Good things come in small packages!
My regular readers will know that I adore a well-written short story and edited an anthology of them myself inspired by Jane Austen. Falling for Mr. Thornton is a new collection of “little gems” inspired by another classic author, Elizabeth Gaskell.
Based on her Victorian-era novel North and South, set during its industrial revolution— a turbulent time in British history when machinery was replacing manual labor— it also revolves around the spikey relationship between Margaret Hale and John Thornton, a love story that rivals Elizabeth Bennet and Mr. Darcy in Pride and Prejudice.
This anthology includes a dozen stories by popular historical fiction authors in the Gaskellesque genre and is a mixture of historical, contemporary, variations, and continuations that are sure to thrill anyone who is a hooked as I am on the 2004 television adaptation North & South, starring Richard Armitage. Here is additional information on the anthology and an exclusive excerpt for your enjoyment.
Amidst the turbulent backdrop of a manufacturing town in the grips of the Industrial Revolution, Elizabeth Gaskell penned the timeless passion of Mr. Thornton and Margaret Hale. A mixing of contemporary and Victorian, this short story anthology by twelve beloved authors considers familiar scenes from new points of view or re-imagined entirely. Capturing all the poignancy, heartbreak, and romance of the original tale, Falling for Mr. Thornton is a collection of stories for all who love North and South.
STORIES AND AUTHORS:
- “On the Island,” by Melanie Stanford
- “Passages in Time,” by Kate Forrester
- “The First Day of Spring,” by M. Liza Marte
- “Loose Leaves from Milton,” by Damaris Osborne
- “Reeducating Mr. Thornton,” by Evy Journey
- “Mistakes and Remedies,” by Julia Daniels
- “Her Father’s Last Wish,” by Rose Fairbanks
- “The Best Medicine,” by Elaine Owen
- “Cinders and Smoke,” by Don Jacobson
- “Mischances,” by Nicole Clarkston
- “Looking to the Future,” by Nancy Klein
- “Once Again,” by Trudy Brasure
EXCLUSIVE EXCERPT: Continue reading
Recently I pulled Pemberley, or Pride and Prejudice Continued, by Emma Tennant off my bookshelf. I was feeling nostalgic after looking at my “to be read” pile of new Jane Austen Pride and Prejudice retellings that have or will hit bookstores this year. It was one of the first P&P inspired novels that I read way back in 2002. Published in 1993, the author was forging virgin territory. At this point, there were very few Austen-inspired books in print and readers did not know what to expect. It received a tepid reception from critics and the public. One recent Amazon reviewer called it “a real nightmare.” Ouch! You can read my detailed review of Pemberley from 2013, or read it and decide for yourself.
Since Tennant’s Austenesque-trek to boldly go where no author dared to go, there have been hundreds, possibly thousands, of Pride and Prejudice prequels, sequels, continuations, and inspired by books. Recently we are in a retelling cycle—all presented with an ethnic twist. Last year we had Pride, by Ibi Zoboi, a contemporary retelling of Austen’s classic hate/love romance set in Brooklyn, NY featuring an all-black cast of characters. This year we have three new novels: Unmarriageable, by Soniah Kamal set in 2000 in Pakistan; Ayesha at Last, by Uzma Jalaluddin in which Darcy and Lizzy are transported to contemporary Canada featuring Muslim characters; and Pride, Prejudice, and Other Flavors, which after this long and winding introduction is the book I will discuss today.
Another contemporary retelling, PPAOF is set in the “bay area” of San Francisco, California. Loosely based on Jane Austen’s spikey romance where the roles of the rich, proud Fitzwilliam Darcy and the much-less-rich, prejudiced Elizabeth Bennet are reversed. Meet Dr. Trisha Raje, a brilliant thirty-something neurosurgeon specializing in cutting-edge microsurgery at a prominent hospital, who also happens to be an Indian Princess by default. Her father was the second son of the royal line of an Indian Principality which is no longer in power. When he immigrated to the US, his wealth and royal mien came with him. At the premature death of his older brother, he became HRM in name only. The family live like royalty in their Woodside estate with multiple servants and the exotic air of old-world nobility with all its privileges and baggage. Even though Trisha is a successful and highly prestigious doctor she is a disappointment to her parents, who cannot forgive her for a fifteen-year-old social faux pas against her brother, a rising Politician, and, the fact that she remains unmarried. Continue reading
It is a truth universally acknowledged that readers and writers are obsessed with Pride and Prejudice. Since Sybil G. Brinton’s 1913 Old Friends and New Fancies, the first original Jane Austen-inspired novel, there have been thousands of prequels, sequels, and variations penned by those who wish to never let the characters quietly rest in literary heaven. Next up for our praise or censure is Unmarriageable, a retelling set in Pakistan in 2000 by Soniah Kamal. Never one to suffer Austen renovators gladly, I was prepared to be underwhelmed.
