From the desk of Sophia Rose:
Do you ever read a book and enjoy it to such an extent that your mind continues to dwell on the characters, and you imagine your own continuation of the story? If that story is Northanger Abbey, then it is no stretch to imagine that the heroine, Catherine Morland, must have her dream of living inside one of her delicious gothic novels fulfilled even while reveling in the happiness of being married to her Henry. Oh, not as the gullible young girl who conjured up ghouls and mystery where it did not exist, but a heroine worthy of adventure when the adventure finds her. If you perked up at this possibility, then, like me, dear reader, you are primed for Shannon Winslow’s Murder at Northanger Abbey.
The story opens with Catherine and Henry Tilney, newlywed and living in bliss at Woodston Cottage. Catherine is still settling in as mistress and exalting in the tender and passionate love of her husband. She has learned from her earlier adventures and set aside the impressionable girl who saw a bloody skeleton in every locked trunk or a villain in every frown. She is sensible now and seeks to be a credit as a vicar’s wife.
Into this idyllic life, an invitation arrives from General Tilney for them to attend an All Hallows Eve Masquerade Ball at Northanger Abbey. Henry is dubious and still has strong feelings about his father’s previous treatment of Catherine, but if this means an olive branch, he should accept. Catherine is thrilled about the ball and revels in the chills she feels about spending All Hallows Eve at a house she once thought haunted.
Their arrival reunites all the Tilneys including Elinor and her husband. Catherine also meets a pretty, young, but ineligible woman whom Frederick brought to annoy the General, though she is startled to notice a soft spot in the cruel Captain. The General also has a young pretty woman on his arm and she is very much eligible as the daughter of a Marquess. He is bursting with some sort of inner glee over what is to come later in the evening, and she can only take heart that he welcomed them if a tad coolly. Continue reading
From the desk of Rachel McMillan:
Though locked room mysteries are a trope often revisit in the genre, it takes an immense amount of talent for an author to convince you that theirs is, indeed, the first of its kind. At once an homage to a classic trope and an immersive gothic romance A Stroke of Malice is a compelling historical romance that is not only atmospheric but eerily relevant. Lady Kiera Gage (nee Darby) and her husband, inquiry agent Sebastian Gage long familiar with the gothic and macabre, are put in close quarters with a puzzling corpse when a revelry turns deadly. The prospect of a holiday at the Bowmount’s Estate in Scotland is welcome for the investigative couple, but nothing could prepare them for one of the most baffling of their many cases together.
Almost six months’ expectant, Kiera is looking forward to a warm, inviting, and seasonally riotous Twelfth Night party at a crumbling Scottish manor house: perhaps her last opportunity before her confinement. Herein, with an eerie Poe-like setting of crypts and cloisters, dead friars and monks, and things that go bump in the night, Kiera and Gage must decide whether what they are seeking is foul play or far more sinisterly supernatural. The masked festivities, dancing, merriment libations of the cold December night culminate in the demand by the chosen Lord of Misrule for a ghost tour. Thus, Kiera and Gage attend a forbidden part of the manor house that takes them several steps back in time. Things go amiss when their ghoulish tour leads to a body far more recently deceased than the skeletons tucked into the ancient stones. Thus, the lady and lord of the manor are eager to make good on the Gage’s reputations for solving the most sinister of crimes.
The mystery deepens as no one is missing from the manor or its surrounding area, there are no personal possessions and no distinguishing features. In addition, the regal Lady Eleanor’s husband has been absent in Paris for a long while with seemingly no communication, leading Gage and Kiera to wonder if the deceased is Lord Hemswick. Continue reading
From the desk of Melissa Makarewicz:
With a mystery so scandalous the very balance of the British monarchy is threatened, Veronica Speedwell, a butterfly collecting amateur detective, and her natural historian colleague Mr. Revelstoke Temple-ton-Vane, have been called on to help. In Deanna Raybourn’s A Murderous Relation, readers are taken on a quirky ride through dangerous perils and nail-biting adventure. As Veronica and Stoker are trying to solve the case, they are also trying to solve the complexity of their emotions. The idea of mystery and intrigue tied up with slow-burning romance just waiting to bubble over ticked all the must-read boxes for me.
It’s the year 1888, and the horrifying figure of Jack the Ripper is stalking the streets. While London is in a heightened frenzy held entranced by the mysterious murders, the Lady Willingtonia Beauclerk has called Veronica and Stoker to a meeting. The meeting is attended by a close group who are privileged to the intimate knowledge of Veronica’s paternity. Lady Wellie, the princess, Inspector Archibond are also in attendance. Though the group is small, the secrets that threaten the monarchy are large.
