The House at the End of the Moor, by Michelle Griep—A Review

he House at the End of the Moor by Michelle Griep 2020From the desk of Katie Patchell: 

In Michelle Griep’s latest novel, readers are transported to 19th-century Devon, England to follow a hero and heroine accused of crimes they never committed. In pursuit of justice, the story flows from the gray depths of Dartmoor Prison and its forgotten inmates, to the heights of high society’s glittering concert halls. One word resounds, its echo landing on each page and in both heroes’ hearts: Justice.

Haunted by accusations of her past, Margaret lives out her self-imposed banishment at Morden Hall, surrounded by the shifting skies above an endless moor. Her only companions are her mute maid, grizzled manservant, and loyal dog. Far from the glamour and fame of her past, she is happy with her companions, books, and audience of none as she sings on the open moor.

Everything changes when a man who was there on the day she fell from society’s grace appears unconscious and bleeding outside her home. Margaret is torn: Should she help the man escape the brutish prison guard chasing him, risking her anonymity in the process? Or should she stay hidden, abandoning the “stranger” to his own fate? 

“Death prowled the cellblock like a dark animal seeking prey–especially the weakest. But Oliver Ward would be hanged if he’d let the beast devour the man in the cell besides him. It wasn’t fair. It wasn’t right.” (Line 1, Chapter 1)

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To Marry an English Lord, by Gail MacColl and Carol McD. Wallace – A Review

Image of book cover of To Marry an English Lord, by Gail MacColl and Carol McD. Wallace (2012)From the desk of Laura A. Wallace. 

Originally published in 1989, this 2012 re-issue of To Marry and English Lord is an attractive trade paperback edition by Workman Publishing. Promoted as “an inspiration for Downton Abbey,” Julian Fellowes, the screenplay writer who created the series, has been quoted as saying that he was reading this book when approached about writing the series, and that the first character he conceived for it was Cora, Countess of Grantham, an American heiress.

This book has long been on my “to acquire and read” list so I was really looking forward to finally reading it. I found it to be fairly light reading. The chapters are divided up into short sub-headings, sprinkled with lots of side-bar quotations and tid-bits (at least one on every page), and interspersed with little mini-articles on every third or fourth page. Illustrations are copious; decorations are Victorian and Edwardian. Overall it presents a great deal of factual information in a very digestible way.

This is the sort of book that serves as an introduction to a topic, and a launching pad for further research. (It is the type of book that novelists unfortunately use as a primary source, but that is a rant for another time.) It has no footnotes or endnotes, but does have a good selective bibliography which includes a list of period fictional works. The index is good (if imperfect) and there are excellent appendices, including a “Register of American Heiresses” and a “Walking Tour of the American Heiresses’ London” which are handy references.

The text is organized in a loosely chronological way. It begins with the origins of Anglomania (the 1860 U. S. visit of the young Prince of Wales) and the beyond-Almack’s-despotic exclusivity of Old New York “Knickerbocker” society which ruthlessly excluded new money. So the first set of snubbed wives and daughters left New York for Paris and then London in the 1870s, where they scored aristocratic English husbands, got themselves into the Prince of Wales’s social set, and rarely bothered to cross the Atlantic again.

This first set was comparatively small, comprising only about half a dozen women, and it is they who earned the sobriquet “The Buccaneers.” The most famous girl in this first wave was Jennie Jerome, who married Lord Randolph Churchill and became the mother of Sir Winston Churchill.

But that was just the tip of the spear of the “American Invasion.” The ranks grew steadily and kept up the pace until the death of Edward VII in 1910, after which it trickled off and ended with World War I. I had not realized, until reading this book, that the invasion was so extensive. There were at least two dozen who married into the peerage itself, and dozens more who married younger sons, baronets, M.P.s, and gentry. The “Register” at the back of the book lists about 115 of them, and this list, of course, cannot be exhaustive.

It was not just their pots of money that made these women so attractive to Englishmen.  Their manners were free, easy, and confident, the complete opposite of those of demure, shy English girls. They were well-educated and very well-dressed, usually by Worth.  They were pretty, too, their very lack of “breeding” apparently considered a bonus by their targets, if not by their mamas (appealing at a genetic level, perhaps?). The Prince of Wales loved them, and where he led, everyone followed.

