From the desk of Katie Patchell:
One crumbling manor house. Three estranged sisters. And a garden full of roses. All of these and more are ingredients in The Rose Girls, the latest novel by Victoria Connolly, author of the currently six-book Austen Addicts series. While not a book connected to Jane Austen’s novels or the Regency period, The Rose Girls is a story that shares timeless themes from Austen’s own masterpieces: the importance of family, forgiveness, healing, nature, and love.
After the news that her mother recently died of cancer, Celeste Hamilton is called back home to Little Eleigh Manor and Hamilton Roses, the family rose business, to support her two sisters. Still recovering from a divorce and memories of a painful childhood, Celeste plans only on spending a few weeks at her old home to sort through things and comfort her sisters, before escaping with her dog, Frinton, to somewhere much better and (hopefully) memory-free. On arriving back at her family home, Celeste realizes her responsibilities are much more than she bargained for. Little Eleigh Manor desperately needs repairs, and she’s the only sister willing to sell possessions to keep the house from (quite literally) falling down around them.
Supported by her sister Gertie, resented by her other sister Evie, and hearing the echoes of her mother’s past verbal abuse in her ears as she wanders Little Eleigh Manor’s halls, Celeste is surprisingly comforted by the forgotten beauty of the roses her family has grown and sold for years. With her beloved sisters distant and hiding their own secrets, and a friendly, perceptive, and surprisingly young art auctioneer interested in more than just family paintings, Celeste finds reasons to put off her escape for a few more weeks—and with her two sisters, a few roses, and a lot of love, forgive the past and change the future. Continue reading
Please help me welcome debut author Rachel Berman to Austenprose today on the first stop of her blog tour in celebration of the release of Aerendgast: The Lost History of Jane Austen published by Meryton Press. Inspired by actual events in Jane Austen’s life, Rachel has generously contributed a guest blog sharing her thoughts about her writing experience.
If you are as curious by the title of this novel as I was, you might want to read this preview and excerpt that we presented last month, and then join the blog tour as it continues through March 18. There will be reviews, interviews and giveaways along the way. Continue reading
Jane Austen inspired novels now number in the thousands. While many of these stories are sequels, continuations and what-if’s of her popular novels, very few are based her life. This type of Austenesque novel is called a fictional biography—a skillful blending of known facts, family lore and fiction into an original narrative. A few of my favorites in this sub-genre are Jane and the Twelve Days of Christmas, the twelfth in the Being a Jane Austen Mystery series by Stephanie Barron, The Lost Memoirs of Jane Austen and Jane Austen’s First Love, by Syrie James and The Persuasion of Miss Jane Austen, by Shannon Winslow.
A new bio-fic inspired by Jane Austen’s life is in the queue this month from Meryton Press. Aerendgast: The Lost History of Jane Austen, by Rachel Berman is a literary mystery spanning contemporary and historical times with a bit of paranormal magic. The author has generously shared an excerpt with us today to give us a teaser. I hope you enjoy it. Continue reading
We don’t run across new authors that we can rave about very often. We are very particular about our reading material, so when the planets and stars align, we like to gloat and boast “I told you so.” Such was the case with Katherine Reay’s debut novel Dear Mr. Knightley. We had the honor of reading it before publication and meeting the author in person. To say that the novel was as refreshing and elegant as its author is an understatement. When it won the ACFW’s Carol award for best Contemporary Novel and best Debut Novel, our head was as big as a pumpkin.
Now I am very happy to introduce you to her sophomore effort, Lizzy & Jane, just published by Thomas Nelson. Like Katherine’s first novel it is lightly inspired by Jane Austen and not a sequel or retelling per se. The two sisters are as different in personality as Austen’s Marianne & Elinor Dashwood in Sense and Sensibility, but they also exhibit similarities to siblings Elizabeth & Jane Bennet from Pride and Prejudice. Interestingly, one character loves reading Austen and the other not so much. Like many of Austen’s heroines, Lizzy & Jane face big conflicts and challenges in their lives. Here is an exclusive excerpt chosen by the author which illustrates her endearing style and charm.
PREVIEW (from the publisher’s description)
Sometimes the courage to face your greatest fears comes only when you’ve run out of ways to escape.
At the end of a long night, Elizabeth leans against the industrial oven and takes in her kingdom. Once vibrant and flawless, evenings in the kitchen now feel chaotic and exhausting. She’s lost her culinary magic, and business is slowing down.
When worried investors enlist the talents of a tech-savvy celebrity chef to salvage the restaurant, Elizabeth feels the ground shift beneath her feet. Not only has she lost her touch; she’s losing her dream.