Normally one to jump at the chance for adventure, this one hits a bit too close to home for Veronica and she adamantly refuses to help. Lady Wellie attempts to share a tangled web of theories to the two detectors in order to change their minds. Suddenly, she is struck with a medical emergency so severe that Stocker must act quickly to save her life.
“Lady Wellie clasped her walking stick more tightly, ‘It is the very worst time for any sort of scandal to break.’ She paused, and I saw her faze sharpen as she looked from me to Stoker and back again, Suddenly I understood that feeling of taut expectation.” (9)
From the desk of Katie Patchell:
In Michelle Griep’s latest novel, readers are transported to 19th-century Devon, England to follow a hero and heroine accused of crimes they never committed. In pursuit of justice, the story flows from the gray depths of Dartmoor Prison and its forgotten inmates, to the heights of high society’s glittering concert halls. One word resounds, its echo landing on each page and in both heroes’ hearts: Justice.
Haunted by accusations of her past, Margaret lives out her self-imposed banishment at Morden Hall, surrounded by the shifting skies above an endless moor. Her only companions are her mute maid, grizzled manservant, and loyal dog. Far from the glamour and fame of her past, she is happy with her companions, books, and audience of none as she sings on the open moor.
Everything changes when a man who was there on the day she fell from society’s grace appears unconscious and bleeding outside her home. Margaret is torn: Should she help the man escape the brutish prison guard chasing him, risking her anonymity in the process? Or should she stay hidden, abandoning the “stranger” to his own fate?
“Death prowled the cellblock like a dark animal seeking prey–especially the weakest. But Oliver Ward would be hanged if he’d let the beast devour the man in the cell besides him. It wasn’t fair. It wasn’t right.” (Line 1, Chapter 1)
From the desk of Sophia Rose:
When a mystery series is introduced with such words as, “…inspired by the novels of Jane Austen,” you may be sure that I will be more than willing to delve right in with alacrity. Wilde created a capable heroine who was high born, fallen with her family’s disgrace, and risen by her own resolution and strength as a useful woman to those who were once her peers, and what began with curiosity continues to impress with a deep appreciation for her spirit and intelligence.
And Dangerous to Know is so titled to best suit one of the intriguing real historical elements of this third installment in the Rosalind Thorne series which works best read in order. In this latest, Rosalind is involved with ‘mad, bad, and dangerous to know’ Lord Byron, indirectly. While never actually present, he can be felt throughout the book.
Rosalind has recovered from her last encounter with murder and peacefully keeping up her prodigious amounts of correspondence, her household affairs, and trying to help her friend Alice figure out where Alice’s brother George has been disappearing to each evening. Meanwhile, she ponders the affairs of her conflicted heart—a duke or a detective?
This is all interrupted when an imperious summons brings her to the august doors of Melbourne House and she encounters its notorious mistress, Lady Melbourne, and her more notorious daughter in law, Lady Caroline Lamb. Lady Melbourne has letters written by Lord Byron that have gone missing and they are such that ruin for several will happen if they are ever published or the contents bandied about. Rosalind has a bad feeling about the whole thing, but when Lady Jersey recommended her and another society queen wishes to hire her, there is only one answer to give. Continue reading
From the desk of Debbie Brown:
From 1928 to 1932, the British middle and upper class still experienced a bright time. The Roaring Twenties are dimming, yet the fun and frolic continue for those “Bright Young Things” who still have plenty of money. “They drink too much and they’re careless. They’re rich and young and they believe themselves to be invincible.” The descent into decadence plays a major role in The Mitford Scandal, a complex mystery, by Jessica Fellowes.
Foremost among them, Diana Mitford (an actual British socialite of the era) is presented as the embodiment of Daisy Buchanan, the heroine of F. Scott Fitzgerald’s magnum opus The Great Gatsby. She believes “One should live life to the absolute fullest, not doing anything dreary but surrounding oneself with love and beauty.” Sadly, the reader comes to understand that “life to the fullest” includes infidelity, adultery, and opium addiction among Diana’s social set.
The book begins with a series of behind-the-scenes views at a high society party in 1928, mostly seen through the eyes of Louisa Cannon, who’s employed as a temporary servant for the evening. Chapter One ends shockingly: a maid falls through a skylight into the middle of the partygoers in the ballroom, dead. While it seems obvious that this was an accident (she had been peeking at the party from a floor up above through the glass dome but fell into it, shattering the glass), evidence years later suggests the cause may have been something more sinister. Continue reading
Happy Holidays Janeites. Today, I am so pleased to present an exclusive interview with bestselling and award-winning author Julie Klassen who has just released her latest historical romance mystery, The Belle to Bridge Island. Set in Regency-era London and an island on the River Thames, it is her return to historical suspense after writing her trilogy The Tales of Ivy Hill. Julie has generously answered my questions about the book and a few other intriguing topics as well.
