Tag: Mary Crawford

Mansfield Park: Mary Crawford – that peculiarly becoming temptress with a harp

Lady with a harp, Eliza Ridgely, by Thomas Sully (1818)The harp arrived, and rather added to her beauty, wit, and good-humour; for she played with the greatest obligingness, with an expression and taste which were peculiarly becoming, and there was something clever to be said at the close of every air. Edmund was at the Parsonage every day, to be indulged with his favourite instrument: one morning secured an invitation for the next; for the lady could not be unwilling to have a listener, and every thing was soon in a fair train. 

A young woman, pretty, lively, with a harp as elegant as herself, and both placed near a window, cut down to the ground, and opening on a little lawn, surrounded by shrubs in the rich foliage of summer, was enough to catch any man’s heart. The season, the scene, the air, were all favourable to tenderness and sentiment. Mrs. Grant and her tambour frame were not without their use: it was all in harmony; and as everything will turn to account when love is once set going, even the sandwich tray, and Dr. Grant doing the honours of it, were worth looking at. Without studying the business, however, or knowing what he was about, Edmund was beginning, at the end of a week of such intercourse, to be a good deal in love. The Narrator, Mansfield Park, Chapter 7 

We hear Mary Crawford lament over her wayward harp on rout from London for several pages. It has finally arrived in Northampton, but stalled there for ten days with no cart available to hire for transport during the harvest. This London girl can not comprehend the inconvenient pace of the country. Her haranguing should have been a foreshadowing to Edmund Bertram of her selfish disposition. Instead, he encouragingly tells her that it is his “favourite instrument,” and hopes to be soon allowed to hear her. One wonders at his sincerity since we know from Fanny’s ignorance of ever hearing one before that no harp exists at Mansfield Park. When Mary does finally play for him, it is like a siren song, and within a week, he was good deal in love! 

Wow! What an easy conquest. I’m not sure if this is a complement to her playing, or her skill at the alluring arts. Either way, it is no compliment to his superior judgment. It will take a better woman to straighten out his head so he can discern appearances from reality. Sadly, some men never learn this one! ;-)

flourish4

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Mansfield Park Revisited: A Jane Austen Entertainment, by Joan Aiken – A Review

Cover of Mansfield Park Revisited, by Joan Aiken (2008)When a book written twenty five years ago is reissued as confidently as Mansfield Park Revisited: A Jane Austen Entertainment by a publisher who specializes in Jane Austen sequels, you hope that it is laudable. Of all of the past sequels to select, (and there are more than a few), why choose one based on Jane Austen’s least popular novel Mansfield Park? What has the new author created to make this sequel worthy of resurrection?

Published in 1814, Mansfield Park was Jane Austen’s third novel and even though I adore it, it has more than its share of nay sayers. There are several reasons why it is a disappointment (to some), but primary objections fall to its heroine Fanny Price, who some feel is weak and insipid and not at all like Austen’s other popular heroine’s. Author Joan Aiken’s solution in her continuation of Mansfield Park is to resume the story four years after the conclusion and to remove Fanny Price almost entirely from the novel by packing her and her husband Edmund Bertram off to Antigua in the first chapter. Fanny’s younger sister Susan Price has been brought to the forefront, stepping into Fanny’s previous role as poor relation elevated to companion to Lady Bertram now a widow after Sir Thomas Bertram’s unexpected death while attending to his business in the West Indies. Susan has matured into an attractive and bright young woman similar to her older sister, but with a lot more spunk, which will please Fanny opponents. Susan holds her own against her cousins the new Sir Thomas Bertram who often thinks she over steps her position and his sister Julia, now the Honorable Mrs. Yates who resides in the neighborhood and upon Susan’s back, objecting to her every move. We are also reintroduced to other characters from the original novel: cousin Maria Bertram the scandalous divorcee, Mary Crawford estranged from her feckless fop of a husband and now gravely ill, and her brother Henry Crawford still a bachelor having never found anyone as worthy as his last love, Fanny Price. Aiken also adds a delightful array of new secondary characters to the mix supplying interest and humor.

