Please help me welcome historical mystery author Tessa Arlen to Austenprose today during her blog tour of her new novel, Death Sits Down to Dinner, the second book in her Lady Monfort series.
Firstly, I want to congratulate Tessa on her recent nomination for the Agatha Award for her debut novel, Death of a Dishonorable Gentleman. I enjoyed it tremendously, and obvious others did as well. Set at an Edwardian era English country manor house, it is the first novel in the Lady Montfort series. Death Sits Down to Dinner was released on March 29th, 2016 and is set in London. The two novels are now Town and Country bookends!
Comparisons of your novels to Downton Abbey were inevitable. When were you first inspired to write a mystery novel, and why did you select Edwardian era English aristocrats and their servants as your main characters?
I have always loved English history and in particular the short window of time we call the Edwardian era (1901-1914). It was an era of great innovation in all areas, but there was a tremendous leap forward in fine arts, the arts and crafts movement and the performing arts. The last decades of the 19th and the first decades of the 20th centuries saw huge innovations in communication, transportation and manufacturing, but I think the early 1910s were rich in societal changes: the fight for the women’s franchise became decidedly nasty with the breakaway from women’s suffrage movement of the Women’s Social and Political Union (Suffragettes). The Irish were becoming more assertive about Home Rule; there was a Liberal government hell bent on social reform and taxing the landowners to provide funds for those changes, and the House of Commons broke the power of veto in the House of Lords which meant that bills for social reform could be passed more quickly. But the rich had never been richer nor the poor more desperate. I thought it a perfect era to write a murder mystery!
I sat myself down to write the book that eventually became Death of a Dishonorable Gentleman in 2008. It was really an exercise in whether I could actually write a full length novel. I wanted my two main characters to come from opposite ends of the class spectrum so they might represent the rigid caste distinctions of the time. Combined with this was my love of the Golden Age of mystery, where the writer gathered a group of ecccentrics together, isolated them in a country house, or on an island, or even on board an ocean liner and turned up the heat with a spot of murder. I was not in the least influenced by Downton, but I was very happy for it to introduce my book to a group of people who were already in love with this time. Continue reading