Congratulation Julie! You have just released your 14th Historical romance novel, The Bridge to Belle Island. Can you share your inspiration for this new work?
Thank you! It’s always difficult to trace an idea back to one “aha” moment, but for this book, I would say I was inspired by learning of all the smaller islands that exist within the island of Great Britain, especially in the Lake District and on the Thames River. I enjoyed researching several of these tiny, fascinating places with intriguing names like Eel Pie Island, Pharaoh’s Island, Monkey Island, and others. Some of them have fine homes on them, others are uninhabited. Some are reachable by bridge, others only by boat. Many have colorful histories.
How do you select a title, and is there any significance in your choice of The Bridge to Belle Island?
Actually, The Bridge to Belle Island wasn’t my original working title. Determining titles is a group effort between me and my editors. They ask me for several ideas and we go back and forth until we all agree on a winning title. I felt strongly about having “island” in the title since that was part of my original inspiration, plus an island setting is so appealing for a mystery. (And Then There Were None, anyone?) I suggested this title, because the bridge plays an important role in the novel (the main character is unable to cross it at the beginning) and “bridge” also hints at one of the themes of the book. I LOVE that the designer featured a bridge on the cover.
After your trilogy, The Tales of Ivy Hill, you have returned to Regency mystery/suspense. What intrigued you do so? Continue reading
From the desk of Sophia Rose:
First, Julie Klassen pulled me into her writing with a haunting, gothic romantic suspense, The Secret of Pembrooke Park, and most recently delighted me with the world of a quaint English village and its occupants in her series, The Tales of Ivy Hill. In her latest release, Klassen wrote a romantic suspense that is slightly darker, splitting the setting of an island estate on the Thames and London. I love a good murder mystery, and setting it in the Regency period had me taking up The Bridge to Belle Island prepared for a reading treat.
Young lawyer, Benjamin Booker, has just experienced a humiliating loss in court when the client he thought innocent had charmed him into risking all to defend her and it turned out she had utterly lied. He feels that he has disappointed his mentor at the firm and took a hard hit to his confidence in reading people and situations. However, he soon has the opportunity to prove himself to his mentor, Mr. Hardy, when Mr. Hardy wants justice for the death of his former colleague at the firm who lately held the position of trustee for the Wilder family and was murdered in their London Town House.
Living retired from the rest of the world on Belle Island, Isabelle Wilder has seen a great deal of tragic death in her family and it has left her with an extreme fear that won’t allow her to leave her island family home for years now. She is sorry to miss her niece’s engagement party in London because of her own weakness. The night of the party, Isabelle has a terrible dream that their skinflint trustee was murdered. She is dismayed when Mr. Booker, a skeptical lawyer from the family firm, shows up both to sort their legal matters brought on by the death of her trustee, but also to investigate the death with her as the chief suspect. It was a dream when she saw vivid images of the death, right? She has nothing to hide, she hopes, so welcomes Mr. Booker to Belle Island and invites him into her life there where he starts to mellow toward her until disturbing facts start to come to light leading right to her door. Continue reading
From the desk of Christina Boyd:
As a fan of the Being Jane Austen Mystery series, I have been all anticipation for the latest edition, Jane and the Waterloo Map. Author Stephanie Barron knows her Austen lore, as well as a being a masterful storyteller and researcher; writing in a most Austen-like style. She is also The Incomparable when it comes to Regency mysteries. Given that disclaimer, and holding the series in much esteem, I feel quite at liberty to share my impressions herein.
The novel opens with our dear Miss Austen attending her sick brother Henry at his London residence while editing the proofs of her latest novel, Emma, for her publisher John Murray. Summoned to Carlton House, the opulent London mansion of His Royal Highness the Prince Regent, Jane meets his toady Historiographer, Mr. James Stanier Clarke, who not only arrogantly invites her to use the Royal Library to write her next novel, but welcomes her to dedicate her work-in-progress to the Prince Regent himself. As she holds the prince and his profligate ways in contempt, Jane cautiously makes no commitment and politely continues on with the tour. Upon reaching the library, they come upon a Colonel MacFarland, the hero of Waterloo, collapsed upon the floor in an apoplectic fit. As Mr. Clarke finds help, the colonel utters his last words to Jane, “Waterloo map.” After a curious inspection of the colonel’s vomit, Jane speculates that the colonel may have been poisoned. The next day, word reaches her that the colonel did succumb, and it is not long before the royal physician confirms that the hero of Waterloo was murdered. Thus begins the intrigue—and danger—for our clever authoress as she exposes whodunit in this thirteenth of Stephanie Barron’s mystery series. Continue reading