Mansfield Park Revisited (1984)A quick read at 201 pages, Aiken moves the story briskly along with a series of challenging events and resolutions that keep the reader engaged, but sadly never resting to discover personalities or relationships in greater detail. At the conclusion I felt more than a bit deprived of a good love story as Susan comes to the conclusion whom she truly loves on the last few pages. This style not only mirrors Jane Austen’s approach with her hero and heroine’s romance in Mansfield Park, but amplifies one of the main objections to the original novel. Despite this flaw, Aiken is by far one of the most talented writers to attempt an Austen sequel and Mansfield Park Revisited truly worthy of resurrection. She has respectfully continued Austen’s story by expanding her characters, adapting the language for the modern reader, accurately including the social mantle and believably turning our concerns for the two main antagonists Mary and Henry Crawford at the end of Mansfield Park into sympathies, which given their principles and past bad behavior is quite an accomplishment. Packing Austen’s heroine Fanny Price off to another country might seem extreme, but it is sure to please the Fanny bashers and allowed Aiken to develop her own heroine Susan who has enough spirit and resolve for the both of them.

4 out of 5 Regency Stars 

Mansfield Park Revisited: A Jane Austen Entertainment
By Joan Aiken
Trade paperback (201) pages
Sourcebooks Landmark, Naperville, IL (2008)
ISBN: 978-1402212895

Cover image courtesy of Sourcebooks Landmark © 2008; text Laurel Ann Nattress © 2009, Austenprose.com

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Mansfield Park Chapters 33-40: Summation, Musings & Discussion: Day 12 Give-away!

THE NOVEL

He was in love, very much in love; and it was a love which, operating on an active, sanguine spirit, of more warmth than delicacy, made her affection appear of greater consequence because it was withheld, and determined him to have the glory, as well as the felicity, of forcing her to love him. The Narrator on Henry Crawford, Chapter 33 

Quick Synopsis 

Henry persists in his quest for Fanny’s hand. Sir Thomas solicits Edmunds help, who attempts to discern what Fanny’s doubts are. He insists it was Henry’s abrupt delivery. She tells him she can not love a man of such unprincipled character. Everyone at Mansfield and the parsonage know of Henry’s proposal and in their own way try to chisel away at Fanny’s resolve. William visits on leave. Sir Thomas sees an opportunity for Fanny to see the difference that a good income can bring, and sends her home to her impoverished family in Portsmouth. Anxious to be with people who love her, the household, her parents and her siblings are a shock, and the complete opposite of her tranquil, ordered, and quiet home at Mansfield Park. Sister Susan shows some interest in improving herself and gives Fanny some hope. Edmund is more in love with Mary than ever, visiting her in London. Fanny dreads the post, fearful of what news it will bring. 

Musings 

After Fanny’s rejection of Henry’s offer of marriage, I am amazed at what lengths everyone takes to change her indifference to him. No one honors her decision and proceed to create excuses why she declined. Sir Thomas encourages Henry to continue his pursuit, which he does relentlessly, even though she shows him no encouragement at all. Having always won a ladies heart, he is both invigorated by her rejection and certain he will succeed. (conceited lout) Sir Thomas increases the pressure by telling his wife Lady Bertram and her sister Mrs. Norris of Henry’s proposal. They have opposite reactions; Lady Bertram thinks it an honor to her family to attract such a wealthy and handsome suitor, and Mrs. Norris takes it as an insult to her niece Julia who they all wanted Henry to marry from the beginning. 

