Cultural Studies, Georgian Era, History, Jane Austen, Regency Era

Puzzling Legal Nonsense in Austen’s Sense and Sensibility

The family of Dashwood had been long settled in Sussex. Their estate was large, and their residence was at Norland Park, in the centre of their property, where for many generations, they had lived in so respectable a manner as to engage the general good opinion of their surrounding acquaintance. The Narrator, Sense and Sensibility, Chapter 1

There is quite a bit of legal nonsense in Jane Austen’s novel Sense and Sensibility. It seems like nonsense to my 21st-century sensibilities, but it was a very serious business in early 19th-century England. When I first read the novel I would get stuck, needing to know the rationale of why the Dashwood widow and daughters are impoverished, why Willoughby is dependent on his aunt, or why Edward Ferrars did not just dump his fiancée Lucy Steele. To completely understand the plot and motivations of the characters, it became imperative to understand the legal direction behind them. I was compelled to find the answers.

I am not a professional scholar, nor am I a lawyer, so in deference to the academic and legal communities, my abject apologies for any blunders.

My top questions about the legal stuff in Sense and Sensibility

1.) Why are the Dashwood widow and her daughters impoverished after the death of wealthy Henry Dashwood, – her husband, and their father? 

We know from chapter one that Henry Dashwood is the legal inheritor of the estate of Norland from his uncle, who was without issue.

The old Gentleman died; his will was read, and like almost every other will, gave as much disappointment as pleasure. He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew; but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son; but to his son, and his son’s son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision, by any charge on the estate, or by any sale of its valuable woods. The whole was tied up for the benefit of this child…” Ch 1

English law supported primogeniture, the common law right of the firstborn son to inherit the entire estate, to the exclusion of younger siblings. Henry Dashwood had inherited the Norland estate upon the death of his uncle who was unmarried. Henry had a son by his first marriage named John, who by law would inherit the Norland estate. He, in turn, has a son Harry, who would inherit the estate upon his father’s death.

The advantage of primogeniture is that it ensures that estates are not broken up and divided by numerous siblings or relatives, remaining intact and stronger. The downside is that younger sons get very little and must make their own way in the world, often going into the army or navy, or taking church orders, and daughters are entirely dependent upon their families.

In the opening of the novel and movies, the dying Henry Dashwood entreats his son John to take care of his ladies.

“Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law and sisters.” Ch 1

In accordance with the law and times, the Dashwood ladies are at the complete mercy of the wishes of the heir, Mrs. Dashwood’s stepson, and her daughter’s half brother. If he chooses to not aid them with their finances, no law will support their claim.

2.) Why doesn’t Edward Ferrars break his engagement with Lucy Steele after he meets and falls in love with Elinor Dashwood? 

In Jane Austen’s time, a man was only as good as his word. Edward is a very principled and honorable man. He would never go back on his word.

I was simple enough to think, that because my faith was plighted to another, there could be no danger in my being with you; and that the consciousness of my engagement was to keep my heart as safe and sacred as my honour“. Edward Ferrars, Ch 49

An offer of marriage was a binding contract in England during this time. Broken engagements were very serious business, and if Edward severed his engagement, Lucy would have recourse in the courts with a breach of promise suit. The prospect of publicity, cost, and scandal was enough to scare most delegates into honoring their promise to marry.

“The engagement is considered a contract to marry and was legally binding on both parties. However, unlike most contracts, it could not be enforced because the civil courts would not coerce marriage, but the party breaking the contract was liable to damages. The contract had to be mutual and between parties competent to make legal contracts – for example, those who were old enough and sane. Frost, Ginger S. Promises Broken: Courtship, Class and Gender in Victorian England, (1995) pg 16

The Hardwicke’s Marriage Act of 1753 prohibited clandestine and irregular marriages without the consent of the parents if the parties were not of legal age, (21). Since Lucy was underage, they could not have married in England, and the promise may not have been binding, since it is questionable if she was old enough to legally enter into such a contract, but she might be eligible for damages none-the-less.