I did find a few factual errors, an occasional absurd assertion, and a couple of errors in titles usage (of course), but overall the information presented seems solid. I encourage readers to use this book as a spring platform to explore other works, whether Consuelo, Duchess of Marlborough’s memoirs, the novels of Wharton, James, and Hardy, or perhaps some of the lesser-known novels of the day. (The latter are featured in a mini-article, but not listed in the bibliography.) The book nicely provides the most general background material to improve enjoyment of the portraits of Sargent (there are hundreds on Wikimedia Commons) or of the costume dramas to which we are all highly addicted.

4 out of 5 Stars

To Marry an English Lord, by Gail MacColl and Carol McD. Wallace
Workman Publishing (2012)
Trade paperback (403) pages
ISBN: 978-0761171959

Cover image courtesy © Workman Publishing Group; text © 2012 Laura A. Wallace

A Heart for Milton: A Tale from North and South, by Trudy Brasure – A Review

A Heart for Milton, by Trudy Brasure (2011)Review by Kimberly Denny-Ryder

Based on the iconic work of Elizabeth Gaskell, North and South, Trudy Brasure’s A Heart For Milton picks up in the middle of the original work, with Margaret, a 19th century unmarried English woman, ready to leave her home soon after the death of her father.  She has finally realized her love for John Thornton, an industrialist and mill owner in their small town of Milton, but fears a relationship between the two will never happen due to her earlier dismissal of him.  In the original tale, they are kept apart, yet in this work, a brave move by Thornton ensures their immediate and happy marriage and settling in Milton.  Brasure then weaves a tale of challenges, twists, and romantic turns that face Margaret and John in their new life together.

When I read Gaskell’s North and South I continually commented to myself about how much I liked the way Gaskell presented both the thoughts of the north and the south of England on the Industrial Revolution and social issues of the time.  The romance took a backseat to the more prevalent storylines of striking mills and labor unions.  I was happy to see Brasure add these differing opinions into A Heart For Milton.  Including these discussions on social issues not only offers the reader insight into what living in 19th century England was like, but it also offers deeper insight into all of the characters in general once one begins to understand the social context of the time.

Brasure’s vision of Thornton was a truly spectacular one.  In the original North and South we know from his interactions with Mrs. Thornton that he is a caring, hardworking man.  From his interactions with Margaret we know him to be a stoic intellectual.  Brasure’s vision of him as a completely besotted husband was wonderful new layer.  This softer side of Thornton, falling in love with Margaret, as well as the beauty of southern England, made the story warming and romantic.  It was wonderful to see the side of him that is wholly mesmerized by his wife.  It was also wonderful to see Margaret not only as a doting wife, but a woman that still stuck to her principles.  Their developing relationship was a worthwhile journey to follow.

The only thing that became a bit repetitive was Thornton and Margaret’s ways of describing each other in their minds.  The adjectives became a bit overused by the end of the novel and I found myself getting agitated.  Other than this, however, I really enjoyed seeing the fleshed out roles of Mr. Bell and Mrs. Thronton.  I was always curious to how Mrs. Thronton would adjust to Margaret being in their lives, considering that she is such a formidable woman.  In all, Brasure’s work was a great fit with the original, dovetailing nicely and giving readers of North and South a great fairytale that they can enjoy for years to come.

4 out of 5 Stars

A Heart for Milton: A Tale from North and South, by Trudy Brasure
CreateSpace (2011)
Trade paperback (398) pages
ISBN: 978-1463683436

Kimberly Denny-Ryder is the owner/moderator of Reflections of a Book Addict, a book blog dedicated to following her journey of reading 100 books a year, while attempting to keep a life! When not reading, Kim can be found volunteering as the co-chair of a 24hr cancer awareness event, as well as an active member of Quinnipiac University’s alumni association.  When not reading or volunteering, Kim can be found at her full-time job working in vehicle funding. She lives with her husband Todd and two cats, Belle and Sebastian, in Connecticut.

© 2012 Kimberly Denny-Ryder, Austenprose