Angry she (Mrs. Norris) was: bitterly angry; but she was more angry with Fanny for having received such an offer than for refusing it. It was an injury and affront to Julia, who ought to have been Mr. Crawford’s choice; and, independently of that, she disliked Fanny, because she had neglected her; and she would have grudged such an elevation to one whom she had been always trying to depress. The Narrator, Chapter 33 

I has stunned and disappointed in Edmund’s part in the interrogations, working away at his friend Fanny on behalf of his father. His actions hurt her the most since he was her mentor and only friend at Mansfield Park up until Mary Crawford corrupted him. All of his conversation now is tainted by her influence. When Edmund insists that he knows the truth of the rejection based on her surprise alone, I am angry at his arrogance and appalled that he suggests she should now let Henry succeed, and show everyone that she is the “perfect model of a woman which I have always believed you born for” Outrageous attitude from any friend, let alone a minister of the church. Where have his principles gone? I admire Fanny’s tenacity. She knows her mind and her own temperament. She explains that she and Henry are too different in nature to be happy together and does not waver from her position. Edmund, more than anyone in her circle should honor her wish to marry for love alone since his heart is also strongly inclined to the same desire, even though he has struggled against the unsuitability of his attachment to Mary Crawford for almost the entire novel! 

On his (Edmund) side the inclination was stronger, on hers less equivocal. His objections, the scruples of his integrity, seemed all done away, nobody could tell how; and the doubts and hesitations of her ambition were equally got over-and equally without apparent reason. It could only be imputed to increasing attachment. His good and her bad feelings yielded to love, and such love must unite them. The Narrator, Chapter 37 

The final wedge in an attempt to break Fanny’s spirit is Sir Thomas’ banishment of her to Portsmouth. His private plan is to let her see the difference that a good income can mean to her comfort, and motivate her to accept Henry Crawford with all his gentility and wealth. At first she sees it as a refuge from the pressures at Mansfield, and a benefit to be with family who truly love her, but after being reunited she soon discovers the disparity of the two households. Her parents, her siblings and their impoverished lifestyle are a quite a shock to a young lady who has become accustomed to living in the home of a Baronet. The noise, squalor and the indifference of her parents to her cruelly remind her of the peace, tranquility and order at her home, Mansfield Park. William departs for sea, and with no friend left in the world to support her, she is truly alone. Fearful of the pending news from London of Edmund and Mary’s engagement she waits for the other shoe to drop. Even under these adverse circumstances, our heroine is still optimistic. 

Fanny soon became more disposed to admire the natural light of the mind which could so early distinguish justly, than to censure severely the faults of conduct to which it led. The Narrator, Chapter 40 

With so much romantic turmoil in these last eight chapters, I am more than a bit uneasy with the uncertainty. Austen is building to a climax and I am all anticipation. We shall see if everyone ends up with who they love, or don’t know they love, and who gets their comeuppance. I have never known her to cheat us out of a wedding or two at the end, or a bit of moralizing for those unruly characters who stirred up the plot. One can never be certain though until the curtain falls on this theatrical.   

Further reading 

Online text complements of Molland’s Circulating Library

Cast of characters

Chapter 33-40 summary

Chapter 33-40 quotes and quips 

Mansfield Park Madness: Day 12 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

Mansfield Park: Oxford World’s Classics

Oxford University Press (2008). Revised edition. Novel text and introduction and notes by Jane Stabler. Trade paperback, 418 pages, ISBN 978-0199535538 

Upcoming posts
Day 13 – Aug 27          MP 2007 movie discussion
Day 14 – Aug 28          MP novel discussion chapter 41-48
Day 15 – Aug 29          MP: Sequels, Spinoff’s and Retellings
Day 16 – Aug 30          MP: The Scoop! What People Are Saying

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Mansfield Park Chapters 9-16: Summation, Musings & Discussion: Day 5 Give-away!

