If you’re like me, you are spending your Sundays killing time until Poldark lights up the TV screen. When I learned that Season One would be based on Winston Graham’s first two books in the series, Ross Poldark, and Demelza, I was determined to read them before viewing the adaptation. Although the episodes I’ve seen so far can stand on their own merit, reading the books has given me a richer understanding of the two protagonists. If Ross’s character functions as the moral compass of the story, Demelza’s represents the emotional heart of the books. Her struggle to be accepted as Ross’s wife makes us empathize with her, root for her, right from the start.
Demelza opens with the birth of Ross and Demelza’s baby girl. The new mother plans two christening parties, one for the country folk and another for the gentry. Trouble arises when her father, now a Methodist and wearing his religion like a cloak of righteousness, shows up on the wrong day and promptly insults some of the guests. Put in the uncomfortable position of defending his father-in-law, Ross must intervene. Demelza flees to the house, mortified. “…I thought I would show ’em I was a fit wife for you, that I could wear fine clothes and behave genteel an’ not disgrace you. An’ instead they will all ride home snickering behind their hands…” (51) Continue reading →
Never having watched the original series on Masterpiece Theatre in the 1970s, I was unfamiliar with Ross Poldark and a little curious about the buzz surrounding the new BBC/PBS series starring Aidan Turner. I wondered whether there was more to Ross Poldark than his good looks. When Laurel Ann Nattress assured Austenprose readers that Ross was a hero every bit as worthy of their warm regard as Mr. Darcy, John Thornton or Mr. Rochester, I decided to read the first novel in Winston Graham’s saga and decide for myself.
Ross Poldark is subtitled “A Novel of Cornwall 1783-1787” and is strongly rooted in the geography, people, and events of the Cornish countryside. The wind and the sea figure as characters in their own right. In the book’s prologue, six months before Ross returns from fighting in America, his father Joshua is close to death.
He felt he would like one more look at the sea, which even now was licking at the rocks behind the house. He had no sentimental notions about the sea; he had no regard for its dangers or its beauties; to him it was a close acquaintance whose every virtue and failing, every smile and tantrum he had come to understand. (10)