Image of Demelza Poldark (Eleanor Tomlinson) at the Warleggan ball in Poldark (c) 2015 Mammoth Screen, Ltd for Masterpiece PBS
Last week in episode 5 of Poldark everyone was reckless and bold—gambling on their future and love. Miner Mark Daniel married a questionable woman, Ross began a copper smelting company, Demelza played defiant matchmaker and Francis had a meltdown after losing his mine in a card game.
This week: The Pride and Prejudice Poldark edition. In which talk of frocks, balls and beaus resounds with sparkling repartees and retorts, echoing Jane Austen’s prose.
(there be spoilers ahead)
Francis (Kyle Soller) scythes. Image (c) 2015 Mammoth Screen, Ltd. for Masterpiece PBS
“You’ll never get it Ross.”—Francis Poldark
“Justice for all.”—Francis Poldark
“Fair wages would be a start.”—Ross Poldark
With the image of the shirtless and buff Ross Poldark (Aidan Turner) scything his field in episode three still fresh in our minds, the scene of his cousin Francis (Kyle Soller) attempting the same sends an entirely different message. Moral fortitude vs. weakness has won the day. Taking the initiative and rebuilding your life has paid off for Ross. Will his cousin rise to the challenge? The omen that Aunt Agatha (Caroline Blakiston) foretold of the dark and fair Poldark, “The stronger rises as the weaker falls,” has flipped in the five years since Ross’s return. The only ammunition that Francis has left to wound his cousin is sarcasm and doubt. Continue reading →
If you’re like me, you are spending your Sundays killing time until Poldark lights up the TV screen. When I learned that Season One would be based on Winston Graham’s first two books in the series, Ross Poldark, and Demelza, I was determined to read them before viewing the adaptation. Although the episodes I’ve seen so far can stand on their own merit, reading the books has given me a richer understanding of the two protagonists. If Ross’s character functions as the moral compass of the story, Demelza’s represents the emotional heart of the books. Her struggle to be accepted as Ross’s wife makes us empathize with her, root for her, right from the start.
Demelza opens with the birth of Ross and Demelza’s baby girl. The new mother plans two christening parties, one for the country folk and another for the gentry. Trouble arises when her father, now a Methodist and wearing his religion like a cloak of righteousness, shows up on the wrong day and promptly insults some of the guests. Put in the uncomfortable position of defending his father-in-law, Ross must intervene. Demelza flees to the house, mortified. “…I thought I would show ’em I was a fit wife for you, that I could wear fine clothes and behave genteel an’ not disgrace you. An’ instead they will all ride home snickering behind their hands…” (51) Continue reading →
Ross Poldark (Aidan Turner), new dad, bad-ass miner and wavering lover.
Last week in episode 4 of Poldark the scandal mongers were in high dudgeon after the marriage of Ross to his kitchen maid Demelza, Uncle Charles’ death forced his son Francis to become more than a lawn ornament, Demelza Doolittle discovered that becoming a lady is hard work and Ross had an epiphany–he loves his wife!
This week everyone is RECKLESS AND BOLD—gambling on their future and love: Mark Daniel in his choice of bride, Keren; Ross in his new business venture, Demelza in her defiance, and Francis with his livelihood. The only person who is nonplussed is George Warleggan.
(there be spoilers ahead)
Keren Smith (Sabrina Bartlett), a player on more than just the stage, one suspects.
“I am undone: there is no living, none,
If Bertram be away. ‘Twere all one
That I should love a bright particular star
And think to wed it, he is so above me.” — Keren Smith as Helena in All’s Well That Ends Well
Two new important characters have entered the Poldark sphere: Dr. Dwight Enys (Luke Norris) and Keren Smith (Sabrina Bartlett). While Dr. Enys (in this screen version) is Ross Poldark’s (Aidan Turner) amiable army buddy arriving in Cornwall to study miners lung ailments, Keren is a seductive siren, an actress performing in a traveling troop who captures the heart of miner Mark Daniel (Matthew Wilson). Did any other Shakespeare fans recognize her soliloquy during the stage production? It is Helena’s lament for her love Bertram from All’s Well That Ends Well by Shakespeare—a very interesting selection for the screenwriter to choose. I will not say more, lest I spoil it for everyone. Mark agrees to Keren’s demanding terms for a marriage. He has four days to prepare a home for her or she leaves. Anyone read Why Men Love Bitches? She might have ghost written it. Just sayin’. Continue reading →
Never having watched the original series on Masterpiece Theatre in the 1970s, I was unfamiliar with Ross Poldark and a little curious about the buzz surrounding the new BBC/PBS series starring Aidan Turner. I wondered whether there was more to Ross Poldark than his good looks. When Laurel Ann Nattress assured Austenprose readers that Ross was a hero every bit as worthy of their warm regard as Mr. Darcy, John Thornton or Mr. Rochester, I decided to read the first novel in Winston Graham’s saga and decide for myself.
Ross Poldark is subtitled “A Novel of Cornwall 1783-1787” and is strongly rooted in the geography, people, and events of the Cornish countryside. The wind and the sea figure as characters in their own right. In the book’s prologue, six months before Ross returns from fighting in America, his father Joshua is close to death.
He felt he would like one more look at the sea, which even now was licking at the rocks behind the house. He had no sentimental notions about the sea; he had no regard for its dangers or its beauties; to him it was a close acquaintance whose every virtue and failing, every smile and tantrum he had come to understand. (10)