Fantasy novels with a supernatural bent are all the rage right now. So, if you love a battle between the forces of good and evil… all set against the backdrop of the upper-crust society of 1812 London, then The Dark Days Club by Alison Goodman should be on your reading list.
We meet 18-year-old Lady Helen Wrexhall on the eve of her presentation to Queen Charlotte. Helen’s mother, who drowned at sea ten years before, was allegedly a traitor to England, and Helen’s current guardians—her aunt and uncle—really hope this won’t affect Helen’s chance of making a good marriage. After all, isn’t that the best that any young lady with fortune and tainted family connections can hope for?
But, Helen has other ideas. Wilder ideas. She gets the feeling she’s meant for something more than ballrooms and husband hunting. When she meets the mysterious Lord Carlston, who has quite the checkered past himself, she discovers that the growing spirit inside her actually points to the rare ability to identify and destroy a group of supernatural baddies that are overrunning England. Will Helen follow her demon-fighting destiny with Lord Carlston? Or will she resign herself to the life of a proper English wife instead?
The Dark Days Club is the first in what will be a series of novels focused on Lady Helen and her adventures in Regency London. It actually reminded me a lot of The Mortal Instruments series by Cassandra Clare (which actually has a Victorian spinoff of its own). The basic premise is the same—a young girl with a mysterious family history finds out she actually has the ability to fight supernatural villains. It’s miles from a Jane Austen novel, but the author does a great job of giving us the Georgian-era feel while still mixing in elements of mystery and fantasy. Continue reading →
To be honest, I’ve never been a fan of open-ended endings in movies and books. Just ask my husband, who has seen me yell after reading a book or seeing a movie that ends with the reader/viewer not knowing what has happened to the main characters. One example that comes to mind is Pride and Prejudice itself! I’ve always wondered what happened after the wedding (maybe that’s why I read so many Pride and Prejudice sequels!) So, when I heard that A Fair Prospect:Disappointed Hopes by Cassandra Grafton was actually the first in a three-part series and it wouldn’t actually have a proper ending, I was a bit skeptical.
In volume I of the A Fair Prospect trilogy, Disappointed Hopes, we find Fitzwilliam Darcy back in London after his failed engagement proposal to Elizabeth, obviously upset by her refusal of such a beneficial match. Elizabeth, on the other hand, finds herself on the way to London, the result of a request by an old family friend to meet in town. Already emotional after her encounter with Darcy, she finds comfort when finally reaching London and meeting this friend, Nicholas Harington. The son of a wealthy family not unlike the Darcy family in both holdings and standing, Nicholas’ family provides a formidable opponent to Darcy’s in the matters of Elizabeth’s heart. Darcy and Elizabeth’s paths cross unexpectedly in London when Bingley begins courting Jane again. Darcy is introduced to Harington, who seems by all to be the perfect suitor for Elizabeth now that Darcy has failed. Or, has he? Continue reading →
I have thoroughly enjoyed the first three books of the Glamourist History series which has only gotten better as it goes on, but when I read the description of the fourth book I wasn’t positive that improving trend would continue, at least for me. Pirates? The Regency version of a heist film? Those may appeal to many but aren’t my preferred cup of tea.I love that the earlier books incorporate historic events into an alternate Regency world that shimmers with glamour–a magical art of illusion. Napoleon’s wars, the Luddite uprising, and the 1816 climate disruption are integral parts of their narratives, but the new book’s plot synopsis does not hint at a similar use of history. Still, I trust Mary Robinette Kowal’s storytelling skills so there was no way I would miss her latest. I just hoped I would love Valour and Vanity as dearly as the others.
A tip from Lord Byron sends Jane and her husband Vincent to the ruins of a Roman amphitheater where an ancient but still vibrant lion glamour roars and struts among the rubble. That beautiful lion is forever fixed in place because glamoured images made with traditional methods cannot be moved, but Jane and Vincent hope to perfect a new way of creating glamour by weaving its threads into molten glass which could then be easily transported. To that end, they are headed to the island of Murano, famous for its glass-making artistry. They have been on a mostly joyous Continental trip with the rest of Jane’s family, celebrating her sister Melody’s wedding, but Jane is glad she and Vincent will soon be alone because her mother can tend to be high strung. Sure enough, Mrs. Ellsworth musters a Mrs. Bennet worthy panic as Jane and Vincent’s ship is about to depart. She’s heard a rumor that pirates rove the Gulf of Venice! Pirates! Continue reading →
When the second book in a series is even better than the first, the third book will be highly anticipated and eagerly sought. If that is not a truth universally acknowledged it is at least true for me, which is why I couldn’t wait to get my hands on Mary Robinette Kowal’s Without a Summer, the third in her Glamourist History novels set in an alternate Regency World imbued with the loveliest of magics.
The first book, Shades of Milk and Honey, contains many elements of a Jane Austen novel–charming cads, lovesick girls, silly mothers, stern suitors, devoted sisters–but also incorporates glamour, a magic art of illusion used to enhance and beautify works of art. Shades of Milk and Honey ends in marriage like Austen’s novels, but Glamour in a Glass, the second book, takes things a bit further because the story of Jane and Vincent continues as they honeymoon in Belgium and this time history gets skillfully worked into the plot. Napoleon is on the march after escaping from Elba, leading Jane and Vincent to devise practical uses for glamour so the British military can defeat his forces. The inclusion of history, the experimental uses of glamour, and the pleasure of watching Jane and Vincent grow as artisans, as individuals, and as a married couple, make Glamour in a Glass a stronger book than its predecessor. I hopefully expected Without a Summer would continue those developments. Continue reading →
A lesson learned from the works of Jane Austen is that the rake never saves the day and never gets the girl. Mr. Wickham, Willoughby, Henry Crawford, John Thorpe, and Mr. Elliot are all fine examples of this rule. While Mr. Darcy, Colonel Brandon, Edmund Bertram, Henry Tilney, and Captain Wentworth all perfectly fit their roles as heroes, I’ve lately experienced some niggling doubts about these so-called rakes. Was Willoughby really so horrible, or were his actions the result of a lack of maturity and guidance? Would Henry Crawford have been faithful if Fanny had given him encouragement? This leads to a deeper question–What would happen if the rake DID get the girl? And what if he really wasn’t a rake at all—what if he was the hero in disguise? Those questions are explored and answered in The Earl Next Door (originally published as Anything but a Gentleman) by Amanda Grange, the author of the well-known series of diaries from the perspectives of Jane Austen’s heroes.
When Marianne Travis’ older brother, Kit, runs away from home because of large gambling debts (caused by his friendship with a rogue named Luke Somerville), it falls on her shoulders to run the family estate. Everything runs smoothly (and boringly) until she discovers a wounded man in the woods on her new neighbor’s property—a neighbor who happens to be the most handsome and exasperating man she has ever met—Lord Ravensford. Their first meeting gives Marianne the distinct impression that the Earl is just an incorrigible rake (he has the audacity to think she’s a lightskirt!), but as they spend more time together she finds herself more and more drawn to him and the intelligence and concern she sees behind the mask of a rogue. When secrets come to light about who the earl’s true identity is and what really happened to Kit, can Marianne get past her presuppositions and trust in the earl before it’s too late? Continue reading →