From the desk of Ruth Anderson:
Jane Austen’s unparalleled wit, biting social commentary, and sharply-drawn characters have transformed works that were once private scribblings, shared only with family, to classics beloved the world over. For the spinster daughter of a clergyman, Jane Austen’s work has proven to have a remarkable staying power, the unforgettable characters and storylines having been indelibly imprinted on the public consciousness, giving rise to a wide array of interpretations – from stage plays to films – as well as sequels or spin-offs. When I was approached with the opportunity to review Charlie Lovett’s First Impressions, I was simultaneously intrigued and wary, as it promised to address the creation of two of my most beloved characters in all of literature – Elizabeth Bennet and Fitzwilliam Darcy from Pride and Prejudice.
Happily, Lovett’s charming sophomore effort won me over on all counts. This is both a loving homage to the enduring power and appeal of Austen’s stories and the passion that her works inspire, but the power of story. Bibliophiles of the type featured within these pages such as Lovett’s heroine Sophie are uniquely wired to grasp the inherent power and potential of words, and of how stories can forge connections across time and experience, knitting together authors and those who love their words in a community of common ground birthed from the shared reading experience, no matter how varied the respective interpretation. Continue reading
From the desk of Laurel Ann Nattress:
A new Pink Carnation novel is always the highlight of my reading season, though the anticipation for The Mark of the Midnight Manzanilla was stifling. How could Lauren Willig’s eleventh addition equal or surpass her previous highly-successful novels seeped in Napoleonic spies, romance and burlesque comedy? Yes, comedy. They say “dying is easy; comedy is hard” and it is so true. There are few authors in the genre who will even attempt it. Willig excels.
One of the main reasons I enjoy the “Pink” series so much (besides the humor) is that they take me back to Regency England, and the characters are SO original. Willig started the series in 2004 with The Secret History of the Pink Carnation. Each successive novel features a new set of protagonists: a romantic couple thrown together by mystery, espionage, and love. After ten novels I have never been disappointed.
Set in 1806 London, The Mark of the Midnight Manzanilla re-introduces us to the three young Misses from Miss Climpson’s Select Seminary for Young Ladies in Bath, brought together in the seventh novel, The Mischief of the Mistletoe: Miss Sally Fitzhugh, Miss Agnes Wooliston and Miss Lizzy Reid. They are in Town for the Season, chaperoned by Lord and Lady Vaughn whose next-door neighbor is reported to be a vampire. Yes, vampires are all the rage in London at the moment due to Lizzy Reid’s step-mother’s best-selling novel The Convent of Orsino. No one is above suspicion, especially aristocrats. Continue reading
From the desk of Christina Boyd:
After a successful divergence from her Napoleonic spy romances of the Pink Carnation series with the post-Edwardian The Ashford Affair, New York Times bestselling author Lauren Willig again embarks on another stand-alone narrative. Entangling one generation with the past is Willig’s trademark, and That Summer is of modern-day Julia Conley as well as her ancestors in 1849.
In 2009, motherless Julia inherits an old family house in England from a great Aunt Regina Ashe, a woman she cannot even recall. One of the recently unemployed in the recession, she travels from New York City to Herne Hill, a district south of London, to view her inheritance and unload it as quickly as possible. Upon arrival, she meets her exceedingly obliging and maybe even presumptuous cousin, Natalie, who eagerly volunteers to help sort the old mansion and later even brings along the fine Nicholas Dorrington, if the somewhat taciturn antique dealer, to value the lot. Although they jest concerning hidden treasures, Julia cannot but wonder if in fact there might be some sort of riches her relations hope to unearth beneath the years of dust, dank oddments, and papers. But what she had not expected was to exhume memories of her childhood.
“Julia’s hand was on the knob of the door before she realized that she had retreated, step by step, ready to duck out and shut the door. She laughed shakily. Great. Metaphor made action. Her English professors in college would have loved that. Shut the door and shut the door. Just like she had been shutting the door all these years. Julia’s knuckles were white against the old brass doorknob. This was insane. Insane. What was she so afraid of? What was she so afraid of remembering? Maybe she was just afraid she would miss her. Her mother.” (87)
From the desk of Christina Boyd
Acclaimed author Lauren Willig’s latest offering, The Passion of the Purple Plumeria, is the tenth novel in her New York Times bestselling Pink Carnation series. This historical romance series of Napoleonic era English spies, that fight for Britain and for love, is constructed within a modern-day love story, told from the point of view of the American grad student Eloise Kelly who is writing her dissertation on the true identity of the Pink Carnation, the master British spy of the time.