THE NOVEL

“You need not hurry when the object is only to prevent my saying a bon mot, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out.” Mary Crawford, Chapter 9 

Quick Synopsis

The party arrives at Mr. Rushworth’s estate of Sotherton Court to tour the grounds. Mary continues to deride Edmund on his choice of profession proclaiming that clergymen are nothing. Fanny is tired and deposited on a bench outside a locked garden gate where she observes the coming and going of different couples and individuals all in pursuit of one another. Back at Mansfield, Sir Thomas will return from Antigua in November which will set Maria’s wedding date. Mary continues to criticize the clergy not weakening Edmund’s infatuation of her. Tom returns from Antigua determined to stage a theatrical at Mansfield. Edmund is against it and will not act. Which play shall they do? It will be Lovers’ Vows. Bickering over the casting divides Julia and Maria. Fanny pressured and shamed into acting, strongly declines to participate in something that Sir Thomas would not approve. Edmund motivated by the possibility of someone outside of the family group being recruited to act opposite Mary caves, and will act after all. Fanny is surprised and shocked at his reversal. 

Musings 

Now that we have been introduced to the main cast of characters, the stage was been set to Jane Austen’s preference of “three or four families in a country village” with the Bertram clan, the Crawford siblings and the lone wolf Fanny Price holding the flag of decorum and virtue among so much vice, the real fun begins. The scenes at Sotherton Court offer an opportunity for Mary Crawford to express some very strong opinions against religion and the clergy. When she discovers that Edmund will take orders, she feigns contrition for speaking so strongly without knowledge, (for about a moment), and then picks up her protest again. 

“Do you think the church itself never chosen, then?” 

“Never is a black word. But yes, in the never of conversation, which means not very often, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing.” Edmund Bertram & Mary Crawford, Chapter 9 

Austen is really using Mary Crawford as a foil against social decorum and religious stricture. Her sideways, and sometimes direct attacks against the church and people who worship are strongly against tradition, even today, so they must have been quite provocative in 1814. So far, if you follow Fanny’s reactions to her, you can see the trail of clues that Austen is leaving. Edmund is becoming more ‘blinded by love’ as the story progresses. 

The locked gate scene at Sotherton parkland is one of my favorites of the first volume of the novel. After Fanny is deposited on a bench near a locked iron gate, she is witness to the coming and going of couples and individuals all seeking others, only to miss them and be disappointed. Austen is using all of her comedic genius to play off the flirtations and romances developing. Fanny is again shown as the solid point of reference as all the others interact foolishly. It will be interesting to look back on this scene at the conclusion of the novel and see if there is any foreshadowing afoot. 

When Tom Bertram returns from Antigua ahead of his father for the hunting season, I am immediately on alert. This is trouble. When he proposes that his siblings and the Crawford’s produce a theatrical for their personal amusement, the plot opens up to all sorts of possibilities of conflicts between decorum and egos. What transpires is almost a mini Shakespearean play within the novel, of characters acting in a play that mirrors their own behavior; – pitting siblings against each other, erupting an array of emotions resulting in jealousy, fear and anger. Their quarreling over selection of the play and the casting of the roles is tiresome, and seems to go on too long, but that is Austen’s point. She pushes her characters and the reader to the point of exhaustion.  

“Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears.” Edmund Bertram, Chapter 13 

Setting up the characters in an adversarial position reveals much of their true nature. As in life, when characters are placed under pressure, we see what they are really made of. Edmund, in his father’s absence first opposes the play based on decorum. Should ladies act? What will people think? Tom, being the ungovernable son that he is, sees no harm. He is all about instant gratification. His two sisters are all for it because they can play out their competition for Henry Crawford’s affection. Mary Crawford is pulled into the scheme showing no personal concern as a lady. She always does what she chooses and is an advocate for letting others do the same. As Lady Bertram doses on the sofa ambivalent to her children’s antics, Aunt Norris who is usually the kill-joy of all pleasure and expense surprisingly does not oppose her nephew either. Fanny sits by, quietly watching in shock until pressed into service to act. She declines, standing with Edmund against the plan, even after a shameful railing by her Aunt Norris that sends her into anxiety and self doubt. 

