Good things come in small packages!
My regular readers will know that I adore a well-written short story and edited an anthology of them myself inspired by Jane Austen. Falling for Mr. Thornton is a new collection of “little gems” inspired by another classic author, Elizabeth Gaskell.
Based on her Victorian-era novel North and South, set during its industrial revolution— a turbulent time in British history when machinery was replacing manual labor— it also revolves around the spikey relationship between Margaret Hale and John Thornton, a love story that rivals Elizabeth Bennet and Mr. Darcy in Pride and Prejudice.
This anthology includes a dozen stories by popular historical fiction authors in the Gaskellesque genre and is a mixture of historical, contemporary, variations, and continuations that are sure to thrill anyone who is a hooked as I am on the 2004 television adaptation North & South, starring Richard Armitage. Here is additional information on the anthology and an exclusive excerpt for your enjoyment.
Amidst the turbulent backdrop of a manufacturing town in the grips of the Industrial Revolution, Elizabeth Gaskell penned the timeless passion of Mr. Thornton and Margaret Hale. A mixing of contemporary and Victorian, this short story anthology by twelve beloved authors considers familiar scenes from new points of view or re-imagined entirely. Capturing all the poignancy, heartbreak, and romance of the original tale, Falling for Mr. Thornton is a collection of stories for all who love North and South.
STORIES AND AUTHORS:
- “On the Island,” by Melanie Stanford
- “Passages in Time,” by Kate Forrester
- “The First Day of Spring,” by M. Liza Marte
- “Loose Leaves from Milton,” by Damaris Osborne
- “Reeducating Mr. Thornton,” by Evy Journey
- “Mistakes and Remedies,” by Julia Daniels
- “Her Father’s Last Wish,” by Rose Fairbanks
- “The Best Medicine,” by Elaine Owen
- “Cinders and Smoke,” by Don Jacobson
- “Mischances,” by Nicole Clarkston
- “Looking to the Future,” by Nancy Klein
- “Once Again,” by Trudy Brasure
EXCLUSIVE EXCERPT: Continue reading
Recently I pulled Pemberley, or Pride and Prejudice Continued, by Emma Tennant off my bookshelf. I was feeling nostalgic after looking at my “to be read” pile of new Jane Austen Pride and Prejudice retellings that have or will hit bookstores this year. It was one of the first P&P inspired novels that I read way back in 2002. Published in 1993, the author was forging virgin territory. At this point, there were very few Austen-inspired books in print and readers did not know what to expect. It received a tepid reception from critics and the public. One recent Amazon reviewer called it “a real nightmare.” Ouch! You can read my detailed review of Pemberley from 2013, or read it and decide for yourself.
Since Tennant’s Austenesque-trek to boldly go where no author dared to go, there have been hundreds, possibly thousands, of Pride and Prejudice prequels, sequels, continuations, and inspired by books. Recently we are in a retelling cycle—all presented with an ethnic twist. Last year we had Pride, by Ibi Zoboi, a contemporary retelling of Austen’s classic hate/love romance set in Brooklyn, NY featuring an all-black cast of characters. This year we have three new novels: Unmarriageable, by Soniah Kamal set in 2000 in Pakistan; Ayesha at Last, by Uzma Jalaluddin in which Darcy and Lizzy are transported to contemporary Canada featuring Muslim characters; and Pride, Prejudice, and Other Flavors, which after this long and winding introduction is the book I will discuss today.
Another contemporary retelling, PPAOF is set in the “bay area” of San Francisco, California. Loosely based on Jane Austen’s spikey romance where the roles of the rich, proud Fitzwilliam Darcy and the much-less-rich, prejudiced Elizabeth Bennet are reversed. Meet Dr. Trisha Raje, a brilliant thirty-something neurosurgeon specializing in cutting-edge microsurgery at a prominent hospital, who also happens to be an Indian Princess by default. Her father was the second son of the royal line of an Indian Principality which is no longer in power. When he immigrated to the US, his wealth and royal mien came with him. At the premature death of his older brother, he became HRM in name only. The family live like royalty in their Woodside estate with multiple servants and the exotic air of old-world nobility with all its privileges and baggage. Even though Trisha is a successful and highly prestigious doctor she is a disappointment to her parents, who cannot forgive her for a fifteen-year-old social faux pas against her brother, a rising Politician, and, the fact that she remains unmarried. Continue reading
It is a truth universally acknowledged that readers and writers are obsessed with Pride and Prejudice. Since Sybil G. Brinton’s 1913 Old Friends and New Fancies, the first original Jane Austen-inspired novel, there have been thousands of prequels, sequels, and variations penned by those who wish to never let the characters quietly rest in literary heaven. Next up for our praise or censure is Unmarriageable, a retelling set in Pakistan in 2000 by Soniah Kamal. Never one to suffer Austen renovators gladly, I was prepared to be underwhelmed.
Over the years I have read and reviewed many P&P inspired books containing a variety of themes including zombie bedlam, religious conversion, S&M and slash fiction. There have also been some retellings that I really enjoyed, yet I yearned for the full story retold in a fresh and reverent light. It’s the Holy Grail of Austen fandom. Could moving the story to Pakistan at the turn of the twenty-first century be the opportunity to explore southern Asian culture infused with Jane Austen’s story of reproof and redemption? If so, it would be catnip to Janeites!
Unmarriageable’s premise and opening chapters were immediately promising. Kamal had converted Austen’s characters into clever doppelgangers of her Regency equivalents: the Bennet family became the Binats with sisters Jane, Elizabeth, Mary, Kitty, and Lydia becoming Jenazba, Alysba, Marizba, Qittyara, and Lady respectively. After being introduced to the Bennet family, whose financial and social position had fallen subsequent to a scandal that destroyed their fortune, the anticipation of meeting Mr. Darcy, now transformed into Mr. Darsee (snort), was quenched by the modern interpretation exhibiting all of the noble mien of the original—rich, proud, and dishy. ZING! Continue reading