In Purple Plumeria, (those of us who have been previously “Pinked,” often refer to the novels by the abbreviated Flower title…), the handsome Colonel William Reid, who we first encountered in Blood Lily (The Betrayal of the Blood Lily) has returned to his daughters in England from a lifelong military career in India only to discover his youngest has recently disappeared from boarding school with one of her classmates. Soon we learn the other missing student is Agnes Wooliston, the sister of British spymaster, errr, ehm, spymistress, the Pink Carnation – generally known as Miss Jane Wooliston – recalling her home from Paris to England. And where Miss Wooliston goes, so goes her caustically witty and straight-laced companion, and adroit, clever, a parasol-wielding agent of the War Office, Miss Gwendolyn Meadows. While conducting an interview with the headmistress, they meet the aforementioned comely, charming Colonel.
Gwen didn’t like any of this. She didn’t like it one bit. All her instincts, well honed over years of midnight raids, were shouting “trouble.” How much of the trouble was coming from the situation and how much from a certain sun-bronzed colonel was a matter for debate. Bad enough that Agnes had gone missing; worse yet to have to deal with the parent of the other girl, poking his nose in—however attractive a nose it might be—and posing questions that might prove inconvenient for everyone. And by everyone, she meant the Pink Carnation. p. 55
We can only imagine what life would have been like in the great Georgian resort town of Bath, England circa 1800. There are vintage illustrations of buildings, maps of the winding streets, and descriptions from travelers and writers of the time to help us visualize. And then there is the Bath that we know of from Jane Austen’s two novels: Persuasion and Northanger Abbey. Her characters visit the famous pump-room, dance at the Lower Assembly Rooms, climb that noble hill Beechen Cliff, and propose on the gravel walk. We can visit this enchanting town today and still see much of what Austen experienced, but what if there was a way to be magically transported back in time to discover that Jane Austen is your next-door neighbor and her dashing younger brother, Lieutenant Charles Austen, is home on leave from his duties with the Royal Naval? Would you take that journey through time no matter what the unknown risk?
Sophie Elliot, the heroine of Jane Odiwe’s new Austen-inspired novel Searching for Captain Wentworth, unknowingly faces this dilemma the first time she is transported two hundred years into the past through a magical glove once owned by Lt. Austen. Sound fantastical? Well, yes it would to any skeptic, including myself. Recent movies such as Lost in Austen and the Austen Addict book series: Confessions of a Jane Austen Addict and Rude Awakenings of a Jane Austen Addict have softened my resolve. I enjoyed both the mini-series and the novels so much that “suspending my disbelief” and considering that anything is possible (in fiction and in life) opened up a whole new genre to me. Odiwe has created a clever combination of the past and present that took me on a journey through Jane Austen’s world, both familiar and fantastical. Continue reading
Want to know how to spend New Year’s Eve this year? I highly recommend curling up with a glass of champagne and The Missing Manuscript of Jane Austen, a new Austen-inspired novel by best-selling author of The Lost Memoirs of Jane Austen, Syrie James! *squee*
I had the honor of reading a working copy of this exciting novel months ago and offered Syrie a few suggestions. I would love to tell all…right now…but of course I will only offer this teaser description from the publisher:
Samantha McDonough cannot believe her eyes–or her luck. Tucked in an uncut page of a two-hundred-year-old poetry book is a letter that she believes was written by Jane Austen, mentioning with regret a manuscript that “went missing at Greenbriar in Devonshire.”
Could there really be an undiscovered Jane Austen novel waiting to be found? Could anyone resist the temptation to go looking for it?
Making her way to the beautiful, centuries-old Greenbriar estate, Samantha finds it no easy task to sell its owner, the handsome yet uncompromising Anthony Whitaker, on her wild idea of searching for a lost Austen work–until she mentions its possible multi-million dollar value.
After discovering the unattributed manuscript, Samantha and Anthony are immediately absorbed in the story of Rebecca Stanhope, daughter of a small-town rector, who is about to encounter some bittersweet truths about life and love. As they continue to read the newly discovered tale from the past, a new one unfolds in the present–a story that just might change both of their lives forever.
On sale December 31, 2012 from Berkley, an imprint of Penguin Books, Janeites and historical fiction lovers will delight in discovering the parallel stories: one from the early nineteenth-century England and the second from contemporary times: both full of mystery, passion and Jane Austen’s indelible influence. The Missing Manuscript of Jane Austen is on the top of my reading list to ring in the New Year!
The Missing Manuscript of Jane Austen, by Syrie James
Berkley Trade (2012)
Trade paperback (432) pages
© 2012 Laurel Ann Nattress, Austenprose