“What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort-so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat.” Mrs. Norris, Chapter 15 

The biggest shock for me (and also Fanny) was Edmund’s reversal for weak reasons. After vehemently opposing the play, he acquiesces based on his concern for Mary Crawford! Oh how gallantly he goes out on his unprincipled limb to save her the discomfort of acting with a stranger outside the family circle. (I smell a besotted sod here) He rationalizes all this to the only person who is on his side, Fanny, who is shocked and puzzled, and then begins to doubt her own decision since her mentor Edmund has changed his colors. After deep reflection, I think she has the better handle on all the nonsense. 

Things should take their course; she cared not how it ended. Her cousins might attack, but could hardly tease her. She was beyond their reach; and if at last obliged to yield-no matter-it was all misery now. The Narrator, Chapter 16 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 9-16 summary
Chapter 9-16 quotes and quips 

Mansfield Park Madness: Day 5 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. 

Jane Austen Journal

By Potter Style. Paperback lined journal with the image of Regency lady and quote “We have a better guide in ourselves, if we would attend to it, than any other person can be” from Mansfield Park. 160 pages, ISBN 978-0307352392 

Upcoming posts
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32

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Mansfield Park (1983) Movie: Musings & Discussion: Day 3 Give-away

Movies

This six part BBC mini-series was adapted from Jane Austen’s novel Mansfield Park by Ken Taylor and broadcast in 1983 in the UK winning a BAFTA for costume designs by Ian Adley. Sensitively directed by David Giles, this interpretation of Jane Austen’s most complex and challenging novel is by far the most accurate attempt to follow Austen’s plot and characterizations of the three film adaptations now available on DVD. Featuring a stellar cast of notable British actors, the two main leads where played by Sylvestra Le Touzel as Fanny Price and Nicholas Farrell as Edmund Bertram. Supporting roles went to Angela Pleasence and Bernard Hepton as Sir Thomas and Lady Bertram, Robert Burbage and Jackie Smith-Wood as Henry and Mary Crawford, and most notably, Anna Massey as the most annoying Mrs. Norris that anyone could envision! 

At 312 minutes over six episodes, we are privy to almost all of the novels scenes and veteran readers of Mansfield Park will recognize much of Jane Austen’s choice and witty dialogue. Some viewers might be disappointed in the production quality, as this was originally filmed on video tape and the sound does not supply the quality that we have become accustomed to since it was produced twenty five years ago. Its strengths lie in the actors performances, costumes and visual beauty as many of the scenes were actually filmed on location, which considering its budget, was a bonus. 

Because of time restraints, I will not attempt to critique the entire movie but focus on one favourite scene which I will call the ‘Sentinel at the garden gate’ from episode 2. Fanny Price and her cousins Maria, Julia and Edmund Bertram travel with Mary and Henry Crawford to the grand Elizabethan era estate of Sotherton Court to visit Maria’s fiancé Mr. Rushworth. As the couples walk through the wilderness parkland adjacent to the estate, director David Giles reveals Austen’s comedic genius in a scene that could have inspired any vintage vaudeville burlesque or modern television sitcom. When Fanny becomes fatigued, she is deposited on a park bench in the shade adjacent to a locked iron gate that has bared progress through the park. As the different groups and individuals arrive in search of each other, Fanny acts as the ‘sentinel of the garden gate’, relaying messages and explaining to everyone who has come and gone, and why. Austen’s brilliant comedic timing is in full play, and the director David Giles knows how to emphasize the right moments to build tension to the point of hilarity.

You can view the scene online here. Enjoy these screencaps with descriptions.

 Fanny Price, Mary Crawford and Edmund Bertram arrive at the locked garden gate.

Fanny is fatigued, and left on a bench as Mary and Edmund walk on together.

Henry Crawford, Mr. Rushworth and Maria Bertram
 arrive to  find Fanny and the locked gate.

After Mr. Rushworth goes to the house for the key, Henry and Maria become
 impatient and squeeze through the bars to enter the park in pursuit
of a better vantage of the grounds, or is that really the motivation?

 Fanny is alarmed and advises them to wait, but to no avail.

 

Heyday! Julia Bertam arrives in pusuit of Henry and
Maria to find Fanny alone on the bench.

