Giveaway Winners Announced for Love & Friendship: The Janeite Blog Tour

Love Friendship Blog Tour graphic sidebar x 200It’s time to announce the winners of the giveaway contest for the Love & Friendship Janeite Blog Tour. The three lucky winners of hardcover copies of the book drawn at random are:

Congratulations ladies! To claim your prize, please contact me with your full name and address by July 7, 2016, or you will forfeit your prize! Shipment is to US addresses only.

Thanks to all who left comments and to Little, Brown and Company for the giveaway prizes.

Cover image courtesy of Little, Brown and Company © 2016, text Laurel Ann Nattress © 2016, Austenprose.com

Love & Friendship, by Whit Stillman – A Review

Love and Friendship Wit Stillman 2016 x 200From the desk of Tracy Hickman: 

Lady Susan is my favorite of Jane Austen’s minor works. A scheming widow who also happens to be “the most accomplished coquette in England,” Lady Susan Vernon is intelligent, attractive, and unscrupulous, agreeing with her immoral friend Alicia Johnson that “Facts are such horrid things!” (256) Her letters to Alicia detail her plans to snare wealthy husbands for both herself and her daughter Frederica, while causing pain and suffering to those she deems detestable. As she includes her own daughter in this camp, calling her a “stupid girl,” she has no qualms in forcing Frederica to marry a decidedly silly man with a large fortune. Lady Susan is a terrible person, but a wonderful character. While the novella lacks the depth of later works, it is a wickedly funny short story in epistolary form; its tone is reminiscent of the snarky comments found in many of Austen’s letters.

Who better to capture Austen’s witty social commentary than filmmaker and writer Whit Stillman?  His first film, Metropolitan, was one of my favorites from the 1990s, but I confess that I didn’t catch its similarities to Mansfield Park until many years later. Now Stillman has written a companion piece to his latest film Love & Friendship in straight narrative form. He introduces a new character to the story: Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. Rufus has penned his “true narrative of false-witness” to expose Austen’s supposed hatchet job on his aunt. His loyalties are made clear with the novel’s subtitle, “In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated (Concerning the Beautiful Lady Susan Vernon, Her Cunning Daughter & the Strange Antagonism of the DeCourcy Family).”

Readers familiar with Austen’s Lady Susan will notice an inversion of good and evil from the outset. Rufus has dedicated his novel to none other than the Prince of Wales, mimicking Austen’s dedication of Emma to the Prince Regent, but in a much more effusively toad-eating style. After two knowing winks from Stillman in two pages: consider yourself warned. Rufus is the quintessential unreliable narrator, writing his rebuttal of Austen’s version of events from debtors prison in Clerkenwell in 1858. The vindication of his maligned aunt, riddled with inconsistencies and bizarre logic, is peppered with tirades on a range of subjects: history, theology, and grammar. These make for some of the funniest passages in the novel. Continue reading

Q&A with Love & Friendship Writer/Director/Author Whit Stillman

Love and Friendship Wit Stillman 2016 x 200Austen scholar Devoney Looser joins us today during the Love & Friendship Janeite Blog Tour to interview ‘Friend of Jane,’ writer/director/author Whit Stillman, whose new hit movie Love & Friendship, and its companion novel, are on the radar of every Janeite.

Welcome Ms. Looser and Mr. Stillman to Austenprose.com.

Devoney Looser: We Janeites know that you go way back as a Janeite yourself. (Would you label yourself that? I see you’ve copped elsewhere to “Jane Austen nut.”) You’ve admitted you were once dismissive of Austen’s novels as a young man—telling everyone you hated them—but that after college you did a 180, thanks to your sister. Anything more you’d like to tell us about that?

Whit Stillman: I prefer Austenite and I consider myself among the most fervent. Yes, there was a contretemps with Northanger Abbey when I was a depressed college sophomore entirely unfamiliar with the gothic novels she was mocking — but I was set straight not many years later.

DL: What made you decide that “Lady Susan” wasn’t the right title to present this film to an audience? (Most of Austenprose’s readers will be wise to the fact that Austen herself didn’t choose that title for her novella, first published in 1871.) I like your new title Love & Friendship very much, but clever Janeites will know you lifted it from a raucous Austen short story, from her juvenilia, Love & Freindship. What led you to make this switch in titles? (I do want to register one official complaint. You’ve now doomed those of us who teach Austen’s Love & Freindship to receiving crazy-wrong exam answers on that text from our worst students for years to come.)

WS: Perhaps it is irrational but I always hated the title “Lady Susan” and, as you mention, so far as we know it was not Jane Austen’s;  the surviving manuscript carries no title (the original binding was chopped off) and she had used “Susan” as the working title for “Northanger Abbey.”  The whole trajectory of Austen’s improved versions of her works was from weak titles, often character names (which I know many film distributors hate as film titles*) toward strong, resonant nouns — either qualities or place names.  “Elinor and Marianne” became Sense and Sensibility, “First Impressions” became Pride and Prejudice, “Susan” became Northanger Abbey. Persuasion and Mansfield Park are similarly sonorous. Continue reading

The Janeite Blog Tour of Love & Friendship Begins June 13

Love & Friendship (2016) poster 2016 x 200A new Jane Austen-inspired movie released on May 13th. Love & Friendship has received rave reviews from critics and Jane Austen fans alike.

