From the desk of Sophia Rose:
Jane Austen’s Persuasion gets a modern facelift Desi-style in this standalone sequel to Sonali Dev’s 2019, Pride, Prejudice and Other Flavors, as Indian American chef, Ashna Raje, and Brazilian footballer, Rico Silva, encounter each other once again as acrimonious cooking partners on a reality TV show. I love that the author has cooked up a series of modern retellings of Jane Austen’s classic works by giving members of the Raje family their chances at romance.
In Recipe for Persuasion Ashna’s family is convinced a reality cooking show is just the jumpstart her dying restaurant needs and she is willing to do anything to preserve this last bit of her father who opened the restaurant.
As a pro footballer at the top of his game, Rico thought he had moved on from Ashna’s rejection. That is until he is injured badly and yet another relationship didn’t work out. He decides he has to do something about not being over his teenage love so signs onto the show to be Ashna’s partner. He vents his long-smoldering anger, but also understands as an adult what his teenage self couldn’t when he learns the true state of Ashna’s affairs. Understanding her leads to an understanding of the past.
Ashna had a difficult childhood. Her father, a prince, was forced out of India for some trouble he got into and lost the lifestyle he was accustomed to making him a bitter, angry man. Her parents were stuck in a loveless marriage where abuse and alcoholism were rife and Ashna was physically abandoned by her mother while the remaining parent’s issues were just as unhealthy for her so that, even after his death, she works to please a father who was never going to be pleased.
It was his dream to go to Paris and become a superb chef which she did for him and she now can’t even create her own dishes without bringing on an anxiety attack. She can only keep his restaurant just as he had it and cook only his dishes which is why the restaurant is failing. Others see it and she refuses to heed them because honoring her father is all she has left. Into this situation steps the boy become man from her past and she hasn’t gotten over him. Continue reading
Recently I pulled Pemberley, or Pride and Prejudice Continued, by Emma Tennant off my bookshelf. I was feeling nostalgic after looking at my “to be read” pile of new Jane Austen Pride and Prejudice retellings that have or will hit bookstores this year. It was one of the first P&P inspired novels that I read way back in 2002. Published in 1993, the author was forging virgin territory. At this point, there were very few Austen-inspired books in print and readers did not know what to expect. It received a tepid reception from critics and the public. One recent Amazon reviewer called it “a real nightmare.” Ouch! You can read my detailed review of Pemberley from 2013, or read it and decide for yourself.
Since Tennant’s Austenesque-trek to boldly go where no author dared to go, there have been hundreds, possibly thousands, of Pride and Prejudice prequels, sequels, continuations, and inspired by books. Recently we are in a retelling cycle—all presented with an ethnic twist. Last year we had Pride, by Ibi Zoboi, a contemporary retelling of Austen’s classic hate/love romance set in Brooklyn, NY featuring an all-black cast of characters. This year we have three new novels: Unmarriageable, by Soniah Kamal set in 2000 in Pakistan; Ayesha at Last, by Uzma Jalaluddin in which Darcy and Lizzy are transported to contemporary Canada featuring Muslim characters; and Pride, Prejudice, and Other Flavors, which after this long and winding introduction is the book I will discuss today.
Another contemporary retelling, PPAOF is set in the “bay area” of San Francisco, California. Loosely based on Jane Austen’s spikey romance where the roles of the rich, proud Fitzwilliam Darcy and the much-less-rich, prejudiced Elizabeth Bennet are reversed. Meet Dr. Trisha Raje, a brilliant thirty-something neurosurgeon specializing in cutting-edge microsurgery at a prominent hospital, who also happens to be an Indian Princess by default. Her father was the second son of the royal line of an Indian Principality which is no longer in power. When he immigrated to the US, his wealth and royal mien came with him. At the premature death of his older brother, he became HRM in name only. The family live like royalty in their Woodside estate with multiple servants and the exotic air of old-world nobility with all its privileges and baggage. Even though Trisha is a successful and highly prestigious doctor she is a disappointment to her parents, who cannot forgive her for a fifteen-year-old social faux pas against her brother, a rising Politician, and, the fact that she remains unmarried. Continue reading