Over the years I have read and reviewed many P&P inspired books containing a variety of themes including zombie bedlam, religious conversion, S&M and slash fiction. There have also been some retellings that I really enjoyed, yet I yearned for the full story retold in a fresh and reverent light. It’s the Holy Grail of Austen fandom. Could moving the story to Pakistan at the turn of the twenty-first century be the opportunity to explore southern Asian culture infused with Jane Austen’s story of reproof and redemption? If so, it would be catnip to Janeites!
Unmarriageable’s premise and opening chapters were immediately promising. Kamal had converted Austen’s characters into clever doppelgangers of her Regency equivalents: the Bennet family became the Binats with sisters Jane, Elizabeth, Mary, Kitty, and Lydia becoming Jenazba, Alysba, Marizba, Qittyara, and Lady respectively. After being introduced to the Bennet family, whose financial and social position had fallen subsequent to a scandal that destroyed their fortune, the anticipation of meeting Mr. Darcy, now transformed into Mr. Darsee (snort), was quenched by the modern interpretation exhibiting all of the noble mien of the original—rich, proud, and dishy. ZING! Continue reading
From the desk of Tracy Hickman:
Jane Austen is a tough act to follow and that is exactly what the Austen Project asks contemporary authors to do: reimagine one of Austen’s novels in the here and now. Curtis Sittenfeld, the author of four novels including Prep and American Wife, was chosen to take on Austen’s best-known work, Pride and Prejudice. While P&P-inspired books and films such as Bridget Jones’ Diary and Bride and Prejudice demonstrate that the story and its themes have broad appeal, I wondered how Sittenfeld’s Eligible would handle the main plot points in a modern setting. Many of the issues that Austen’s characters grappled with are barely recognizable if they exist at all in modern daily life.
In Eligible, the tension between the original story and Sittenfeld’s inventions kept me turning pages. Brief, episodic chapters mirror the short attention span of a digital era audience. In contemporary Cincinnati, Mr. Bennet spends as much time as possible alone at his computer, while Mrs. Bennet’s life revolves around country club gossip and planning luncheons for the Women’s League. Jane and Liz have carved out careers in Manhattan: the eldest Miss Bennet teaches yoga while her sister writes features for a magazine. They return to Cincinnati when Mr. Bennet has a heart attack. Their practical assistance and support are needed because their younger sisters while living at home, are little help to their parents. Socially awkward Mary is pursuing her third online master’s degree while Kitty and Lydia, as crass and self-absorbed as ever, are obsessed with working out at the gym and following trendy diets. Sittenfeld’s group portrait of the Bennet clan was one of my favorite parts of Eligible. It’s easy to picture Jane Austen smiling at this: Continue reading
From the desk of Kimberly Denny Ryder:
Much of the Jane Austen Fan Fiction that I read usually falls into two categories: works that take place during the Regency Period and works that take place during contemporary times. Works that take place during times of war are fairly rare (Darcy Goes to War by Mary Lydon Simonsen being a notable exception) and works that take place in the South (Mary Jane Hathaway’s Jane Austen Takes the South series being the only other example I’ve read) are also unfamiliar to me. Enter Longbourn’s Songbird by debut author Beau North, a re-imagined version of Austen’s Pride and Prejudice taking place in 1940’s South Carolina.
It’s 1948, only three short years since the end of the Second World War. The setting is the small, sleepy town of Meryton, South Carolina in the American south. Will Darcy has come to visit Charles Bingley and conclude some business in the acquisition of Longbourn Farms. While there, he comes across Miss Elizabeth Bennet, who despite the painful events of her past finds that she can’t stop thinking about Mr. Darcy, who engages and challenges her enough to bring her out of the vanilla monotony that she has settled in to as of late to protect her emotionally. Not only do we get to experience the charged and engaging dynamic between Lizzie and Darcy, but we also have a host of other interactions that play out, including an interesting relationship between Bingley and Jane Bennet. Jane is terrified when she realizes that Charles fancies her and has recently purchased Netherfield Plantation because she is afflicted by diabetes, which she knows will limit her lifespan and may make Bingley rethink his choice. Continue reading
Just released this week is a new Jane Austen-inspired novel, Longbourn’s Songbird. Based on Austen’s iconic novel, Pride and Prejudice, author Beau North has transported the action to post WWII South Carolina.
While Pride and Prejudice has spawned the largest number of sequels in print, most of those are set during the same time period, the early nineteenth-century. Fewer still are set during contemporary times. Faithfully transferring the themes and social conflicts from a novel set in Regency times to modern times is a challenge that few authors have attempted, however some of my favorites have been: Pride and Prejudice and the Perfect Match, by Marilyn Brant, Unleashing Mr. Darcy, by Teri Wilson and Mr. Darcy Came to Dinner, by Jack Caldwell.