Julia will not wait for the key either, and squeezes through
 the bars seeking to find Henry and Maria.

Fanny is further alarmed and worries that Julia will
harm herself or her gown, but is unheeded.

Mr. Rushworth arrives with the key! Where is Maria?

Mr. Rushworth sits with Fanny despondent, deriding the shortness of Mr. Crawford.

Mr. Rushworth decides to unlock the gate and pursue Maria and Henry. Fanny is left
 alone to continue waiting for Mary and Edmund’s return, which was much,
much longer than a anyone anticipated!

Further reading 

Mansfield Park Madness: Day 3 Give-away

 Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

Mansfield Park (1983) 

BBC 6 part mini-series, adapted by Ken Taylor and directed by David Giles. 312 minutes. Staring Sylvestra Le Touzel as Fanny Price, Nicholas Farrle as Edmund Bertram and Anna Massey as Aunt Norris. 

Upcoming posts
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24

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Mansfield Park Chapters 1-8: Summation, Musings & Discussion: Day 2 Give-away

Illustration by H.M. Brock, Mansfield Park Ch 2 (1898)

THE NOVEL

“Do not let us be frightened from a good deed by a trifle. Give a girl an education, and introduce her properly into the world, and ten to one but she has the means of settling well, without farther expense to anybody.” Mrs. Norris, Chapter 1

Quick Synopsis

Ten year old poor relation Fanny Price arrives at Mansfield Park and meets her cousins the Bertrams. Spoiled sisters Maria and Julia think her ignorant and stupid. Sad and sacred, her only friend is cousin Edmund who helps her write a letter to brother William. Five years pass. Sir Thomas Bertram and eldest son Tom leave for Antigua. Maria and Julia husband hunt with Aunt Norris. Fanny left out. Maria engaged to Mr. Rushworth. Mary and Henry Crawford arrive and meet their neighbors. Maria and Julia keen on Henry. Mary keen on Tom. Fanny and Edmund think Mary indecorous. Mary’s harp arrives, bewitching Edmund who falls in love with Mary. All the young people travel to Mr. Rushworth’s estate of Sotherton.   

Musings 

Jane Austen sets the tone of the novel immediately with Mrs. Norris’ passive-aggressive surly voice. It is effectively comical and annoying at the same time. She seems to run the Bertram family while her sister lounges on the sofa with her dog pug. I loved this description of Lady Bertram. 

To the education of her daughters Lady Bertram paid not the smallest attention. She had not time for such cares. She was a woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children, but very indulgent to the latter when it did not put herself to inconvenience, guided in everything important by Sir Thomas, and in smaller concerns by her sister. The Narrator, Chapter 4 

I think that Austen is introducing a theme here of negligent parenting with possibilities for great material. Lady Bertram’s two spoiled and snarky daughters Maria and Julia are certainly the evidence of it. Their brother Tom the eldest son seems to be also ungovernable by their father Sir Thomas, gambling and drinking with little regret. Only second son Edmund seems to have his head on straight, though I fear he has over compensated for his lax upbringing and taken the high road too firmly with his moralizing and starchy attitudes. With an outlook like this, one can only imagine his frustration in living in a household of such cretins and understand his desire to be a minister to save unruly souls. 

When we are introduced to newcomers to the neighborhood siblings Mary and Henry Crawford, I was amazed at how well their cutting remarks and superior attitude fit in with the Bertram clan. It is no wonder that the introductions go so well. I was amused that their sister Mrs. Grant immediately suggests possible mates for her single brother and sister. Shades of an Emma Woodhouse; – who may only be a gleam in Austen’s eye while writing this. Their discussion on marriage in chapters four and five is a great introduction to their personalities, and sets the stage for future romantic machinations. Here are two favorite quotes by Henry and Mary that really reveal what is coming. 

