where slime rain came from, I would have been more able to ease into the plot of the story. So much is unknown to the reader but known to the characters that it creates a divide. Continue reading
From the desk of Veronica Ibarra
As if reading about the continued lives of our favorite characters from Pride and Prejudice and that of their children is not fascinating enough, send one Georgiana Bingley to seminary in France, throw in a murder with the rumor of a werewolf, and you potentially have something quite interesting. Such is Marsha Altman’s Georgiana and the Wolf, the sixth installment of her Pride and Prejudice Continues series. If you have not read any of the previous books then you are in luck as this one, though connected via Georgiana, can stand on its own without any confusion that reading a series out of order can cause.
Inspector Robert Audley has been pulled off a case in Paris and ordered to a small country town where the Marquis de Maret is rumored to be a werewolf and a murderer. With his engagement to Lady Heather Littlefield threatened by these rumors the marquis is eager for Inspector Audley to put an end to them. But things quickly become complicated as “the famed inspector of Paris” Audley uncovers a tangled web of clues that point to not one but two killers as more are found dead, and finds that Lady Littlefield’s companion Georgiana Bingley seems to be far more adept at gathering information than he.
Georgiana Bingley is the daughter of Charles Bingley and Jane Bennet, but little is made of this. All that is familiar to the avid Austen fan goes largely by the wayside because even though Georgiana is central to the story, where she comes from, who her family is, and any dowry attached to her is of little significance to this story.
The main character of this tale is Inspector Audley. It is through his eyes (and thoughts) that we are led through his investigation and distraction. Because of this we are kept focused on the case, but even as Audley finds the case baffling, it is clear that his distraction is the only thing really keeping him from solving the case. Though the particulars were interesting enough to keep me reading, I did not find myself baffled by it in the least. Continue reading