Readers of Jane Austen-inspired fiction can never have too many Pride and Prejudice-inspired stories, especially those focusing on their favorite iconic hero and heroine, Elizabeth Bennet and Mr. Darcy. I am always pleased to see a new contemporary re-telling arrive on the scene. Longbourn’s Songbird is an intriguing new option for Janeites. Debut author Beau North may have transported Austen’s characters and plot across the ocean to the American south and one hundred and thirty five years into the future, but the lyrical transfer is creative and engaging. Continue reading
From the desk of Katie Patchell:
One crumbling manor house. Three estranged sisters. And a garden full of roses. All of these and more are ingredients in The Rose Girls, the latest novel by Victoria Connolly, author of the currently six-book Austen Addicts series. While not a book connected to Jane Austen’s novels or the Regency period, The Rose Girls is a story that shares timeless themes from Austen’s own masterpieces: the importance of family, forgiveness, healing, nature, and love.
After the news that her mother recently died of cancer, Celeste Hamilton is called back home to Little Eleigh Manor and Hamilton Roses, the family rose business, to support her two sisters. Still recovering from a divorce and memories of a painful childhood, Celeste plans only on spending a few weeks at her old home to sort through things and comfort her sisters, before escaping with her dog, Frinton, to somewhere much better and (hopefully) memory-free. On arriving back at her family home, Celeste realizes her responsibilities are much more than she bargained for. Little Eleigh Manor desperately needs repairs, and she’s the only sister willing to sell possessions to keep the house from (quite literally) falling down around them.
Supported by her sister Gertie, resented by her other sister Evie, and hearing the echoes of her mother’s past verbal abuse in her ears as she wanders Little Eleigh Manor’s halls, Celeste is surprisingly comforted by the forgotten beauty of the roses her family has grown and sold for years. With her beloved sisters distant and hiding their own secrets, and a friendly, perceptive, and surprisingly young art auctioneer interested in more than just family paintings, Celeste finds reasons to put off her escape for a few more weeks—and with her two sisters, a few roses, and a lot of love, forgive the past and change the future. Continue reading
From the desk of Kimberly Denny-Ryder:
Today I have the distinct honor of reviewing Sun-kissed: Effusions of Summer, edited by none other than my fellow Austenprose contributor Christina Boyd. It comes along at the perfect time of year as many of us are packing our beach bags full of summer reads that provide companionship while lying on a beach towel or sitting in a chair with our toes in the sand. I’ve always been a big fan of short story anthologies because they offer fun and tantalizing stories that typically lead me to read more of the authors’ works, much like an appetizer before the entrée. This particular collection of works has been chosen for its relevance to summer or other light and refreshing themes. Although I personally don’t have any plans for a trip to the beach soon, I sat down with this collection on my back porch and improvised, taking in the light and fun works that soon whisked me away.
Since there are several stories in the anthology, here are their plot summaries from Goodreads:
“So each had a private little sun for her soul to bask in…” Thomas Hardy
If you desire a little heat, a summer flirtation, or an escape to bask in your own private sun…this whimsical collection of original short stories is inspired by all things summer. From some of Meryton Press’s most popular and award-winning authors, the anthology debuts other promising and emerging talent.
From the desk of Katie Patchell:
Two years ago The Austen Project launched their first reimagined Jane Austen novel in the series, Sense and Sensibility (by Joanna Trollope), that has so far included Northanger Abbey (by Val McDermid), and the most recent, published in April of this year—Emma: A Modern Retelling by Alexander McCall Smith. Heralded as ‘Jane Austen—Reimagined,’ each successive book has gathered mixed reviews, yet also a wide readership, as many fans of Jane Austen’s beloved classics look forward to finding out (with anticipation or trepidation) how each of Austen’s six novels have been modernized.
While I’ve enjoyed reading each of The Austen Project books so far, there’s a common issue faced in each of them, one that should be addressed in reviews and even everyday conversation. This issue is: How much can be modernized in any classic update without detracting from the original book? It’s always difficult to decide, as a reader and I’m sure as an author, what can be updated and altered for the 21st century, and what has to stay the same in order for the story to honor the original (and author’s intent). For instance, there are some things—such as views on love, sex, and marriage—that have been updated in this version of Emma to fit the author’s modern beliefs, which do not fit with the original Emma’s written views on these issues or Jane Austen’s beliefs. Some things hold true throughout the centuries, and sometimes removing these in a modern interpretation of a classic significantly takes away from the integrity and meaning of the story. Some of the differences found in this modernization include: Miss Taylor initially moves in with Mr. Weston before their marriage, Emma casually calls her dad ‘Pops’ all the time, Isabella Woodhouse and John Knightley are expecting twins before saying ‘I do,’ and Emma wonders if she’s attracted to females while painting Harriet in the nude. Continue reading