3.) Why is Willoughby dependent upon the wishes of his aunt, Mrs. Smith of Allenham? Why does he use this connection as an excuse to abruptly depart for London, just when Marianne thinks he will propose marriage to her?

Willoughby is the heir of Mrs. Smith’s estate of Allenham Court, and even though he has his own estate of Cum Magna in Somersetshire, he is in debt and governed by finances.

My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free, yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of.” Ch 49

Later, he reveals that his initial intention was to propose to Marianne, and the regretful reason for his quick departure was his aunt’s knowledge of his indiscretion. He chose money over love.

“But in the interim — in the interim of the very few hours that were to pass, before I could have an opportunity of speaking with her in private — a circumstance occurred — an unlucky circumstance, to ruin all my resolution, and with it all my comfort. A discovery took place,” — here he hesitated and looked down. — “Mrs. Smith had somehow or other been informed, I imagine by some distant relation, whose interest it was to deprive me of her favour, of an affair, a connection — but I need not explain myself farther,” he added, looking at her with an heightened colour and an inquiring eye, “your particular intimacy — you have probably heard the whole story long ago.”  

“I have” returned Elinor, colouring likewise, and hardening her heart anew against any compassion for him, “I have heard it all. And how you will explain away any part of your guilt in that dreadful business, I confess is beyond my comprehension.” Ch 49

4.) If estates pass to the first son only, how can Mrs. Ferrars disinherit her first son Edward, and pass it to her second son Robert, irrevocably? Do widows have the right to alter the will of their husbands and change primogeniture? 

This gets even more complicated, but a woman can inherit property or money if she is the only direct heir, and when she marries, a ‘settlement’ can ensure that the property or money stays with her children. A point in case is the first Mrs. Dashwood, who dies and leaves her fortune by settlement to her child, John Dashwood. Mrs. Ferrar’s fortune was her own, not her husbands, so when he died she still held control of the wealth. Another example from an Austen novel is of Lady Catherine de Bourgh in Pride and Prejudice.

“Your father’s estate is entailed on Mr. Collins, I think. For your sake,” turning to Charlotte, “I am glad of it; but otherwise I see no occasion for entailing estates from the female line. — It was not thought necessary in Sir Lewis de Bourgh’s family.  Lady Catherine de Bourgh, Pride and Prejudice, Chapter 29

If an estate is inherited through the male line, the widow can not alter the disposition of her husbands will, because by law, she does not own the property or cash. Her son inherits, or if there is not a son, then the next male heir. Willoughby is the next male heir to Mrs. Smith’s  estate of Allenham, even though he is a nephew. 

5.) If Mrs. Ferrars did not approve of Lucy Steele marrying her heir Edward and disinherits him because he will not break the engagement, why did she approve of Lucy marrying the new heir, her second son Robert?

When Edward and Lucy’s secret engagement is revealed, his mother disinherits him, passing the estate to his brother Robert, irrevocably. This means that unlike his brother, Robert is independent of his mother’s approval to marry. Robert did not need her blessings to marry Lucy, and it was Mrs. Ferrar’s just deserts for her heavy-handed dealings with the marriages of her children.

“However it may have come about,” said Elinor, after a pause, “they are certainly married. And your mother has brought on herself a most appropriate punishment. The independence she settled on Robert, through resentment against you, has put it in his power to make his own choice; and she has actually been bribing one son with a thousand a-year, to do the very deed which she disinherited the other for intending to do.” Ch 49

Ok, if you are still with me at this point, you are a saint! All of these complicated connections established by Jane Austen spring from wills and entailments governed by the inheritance laws of Regency England. It is obvious that wealth and inheritance weigh heavily on Jane Austen’s plots and characters; – its importance deeply shadowing each of her novels and the climate of the times.

Be sure to mark your calendars and set your watches for Austen time on Sunday, April 6th at 9:00 pm, for the Masterpiece Classic presentation of episode two of Sense and Sensibility, staring Hattie Morahan as Elinor Dashwood, Charity Wakefield as Marianne Dashwood, Dan Stevens as Edward Ferrars and Dominic Cooper as Willoughby