  • “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph
  • “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com
  • “Kate Beckinsale magnetizes the screen.” – Variety

Written and directed by renowned independent filmmaker Whit Stillman, (a big friend of Jane Austen with his previous movies Metropolitan and Last Day of Disco), the movie has been adapted from Austen’s comic gem, Lady Susan, and features an all-star cast reuniting Kate Beckinsale and Chloë Sevigny and featuring a string of British period drama acting royalty: Steven Fry, James Fleet and Jemma Redgrave. I saw it on Sunday. I was astounded to discover there were actually people in the theater laughing louder than me, inspired by Tim Bennet’s performance as the rattle, Sir James Martin, and the all-around witty banter and comedic timing!

Love and Friendship Wit Stillman 2016 x 200In addition, Stillman has written a companion novel to the film also entitled Love & Friendship with the added subtitle: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated. For those who have read Austen’s original novella, you will remember that Lady Susan Vernon is described by Reginald De Courcy as “the most accomplished coquette in England.” and by others as devious, wicked and “with a happy command of language, which is too often used, I believe, to make black appear white.” To vindicate her scurrilous behavior is an intriguing premise indeed!

Love & Friendship, the novel, is told from the perspective of a new character, Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s  nephew. His voice throughout the book is very Austenesque, with tongue-in-cheek humor and inside Austen jokes that will delight Janeites. Continue reading

Love & Friendship — Whit Stillman Brings Jane Austen’s Comic Gem Lady Susan to the Screen

Love & Friendship (2016) poster 2016 x 200The highly anticipated release of Love & Friendship, filmmaker Whit Stillman’s new adaptation of Jane Austen’s novella Lady Susan, arrives this Friday, May 13 in Los Angeles, New York and Paris with national release set for May 27, 2016. Early praise for the film is more than encouraging: “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph; “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com; “Kate Beckinsale magnetizes the screen.” – Variety.

We have long been a champion of Austen’s Lady Susan. So much so we dedicated an entire blog event to it in 2009, A Soiree with Lady Susan. For those who have not read this delightfully wicked novella by Austen written in the 1790’s and published posthumously in 1871, I highly recommend it. Besides changing the title to Love and Friendship, (also the title of one of Austen’s juvenilia), Stillman has added his movie magic and adapted the story into a screenplay.

Here is a description from the distributor Roadside Attractions:

Humorous and witty, devious and scheming, or Downton Abbey with laughs, LOVE & FRIENDSHIP is an adaptation of young Jane Austen’s novella Lady Susan, believed to have been written in the mid 1790s but revised up to a fair copy prepared in 1805 and finally published by her nephew, James Edward Austen-Leigh, in 1871. Continue reading

Metropolitan (1990) Movie: Musings & Discussion: Day 6 Give-away!

MOVIES

Anyone who lived through the 1980’s can not hear the term Preppy and not smile! For the rest of you young things who were just a twinkle in your parents eyes, take notice and rent the movie Metropolitan, writer, director and producer Whit Stillman’s witty take on the WASP subculture of young upper-class Manhattanites as they spend their Christmas holiday attending debutant balls and discussing the downward social mobility of the upper class. It will fill you in on many of the cultural references that you might hear from your parent’s or their friends, and give you a good laugh at the 1980’s women’s fashions that today, just look downright overstated and clownish.

(Let’s hope that 1980’s fashion does not resurface soon!)

I adore this film for its clever, snarky dialogue, gentle irony and Jane Austen references. The parallels between her novel Mansfield Park and Metropolitan have been debated by critics and even included in the essay ‘From Mansfield to Manhattan: The Abandoned Generation of Whit Stillman’s Metropolitan’ by R. V. Young which can be downloaded in PDF here. The heroine of the film is Audrey Rouget (Carolyn Farina), a shy upper-class socialite who falls for middle-class Tom Townsend (Edward Clements). She is a Jane Austen admirer and the two of them have an interesting conversation about her favorite author and literature. 

Carolyn Farina as Audrey Rouget

Audrey: “I read that Lionel Trilling essay you mentioned. You really like Trilling?” 

Tom: “Yes.” 

Audrey: “I think he’s very strange. He says that nobody could like the heroine of Mansfield Park? I like her. 

Then he goes on and on about how we modern people of today with our modern attitudes, bitterly resent Mansfield Park because…its heroine is virtuous? What’s wrong with a novel having a virtuous heroine?” 

Tom: “His point is that the novel’s premise…there’s something immoral in a group of young people putting on a play? Simply absurd.” 

Audrey: “You found Fannie Price unlikeable?” 

Tom: “She sounds pretty unbearable, but I haven’t read the book.” 

Audrey: “What?” 

Tom: “You don’t have to have read a book to have an opinion on it. I haven’t read the Bible, either.” 

Audrey: “What Jane Austen novels have you read?” 

Tom: “None. I don’t read novels. I prefer good literary criticism. That way you get both the novelist’s ideas as well as the critic’s thinking. With fiction, I can never forget that none of it ever happened; that it’s all just made up by the author.” 

Edward Clements as Tom Townsend

This independent film was produced on a shoe-string budget and used unknown actors, notably Taylor Nichols as Charlie Black the angst ridden intellectual Woody Allen type and Chris Eigeman (who I adore and just think is the most under used actor in Hollywood) as the cynical and smug Nick Smith. This film is grouped together as the Stillman trilogy which also includes Barcelona (1994) and The Last Days of Disco (1998), another favorite of mine which is unfortunately not available to purchase, rent or steal!

Chris Eigeman as Nick Smith

 

Further viewing & reading 

Mansfield Park Madness: Day 6 Give-away 

Leave a comment by August 30th. to qualify for a free drawing on August 31 for 

Metropolitan (1990)

Written and directed by Whit Stillman. Independent motion picture, 98 minutes. Staring Carolyn Farina as Audrey Rouget, Taylor Nichols as Charlie Black and Chris Eigeman as Nick Smith. 

Upcoming posts
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion