Those of you who are fans of Austenprose know how much I enjoy Jane Austen’s lively, burlesque comedy, Northanger Abbey. In 2008 I hosted a month-long event here called, Go Gothic with Northanger Abbey, where we read the novel and explored its history, characters, locations, and legacy. I am a big #TeamTilney fan.
Sadly, there are not many Northanger Abbey-inspired novels in print. Margaret Sullivan, who is also a great admirer of Austen’s lesser-known work, wrote There Must Be Murder in 2010. There is also Henry Tilney’s Diary, by Amanda Grange, and Searching for Mr. Tilney, by Jane Odiwe, and a few others.
Imagine my delight when I discovered that Diana Birchall was publishing a Northanger Abbey continuation, The Bride of Northanger and that her new novel was going on a celebratory book release tour across the blogosphere, just in time for the Halloween reading season!
Here is information on the book, and the tour.
A happier heroine than Catherine Morland does not exist in England, for she is about to marry her beloved, the handsome, witty Henry Tilney. The night before the wedding, Henry reluctantly tells Catherine and her horrified parents a secret he has dreaded to share – that there is a terrible curse on his family and their home, Northanger Abbey. Henry is a clergyman, educated and rational, and after her year’s engagement Catherine is no longer the silly young girl who delighted in reading “horrid novels”; she has improved in both reading and rationality. This sensible young couple cannot believe curses are real…until a murder at the Abbey triggers events as horrid and Gothic as Jane Austen ever parodied – events that shake the young Tilneys’ certainties, but never their love for each other…
EARLY PRAISE: Continue reading
From the desk of Laurel Ann Nattress:
Harvard University Press is seriously spoiling me. With the release of Northanger Abbey: An Annotated Edition, they have now produced five glitzy coffee table editions of Jane Austen’s major novels. What true Janeite could possibly pass up an unabridged first edition text, an extensive introduction, and notes by an Austen scholar, full-color illustrations, over-sized hardcover format, and copious supplemental material – all wrapped up in a beautifully designed package? Not me!
I have enjoyed all of the editions in this annotated series so far, with only one exception. I am greedy. I want more annotation and was quite annoyed when I turned a page of a previous edition and saw white space in the sidebar columns instead of text. Such a waste when there is so much to write about and Janeites and newbies are eager and grateful readers. The first thing I did when I cracked open this new edition was to skim for the dreaded white space. It looked plump and promising.
Northanger Abbey is indeed the wallflower of Austen’s oeuvre. Like its young heroine Catherine Morland, it is a naïve, wide-eyed debutant in comparison to its light, bright and sparkling older sister Pride and Prejudice. My heart sinks to admit it, but it is true. While readers continually rank it as one of Jane Austen’s least popular novels, I think it is one of her hidden gems—highly under-rated and completely satisfying. I find its exuberant humor laugh-out-loud funny, hunky hero Henry Tilney witty and irresistibly charming, and the spooky Gothic parody brilliant. Why is my reaction so different from the average reader’s? Knowledge. It is extremely helpful to be able to place the novel in a social context and to understand Austen’s layered tongue-in-cheek underpinnings. That’s where this new annotated edition comes in handy. I believe that editor Susan J. Wolfson has pulled together a masterpiece. Continue reading
In the second installment of The Austen Project, bestselling Scottish crime writer Val McDermid takes a stab at a contemporary reimagining of Jane Austen’s most under-appreciated novel, Northanger Abbey. Written in the late 1790s when Austen was a fledgling writer, this Gothic parody about young heroine Catherine Morland’s first experiences in Bath society and her romance with the dishy hero Henry Tilney is one of my favorite Austen novels. Fresh and funny, the writing style is not as accomplished as her later works but no one can dismiss the quality of Austen’s witty dialogue nor her gentle joke at the melodramatic Gothic fiction so popular in her day. I was encouraged by the choice of McDermid as an author and intrigued to see how she would transport the story into the 21st century.
Our modern heroine, sixteen-year-old Cat Morland, is a vicar’s daughter living a rather disappointing life in the Piddle Valley of Dorset. Her mother and father seldom argued and never fought, and her siblings were so average she despaired of ever discovering any dark family secrets to add excitement to her life. Homeschooled, she can’t comprehend history or French or algebra, but delights in reading to fuel her vivid imagination, favoring ghost stories, zombie and vampire tales. After years of exploring the narrow confines of her home turf, she craves adventure abroad. Rich neighbors Susie and Andrew Allen come to her rescue by inviting her to travel with them and attend the Edinburgh Festival in Scotland where Cat “is in her element, seeing the potential for terror and adventure around every twist and turn of the narrow streets.”
