From the desk of Jenny Haggerty:
For those who love Jane Austen’s novels her early death is a tragedy we feel anew each time we contemplate the scant space she takes up on our bookshelves. What Austen fan doesn’t long for more than six completed novels, especially since she left behind several tantalizing story fragments? Of these Sanditon is the most polished. Austen was working on it as a mature author shortly before she died, but it’s an earlier fragment, The Watsons, that has one of my favorite scenes in all of Austen’s work. Emma Watson’s exuberant dance with 10 year old Charles Blake caught the eye of every man at the winter assembly and won my heart. Though Austen never finished Emma’s story, her sister Cassandra knew what she planned, and several authors, including Austen’s niece, have written endings. Ann Mychal’s version titled Emma and Elizabeth intrigued me because Elizabeth is Emma’s older sister. I was eager to read an adaptation featuring both sisters.
Mychal’s opening is wonderfully Austenesque: “When a young woman, on whom every comfort in life is bestowed has the misfortune to inhabit a neighborhood in which peace and harmony reign, her ability to perceive and understand the world must be diminished and, consequently, in need of adjustment.” Emma’s adjustments start as the book begins. After years of living with her wealthy uncle and aunt she is returning to the family of her birth whom she hasn’t seen since her mother died when she was five. Though their father was ever dutiful to his parishioners, the other Watson children lived like orphans, with eldest sister Elizabeth shouldering the drudgery of caring for them all. Continue reading