“I am of a cautious temper, and unwilling to risk my happiness in a hurry. Nobody can think more highly of the matrimonial state than myself I consider the blessing of a wife as most justly described in those discreet lines of the poet-‘Heaven’s last best gift.'” Henry Crawford, Chapter 4 

Of course, he is being totally sarcastic and poking fun at marriage and women after his sister Mary derides his past performance with ladies to their sister Mrs. Grant. 

“In marriage…there is not one in a hundred of either sex who is not taken in when they marry. Look where I will, I see that it is so; and I feel that it must be so, when I consider that it is, of all transactions, the one in which people expect most from others, and are least honest themselves.” Mary Crawford, Chapter 5 

Mary Crawford is much more frank about it. Like Elizabeth Bennet she decidedly expresses her opinions, but unlike Jane Austen’s other strong female character from Pride and Prejudice she does so without much censure and is often moralistically off center. I like that dangerous laissez-faire, wildly over confident quality about her. She definitely gets the sharp witty dialogue that Austen is so famous for. It is like watching a train wreck and makes for a great story. 

But what of our heroine Fanny Price? At this point she has had little to say or do. Cleverly, I think that is Austen’s point. Being the poor relation and a charity case in a resplendent household is a tenuous position. We see her pitiful situation, how terribly she is treated by her cousins, and feel her pain. It is uncomfortable and we are angered by it. The over-eager reader may miss the subtly of her character and not understand why she is in the background so much. It is a bit perplexing but I am confident that Austen has her reasons that will unfold as the plot develops. 

Questions 

  1. Why is Mrs. Norris not given a first name? Is this a telescopic insight by Jane Austen by way of a slight?
  2. Fanny Price does not act like Jane Austen’s other heroines. Nor does Mary Crawford. Is Austen being ambiguous?
  3. Why do you think that Austen has set up such a caustic cast of characters? What are the benefits and downfalls to this approach? 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 1-8 summary
Chapter 1-8 quotes and quips

Mansfield Park Madness: Day 2 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park

Oxford University Press, USA (1988). Third edition. This hardcover volume has been the preferred edition by many since its publication in 1923. It includes an unabridged novel text and extensive supplemental material. Nice compact, but could use a make-over!

Upcoming posts
Day 3 – Aug 17            MP 1983 movie discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion

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Highly agreeable

Image of painting of Queen Louise Augusta of Prussia, by Elizabeth-Louise Vigee le Brun (1802)AGREEABLE

for Mrs. Grant, having by this time run through the usual resources of ladies residing in the country without a family of children-having more than filled her favourite sitting-room with pretty furniture, and made a choice collection of plants and poultry-was very much in want of some variety at home. The arrival, therefore, of a sister (Mary Crawford) whom she had always loved, and now hoped to retain with her as long as she remained single, was highly agreeable; and her chief anxiety was lest Mansfield should not satisfy the habits of a young woman who had been mostly used to London. The Narrator on Mrs. Grant, Mansfield Park, Chapter 4

Mansfield Park is a big fat morality play, and Jane Austen the ever observant daughter of an Anglican minister knew well the temptations of mankind and the results of the choices facing them. In this passage, she openly describes the motivations of Mrs. Grant, who welcomes her younger half sister Mary Crawford into her home in the hope of her own selfish amusement.

Jane Austen has been crowned the queen of irony, but in this instance I sense a thick veil of sarcasm here in her sharp, biting character analysis of Mrs. Grant. We have just been introduced to the young, sophisticated and single Mary Crawford; newly arrived from London, that den of moral corruption! The combination of bored country matron and husband hunting schemer will certainly fuel the plot along.

At times while reading Mansfield Park, I feel a disturbing shiver of apprehension and fear. With all of the dark characters and deep interwoven plots, I am amused to think that with just a small tweak of morbid drama interjected, it could become a Gothic novel!

It can be a disturbing read, and I can only take it in short doses. Has anyone else experienced these same feeling? Please enjoy some other views of the novel through these links on the net-o-sphere.

*Painting of Queen Louise Augusta of Prussia, by Elizabeth-Louise Vigee le Brun (1802)

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