Introduced to theater, art, and books, and thanks to fashionista Mrs. Allen, Cat soon acquires a new wardrobe and dancing lessons where she partners with a charming and witty young attorney, Henry Tilney. After researching Henry on Facebook and Google she discovers that his father is the much-decorated general who made his name in the Falkland’s war before she was born. Even more interesting to Cat’s Gothic infused imagination, he owns Northanger Abbey, a medieval Borders abbey in Scotland. Cat also meets Mrs. Allen’s long-lost school friend Martha Thorpe and her three daughters, one of which is just Cat’s age. Bella, who recognizes the Morland last name, knows Cat’s elder brother Jamie who is attending Oxford with her brother Johnny. Before long they were “gossiping about the things that entertain young women of a certain age and type,” and becoming BFF’s. Continue reading
From the desk of Lisa Galek:
I read a lot of young adult fiction and I notice that there’s often a tendency to feature a female main character who’s smart, sassy, and in control. Of course, these self-confident heroines are important and lots of real-life girls can relate to them. But, some girls are a little less sure of themselves. A little more naïve and a little too trusting. In fact, that’s something that many women struggle with long after they leave high school. No one knew this better than Jane Austen. Her heroines fit into a huge range of personalities and life experiences. In When I’m With You, Cecilia Gray gives us an update on one of Jane’s most underutilized, yet relatable teenage characters, Catherine Morland from Northanger Abbey
Kat Morley just knows that one day she’s gonna be a famous actress. She’s been the lead in five different productions at her high school, the Jane Austen Academy, so it can’t be long until her name is up in lights. When Kat’s classmate (aspiring actor, Josh Wickham) asks her to travel with him to the set of a movie he’s starring in over Christmas break, it’s practically her dream come true! Things get even better once Kat arrives and starts rubbing elbows with the stars. Izzy Engel is not only beautiful and famous but she’s also decided to befriend Kat! And Henry Trenton (son of Hollywood legend, Tom Trenton) has invited her out for hot cocoa! Swoon!
But, it isn’t long before Kat starts to see the dark side of being famous. Constantly being stalked by the paparazzi. Lack of privacy. Having to act and dress a certain way to maintain your image. When Kat is invited to stay at Henry’s home in Los Angeles, she also uncovers some secrets about his famous dad and starts to have some doubts about her new celebrity friends. Maybe being a star really isn’t as wonderful as Kat always imagined?
When I’m With You is the third in Cecilia Gray’s Jane Austen Academy series. Each of Austen’s six main heroines gets her own story and a transplant to a modern-day boarding school in California. The girls – Lizzie, Ellie, Kat, Fanny, Emma, and Anne – befriend each other over the course of the six books and, of course, get involved with lots of cute boys. I think Jane would be amused. Continue reading
From the desk of Heather Laurence:
“And now, Henry,” said Miss Tilney, “that you have made us understand each other, you may as well make Miss Morland understand yourself … Miss Morland is not used to your odd ways.”
“I shall be most happy to make her better acquainted with them.”
Modern readers encountering Northanger Abbey for the first time may find themselves like Catherine Morland: eager to become better acquainted with the wealth of background information that brings the world of the Morlands, Thorpes, and Tilneys vividly to life. The Annotated Northanger Abbey, annotated and edited by David M. Shapard, is a new resource designed to guide aspiring heroines (and heroes) safely through the perils of obscure Gothic references and identify the treasures – hidden away in Japan cabinets and curricles, of course – that make Northanger Abbey even more enjoyable.
Shapard has previously annotated and edited editions of Pride and Prejudice, Persuasion, Sense and Sensibility, and Emma. Many fans who have grown well acquainted with Jane Austen’s life and times through years of their own independent research may not find much new about the information in the annotations. However, even for the veteran Austen reader, this edition is appealing for its convenient access to a wide range of definitions, contexts, and clarifications. For those who are reading Northanger Abbey with fresh eyes, these annotated editions can be a convenient resource to gain a basic understanding of the language and details of the time. And, as Catherine grew from an indifference to flowers to learn to love a hyacinth, who can tell, the sentiment once raised, but a new reader may be inspired to explore Regency fashion, history, or Gothic literature in greater depth?
While reading The Annotated Northanger Abbey, several different types of references are at the ready on the opposite page for easy access. This edition features over two hundred illustrations, again conveniently appearing as they are mentioned in the text rather than grouping several illustration plates in the book’s center. Mrs. Allen and her friends will especially appreciate the fashion plates, from Eleanor Tilney’s white beads and spotted muslin to Isabella Thorpe’s turban. Continue reading
58 of you left comments qualifying you for a chance to win either the Northanger Abbey or Persuasion edition of the Penguin Hardcover Classics, by Jane Austen, inscribed by the book designer Coralie Bickford-Smith. The winners drawn at random are:
- Jennifer who left a comment on April 28, 2012
- stilettostorytime who left a comment on April 26, 2012
Congratulations ladies! To claim your prize, please contact me with your full name and address by May 16, 2012. Shipment to US addresses only. Enjoy!
A big thank you to book designer Coralie Bickford-Smith for inscribing the new editions for our readers and to her publisher Penguin Books for offering the giveaway copies. Congrats to the winners. Enjoy!
© 2007 – 2012 Laurel Ann Nattress, Austenprose
We loved the cover of Marvel Comics Northanger Abbey #1. Catherine Morland looks intense and Gothic.
Northanger Abbey #2 was just released on December 14th, 2011. We are a bit puzzled by the artists new direction. Continue reading