From the desk of Katie Jackson:
Long before Jane Austen was widely known for her six complete novels, she was a youthful storyteller who wrote humorous tales for the amusement of her family and friends. In more recent years, Austen’s juvenilia has been put in the spotlight and given the adaptation treatment that was previously only bestowed on her most famous works. Indeed, this year’s Jane Austen Society of North America Annual General Meeting focused on Austen’s earliest stories. Robert Rodi—author of this latest juvenilia variation—was a plenary speaker at the JASNA AGM and discussed how Austen’s writing had evolved from pure farce to social satire and finally to the irony of her mature novels.
The original Amelia Webster epistolary short story by Jane Austen—introduced by the young author as “an interesting & well-written Tale”—was comprised of only 454 words in seven brief letters, and yet masterfully presented eight protagonists and a fairly complete storyline. In a most amusing fashion, Robert Rodi has crafted a sardonic wink of a novel out of Austen’s juvenile attempt in the upcoming Amelia Webster: A Novel After Jane Austen.
Welcome to the tiny village of Rovedon in Hertfordshire, where the gossips make sport of predicting the nuptial pairings in the extremely limited number of local youth. Our narrator begins with the introduction of Tom Pierce and Jack Fitzmark, two gentlemen who “took up residence together at two-and-thirty, thus making it apparent that they would marry no one at all.” (4) Tom and Jack, no longer the subjects of matrimonial speculation themselves, carry on with their own thoughtful conjectures about the eventual wedded bliss of the remaining young people. Continue reading