From the desk of Katie Patchell:
Why is it that Jane Austen’s novels, particularly Pride and Prejudice, have had so many continuations, sequels, and contemporary versions based off of the originals? It’s not just the fact that her books are classics—after all, you don’t see many contemporary versions of Jane Eyre. Or Dickens. How many modern versions of Oliver Twist have you read lately? Don’t get me wrong—the brooding hero, quiet governess, gothic mystery, and melodrama are characters and themes loved by many fans, but there’s just something about Jane Austen’s wit, happy endings, realistic romance, and down-to-earth heroes and heroines that transcends space and time. Whereas Jane Eyre and Oliver Twist (and countless other classics) can only be updated with difficulty because of their two-dimensional characters and highly improbable circumstances, Pride and Prejudice, Emma, Persuasion, etc. have complex characters facing realistic issues, and can be updated to virtually any situation, generation, or social class.
In Marilyn Brant’s latest contemporary reimagining, Pride, Prejudice and the Perfect Bet, the story focuses not on Elizabeth and Mr. Darcy, but rather on the often-overlooked secondary characters in Austen’s original, Jane Bennet and Mr. Bingley, as they participate in the perfect bet—the bet of true love!
Bingley McNamara has only known one female who hasn’t fallen for his charming front, and he has the current misfortune to be constantly thrown together with her as the Best Man and Maid of Honor at his cousin’s wedding. Ever since his kiss with Jane Henderson at Beth Ann Bennet and Will Darcy’s engagement party, the Maid of Honor’s been giving him the silent treatment. With a hatred of being ignored almost as high as his hatred of being disliked, Bingley sets out to exploit the one chink in her perfect armor—her temper. Everyone else seems taken in by her nice front, but he’s convinced—with teasing, irritation, and of course, betting—that he can draw out her angry side. Continue reading