And her means of escape.
When her mother died, Elizabeth fled home and the overwhelming sense of pain and loss. But fifteen years later, with no other escapes available, she now returns. Brimming with desperation and dread, Elizabeth finds herself in the unlikeliest of places, by her sister’s side in Seattle as Jane undergoes chemotherapy.
As her new life takes the form of care, cookery, and classic literature, Elizabeth is forced to reimagine her future and reevaluate her past. But can a New York City chef with a painful history settle down with the family she once abandoned . . . and make peace with the sister who once abandoned her?
From the desk of Katie Patchell:
Why is it that Jane Austen’s novels, particularly Pride and Prejudice, have had so many continuations, sequels, and contemporary versions based off of the originals? It’s not just the fact that her books are classics—after all, you don’t see many contemporary versions of Jane Eyre. Or Dickens. How many modern versions of Oliver Twist have you read lately? Don’t get me wrong—the brooding hero, quiet governess, gothic mystery, and melodrama are characters and themes loved by many fans, but there’s just something about Jane Austen’s wit, happy endings, realistic romance, and down-to-earth heroes and heroines that transcends space and time. Whereas Jane Eyre and Oliver Twist (and countless other classics) can only be updated with difficulty because of their two-dimensional characters and highly improbable circumstances, Pride and Prejudice, Emma, Persuasion, etc. have complex characters facing realistic issues, and can be updated to virtually any situation, generation, or social class.
In Marilyn Brant’s latest contemporary reimagining, Pride, Prejudice and the Perfect Bet, the story focuses not on Elizabeth and Mr. Darcy, but rather on the often-overlooked secondary characters in Austen’s original, Jane Bennet and Mr. Bingley, as they participate in the perfect bet—the bet of true love! Continue reading
From the desk of Kimberly Denny-Ryder:
We all make first impressions. Every time we meet a stranger we immediately form an initial opinion, whether it be good, bad, objective, subjective, or any other form. Sometimes, after meeting this person, his/her actions fall so far opposite to your initial impression that it simply astounds you. I myself am guilty of developing a wrong first impression. When I first met my husband, I felt he was a bit odd. Yet here we are, still blissfully happy after 9 years! Anyway, back to wrong first impressions. Such was the case with Beth Pride in Pride’s Prejudice by Misty Dawn Pulsipher, who after seeing a handsome man at a benefit auction soon realized he was in fact an arrogant and selfish idiot. Does her original assessment do William Darcy justice? First, some backstory:
At the Hartford College Children’s Benefit Auction, a chance to dance with Beth, along with other women in attendance, is auctioned off. Dejected after no one bids on her, her hopes are lifted when Darcy steps forward, only to be crushed shortly thereafter when he pays the bid and leaves her, telling her he only felt sorry for her. She then decides to never speak to this man again, but sadly her plans are foiled when her roommate Jenna begins to date Darcy’s best friend, Les. While they are again thrust into each other’s company, Beth continues to try and keep up her hatred of Darcy, but his looks and surprising banter make a serious attempt at breaking down that wall. She begins to rethink her original assessment of Darcy, but doesn’t want to fall for this handsome man a second time without seriously thinking it through. Will Beth’s pride (no pun intended) keep her from letting her true feelings out, or can she learn to trust this man who she up until recently has sworn off? Continue reading
From the desk of Kimberly Denny-Ryder:
Perhaps one of the most relatable parts of any book is heartbreak. Most of us have experienced it, and it leaves one with such sorrow and sadness that won’t soon be forgotten. Such is what makes the story between Anne and Frederick in Jane Austen’s Persuasion so riveting. When considering a modern retelling of this story, why not try and imagine it from a flipped perspective, with the man doing the heartbreaking and the woman being wooed. Such is the case with Rosemary Clement-Moore’s Passionate Persuasion, where we meet Alex and Kiara, an everyday couple who experience their own version of heartbreak and rekindled affections.
Alex and Kiara have a past not unlike many couples in today’s society. After having dated for a while in college, Alex unexpectedly and suddenly ended their relationship, and the two drift apart, losing contact after graduation. Nothing about this past is extraordinary, except for the fact that it all comes roaring back eight years later, after Kiara and Alex meet again at what Kiara thought was supposed to be a blind date at a bar. While trying to compose herself from the shock of seeing Alex after so much time has passed, Kiara has to try even harder to maintain her composure after she realizes Alex is coming on to her with no reservations. Will drudging up old emotions bring back the fire of their relationship, or is it destined to bring up the pain of their breakup all over again? Continue reading